After a bumper 40th anniversary edition of IFFR Pro last year, there’s a sense that Rotterdam’s industry strand has fined tuned things rather than introduced major changes for 2024.
IFFR Pro centres around key initiatives including co-production market CineMart, talent development programme Rotterdam Lab, works in progress section Dark Room and financial support for filmmakers through the festival’s Hubert Bals Fund.
Head of IFFR Pro a.i. Alessia Acone, who is overseeing the industry strand while IFFR Pro head Inke Van Loocke is on maternity leave, says one of the main differences about CineMart this year is that...
IFFR Pro centres around key initiatives including co-production market CineMart, talent development programme Rotterdam Lab, works in progress section Dark Room and financial support for filmmakers through the festival’s Hubert Bals Fund.
Head of IFFR Pro a.i. Alessia Acone, who is overseeing the industry strand while IFFR Pro head Inke Van Loocke is on maternity leave, says one of the main differences about CineMart this year is that...
- 1/26/2024
- ScreenDaily
Selection includes new projects by Aisling Walsh, Ena Sendijarević, Andreas Fontana and Beatrice Gibson
Projects by directors including Aisling Walsh, Ena Sendijarević, Andreas Fontana and Beatrice Gibson are among the 2024 line-up for CineMart, the co-production market of the International Film Festival Rotterdam (IFFR).
CineMart has revealed 16 feature film projects and four immersive projects for its upcoming 41st edition, which runs from January 28-31. Cinemart is also presenting six works-in-progress, of which four are features and two immersive, as part of its Darkroom strand.
The project selection includes Lucia from Irish filmmaker Aisling Walsh whose Maudie (2016), starring Sally Hawkins and Ethan Hawke,...
Projects by directors including Aisling Walsh, Ena Sendijarević, Andreas Fontana and Beatrice Gibson are among the 2024 line-up for CineMart, the co-production market of the International Film Festival Rotterdam (IFFR).
CineMart has revealed 16 feature film projects and four immersive projects for its upcoming 41st edition, which runs from January 28-31. Cinemart is also presenting six works-in-progress, of which four are features and two immersive, as part of its Darkroom strand.
The project selection includes Lucia from Irish filmmaker Aisling Walsh whose Maudie (2016), starring Sally Hawkins and Ethan Hawke,...
- 12/13/2023
- by Tim Dams
- ScreenDaily
Fiction debut of Belgian director Paloma Sermon-Daï has also sealed French distribution.
Athens-based Heretic has acquired world sales rights to Belgian director Paloma Sermon-Daï’s fiction debut It’s Raining In The House (Il Pleut Dans La Maison) which world premieres in Cannes’ Critics’ Week.
Heretic has previously collaborated with Sermon-Daï, handling sales for her documentary Petit Samedi which world premiered at the Berlinale Forum in 2020.
French distributor Condor has picked up French rights to It’s Raining In The House, after previously collaborating with the film’s co-producer Kidam on 2021 Critics Week’ title Zero Fucks Given. Recent titles distributed by Condor...
Athens-based Heretic has acquired world sales rights to Belgian director Paloma Sermon-Daï’s fiction debut It’s Raining In The House (Il Pleut Dans La Maison) which world premieres in Cannes’ Critics’ Week.
Heretic has previously collaborated with Sermon-Daï, handling sales for her documentary Petit Samedi which world premiered at the Berlinale Forum in 2020.
French distributor Condor has picked up French rights to It’s Raining In The House, after previously collaborating with the film’s co-producer Kidam on 2021 Critics Week’ title Zero Fucks Given. Recent titles distributed by Condor...
- 4/27/2023
- by Tim Dams
- ScreenDaily
It is the fiction debut of Belgian director Paloma Sermon-Daï.
Athens-based Heretic has acquired world sales rights to Belgian director Paloma Sermon-Daï’s fiction debut It’s Raining In The House (Il Pleut Dans La Maison) which world premieres in Cannes’ Critics’ Week.
Heretic has previously collaborated with Sermon-Daï, handling sales for her documentary Petit Samedi which world premiered at the Berlinale Forum in 2020.
French distributor Condor has picked up French rights to It’s Raining In The House, after previously collaborating with the film’s co-producer Kidam on 2021 Critics Week’ title Zero Fucks Given. Recent titles distributed by Condor in France include Aftersun and Joyland.
