Two of France’s fastest-rising young stars, Lyna Khoudri and Rio Vega, will lead the French voice cast of animated feature “In Waves,” an unconditional first love story, and tale of loss and memories adapting American illustrator Aj Dungo’s same-titled multi-prized graphic novel.
An anticipated banner prestige animation title from Paris-based Silex Films, “In Waves” lead producer, the feature also marks the first animated co-production of both Anonymous Content and Charades, behind sales of Jeremy Clapin’s “I Lost My Body” and Mamoru Hosoda’s “Mirai,” both Oscar nominated titles.
In Waves is directed by Phuong Mai Nguyen, a former student of French animation schools Gobelins and La Poudrière who helmed episodes of the Silex-produced animated series “Brazen” and was Oscar-shortlisted for her short “My Home,” “In Waves” has just been announced as one of five titles at the Annecy Animation Showcase, part of Cannes’ Animation Day on May...
An anticipated banner prestige animation title from Paris-based Silex Films, “In Waves” lead producer, the feature also marks the first animated co-production of both Anonymous Content and Charades, behind sales of Jeremy Clapin’s “I Lost My Body” and Mamoru Hosoda’s “Mirai,” both Oscar nominated titles.
In Waves is directed by Phuong Mai Nguyen, a former student of French animation schools Gobelins and La Poudrière who helmed episodes of the Silex-produced animated series “Brazen” and was Oscar-shortlisted for her short “My Home,” “In Waves” has just been announced as one of five titles at the Annecy Animation Showcase, part of Cannes’ Animation Day on May...
- 4/23/2024
- by John Hopewell
- Variety Film + TV
Max has unveiled a trio of French shows ahead of launch, with commissioning head Vera Peltekian saying “we don’t want to do a French Succession or White Lotus.“
Peltekian and French scripted boss Clémentine Bobin unveiled series about the Bataclan attacks, the gypsy community and an adaptation of a memoir by a French rabbi.
The previously-announced Bataclan series has been given title Black Lies and will co-star Laure Calamy and César-winning The Goldman Case actor Arieh Worthalter alongside Les Misérables’ Alexis Manenti and Mother And Son’s Annabelle Lengronne.
The show tells the story of a woman who cons her way into a victim’s association following the deadly attack in 2015. Produced by StudioFact Stories with June Films, the psychological thriller is directed by Just Philippot and written by Fanny Burdino, Jean-Baptiste Delafon, Samuel Doux and Alexandre Kauffmann. The story is loosely based on the non-fiction...
Peltekian and French scripted boss Clémentine Bobin unveiled series about the Bataclan attacks, the gypsy community and an adaptation of a memoir by a French rabbi.
The previously-announced Bataclan series has been given title Black Lies and will co-star Laure Calamy and César-winning The Goldman Case actor Arieh Worthalter alongside Les Misérables’ Alexis Manenti and Mother And Son’s Annabelle Lengronne.
The show tells the story of a woman who cons her way into a victim’s association following the deadly attack in 2015. Produced by StudioFact Stories with June Films, the psychological thriller is directed by Just Philippot and written by Fanny Burdino, Jean-Baptiste Delafon, Samuel Doux and Alexandre Kauffmann. The story is loosely based on the non-fiction...
- 3/20/2024
- by Max Goldbart
- Deadline Film + TV
Anonymous Content has come on board California surf-themed animated feature adapted from illustrator Aj Dungo’s celebrated graphic memoir, “In Waves.”
Produced by Paris-based Silex Films, “In Waves” marks the feature debut of Phuong Mai Nguyen (“Brazen”), and is being penned by Fanny Burdino and Samuel Doux, whose screenwriting credits include “After Love” and “The Origin of Evil.”
The feature is produced by Priscilla Bertin and Judith Nora, co-Founders of Silex Films, alongside Charades and Nick Shumaker, Garrett Kemble, and David Levine who will executive produce on behalf of Anonymous Content.
“We fell in love immediately with ‘In Waves’ on first read,” said Nick Shumaker on behalf of Anonymous Content. “Its themes of first love, loss, and memory will speak to worldwide audiences across age ranges and demographics, and is a needed anecdote to help inject positive emotion back into our everyday,” Shumaker continued. He pointed out the projects marks...
