European Film Promotion has revealed the 10 emerging actors who will take part in the 27th edition of European Shooting Stars program, which promotes European acting talent. Past Shooting Stars have included Carey Mulligan, Alicia Vikander, Maisie Williams and Riz Ahmed.
From Feb. 16-19, the actors will be presented to the international press and industry, and the German public at the Berlin Film Festival. One of the highlights will be the Shooting Stars Awards Ceremony on Feb. 19 at the Berlinale Palast.
The Shooting Stars for 2024 are Belgium’s Thibaud Dooms, Bulgaria’s Margarita Stoykova, France’s Suzy Bemba, Georgia’s Salome Demuria, Germany’s Katharina Stark, Ireland’s Éanna Hardwicke, Italy’s Valentina Bellè, Lithuania’s Džiugas Grinys, Poland’s Kamila Urzędowska and Sweden’s Asta Kamma August.
The jury that selected the actors comprised of Austrian director, screenwriter and producer Barbara Albert, Lithuanian producer Živilė Gallego, Irish actor Moe Dunford,...
From Feb. 16-19, the actors will be presented to the international press and industry, and the German public at the Berlin Film Festival. One of the highlights will be the Shooting Stars Awards Ceremony on Feb. 19 at the Berlinale Palast.
The Shooting Stars for 2024 are Belgium’s Thibaud Dooms, Bulgaria’s Margarita Stoykova, France’s Suzy Bemba, Georgia’s Salome Demuria, Germany’s Katharina Stark, Ireland’s Éanna Hardwicke, Italy’s Valentina Bellè, Lithuania’s Džiugas Grinys, Poland’s Kamila Urzędowska and Sweden’s Asta Kamma August.
The jury that selected the actors comprised of Austrian director, screenwriter and producer Barbara Albert, Lithuanian producer Živilė Gallego, Irish actor Moe Dunford,...
- 12/14/2023
- by Leo Barraclough
- Variety Film + TV
10-strong line-up includes Italian actress Valentina Bellè and Irish actor Éanna Hardwicke.
European Film Promotion (Efp) has revealed the ten young European talents selected for the 27th edition of European Shooting Stars, its initiative to showcase promising on-screen talent from the continent.
Efp has selected seven actresses and three actors who will be presented to international press, industry, and the public during the 2024 Berlin Film Festival.
The line-up includes Italian actress Valentina Bellè who starred in two competition films at Venice this year: Michael Mann’s Ferrari and Lubo by Giorgio Diritti. She also plays the leading role in Disney + series The Good Mother,...
European Film Promotion (Efp) has revealed the ten young European talents selected for the 27th edition of European Shooting Stars, its initiative to showcase promising on-screen talent from the continent.
Efp has selected seven actresses and three actors who will be presented to international press, industry, and the public during the 2024 Berlin Film Festival.
The line-up includes Italian actress Valentina Bellè who starred in two competition films at Venice this year: Michael Mann’s Ferrari and Lubo by Giorgio Diritti. She also plays the leading role in Disney + series The Good Mother,...
- 12/14/2023
- by Tim Dams
- ScreenDaily
’André Rieu’s 2022 Maastricht Summer Concert: Happy Days Are Here Again’ plays widely this weekend.
Universal’s survival thriller Beast is the widest release among the features debuting at this weekend’s UK-Ireland box office, however event cinema André Rieu’s 2022 Maastricht Summer Concert: Happy Days Are Here Again boasts the overall largest figure.
Beast is directed by Icelandic filmmaker Baltasar Kormakur. The survival thriller stars Idris Elba as a grieving widower, who must protect his daughters from a voracious lion. It is set to play at 601 sites this weekend.
Kormakur’s best known for 2015 real-life disaster thriller, Everest, which opened to £2.4m from 567 sites.
Universal’s survival thriller Beast is the widest release among the features debuting at this weekend’s UK-Ireland box office, however event cinema André Rieu’s 2022 Maastricht Summer Concert: Happy Days Are Here Again boasts the overall largest figure.
Beast is directed by Icelandic filmmaker Baltasar Kormakur. The survival thriller stars Idris Elba as a grieving widower, who must protect his daughters from a voracious lion. It is set to play at 601 sites this weekend.
Kormakur’s best known for 2015 real-life disaster thriller, Everest, which opened to £2.4m from 567 sites.
- 8/26/2022
- by Mona Tabbara
- ScreenDaily
Laure Calamy of Call My Agent! fame is mesmerising as a sex worker of a certain age in Cécile Ducrocq’s perceptive and humane feature debut
Sex work has been a staple topic of cinema practically since the invention of the medium, and French cinema has contributed to that corpus as much, if not more, than any other film-making nation. You might even say it’s helped to forge some of the great cinematic cliches about prostitution, going as far back as Sarah Bernhardt’s turn, adapted from a stage production, as a courtesan-with-a-heart in a 1912 adaptation of Dumas’ La Dame aux Camélias.
French director Cécile Ducrocq takes some of those cliches and shreds them with her perceptive, humane film, a feature debut that’s at least partly inspired by her award-winning 2014 short Back Alley. As in the latter, Laure Calamy (best known outside France for playing lovelorn personal assistant Noémie in Call My Agent!
Sex work has been a staple topic of cinema practically since the invention of the medium, and French cinema has contributed to that corpus as much, if not more, than any other film-making nation. You might even say it’s helped to forge some of the great cinematic cliches about prostitution, going as far back as Sarah Bernhardt’s turn, adapted from a stage production, as a courtesan-with-a-heart in a 1912 adaptation of Dumas’ La Dame aux Camélias.
French director Cécile Ducrocq takes some of those cliches and shreds them with her perceptive, humane film, a feature debut that’s at least partly inspired by her award-winning 2014 short Back Alley. As in the latter, Laure Calamy (best known outside France for playing lovelorn personal assistant Noémie in Call My Agent!
- 8/23/2022
- by Leslie Felperin
- The Guardian - Film News
The 19th edition of Skip City International D-Cinema Festival had been physically held in three years from July 16 to July 24 (and virtually from July 21 to July 27), and wrapped at the Closing Ceremony, Sunday July 24. Jury and Audience award winners were announced at the Ceremony.
