As 2023 comes to a close, we here at JoBlo.com would like to take a moment to pay tribute to some of the people who sadly passed away this year. Our deepest respect goes out to everyone in the industry we have lost, and our thoughts and prayers are with the friends and family of those who died in 2023. These talented individuals will always be remembered for their impact on the world of film and television.
In Memory Of…
Earl Boen
Earl Boen died at the age of 81 on January 5th. The actor was best known as Dr. Peter Silberman in The Terminator, a role he reprised in Terminator 2: Judgment Day and Terminator 3: Rise of the Machines, making him the only other actor aside from Arnold Schwarzenegger to appear in the first three movies.
Boen always wanted to inject a little more humour into his performance, but director James Cameron kept telling him no…...
In Memory Of…
Earl Boen
Earl Boen died at the age of 81 on January 5th. The actor was best known as Dr. Peter Silberman in The Terminator, a role he reprised in Terminator 2: Judgment Day and Terminator 3: Rise of the Machines, making him the only other actor aside from Arnold Schwarzenegger to appear in the first three movies.
Boen always wanted to inject a little more humour into his performance, but director James Cameron kept telling him no…...
- 1/1/2024
- by Kevin Fraser
- JoBlo.com
Peter Billingsley is sharing his thoughts on the long-standing debate over the movie Die Hard!
The Bruce Willis-starring action film has long had a debate on whether it is a Christmas movie or not, and even the director of the film has settled it.
Recently, Peter, who starred as Ralphie in the iconic Christmas movie A Christmas Story, shared his thoughts on the debate.
Keep reading to find out what he said…
“Can we have a healthy debate? Can we make the argument to you of why it’s a Christmas movie?” Peter asked Die Hard cinematographer Jan de Bont on a recent episode of his podcast, A Cinematic Christmas Journey.
Jan is a skeptic on the fact if it is a Christmas movie, but Peter held a strong argument, noting that the movie starts and ends with a Christmas song, and there are Santas everywhere.
Another reason Peter...
The Bruce Willis-starring action film has long had a debate on whether it is a Christmas movie or not, and even the director of the film has settled it.
Recently, Peter, who starred as Ralphie in the iconic Christmas movie A Christmas Story, shared his thoughts on the debate.
Keep reading to find out what he said…
“Can we have a healthy debate? Can we make the argument to you of why it’s a Christmas movie?” Peter asked Die Hard cinematographer Jan de Bont on a recent episode of his podcast, A Cinematic Christmas Journey.
Jan is a skeptic on the fact if it is a Christmas movie, but Peter held a strong argument, noting that the movie starts and ends with a Christmas song, and there are Santas everywhere.
Another reason Peter...
- 12/25/2023
- by Just Jared
- Just Jared
The episode of Best Horror Movie You Never Saw covering Better Watch Out was Written and Edited by Paul Bookstaber, Narrated by Kier Gomes, Produced by John Fallon and Tyler Nichols, and Executive Produced by Berge Garabedian.
Christmas movies usually bring that holiday cheer that makes us feel warm and comforting starting at the tail end of November all the way up to the 25th of December. Sitting on a couch, drinking some nice hot coco, next to your lit-up Christmas tree is a moment many of us look forward to yearly. Now let’s talk Christmas films that are etched in holiday cinema history. Sure, we have our Home Alone(s), our Grinch Stole Christmas, our Die Hard(s), even that looney, turbo-time, toy chaser, Jingle All the Way with Arnold Schwarzenegger. Sure, they’re all Christmas Staples, but what about mixing it up and popping in a psychological Christmas film of yule-tide terror?...
Christmas movies usually bring that holiday cheer that makes us feel warm and comforting starting at the tail end of November all the way up to the 25th of December. Sitting on a couch, drinking some nice hot coco, next to your lit-up Christmas tree is a moment many of us look forward to yearly. Now let’s talk Christmas films that are etched in holiday cinema history. Sure, we have our Home Alone(s), our Grinch Stole Christmas, our Die Hard(s), even that looney, turbo-time, toy chaser, Jingle All the Way with Arnold Schwarzenegger. Sure, they’re all Christmas Staples, but what about mixing it up and popping in a psychological Christmas film of yule-tide terror?...