Produced by Paris-based Silex Films, “In Waves” marks the feature debut of Phuong Mai Nguyen (“Brazen”), and is being penned by Fanny Burdino and Samuel Doux, whose screenwriting credits include “After Love” and “The Origin of Evil.”
The feature is produced by Priscilla Bertin and Judith Nora, co-Founders of Silex Films, alongside Charades and Nick Shumaker, Garrett Kemble, and David Levine who will executive produce on behalf of Anonymous Content.
“We fell in love immediately with ‘In Waves’ on first read,” said Nick Shumaker on behalf of Anonymous Content. “Its themes of first love, loss, and memory will speak to worldwide audiences across age ranges and demographics, and is a needed anecdote to help inject positive emotion back into our everyday,” Shumaker continued. He pointed out the projects marks...
- 5/4/2023
- by Elsa Keslassy
- Variety Film + TV
Don’t expect Warner Bros. Discovery’s French original programming team to follow Netflix and Amazon Prime Video’s trail and chase teen audiences.
Vera Peltekian, VP and head of streaming original production for the banner, says the standalone service’s bow in France “is on the roadmap” with a raft of “bold and director-driven Max originals targeting adult audiences in line with what the HBO brand is known for.”
Peltekian, who previously worked 15 years at Canal + and played a major role in the pay TV group’s critically acclaimed series such as “The Returned,” “Spiral” and “Savages,” revealed that Warner Bros. Discovery’s first French original will be “The Mythomaniac of the Bataclan,” a four-part series inspired by the true story of a woman who conned her way into a victims’ association and quickly became one of its pillars.
Now shooting on location in Paris, “The Mythomaniac of...
Vera Peltekian, VP and head of streaming original production for the banner, says the standalone service’s bow in France “is on the roadmap” with a raft of “bold and director-driven Max originals targeting adult audiences in line with what the HBO brand is known for.”
Peltekian, who previously worked 15 years at Canal + and played a major role in the pay TV group’s critically acclaimed series such as “The Returned,” “Spiral” and “Savages,” revealed that Warner Bros. Discovery’s first French original will be “The Mythomaniac of the Bataclan,” a four-part series inspired by the true story of a woman who conned her way into a victims’ association and quickly became one of its pillars.
Now shooting on location in Paris, “The Mythomaniac of...
- 4/5/2023
- by Elsa Keslassy
- Variety Film + TV
Exclusive: French industry execs Naomi Denamur and Julie Billy are launching Paris-based independent production company June Films with a bustling film and TV slate. Scroll down for the company’s current lineup.
After meeting at Celluloid Dreams 15 years ago, the duo have been putting together their first slate over the past 18 months and are now making movies with talent including Clémence Poésy (The Tunnel), Ariane Labed (Mary Magdalene) and Hafsia Herzi (Good Mother). The idea is to be director-driven and genre agnostic and the company will leverage the duo’s extensive experience in production and international distribution to elevate the prospects for their projects. Billy previously worked at Haut et Court where she produced more than a dozen films including Cannes 2020 title Gagarine, Jonas Carpignano’s Cannes Directors’ Fortnight movie A Chiara and The Night Eats The World by Dominique Rocher. Denamur is known for her work in international sales and in acquisitions for distribution companies such as Ad Vitam in France and Elastica in Spain. As a producer, the company is largely working on female-fronted French and English-language projects, but the company will also look to do co-productions with foreign directors. Both Denamur and Billy are fluent English speakers. June’s lineup includes five features as lead producer: Hafsia Herzi’s third feature, after Good Mother (Un Certain Regard 2021) and You Deserve A Lover (Critics’ Week 2019), is adapted from La Petite Dernière (The Last One) by Fatima Daas. Shooting is planned for Q2, 2023. The 2021 novel, which generated much conversation in France, charts the travails of a lesbian Muslim woman who grows up in a banlieue [suburb] outside of Paris. She not only encounters institutional racism and misogyny but must also contend with a family which wanted a son instead of a daughter. Amazons, directed by Emma Benestan (Fragiles), is an elevated genre film which will shoot in the ranches and wide open spaces of the Camargue region, exploring the world of bull racing. The three following films are being co-developed with Haut et Court:
Actress Clémence Poésy’s English-language directorial debut, co-written by Georgia Oakley (Blue Jean), is adapted from Anna Hope’s well-received novel Expectation, which was translated into 20 languages. The well-received 2019 novel charts the dreams and disappointments of a group of East London women. The film is a co-production between June, Haut et Court and Andrea Calderwood and Gail Egan’s UK banner Potboiler, whose credits include The Last King Of Scotland and The Constant Gardener.