Softie (France), directed by Samuel Theis, received the Grand Prize in the International Competition. Magnetic Beats, directed by Vincent Maël Cardona, won the Best Director and Utama, directed by Alejandro Loayza Grisi, received Special Jury Prize. This year’s jury members were Shinobu Terajima, President of the Jury and the Berlinale Silver Bear winning actress, Daishi Matsunaga, the director of Hanalei Bay and Pieta in the Toilet, and Nam Dong-chul, Busan International Film Festival, Program Director. In addition, Her Way (France), directed by Cécile Ducrocq, was chosen for the Audience Award.
Skip City Award, which is selected from all Japanese films both in the International Competition and the Japanese Film Competition,...
Softie (France), directed by Samuel Theis, received the Grand Prize in the International Competition. Magnetic Beats, directed by Vincent Maël Cardona, won the Best Director and Utama, directed by Alejandro Loayza Grisi, received Special Jury Prize. This year’s jury members were Shinobu Terajima, President of the Jury and the Berlinale Silver Bear winning actress, Daishi Matsunaga, the director of Hanalei Bay and Pieta in the Toilet, and Nam Dong-chul, Busan International Film Festival, Program Director. In addition, Her Way (France), directed by Cécile Ducrocq, was chosen for the Audience Award.
Skip City Award, which is selected from all Japanese films both in the International Competition and the Japanese Film Competition,...
- 7/27/2022
- by Adriana Rosati
- AsianMoviePulse
The Skip City International D-Cinema Festival in outer Tokyo wrapped its 19th edition on Sunday with prizes going to “Softie, by French director Samuel Theis, and “Double Life,” by female Chinese director Enen Yo in the separate Japanese film competition.
The festival, long a launch pad for emerging Japanese and world filmmakers, held in-person screenings July 16-24, 2022, at venues in Kawaguchi, and an online segment July 21-27.
“Softie” received the Grand Prize in the international competition. “Magnetic Beats,” directed by Vincent Mael Cardona, won the best director, while “Utama,” directed by Alejandro Loayza Grisi, received Special Jury Prize in the same section. In addition, “Her Way” directed by Cecile Ducrocq, was chosen for the Audience Award.
The Skip City Award, which is selected from all Japanese films both in the international competition and the Japanese film competition, was given to a Musashino Art University graduation film, “Journey,” directed by Kiriu Shogo.
The festival, long a launch pad for emerging Japanese and world filmmakers, held in-person screenings July 16-24, 2022, at venues in Kawaguchi, and an online segment July 21-27.
“Softie” received the Grand Prize in the international competition. “Magnetic Beats,” directed by Vincent Mael Cardona, won the best director, while “Utama,” directed by Alejandro Loayza Grisi, received Special Jury Prize in the same section. In addition, “Her Way” directed by Cecile Ducrocq, was chosen for the Audience Award.
The Skip City Award, which is selected from all Japanese films both in the international competition and the Japanese film competition, was given to a Musashino Art University graduation film, “Journey,” directed by Kiriu Shogo.
- 7/26/2022
- by Patrick Frater and Mark Schilling
- Variety Film + TV
Nejc Gazvoda, whose previous films include “A Trip” and “Dual,” has started shooting “Father Figure” in his home town, Novo Mesto, Slovenia. The film will be shot in 25 days and is expected to be completed in the spring of 2023, online news service Film New Europe reports.
“Father Figure” is an absurdist tale, written by Gazvoda, which follows a mother and her son who move from Ljubljana to a small town after the mother’s divorce. Jan is in his final year of elementary school, and Maja is a psychologist at the same school. The film begins with the reopening of schools after the end of the pandemic, but things do not seem to be the way they were before.
“ ‘Father Figure’ is a film about a particular period (the middle of 2021), set in an elementary school, and all the issues it deals with are concrete: peer violence, loneliness, dignity. At the same time,...
“Father Figure” is an absurdist tale, written by Gazvoda, which follows a mother and her son who move from Ljubljana to a small town after the mother’s divorce. Jan is in his final year of elementary school, and Maja is a psychologist at the same school. The film begins with the reopening of schools after the end of the pandemic, but things do not seem to be the way they were before.
“ ‘Father Figure’ is a film about a particular period (the middle of 2021), set in an elementary school, and all the issues it deals with are concrete: peer violence, loneliness, dignity. At the same time,...
- 4/21/2022
- by Damijan Vinter
- Variety Film + TV
Orange Studio has taken the opportunity of this year’s Unifrance Rendez-Vous in Paris to lift the curtain on season two of “L’Opéra,” a premium series that offers a backstage look at the inner workings and private passions of the dancers who illuminate Paris’ prestigious Opera Garnier. Ahead of Wednesday’s market presentation, execs from Orange Studio confirmed to Variety that two-time César winner Anne Alvaro will join the cast as the sophomore season’s chief antagonist.
The lauded performer will join a cast headed by veteran Ariane Labed as a hard-living 35-year-old fighting to remain in the spotlight and newcomer Suzy Bemba (of the upcoming Yorgos Lanthimos project “Poor Things”) as a 19-year-old from an underprivileged background looking for a chance to prove herself. Season one’s third lead Raphael Personnaz (“Anna Karenina”) will also return, this time taking a more supporting role as the troupe’s outgoing director.
The lauded performer will join a cast headed by veteran Ariane Labed as a hard-living 35-year-old fighting to remain in the spotlight and newcomer Suzy Bemba (of the upcoming Yorgos Lanthimos project “Poor Things”) as a 19-year-old from an underprivileged background looking for a chance to prove herself. Season one’s third lead Raphael Personnaz (“Anna Karenina”) will also return, this time taking a more supporting role as the troupe’s outgoing director.
- 1/13/2022
- by Ben Croll
- Variety Film + TV
Valeria Bruni-Tedeschi’s “Forever Young,” Golshifteh Farahani starrer “Romantique,” and the documentary “Last Dance” will be launched by sales boutique Charades at the Unifrance Rendez-Vous.
“Forever Young” (“Les amandiers”) stars Nadia Tereszkiewicz (“Possessions”), Louis Garrel (“An Officer and a Spy”), Vassili Schneider and Suzanne Lindon (“Spring Blossom”). The film opens at the end of the 1980s in Paris and follows a young troupe of comedians who have just have been admitted to Les Amandiers, the prestigious theater school headed by Patrice Chéreau. The film is produced by France’s Ad Vitam production and Italy’s Bibi Film.