Athens-based Heretic has acquired world sales rights to Belgian director Paloma Sermon-Daï’s fiction debut It’s Raining In The House (Il Pleut Dans La Maison) which world premieres in Cannes’ Critics’ Week.
Heretic has previously collaborated with Sermon-Daï, handling sales for her documentary Petit Samedi which world premiered at the Berlinale Forum in 2020.
French distributor Condor has picked up French rights to It’s Raining In The House, after previously collaborating with the film’s co-producer Kidam on 2021 Critics Week’ title Zero Fucks Given. Recent titles distributed by Condor in France include Aftersun and Joyland.
- 4/27/2023
- by Tim Dams
- ScreenDaily
The selection also includes projects from Kirill Serebrennikov and Agnieszka Holland
David Cronenberg’s The Shrouds is among 32 projects to receive a share of €8.3m in Eurimages’ latest round of co-production funding.
Cronenberg’s new feature, a co-production between Canada and France, received €500,000 – the largest amount awarded in this round of funding. Vincent Cassel plays a widower who creates a device that allows you to connect with the dead. Diane Kruger and Guy Pearce also star in the thriller.
Scroll down for full list of titles
The only other project to also receive €500,000 was Adrià Garcia’s animation The Treasure Of Barracuda,...
David Cronenberg’s The Shrouds is among 32 projects to receive a share of €8.3m in Eurimages’ latest round of co-production funding.
Cronenberg’s new feature, a co-production between Canada and France, received €500,000 – the largest amount awarded in this round of funding. Vincent Cassel plays a widower who creates a device that allows you to connect with the dead. Diane Kruger and Guy Pearce also star in the thriller.
Scroll down for full list of titles
The only other project to also receive €500,000 was Adrià Garcia’s animation The Treasure Of Barracuda,...
- 4/3/2023
- by Ellie Calnan
- ScreenDaily
The Eurimages Project Evaluation Session of 2023 have just been announced and among the 32 supported films we have some veteran filmmakers in David Cronenberg (The Shrouds), Agnieszka Holland (The Green Border) and Kirill Serebrennikov (Disappearance aka La disparition) landing some significant coin amounts. Also grabbing some noteworthy sums of euros are filmmakers Burhan Qurbani (No Beast So Fierce), Jonathan Millet (Lives of Hamid), Nóra Lakos (I Accidentally Wrote a Book) and Scandi helmers Jeanette Nordahl (Connections) and Fanny Ovesen (Laura). Here is the entire list which includes docus and animated films:
A Light at Midday – Elena Manrique (Spain) – €300 000
Aïcha – Mehdi Barsaoui (Tunisia) – €150 000
Bestiaries, Herbaria, Lapidaries – Martina Parenti, Massimo D’Anolfi (Italy) – €80 000 Documentary
Blood and Mud – Jean-Gabriel Leynaud (France) – €140 000 Documentary
Catane – Ioana Mischie (Romania) – €150 000
Connections – Jeanette Nordahl (Denmark) – €302 000
Disappearance – Kirill Serebrennikov (Russia) – €350 000
DJ Ahmet – Georgi Unkovski (North Macedonia) – €160 000
Dreaming of Lions – Paolo Marinou-Blanco (Portugal) – €150 000
Filipinas – Leonor Noivo (Portugal) – €74 500 Documentary
Flow – Gints Zilbalodis (Latvia...
A Light at Midday – Elena Manrique (Spain) – €300 000
Aïcha – Mehdi Barsaoui (Tunisia) – €150 000
Bestiaries, Herbaria, Lapidaries – Martina Parenti, Massimo D’Anolfi (Italy) – €80 000 Documentary
Blood and Mud – Jean-Gabriel Leynaud (France) – €140 000 Documentary
Catane – Ioana Mischie (Romania) – €150 000
Connections – Jeanette Nordahl (Denmark) – €302 000
Disappearance – Kirill Serebrennikov (Russia) – €350 000
DJ Ahmet – Georgi Unkovski (North Macedonia) – €160 000
Dreaming of Lions – Paolo Marinou-Blanco (Portugal) – €150 000
Filipinas – Leonor Noivo (Portugal) – €74 500 Documentary
Flow – Gints Zilbalodis (Latvia...
- 4/3/2023
- by Eric Lavallée
- IONCINEMA.com
Always nuggets of great info when the Cnc reveals what projects they are throwing their weight behind. Via Cineuropa we learn that Sofia Djama will embark on her sophomore project titles A Quarter To Thursday In Algiers and Teddy Lussi-Modeste will move onto his third feature film titled, Pas de vague. Jean-Christophe Meurisse and Olivier Meys complete the quartet of filmmakers who are setting up their next projects with Cnc coin.