Gagarine directors Fanny Liatard and Jérémy Trouilh’s are working with June on a French language feature which is being co-written by Amélie, I Lost My Body and Big Bug writer Guillaume Laurent; and an English-language film with a U.S. producing partner, whose details are being kept under wraps. June’s co-production slate also comprises two features which are due to shoot before year’s end:
Carlo Sironi’s second feature after Sole, produced by Giovanni Pompili, co-producer of Alcarras;
And actress Ariane Labed’s debut feature Sisters, an English-language genre film produced by The Favourite outfit Element Pictures in Ireland. The Souvenir, Mary Magdalene and The Lobster actress Labed directed short Olla which won best first fiction at Clermont-Ferrand in 2020. June is also working on TV projects. The outfit is developing a limited series, adapted from The Mythomaniac Of The Bataclan by Alexander Kauffmann (who will also co-write the series), alongside The Prayer writers Fanny Burdino and Samuel Doux. Developed alongside Studiofact, the series has already generated strong interest from potential buyers. The plot follows a woman who falsely claimed to be a victim of a terrorist attack. Billy and Denamur told us: “June brings together a family of filmmakers we’ve met over the years. We will foster the emergence of new talent, while offering a modern production model. The company aims to protect the vision of its filmmakers, while guiding them in the international market, and our line-up focuses on director-driven cinema which puts forward a diverse range of views of the world.” The continued: “The pandemic has shown that there will always be a need for new content. At a moment when streamers, studios and financiers are seeking exciting European filmmakers, our talent relationships and access to emerging voices put us in an opportune position in the market.”...
After meeting at Celluloid Dreams 15 years ago, the duo have been putting together their first slate over the past 18 months and are now making movies with talent including Clémence Poésy (The Tunnel), Ariane Labed (Mary Magdalene) and Hafsia Herzi (Good Mother). The idea is to be director-driven and genre agnostic and the company will leverage the duo’s extensive experience in production and international distribution to elevate the prospects for their projects. Billy previously worked at Haut et Court where she produced more than a dozen films including Cannes 2020 title Gagarine, Jonas Carpignano’s Cannes Directors’ Fortnight movie A Chiara and The Night Eats The World by Dominique Rocher. Denamur is known for her work in international sales and in acquisitions for distribution companies such as Ad Vitam in France and Elastica in Spain. As a producer, the company is largely working on female-fronted French and English-language projects, but the company will also look to do co-productions with foreign directors. Both Denamur and Billy are fluent English speakers. June’s lineup includes five features as lead producer: Hafsia Herzi’s third feature, after Good Mother (Un Certain Regard 2021) and You Deserve A Lover (Critics’ Week 2019), is adapted from La Petite Dernière (The Last One) by Fatima Daas. Shooting is planned for Q2, 2023. The 2021 novel, which generated much conversation in France, charts the travails of a lesbian Muslim woman who grows up in a banlieue [suburb] outside of Paris. She not only encounters institutional racism and misogyny but must also contend with a family which wanted a son instead of a daughter. Amazons, directed by Emma Benestan (Fragiles), is an elevated genre film which will shoot in the ranches and wide open spaces of the Camargue region, exploring the world of bull racing. The three following films are being co-developed with Haut et Court:
Actress Clémence Poésy’s English-language directorial debut, co-written by Georgia Oakley (Blue Jean), is adapted from Anna Hope’s well-received novel Expectation, which was translated into 20 languages. The well-received 2019 novel charts the dreams and disappointments of a group of East London women. The film is a co-production between June, Haut et Court and Andrea Calderwood and Gail Egan’s UK banner Potboiler, whose credits include The Last King Of Scotland and The Constant Gardener.