“Romantique” (“Une Comedie romantique) marks Thibault Segouin’s feature debut, starring Farahani and Alex Lutz. The movie follows César, a notorious liar and a failing artist who lives in Montmartre in Paris and discovers he is the father of a three-year-old little girl. The film is produced by Latika and will be released by Alba Films.
“Forever Young” (“Les amandiers”) stars Nadia Tereszkiewicz (“Possessions”), Louis Garrel (“An Officer and a Spy”), Vassili Schneider and Suzanne Lindon (“Spring Blossom”). The film opens at the end of the 1980s in Paris and follows a young troupe of comedians who have just have been admitted to Les Amandiers, the prestigious theater school headed by Patrice Chéreau. The film is produced by France’s Ad Vitam production and Italy’s Bibi Film.
“Romantique” (“Une Comedie romantique) marks Thibault Segouin’s feature debut, starring Farahani and Alex Lutz. The movie follows César, a notorious liar and a failing artist who lives in Montmartre in Paris and discovers he is the father of a three-year-old little girl. The film is produced by Latika and will be released by Alba Films.
- 1/11/2022
- by Elsa Keslassy
- Variety Film + TV
As many as 85 films and a record 55 market premieres will screen at the Rendez-Vous in Paris, a week-long event organized by French promotion org Unifrance.
The event will open on Monday with the world premiere of “Simone: A Journey of the Century,” a biopic of Simone Veil, an Auschwitz survivor who became health minister of France and championed the 1975 law that legalized abortion in France. Directed by Olivier Dahan (“La Vie en rose”), the movie is headlined by Elsa Zylberstein, who completely transformed for the role. Other Angle has sold it to Samuel Goldwyn for North America, along with a string of international deals.
The lineup of market premieres includes Cédric Klapisch’s music-filled movie “Rise”; Patrice Leconte’s detective film “Maigret” with Gérard Depardieu; Fred Cayavé’s World War II-set drama “Farewell Mr. Haffmann” with Daniel Auteuil; Louis-Julien Petit’s social comedy “The Kitchen Brigade”; Jérôme Bonnell’s romantic...
The event will open on Monday with the world premiere of “Simone: A Journey of the Century,” a biopic of Simone Veil, an Auschwitz survivor who became health minister of France and championed the 1975 law that legalized abortion in France. Directed by Olivier Dahan (“La Vie en rose”), the movie is headlined by Elsa Zylberstein, who completely transformed for the role. Other Angle has sold it to Samuel Goldwyn for North America, along with a string of international deals.
The lineup of market premieres includes Cédric Klapisch’s music-filled movie “Rise”; Patrice Leconte’s detective film “Maigret” with Gérard Depardieu; Fred Cayavé’s World War II-set drama “Farewell Mr. Haffmann” with Daniel Auteuil; Louis-Julien Petit’s social comedy “The Kitchen Brigade”; Jérôme Bonnell’s romantic...
- 1/7/2022
- by Elsa Keslassy
- Variety Film + TV
Other winners included German drama ‘Other Cannibals’ and Lithuania’s ‘Runner’.
Andreas Kleinert’s German drama Dear Thomas has been awarded the Grand Prix at the 2021 Black Nights Film Festival, held in the Estonian capital of Tallinn.
The black-and-white historical biopic follows the struggles of East German author and filmmaker Thomas Brasch, played by Albrecht Schuch who was also named best actor at Black Nights’ closing ceremony on Saturday evening (November 27).
Scroll down for full list of winners
It marks the latest feature of prolific Germany filmmaker Kleinert, known for titles such as Leb Whol, Joseph; Lost Landscape; and Head Under Water,...
Andreas Kleinert’s German drama Dear Thomas has been awarded the Grand Prix at the 2021 Black Nights Film Festival, held in the Estonian capital of Tallinn.
The black-and-white historical biopic follows the struggles of East German author and filmmaker Thomas Brasch, played by Albrecht Schuch who was also named best actor at Black Nights’ closing ceremony on Saturday evening (November 27).
Scroll down for full list of winners
It marks the latest feature of prolific Germany filmmaker Kleinert, known for titles such as Leb Whol, Joseph; Lost Landscape; and Head Under Water,...
- 11/28/2021
- by Michael Rosser
- ScreenDaily
Emmanuel Mouret’s “Love Affair(s),” Samir Guesmi’s “Ibrahim” and Elie Wajeman’s “Night Doctor” won top prizes at Colcoa, the French film and TV festival.
The festival, which marked its 25th edition, wrapped at the DGA on Sunset Boulevard in Los Angeles on Nov. 7. It was attended by 14,000 people.
The festival, programmed by Francois Truffart, is organized by the Franco-American Cultural Fund, a collaboration between the Directors Guild of America (DGA), the Motion Picture Association (MPA), The Writers Guild of America West (Wgaw) and France’s Society of Authors, Composers and Publishers of Music (Sacem).
Colcoa shifted its spring dates to the fall in 2019 as the DGA was being renovated and is now ideally positioned at the start of the awards season in the U.S. The awards ceremony took place at the Sacem headquarters near Paris in the presence of many honorees, notably Guesmi and “Love Affair(s)” producer Frédéric Niedermayer,...
The festival, which marked its 25th edition, wrapped at the DGA on Sunset Boulevard in Los Angeles on Nov. 7. It was attended by 14,000 people.
The festival, programmed by Francois Truffart, is organized by the Franco-American Cultural Fund, a collaboration between the Directors Guild of America (DGA), the Motion Picture Association (MPA), The Writers Guild of America West (Wgaw) and France’s Society of Authors, Composers and Publishers of Music (Sacem).
Colcoa shifted its spring dates to the fall in 2019 as the DGA was being renovated and is now ideally positioned at the start of the awards season in the U.S. The awards ceremony took place at the Sacem headquarters near Paris in the presence of many honorees, notably Guesmi and “Love Affair(s)” producer Frédéric Niedermayer,...