Book writer turned filmmaker Sofia Djama saw her debut film Les bienheureux premiere at the 2017 Venice Film Festival (Lyna Khoudri won the Best Actress Award in the Orizzonti section).…...
Book writer turned filmmaker Sofia Djama saw her debut film Les bienheureux premiere at the 2017 Venice Film Festival (Lyna Khoudri won the Best Actress Award in the Orizzonti section).…...
- 7/11/2022
- by Eric Lavallée
- IONCINEMA.com
UK Global Screen Fund Awards
The UK Global Screen Fund, backed by Dcms and administered by the BFI, has awarded a further £2.1M ($2.8M) to UK companies through its £7M ($9.3M) International Business Development strand. The financial support will provide companies from around the UK with funding for business strategies to create, acquire and exploit Intellectual Property (IP) for increased international revenue, activities and profile.d The awards come in the form of non-repayable grants and range between £50,000 and £117,600 in total over a three-year period. Companies to benefit from this round include Number 9 Films (Mothering Sunday), The Ink Factory (The Night Manager), Warp Films (Everybody’s Talking About Jamie) and Good Chaos. Further awards went to: Alphablocks Limited; Avanti Media; The Black Camel Picture Company; Blazing Griffin; Bohemia Club; Cantilever Media; Digital Media Distribution; Dog Ears; Dorothy Street Pictures; Ida Rose; Ie Ie Productions Little Door Productions; Outsider Games...
The UK Global Screen Fund, backed by Dcms and administered by the BFI, has awarded a further £2.1M ($2.8M) to UK companies through its £7M ($9.3M) International Business Development strand. The financial support will provide companies from around the UK with funding for business strategies to create, acquire and exploit Intellectual Property (IP) for increased international revenue, activities and profile.d The awards come in the form of non-repayable grants and range between £50,000 and £117,600 in total over a three-year period. Companies to benefit from this round include Number 9 Films (Mothering Sunday), The Ink Factory (The Night Manager), Warp Films (Everybody’s Talking About Jamie) and Good Chaos. Further awards went to: Alphablocks Limited; Avanti Media; The Black Camel Picture Company; Blazing Griffin; Bohemia Club; Cantilever Media; Digital Media Distribution; Dog Ears; Dorothy Street Pictures; Ida Rose; Ie Ie Productions Little Door Productions; Outsider Games...
- 12/16/2021
- by Tom Grater
- Deadline Film + TV
Belgium director Olivier Meys chooses a tale of social realism for his feature debut “Bitter Flowers”, 9 years after the documentary “A Disappearance Foretold” and the short film “Première nuit à Beijing”. Co-written with Maarten Loix, “Bitter Flowers” is an independent Belgium-Switzerland-France-China co-production exposing the very real phenomenon – which has been increasing exponentially since the early 2000s – of Chinese women being lured into fake promises of easy earning in European countries.
“Bitter Flowers” is screening at CineCina iFest
The story is narrated from the perspective of a mid-thirty woman and starts in Yeling, in the cold province of Dongbei, North East China. Lina (Qi Xi) and her little family, an affectionate husband and a son, live modestly in an urban apartment. Their life is not unpleasant, but it could be better; more money would allow them to start a little business and provide a better future for their son. This mirage...
“Bitter Flowers” is screening at CineCina iFest
The story is narrated from the perspective of a mid-thirty woman and starts in Yeling, in the cold province of Dongbei, North East China. Lina (Qi Xi) and her little family, an affectionate husband and a son, live modestly in an urban apartment. Their life is not unpleasant, but it could be better; more money would allow them to start a little business and provide a better future for their son. This mirage...
- 7/28/2020
- by Adriana Rosati
- AsianMoviePulse
Belgium director Olivier Meys chooses a tale of social realism for his feature debut “Bitter Flowers”, 9 years after the documentary “A Disappearance Foretold” and the short film “Première nuit à Beijing”. Co-written with Maarten Loix, “Bitter Flowers” is an independent Belgium-Switzerland-France-China co-production exposing the very real phenomenon – which has been increasing exponentially since the early 2000s – of Chinese women being lured into fake promises of easy earning in European countries.