Gagarine directors Fanny Liatard and Jérémy Trouilh’s are working with June on a French language feature which is being co-written by Amélie, I Lost My Body and Big Bug writer Guillaume Laurent; and an English-language film with a U.S. producing partner, whose details are being kept under wraps. June’s co-production slate also comprises two features which are due to shoot before year’s end:
Carlo Sironi’s second feature after Sole, produced by Giovanni Pompili, co-producer of Alcarras;
And actress Ariane Labed’s debut feature Sisters, an English-language genre film produced by The Favourite outfit Element Pictures in Ireland. The Souvenir, Mary Magdalene and The Lobster actress Labed directed short Olla which won best first fiction at Clermont-Ferrand in 2020. June is also working on TV projects. The outfit is developing a limited series, adapted from The Mythomaniac Of The Bataclan by Alexander Kauffmann (who will also co-write the series), alongside The Prayer writers Fanny Burdino and Samuel Doux. Developed alongside Studiofact, the series has already generated strong interest from potential buyers. The plot follows a woman who falsely claimed to be a victim of a terrorist attack. Billy and Denamur told us: “June brings together a family of filmmakers we’ve met over the years. We will foster the emergence of new talent, while offering a modern production model. The company aims to protect the vision of its filmmakers, while guiding them in the international market, and our line-up focuses on director-driven cinema which puts forward a diverse range of views of the world.” The continued: “The pandemic has shown that there will always be a need for new content. At a moment when streamers, studios and financiers are seeking exciting European filmmakers, our talent relationships and access to emerging voices put us in an opportune position in the market.”...
- 5/18/2022
- by Andreas Wiseman
- Deadline Film + TV
Laurent Cantet, best known for “The Class,” his Cannes 2008’s Palme d’Or-winning film about a teacher and his racially-mixed students in an underprivileged Parisian suburb, highlights the cracks within French society in the thought-provoking “Arthur Rambo.”
The film, which played at Toronto in its Platform section and is competing at San Sebastian, is inspired by the true story of Mehdi Meklat, a young man who grew up in a French high-rise project on the outskirt of Paris and became a star journalist and an author celebrated by France’s mainstream media and left-leaning intellectual circles.
But in 2017, as Meklat reached the apogee of his success, he was publicly shut down and dropped by his publisher after his heinous tweets – written under a pseudonym before becoming famous — were revealed. The movie follows this anti-hero’s downfall through the next 48 hours.
Rabah Nait Oufella (“Raw”), who starred in “The Class” as a kid,...
The film, which played at Toronto in its Platform section and is competing at San Sebastian, is inspired by the true story of Mehdi Meklat, a young man who grew up in a French high-rise project on the outskirt of Paris and became a star journalist and an author celebrated by France’s mainstream media and left-leaning intellectual circles.
But in 2017, as Meklat reached the apogee of his success, he was publicly shut down and dropped by his publisher after his heinous tweets – written under a pseudonym before becoming famous — were revealed. The movie follows this anti-hero’s downfall through the next 48 hours.
Rabah Nait Oufella (“Raw”), who starred in “The Class” as a kid,...
- 9/24/2021
- by Elsa Keslassy
- Variety Film + TV
There’s an interesting lesson to be learned at the center Laurent Cantet’s Arthur Rambo that’s honestly shocking to think still needs to be learned. I don’t mean that in reference to the director or his fellow co-writers Fanny Burdino and Samuel Doux, though, as many people talking about the film do. I’m talking about the people like Karim D. (Rabah Nait Oufella) who still can’t quite grasp the reality that social media isn’t a safe space. It’s not a diary to collect your rage and insecurities so you don’t spew them in public. It is public. The filmmakers understand that truth. Them writing a character who doesn’t—or is naïve enough to pretend he doesn’t—isn’t them being out of touch. It’s evidence that others are.
Celebrities dealing with past insensitive remarks online of late proves it too.
Celebrities dealing with past insensitive remarks online of late proves it too.
- 9/13/2021
- by Jared Mobarak
- The Film Stage
Paris-based outfit Silex Films is teaming up with Charades for “In Waves,” a California-set tale of unconditional love and surfing, adapted from American illustrator Aj Dungo’s critically acclaimed graphic novel of the same name.
“In Waves” will mark the feature debut of Phuong Mai Nguyen, a graduate of the Gobelins and La Poudriere animation schools who has directed several shorts, including “My Home,” which was shortlisted for the Academy Awards in 2016. She co-helmed the animated series “Brazen,” a series about historical women of various time periods which was also produced by Silex.