- 11/17/2021
- by Elsa Keslassy
- Variety Film + TV
Colcoa, the L.A.-based French film and series festival, has unveiled the television section of its upcoming 25th anniversary edition.
“In Treatment,” Eric Toledano and Olivier Nakache’s French adaptation of the original Israeli series “BeTipul”; Julie Delpy’s series debut “On The Verge”; and “Germinal,” the 19th century-set ambitious period series adapted from Emile Zola’s masterpiece created by Julien Lilti (“Hippocrate”) are among the nine TV titles set to have their North American premiere at Colcoa.
The other series set to compete at Colcoa include “High Intellectual Potential” starring Audrey Fleurot (“Spiral”) as an intractable cleaning lady-turned-ace detective and “Nona and her Daughters,” co-written and directed by Valerie Donzelli (“Declaration of War”).
Set to take place Nov. 1-7 at the DGA, the festival will showcase 12 programs, including seven series, four TV movies and one documentary. The section is being backed by Titrafilm and has enlisted some of France’s top companies,...
“In Treatment,” Eric Toledano and Olivier Nakache’s French adaptation of the original Israeli series “BeTipul”; Julie Delpy’s series debut “On The Verge”; and “Germinal,” the 19th century-set ambitious period series adapted from Emile Zola’s masterpiece created by Julien Lilti (“Hippocrate”) are among the nine TV titles set to have their North American premiere at Colcoa.
The other series set to compete at Colcoa include “High Intellectual Potential” starring Audrey Fleurot (“Spiral”) as an intractable cleaning lady-turned-ace detective and “Nona and her Daughters,” co-written and directed by Valerie Donzelli (“Declaration of War”).
Set to take place Nov. 1-7 at the DGA, the festival will showcase 12 programs, including seven series, four TV movies and one documentary. The section is being backed by Titrafilm and has enlisted some of France’s top companies,...
- 9/24/2021
- by Elsa Keslassy
- Variety Film + TV
While we await next week’s line-up unveilings to complete the full Croisette picture and ponder if the likes of helmers Clara Roquet (Libertad), Mari Alessandrini (Zahorí), Carolina Markowicz (Toll), Mounia Akl (Costa Brava Lebanon), Laura Baumeister (Daughter of Rage), Cécile Ducrocq (Une femme du monde), Banu Akseki (Sans Soleil), Simón Mesa Soto (Amparo), Agustina San Martín IV (Los abismos) and Arnaud Malherbe (Ogre) might fit into the sidebar plans, Critics’ Week have revealed their first official selection in Charline Bourgeois-Tacquet‘s comedy, Les Amours d’Anaïs.…...
- 6/5/2021
- by Eric Lavallée
- IONCINEMA.com
Five new films including Her Way and The Scars of Ali Boulala, and six post-production titles shine in the French vendor’s bumper line-up. Armed with an undeniably positive mindset, allowing them to surmount the risks involved in the nervous management of a health crisis, French international sales agent Charades is primed and ready to offer distributors new prospects at the 71st Berlinale’s European Film Market (running online 1-5 March). Indeed, no fewer than five new films will enhance the extensive line-up put forward by the team composed of Yohann Comte, Carole Baraton, Pierre Mazars and Constantin Briest. Shining especially bright among these, we find the French feature Her Way by Cécile Ducrocq (starring Laure Calamy at the head of the cast – read our article – pre-sold on the basis of a script and a promo) and the documentary The Scars of Ali Boulala by Sweden’s Max Eriksson, of which.
Other new titles on its slate include Swedish documentary The Scars Of Ali Boulala and French drama Her Way.
French sales company Charades will launch sales on Danish director Thomas Daneskov’s black comedy-thriller Wild Men ahead at the online edition of the EFM, running March 1-5.
Rasmus Bjerg co-stars as a man suffering from a mid-life crisis who heads into the Norwegian mountains, with the intention of hunting and gathering to survive, where he meets an on-the-run drug dealer, played by Zaki Youssef. The pair embark on a hectic trip across the fjords with police, thugs and the man’s family in hot pursuit.
French sales company Charades will launch sales on Danish director Thomas Daneskov’s black comedy-thriller Wild Men ahead at the online edition of the EFM, running March 1-5.
Rasmus Bjerg co-stars as a man suffering from a mid-life crisis who heads into the Norwegian mountains, with the intention of hunting and gathering to survive, where he meets an on-the-run drug dealer, played by Zaki Youssef. The pair embark on a hectic trip across the fjords with police, thugs and the man’s family in hot pursuit.
- 2/22/2021
- by Melanie Goodfellow
- ScreenDaily
The actress dazzles up front in Cécile Ducrocq’s first feature film, which is produced by Domino Films and sold by Charades. The first clapperboard slammed in eastern France today on Une femme du monde, the debut feature film by Cécile Ducrocq, a director highly acclaimed for her shorts, most notably Tout le monde dit je t’aime (UniFrance Award in Cannes 2011) and La contre-allée.Laure Calamy is supported in the cast by...
- 11/30/2020
- Cineuropa - The Best of European Cinema
As global SVOD operators and local pay TV rivals power ever more the future of film and TV in Europe, French state-backed Orange, one of Europe’s biggest telecoms groups, made available in Spain on July 10 its first full Spanish original series, the adrenaline sluiced horror thriller “Caminantes.”
Orange’s first series in Spain marks the full arrival of a new, deep-pocketed producer on Spain’s booming drama series production scene as well as what looks like another significant commitment by a Spanish telecom to premium content in an ever more competitive market, where Telefonica’s Movistar Plus began to produce around 11 original series a year from September 2017.
Directed by “Money Heist’s” Koldo Serra, and produced by The Mediapro’s Studio’s 100 Balas, “Caminantes” comes hot on the heels of the exclusive release by Orange of two other Tms series: Antarctic survival thriller “The Head,” whose cast includes “Money Heist’s” Alvaro Morte,...
Orange’s first series in Spain marks the full arrival of a new, deep-pocketed producer on Spain’s booming drama series production scene as well as what looks like another significant commitment by a Spanish telecom to premium content in an ever more competitive market, where Telefonica’s Movistar Plus began to produce around 11 original series a year from September 2017.