“Bitter Flowers” is screening at CineCina iFest
The story is narrated from the perspective of a mid-thirty woman and starts in Yeling, in the cold province of Dongbei, North East China. Lina (Qi Xi) and her little family, an affectionate husband and a son, live modestly in an urban apartment. Their life is not unpleasant, but it could be better; more money would allow them to start a little business and provide a better future for their son. This mirage...
“Bitter Flowers” is screening at CineCina iFest
The story is narrated from the perspective of a mid-thirty woman and starts in Yeling, in the cold province of Dongbei, North East China. Lina (Qi Xi) and her little family, an affectionate husband and a son, live modestly in an urban apartment. Their life is not unpleasant, but it could be better; more money would allow them to start a little business and provide a better future for their son. This mirage...
- 7/28/2020
- by Adriana Rosati
- AsianMoviePulse
CineCina teams with Smart Cinema USA for the first CineCina iFest available to the public from now through August 31. Available for viewing exclusively on mobile devices via The SmartCinema USA app. Highlighted by Oliver Mays’ drama Bitter Flowers, Lou Ye’s The Shadow Play, and a mini retrospective of director Midi Z’s work, the CineCina iFest, is the organization’s latest foray into exploring new exhibition methods following the Covid-19 pandemic’s disruption of audiences attending screening events and viewing films in theaters.
CineCina, which has quickly made a name for itself in New York championing Chinese and world cinema, recently concluded its first Online Film Festival, and has received notice for projecting iconic film scenes set in New York City on buildings in Manhattan to celebrate the gradual reopening of the state. CineCina has steadfastly continued its mission to celebrate film and promote filmmaking in the city during...
CineCina, which has quickly made a name for itself in New York championing Chinese and world cinema, recently concluded its first Online Film Festival, and has received notice for projecting iconic film scenes set in New York City on buildings in Manhattan to celebrate the gradual reopening of the state. CineCina has steadfastly continued its mission to celebrate film and promote filmmaking in the city during...
- 7/16/2020
- by Rhythm Zaveri
- AsianMoviePulse
In the grand tradition of contemporary Chinese independent cinema, a woman heads to the big city to make her fortune in the new economic world order and is eventually forced to resort to prostitution in Belgian filmmaker Olivier Meys’ feature debut, Bitter Flowers. The significant difference this time around is that the city is Paris and the story is about the woman, not her boyfriend (see: Zhao Dayong’s The High Life), and is told from her point of view. Suggesting Beijing can’t provide for its own could make the film a hard sell in China, though the Belgium-Switzerland-France-China co-production could...
- 10/24/2017
- by Elizabeth Kerr
- The Hollywood Reporter - Movie News
Screen investigates which films from around the world could launch on the Croisette, including on opening night.
With just over a month to go before the line-up for this year’s Cannes Film Festival is unveiled in Paris, Croisette predictions and wish lists are hitting the web thick and fast.
Screen’s network of correspondents and contributors around the world have been putting out feelers to get a sense of what might or might not make it to the Palais du Cinéma or one of the parallel sections.
Just like the Oscars, this year’s festival is likely to unfold amid a politically-charged atmosphere. Beyond Trump and the rise of populism across the globe, France will be digesting the result of its own presidential election on May 7. Against this background, the festival will be feting its 70th edition.
Below, Screen reveals which titles might - and might not - be in the running for a place at the...
With just over a month to go before the line-up for this year’s Cannes Film Festival is unveiled in Paris, Croisette predictions and wish lists are hitting the web thick and fast.
Screen’s network of correspondents and contributors around the world have been putting out feelers to get a sense of what might or might not make it to the Palais du Cinéma or one of the parallel sections.
Just like the Oscars, this year’s festival is likely to unfold amid a politically-charged atmosphere. Beyond Trump and the rise of populism across the globe, France will be digesting the result of its own presidential election on May 7. Against this background, the festival will be feting its 70th edition.
Below, Screen reveals which titles might - and might not - be in the running for a place at the...
- 3/13/2017
- ScreenDaily
Finalists include five from Asia and five from Europe.
The 6th Ties That Bind: Asia - Europe Producers Workshop has announced ten finalists for this year – five from Asia and five from Europe.
The producers will work together on developing their projects over two events.
The first will take place during the Udine Far East Film Festival in Italy, April 29-May 3. The second, during the Busan International Film Festival (Oct 2-11).