Fanny Burdino and Samuel Doux, a pair of successful screenwriters, are co-writing the script and have given it enough depth to appeal large audiences beyond the obvious animation or surf fan niches, said Priscilla Bertin, Silex’s co-founder (with Judith Nora). Burdino and Doux have worked with celebrated auteurs, including Joachim Lafosse, Cedric Kahn and Laurent Cantet...
“In Waves” will mark the feature debut of Phuong Mai Nguyen, a graduate of the Gobelins and La Poudriere animation schools who has directed several shorts, including “My Home,” which was shortlisted for the Academy Awards in 2016. She co-helmed the animated series “Brazen,” a series about historical women of various time periods which was also produced by Silex.
Fanny Burdino and Samuel Doux, a pair of successful screenwriters, are co-writing the script and have given it enough depth to appeal large audiences beyond the obvious animation or surf fan niches, said Priscilla Bertin, Silex’s co-founder (with Judith Nora). Burdino and Doux have worked with celebrated auteurs, including Joachim Lafosse, Cedric Kahn and Laurent Cantet...
- 6/15/2021
- by Elsa Keslassy
- Variety Film + TV
Event will include the launch of the festival’s newest and largest programme, Harbour.
International Film Festival Rotterdam (IFFR) has unveiled the first titles for its summer event, which has shifted to a hybrid format due as the pandemic continues.
The celebration of the festival’s 50th anniversary was due to run as a physical series of screenings and events from June 2-6, complementing the online-only edition of IFFR that took place in February.
It will now be presented as a hybrid event, with a film programme that will be available online in the Netherlands and physically in Rotterdam, as...
International Film Festival Rotterdam (IFFR) has unveiled the first titles for its summer event, which has shifted to a hybrid format due as the pandemic continues.
The celebration of the festival’s 50th anniversary was due to run as a physical series of screenings and events from June 2-6, complementing the online-only edition of IFFR that took place in February.
It will now be presented as a hybrid event, with a film programme that will be available online in the Netherlands and physically in Rotterdam, as...
- 4/15/2021
- by Michael Rosser
- ScreenDaily
Event will include the launch of the festival’s newest and largest programme, Harbour.
International Film Festival Rotterdam (IFFR) has unveiled the first titles for its summer event, which has shifted to a hybrid format due as the pandemic continues.
The celebration of the festival’s 50th anniversary was due to run as a physical series of screenings and events from June 2-6, complementing the online-only edition of IFFR that took place in February.
It will now be presented as a hybrid event, with a film programme that will be available online in the Netherlands and physically in Rotterdam, as...
International Film Festival Rotterdam (IFFR) has unveiled the first titles for its summer event, which has shifted to a hybrid format due as the pandemic continues.
The celebration of the festival’s 50th anniversary was due to run as a physical series of screenings and events from June 2-6, complementing the online-only edition of IFFR that took place in February.
It will now be presented as a hybrid event, with a film programme that will be available online in the Netherlands and physically in Rotterdam, as...
- 4/15/2021
- by Michael Rosser
- ScreenDaily
With his 1999 feature debut “Human Resources,” director Laurent Cantet – who later won the Palme d’Or at Cannes with “The Class” – traced the economic and cultural fissures between France’s blue-collar, non-urban set, and the country’s managerial elite. That conflict has played out writ large across the streets of Paris in recent weeks, as members of the “Gilets Jaunes” (Yellow Vest) movement have taken to the streets to protest French President Emmanuel Macron’s technocratic style of governance.
A perceptive examiner of his country’s various fault lines, Cantet has been on jury duty at the Marrakech Film Festival, which wraps up Saturday. When Variety sat down with Cantet to discuss past and future projects, we also asked about the protests that he seemed to foresee nearly two decades ago.
What do you make of the ongoing situation in France?
I feel that the government is completely deaf to the cries of the country.
A perceptive examiner of his country’s various fault lines, Cantet has been on jury duty at the Marrakech Film Festival, which wraps up Saturday. When Variety sat down with Cantet to discuss past and future projects, we also asked about the protests that he seemed to foresee nearly two decades ago.
What do you make of the ongoing situation in France?
I feel that the government is completely deaf to the cries of the country.
- 12/8/2018
- by Ben Croll
- Variety Film + TV
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