Directed by “Money Heist’s” Koldo Serra, and produced by The Mediapro’s Studio’s 100 Balas, “Caminantes” comes hot on the heels of the exclusive release by Orange of two other Tms series: Antarctic survival thriller “The Head,” whose cast includes “Money Heist’s” Alvaro Morte,...
- 7/13/2020
- by John Hopewell and Elsa Keslassy
- Variety Film + TV
Paris — Since its 2015 debut, Canal Plus’ prestige drama “The Bureau” has become the pay-tv service’s flagship series, winning critical acclaim and a loyal fan base at home, and selling briskly to over 95 territories abroad.
At the head is Eric Rochant, who co-created the workplace espionage thriller with his Top The Oligarchs Production partner Alex Berger. When putting the series together, Rochant and Berger imported a U.S. production model – placing Rochant at the head of a streamlined infrastructure that could reliably source a ten-episode season per year while keeping a unified voice.
The bet paid off – delivering the cable broadcaster a hot ticket title that the New York Times recently named third best international series of the past decade, while also clearing the way for other showrunners in the French industry.
Though he’ll stay on as executive producer, Rochant will hand over showrunning duties following the series’ fifth season,...
At the head is Eric Rochant, who co-created the workplace espionage thriller with his Top The Oligarchs Production partner Alex Berger. When putting the series together, Rochant and Berger imported a U.S. production model – placing Rochant at the head of a streamlined infrastructure that could reliably source a ten-episode season per year while keeping a unified voice.
The bet paid off – delivering the cable broadcaster a hot ticket title that the New York Times recently named third best international series of the past decade, while also clearing the way for other showrunners in the French industry.
Though he’ll stay on as executive producer, Rochant will hand over showrunning duties following the series’ fifth season,...
- 3/31/2020
- by Ben Croll
- Variety Film + TV
Jacques Audiard, whose latest film “The Sisters Brothers” with John C. Reilly, Joaquin Phoenix and Jake Gyllenhaal earned him a best director prize at Venice, will make his TV debut with the Canal Plus hit original spy series “The Bureau.”
The Palme d’Or winning director of “Dheepan” will direct some episodes of the fifth and final season of “The Bureau,” along with the series creator Eric Rochant, Jérôme Salle, Thomas Bidegain, Anna Novion, Samuel Collardey and Mathieu Kassovitz, who is also the star of “The Bureau.”
Audiard, one of France’s most revered filmmakers, also co-wrote the fifth season of “The Bureau” with Bidegain, his writing partner on several films including “The Sisters Brothers,” as well as Cécile Ducrocq, Capucine Rochant, Hippolyte Girardot, Dominique Baumard, Camille de Castelnau, Olivier Dujols, Raphaël Chevènement, with the collaboration of Valentine Milville.
“The Bureau” revolves around a member of a clandestine branch of...
The Palme d’Or winning director of “Dheepan” will direct some episodes of the fifth and final season of “The Bureau,” along with the series creator Eric Rochant, Jérôme Salle, Thomas Bidegain, Anna Novion, Samuel Collardey and Mathieu Kassovitz, who is also the star of “The Bureau.”
Audiard, one of France’s most revered filmmakers, also co-wrote the fifth season of “The Bureau” with Bidegain, his writing partner on several films including “The Sisters Brothers,” as well as Cécile Ducrocq, Capucine Rochant, Hippolyte Girardot, Dominique Baumard, Camille de Castelnau, Olivier Dujols, Raphaël Chevènement, with the collaboration of Valentine Milville.
“The Bureau” revolves around a member of a clandestine branch of...
- 6/7/2019
- by Elsa Keslassy
- Variety Film + TV
Following “The Name of the Rose”(pictured) and “Devils,” France’s Orange has unveiled four internationally-driven series projects as part of its commitment to step into premium original shows with its film/TV division Orange Studio and pay TV group Ocs both of board.
Currently in development, the social western “Cheyenne & Lola,” the dance-filled workplace drama “The Opera,” the French army series “Les Sentinelles” and English-language cyber-thriller “Unpunished” have been added to the company’s rising drama slate.
“Unpunished” is an ambitious series which is being developed with the writers and creators Coline Aubert (“The Returned”) and Fredrik Agetoft (“Arne Dahl: Eye in the Sky”) and the critically-acclaimed Argentine helmer Alex Garcia Lopez, whose credits include “The Punisher” and “Dardevil.”
A European co-production, “Unpunished” is being produced by Sydney Gallonde (“No Second Chance”) and Marc Nowak at Paris-based Make It Happen Studio, as well as Laurent Boissel and Emmanuelle Guilbart at About Premium Content,...
Currently in development, the social western “Cheyenne & Lola,” the dance-filled workplace drama “The Opera,” the French army series “Les Sentinelles” and English-language cyber-thriller “Unpunished” have been added to the company’s rising drama slate.
“Unpunished” is an ambitious series which is being developed with the writers and creators Coline Aubert (“The Returned”) and Fredrik Agetoft (“Arne Dahl: Eye in the Sky”) and the critically-acclaimed Argentine helmer Alex Garcia Lopez, whose credits include “The Punisher” and “Dardevil.”
A European co-production, “Unpunished” is being produced by Sydney Gallonde (“No Second Chance”) and Marc Nowak at Paris-based Make It Happen Studio, as well as Laurent Boissel and Emmanuelle Guilbart at About Premium Content,...
- 3/22/2019
- by Elsa Keslassy
- Variety Film + TV
Big winners also included Oscar nominee Mustang and local box office hit Margurite.
Philippe Faucon’s contemporary immigrant drama Fatima won best film at France’s César ceremony in Paris on Friday, beating hot favourites Marguerite, My Golden Years, and Oscar nominee Mustang as well as Palme d’Or winner Dheepan.
The picture — based on the semi-autobiographical works of Fatima Elayoubi about an illiterate North African woman adapting to life in France — also won Césars for best upcoming actress for Zita Hanot and best adaptation for Faucon.
As was the case last year, when Abderrahmane Sissako’s timely exploration of Islamic extremism of Timbuktu swept the board, the votes of 4,276-strong César academy appear to have been influenced in part by events in France, which like many countries across Europe is preoccupied with immigration and the reality of its ethnic minorities.
Other winners on Friday night included foreign language Oscar nominee Mustang and local box office hit [link...