Here are the finalists (further details below):
Karim Aitouna (France)
Women of the Weeping River, Hautlesmains Productions
Dir: Sheron Dayoc
Joenathann Alandy (Philippines)
Hypothalamus, Outpost Visual Frontier
Dir: Dwein Baltazar
Valérie Bournonville (Belgium)
Walkers, Tarantula
Dir: Olivier Meys
Weronika Czołnowska (Poland)
Baby, EasyBusyProductions
Dir: Kei Ishikawa
Antonin Dedet (France)
Black Stones, Neon Productions
Dir: Gyeong Tae Roh
Justin Deimen (Singapore)
Lanun, Silver Media Group
Dir: Chua Jingdu
Julius Ponten (Netherlands)
Fatu Adil, Habbekrats
Dir: Jim Taihuttu
Alina Yan Qui (China)
Mazu, Guardian of the...
The 6th Ties That Bind: Asia - Europe Producers Workshop has announced ten finalists for this year – five from Asia and five from Europe.
The producers will work together on developing their projects over two events.
The first will take place during the Udine Far East Film Festival in Italy, April 29-May 3. The second, during the Busan International Film Festival (Oct 2-11).
Here are the finalists (further details below):
Karim Aitouna (France)
Women of the Weeping River, Hautlesmains Productions
Dir: Sheron Dayoc
Joenathann Alandy (Philippines)
Hypothalamus, Outpost Visual Frontier
Dir: Dwein Baltazar
Valérie Bournonville (Belgium)
Walkers, Tarantula
Dir: Olivier Meys
Weronika Czołnowska (Poland)
Baby, EasyBusyProductions
Dir: Kei Ishikawa
Antonin Dedet (France)
Black Stones, Neon Productions
Dir: Gyeong Tae Roh
Justin Deimen (Singapore)
Lanun, Silver Media Group
Dir: Chua Jingdu
Julius Ponten (Netherlands)
Fatu Adil, Habbekrats
Dir: Jim Taihuttu
Alina Yan Qui (China)
Mazu, Guardian of the...
- 3/26/2014
- by hjnoh2007@gmail.com (Jean Noh)
- ScreenDaily
Finalists include five from Asia and five from Europe.
The 6th Ties That Bind: Asia - Europe Producers Workshop has announced ten finalists for this year – five from Asia and five from Europe.
The producers will work together on developing their projects over two events.
The first will take place during the Udine Far East Film Festival in Italy, April 29-May 3. The second, during the Busan International Film Festival (Oct 2-11).
Here are the finalists (further details below):
Karim Aitouna (France)
Women of the Weeping River, Hautlesmains Productions
Dir: Sheron Dayoc
Joenathann Alandy (Philippines)
Hypothalamus, Outpost Visual Frontier
Dir: Dwein Baltazar
Valérie Bournonville (Belgium)
Walkers, Tarantula
Dir: Olivier Meys
Weronika Czołnowska (Poland)
Baby, EasyBusyProductions
Dir: Kei Ishikawa
Antonin Dedet (France)
Black Stones, Neon Productions
Dir: Gyeong Tae Roh
Justin Deimen (Singapore)
Lanun, Silver Media Group
Dir: Chua Jingdu
Julius Ponten (Netherlands)
Fatu Adil, Habbekrats
Dir: Jim Taihuttu
Alina Yan Qui (China)
Mazu, Guardian of the...
The 6th Ties That Bind: Asia - Europe Producers Workshop has announced ten finalists for this year – five from Asia and five from Europe.
The producers will work together on developing their projects over two events.
The first will take place during the Udine Far East Film Festival in Italy, April 29-May 3. The second, during the Busan International Film Festival (Oct 2-11).
Here are the finalists (further details below):
Karim Aitouna (France)
Women of the Weeping River, Hautlesmains Productions
Dir: Sheron Dayoc
Joenathann Alandy (Philippines)
Hypothalamus, Outpost Visual Frontier
Dir: Dwein Baltazar
Valérie Bournonville (Belgium)
Walkers, Tarantula
Dir: Olivier Meys
Weronika Czołnowska (Poland)
Baby, EasyBusyProductions
Dir: Kei Ishikawa
Antonin Dedet (France)
Black Stones, Neon Productions
Dir: Gyeong Tae Roh
Justin Deimen (Singapore)
Lanun, Silver Media Group
Dir: Chua Jingdu
Julius Ponten (Netherlands)
Fatu Adil, Habbekrats
Dir: Jim Taihuttu
Alina Yan Qui (China)
Mazu, Guardian of the...
- 3/26/2014
- by hjnoh2007@gmail.com (Jean Noh)
- ScreenDaily
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