Philippe Faucon’s contemporary immigrant drama Fatima won best film at France’s César ceremony in Paris on Friday, beating hot favourites Marguerite, My Golden Years, and Oscar nominee Mustang as well as Palme d’Or winner Dheepan.
The picture — based on the semi-autobiographical works of Fatima Elayoubi about an illiterate North African woman adapting to life in France — also won Césars for best upcoming actress for Zita Hanot and best adaptation for Faucon.
As was the case last year, when Abderrahmane Sissako’s timely exploration of Islamic extremism of Timbuktu swept the board, the votes of 4,276-strong César academy appear to have been influenced in part by events in France, which like many countries across Europe is preoccupied with immigration and the reality of its ethnic minorities.
Other winners on Friday night included foreign language Oscar nominee Mustang and local box office hit [link...
- 2/27/2016
- ScreenDaily
U.S Dramatic
Grand Jury Prize
Me and Earl and the Dying Girl (Alfonso Gomez-Rejon)
Audience Award
Me and Earl and the Dying Girl (Alfonso Gomez-Rejon)
Directing Award
The Witch (Robert Eggers, U.S./Canada)
Waldo Salt Screenwriting Award
The Stanford Prison Experiment (Tim Talbott)
Special Jury Award – Excellence in Cinematography
Diary of a Teenage Girl (Brandon Trost)
Special Jury Award – Excellence in Editing
Dope (Lee Haugen)
Special Jury Award – Collaborative Vision
Advantageous (Jacqueline Kim, Jennifer Phang)
U.S. Documentary
Grand Jury Prize
The Wolfpack (Crystal Moselle)
Audience Award
Meru (Jimmy Chin, E. Chai Vasarhelyi)
Directing Award
Cartel Land (Matthew Heineman, U.S./Mexico)
Special Jury Award — Social Impact
3 1/2 Minutes (Marc Silver)
Special Jury Award – Verite Filmmaking
Western (Bill Ross, Turner Ross)
Special Jury Award – Break Out First Feature
(T)error (Lyric R. Cabral, David Felix Sutcliffe)
Special Jury Award – Cinematography
Cartel Land (Matthew Heineman, Matt Porwoll)
World Cinema Dramatic...
Grand Jury Prize
Me and Earl and the Dying Girl (Alfonso Gomez-Rejon)
Audience Award
Me and Earl and the Dying Girl (Alfonso Gomez-Rejon)
Directing Award
The Witch (Robert Eggers, U.S./Canada)
Waldo Salt Screenwriting Award
The Stanford Prison Experiment (Tim Talbott)
Special Jury Award – Excellence in Cinematography
Diary of a Teenage Girl (Brandon Trost)
Special Jury Award – Excellence in Editing
Dope (Lee Haugen)
Special Jury Award – Collaborative Vision
Advantageous (Jacqueline Kim, Jennifer Phang)
U.S. Documentary
Grand Jury Prize
The Wolfpack (Crystal Moselle)
Audience Award
Meru (Jimmy Chin, E. Chai Vasarhelyi)
Directing Award
Cartel Land (Matthew Heineman, U.S./Mexico)
Special Jury Award — Social Impact
3 1/2 Minutes (Marc Silver)
Special Jury Award – Verite Filmmaking
Western (Bill Ross, Turner Ross)
Special Jury Award – Break Out First Feature
(T)error (Lyric R. Cabral, David Felix Sutcliffe)
Special Jury Award – Cinematography
Cartel Land (Matthew Heineman, Matt Porwoll)
World Cinema Dramatic...
- 2/1/2015
- by Notebook
- MUBI
Updated with details and quotes: The Sundance Film Festival awards ceremony tonight in Park City saw a dramatic dual decision and strong political voices to put a cap on a hot-deals festival. Like last year, when Whiplash took both the U.S. Dramatic Grand Jury Prize and the Audience Award on its way to an Best Picture Oscar nomination, the much-sought Me And Earl And The Dying Girl took both this year.
“I want to dedicate this to all the young filmmakers in my hometown of Laredo, Texas,” said director Alfonso Gomez-Rejon onstage. Fox Searchlight and Indian Paintbrush teamed to land the pic earlier this week after frenzied bidding, with a 2015 release planned. The Jesse Andrews script follows Greg, who is coasting through senior year of high school as anonymously as possible, avoiding social interactions like the plague while secretly making spirited, bizarre films with Earl, his only friend. But...
“I want to dedicate this to all the young filmmakers in my hometown of Laredo, Texas,” said director Alfonso Gomez-Rejon onstage. Fox Searchlight and Indian Paintbrush teamed to land the pic earlier this week after frenzied bidding, with a 2015 release planned. The Jesse Andrews script follows Greg, who is coasting through senior year of high school as anonymously as possible, avoiding social interactions like the plague while secretly making spirited, bizarre films with Earl, his only friend. But...
- 2/1/2015
- by Dominic Patten and Patrick Hipes
- Deadline
Don Hertzfeldt's World of Tomorrow has won the Short Film Grand Jury Prize at Sundance. "To date, the peak of Hertzfeldt’s work has been the triptych feature It’s Such A Beautiful Day, about one man’s fear that he won’t be able to control his genetic predisposition to mental illness," wrote the Dissolve's Noel Murray on his first day at Sundance. And with World of Tomorrow, Hertzfeldt "may have topped" himself. The other winners: Frankie Shaw's Smilf (U.S. Fiction), Atsuko Hirayanagi's Oh Lucy! (International Fiction), Kitty Green's The Face of Ukraine: Casting Oksana Baiul (Non-fiction), Paul Cabon's Storm hits jacket (Animation), Cécile Ducrocq's Back Alley (Acting) and Paulina Skibińska's Object (Visual Poetry). » - David Hudson...
- 1/28/2015
- Fandor: Keyframe
Don Hertzfeldt's World of Tomorrow has won the Short Film Grand Jury Prize at Sundance. "To date, the peak of Hertzfeldt’s work has been the triptych feature It’s Such A Beautiful Day, about one man’s fear that he won’t be able to control his genetic predisposition to mental illness," wrote the Dissolve's Noel Murray on his first day at Sundance. And with World of Tomorrow, Hertzfeldt "may have topped" himself. The other winners: Frankie Shaw's Smilf (U.S. Fiction), Atsuko Hirayanagi's Oh Lucy! (International Fiction), Kitty Green's The Face of Ukraine: Casting Oksana Baiul (Non-fiction), Paul Cabon's Storm hits jacket (Animation), Cécile Ducrocq's Back Alley (Acting) and Paulina Skibińska's Object (Visual Poetry). » - David Hudson...
- 1/28/2015
- Keyframe
The Sundance Institute has announced its short film-making awards with Don Hertzfeldt’s World Of Tomorrow taking the short film grand jury prize.
The Us director and screenwriter took home top honours for his piece about a young girl’s mind-bending journey to the future. Hertzfeldt was nominated for an Academy Award in 2001 for his short film, Rejected.
In other awards announced on January 27, the short film jury award for Us fiction went to Frankie Shaw’s Smilf, while the international fiction award was granted to Atsuko Hirayanagi’s Oh Lucy! from Japan.
Kitty Green’s The Face Of Ukraine: Casting Oksana Baiul took home the award for the non-fiction category and the jury award for animation went to French writer-director Paul Cabon for Storm Hits Jacket.
Cécile Ducrocq’s Back Alley was honoured with the special jury award for acting, while Polish director Paulina Skibińska was awarded the special jury award for visual poetry in her...
The Us director and screenwriter took home top honours for his piece about a young girl’s mind-bending journey to the future. Hertzfeldt was nominated for an Academy Award in 2001 for his short film, Rejected.
In other awards announced on January 27, the short film jury award for Us fiction went to Frankie Shaw’s Smilf, while the international fiction award was granted to Atsuko Hirayanagi’s Oh Lucy! from Japan.
Kitty Green’s The Face Of Ukraine: Casting Oksana Baiul took home the award for the non-fiction category and the jury award for animation went to French writer-director Paul Cabon for Storm Hits Jacket.
Cécile Ducrocq’s Back Alley was honoured with the special jury award for acting, while Polish director Paulina Skibińska was awarded the special jury award for visual poetry in her...
- 1/28/2015
- ScreenDaily
Starting from 8,061 total submissions, the Sundance Film Festival awarded the Short Film Grand Jury Prize on Tuesday night to Don Hertzfeldt’s “World of Tomorrow.” The film is about a little girl being taken on a mind-bending tour of the distant future.
Other short film winners include “Smilf” taking the Short Film Jury Award for U.S. Fiction, while “Oh Lucy!” scored the Short Film Jury Award in the International Fiction category. The former tells the story of a young mother trying to balance her old single life with her new one, while the latter is about a middle-aged woman...
Other short film winners include “Smilf” taking the Short Film Jury Award for U.S. Fiction, while “Oh Lucy!” scored the Short Film Jury Award in the International Fiction category. The former tells the story of a young mother trying to balance her old single life with her new one, while the latter is about a middle-aged woman...
- 1/28/2015
- by Jason Hughes
- The Wrap
Top brass have announced 60 films culled from 8,061 submissions across four categories – Us and international narrative, documentary and animation.
“This year’s short film-makers have broken through their limited timeframe with a high level of artistry and story that will resonate with audiences long after each film has ended,” said senior programmer Mike Plante.
The Short Film programme is presented by YouTube.
Sundance 2015 is set to run in Park City, Salt Lake City, Ogden and Sundance, Utah, from January 22 to February 1.
All synopses provided by the festival.
Us Narrative Short Films
Actresses
Jeremy Hersh
The film follows the relationship between a young, aspiring actress and an established off-Broadway star.
A.D. 1363, The End Of Chivalry (USA-New Zealand)
Jake Mahaffy
A little-known historical catastrophe leads to the definitive end of the era of chivalry and questing.
Color Neutral
Jennifer Reeves
A color explosion sparkles, bubbles, and fractures in this handcrafted 16mm film. Jennifer Reeves utilises...
“This year’s short film-makers have broken through their limited timeframe with a high level of artistry and story that will resonate with audiences long after each film has ended,” said senior programmer Mike Plante.
The Short Film programme is presented by YouTube.
Sundance 2015 is set to run in Park City, Salt Lake City, Ogden and Sundance, Utah, from January 22 to February 1.
All synopses provided by the festival.
Us Narrative Short Films
Actresses
Jeremy Hersh
The film follows the relationship between a young, aspiring actress and an established off-Broadway star.
A.D. 1363, The End Of Chivalry (USA-New Zealand)
Jake Mahaffy
A little-known historical catastrophe leads to the definitive end of the era of chivalry and questing.
Color Neutral
Jennifer Reeves
A color explosion sparkles, bubbles, and fractures in this handcrafted 16mm film. Jennifer Reeves utilises...
- 12/9/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
It’s almost astonishing that we’ve managed to guess two (we also had Nadav Lapid pegged for the Main Comp) of the eleven titles unveiled by the Cannes Critics’ Week sidebar earlier today. On our radar we had Djinn Carrénard’s sophomore film (Faire L’Amour has been selected as the opening film) and Jonas Alexander Arnby’s debut (When Animals Dream is one among the seven comp titles) as strong possibilities and we’re excited that an American indie personality we’ve featured on this site before in David Robert Mitchell will be showcasing his sophomore film, It Follows (starring Maika Monroe and Keir Gilchrist) in a section that showcased The Myth Of The American Sleepover back in 2010. Mélanie Laurent’s Respire (which could catapult the careers of thesps Lou de Laâge and Joséphine Japy) receives the Special Screening status alongside Lapid’s The Kindergarten Teacher. Also on...
- 4/21/2014
- by Eric Lavallee
- IONCINEMA.com
The lineup for the 53rd Semaine de la Critique (or "Critics' Week") has been announced and feature seven films in competition, four special screenings, and ten short and medium-length films in competition.
Opening Film
Faire: L'amour (Djinn Carrénard)
Competition
Darker Than Midnight (Sebastiano Riso)
The Tribe (Myroslav Slaboshpytskiy)
It Follows (David Robert Mitchell)
Gente de bien (Franco Lolli)
When Animals Dream (Jonas Alexander Arnby)
Hope (Boris Lojkine)
Self Made (Shira Geffen)
Closing Film
Hippocrates (Thomas Lilti)
Special Screenings
Breathe (Mélanie Laurent)
The Kindergarten Teacher (Nadav Lapid)
Short And Medium-length Films In Competition
Young Lions of Gypsy (Jonas Carpignan)
Goodnight Cinderella (Carlos Conceição)
The Chicken (Una Gunja)
Back Alley (Cécile Ducrocq)
Crocodile (Gaëlle Denis)
Les fleuves m'ont laissée descendre où je voulais (Laurie Lassalle)
Little Brother (Rémi St-Michel)
Safari (Gerardo Herrero)
TrueLoveStory (Gitanjali Rao)
A Blue Room (Tomasz Siwiński)...
Opening Film
Faire: L'amour (Djinn Carrénard)
Competition
Darker Than Midnight (Sebastiano Riso)
The Tribe (Myroslav Slaboshpytskiy)
It Follows (David Robert Mitchell)
Gente de bien (Franco Lolli)
When Animals Dream (Jonas Alexander Arnby)
Hope (Boris Lojkine)
Self Made (Shira Geffen)
Closing Film
Hippocrates (Thomas Lilti)
Special Screenings
Breathe (Mélanie Laurent)
The Kindergarten Teacher (Nadav Lapid)
Short And Medium-length Films In Competition
Young Lions of Gypsy (Jonas Carpignan)
Goodnight Cinderella (Carlos Conceição)
The Chicken (Una Gunja)
Back Alley (Cécile Ducrocq)
Crocodile (Gaëlle Denis)
Les fleuves m'ont laissée descendre où je voulais (Laurie Lassalle)
Little Brother (Rémi St-Michel)
Safari (Gerardo Herrero)
TrueLoveStory (Gitanjali Rao)
A Blue Room (Tomasz Siwiński)...
- 4/21/2014
- by Notebook
- MUBI
Critics' Week at the Cannes Film Festival is one of those institutions that generally looks impressive only in retrospect. In advance, it's hard to tell which of the films selected for the sidebar will really land, but look back at the archives, and it's remarkable how many significant films -- from Ken Loach's "Kes" to Alejandro Gonzalez Inarittu's "Amores Perros" -- have quietly premiered there. In other words, while I don't have much to say right now about this year's Critics' Week selection, announced earlier today, it could yet give us plenty to talk about. As it stands, the most famous name in the lineup isn't one best known for her work behind the camera: French actress Mélanie Laurent, whose second directorial effort, "Respire," will play as a Special Screening in the section. Laurent starred in her 2011 debut, "The Adopted," a middling family melodrama that received a quiet release in France and the UK,...
- 4/21/2014
- by Guy Lodge
- Hitfix
Djinn Carrenard’s second feature to open selection; genre pictures When Animals Dream [pictured] and It Follows to compete in Cannes Critics’ Week.
Djinn Carrénard’s Faire L’Amour (Fla)], revolving around the relationship between a musician and woman on parole, will open the 53rd edition of Cannes Critics’ Week, running May 15-23
The respected parallel selection, focusing on first and second works, unveiled its 2014 line-up on Monday (April 20). In total, the selection committee screened 1,200 feature-length films and 1,770 shorts.
Haitian, France-based Carrénard won France’s prestigious Louis Delluc prize for best first film in 2011 for his buzzy, micro-budget Donoma, which premiered in Cannes in 2010 in the indie-focused Acid selection.
“The director of Donoma instils in his second feature all the energy of the previous one with a sense of drama and character development that really packs a punch,” commented Critics’ Week artistic director Charles Tesson, adding it revolved around, “how to construct love and how to really make love...
Djinn Carrénard’s Faire L’Amour (Fla)], revolving around the relationship between a musician and woman on parole, will open the 53rd edition of Cannes Critics’ Week, running May 15-23
The respected parallel selection, focusing on first and second works, unveiled its 2014 line-up on Monday (April 20). In total, the selection committee screened 1,200 feature-length films and 1,770 shorts.
Haitian, France-based Carrénard won France’s prestigious Louis Delluc prize for best first film in 2011 for his buzzy, micro-budget Donoma, which premiered in Cannes in 2010 in the indie-focused Acid selection.
“The director of Donoma instils in his second feature all the energy of the previous one with a sense of drama and character development that really packs a punch,” commented Critics’ Week artistic director Charles Tesson, adding it revolved around, “how to construct love and how to really make love...
- 4/21/2014
- ScreenDaily
Djinn Carrenard’s second feature to open selection; genre pictures When Animals Dream [pictured] and It Follows to compete in Cannes Critics’ Week.
Djinn Carrénard’s Faire L’Amour (Fla)], revolving around the relationship between a musician and woman on parole, will open the 53rd edition of Cannes Critics’ Week, running May 15-23
The respected parallel selection, focusing on first and second works, unveiled its 2014 line-up on Monday (April 20). In total, the selection committee screened 1,200 feature-length films and 1,770 shorts.
Haitian, France-based Carrénard won France’s prestigious Louis Delluc prize for best first film in 2011 for his buzzy, micro-budget Donoma, which premiered in Cannes in 2010 in the indie-focused Acid selection.
“The director of Donoma instils in his second feature all the energy of the previous one with a sense of drama and character development that really packs a punch,” commented Critics’ Week artistic director Charles Tesson, adding it revolved around, “how to construct love and how to really make love...
Djinn Carrénard’s Faire L’Amour (Fla)], revolving around the relationship between a musician and woman on parole, will open the 53rd edition of Cannes Critics’ Week, running May 15-23
The respected parallel selection, focusing on first and second works, unveiled its 2014 line-up on Monday (April 20). In total, the selection committee screened 1,200 feature-length films and 1,770 shorts.
Haitian, France-based Carrénard won France’s prestigious Louis Delluc prize for best first film in 2011 for his buzzy, micro-budget Donoma, which premiered in Cannes in 2010 in the indie-focused Acid selection.
“The director of Donoma instils in his second feature all the energy of the previous one with a sense of drama and character development that really packs a punch,” commented Critics’ Week artistic director Charles Tesson, adding it revolved around, “how to construct love and how to really make love...
- 4/21/2014
- ScreenDaily
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