- 12/6/2023
- by Cody Hamman
- JoBlo.com
Jesse Eisenberg discusses Manodrome
Intently focused on the interior journey of a troubled character, Manodrome, which is currently in cinemas in the US, is an actor’s dream. I interviewed director John Trengove two weeks ago but subsequently got the chance to follow that up by talking to star Jesse Eisenberg, free to discuss his work after the end of the actors’ strike, and always, he tells me, happy to do publicity because “everybody’s so nice.”
In the film, Jesse plays Ralphie, a man who has recently lost his job, is in a rocky relationship with his girlfriend and is about to become a father, who makes a frantic effort to reclaim his masculinity by joining a cult. It’s not so long since he explored similar themes in Riley Stearns’ The Art Of Self-Defense, and many actors hesitate to take on similar material like that for fear of being typecast,...
Intently focused on the interior journey of a troubled character, Manodrome, which is currently in cinemas in the US, is an actor’s dream. I interviewed director John Trengove two weeks ago but subsequently got the chance to follow that up by talking to star Jesse Eisenberg, free to discuss his work after the end of the actors’ strike, and always, he tells me, happy to do publicity because “everybody’s so nice.”
In the film, Jesse plays Ralphie, a man who has recently lost his job, is in a rocky relationship with his girlfriend and is about to become a father, who makes a frantic effort to reclaim his masculinity by joining a cult. It’s not so long since he explored similar themes in Riley Stearns’ The Art Of Self-Defense, and many actors hesitate to take on similar material like that for fear of being typecast,...
- 11/20/2023
- by Jennie Kermode
- eyeforfilm.co.uk
Manodrome is a thriller-drama film written and directed by John Trengove. The drama film revolves around Ralphie, an Uber driver who aspires to be a bodybuilder gets inducted into a libertarian masculinity cult, and loses his grip on reality because of all the pressures in his life. Manodrome stars Jesse Eisenberg in the lead role with Adrien Brody, Odessa Young, Sallieu Sesay, and Philip Ettinger starring in supporting roles. So, if you loved Manodrome here are some similar movies you could watch next.
The Art of Self-Defense (Max & Prime Video Add-On) Credit – Bleecker Street
Synopsis: A dark comedy set in the world of karate. The film centers on Casey (Jesse Eisenberg), who is attacked at random on the street and enlists in a local dojo led by a charismatic and mysterious Sensei (Alessandro Nivola), in an effort to learn how to defend himself. What he uncovers is a sinister world of fraternity,...
The Art of Self-Defense (Max & Prime Video Add-On) Credit – Bleecker Street
Synopsis: A dark comedy set in the world of karate. The film centers on Casey (Jesse Eisenberg), who is attacked at random on the street and enlists in a local dojo led by a charismatic and mysterious Sensei (Alessandro Nivola), in an effort to learn how to defend himself. What he uncovers is a sinister world of fraternity,...
- 11/20/2023
- by Kulwant Singh
- Cinema Blind
What if Travis Bickle was an Uber driver and was expecting a baby with his girlfriend? South African director John Trengove’s first English-language film, titled Manodrome, asks that very question. But while the iconic Scorsese film worked more as a social commentary and looked at the psyche of the man through a lens, Trengove’s film kind of ends up sympathizing with this guy by offering a botched-up explanation behind his problematic actions. The film also channels its inner Fight Club, but does not quite manage to reach the heights of the David Fincher classic, thanks to a lack of proper vision. That’s why, in spite of having a fairly relevant topic at its core and genuinely talented actors Jesse Eisenberg and Adrien Brody at the helm of it, Manodrome feels like a bit of a hack job. It wouldn’t be unfair to call this thing a “Midsommar,...
- 11/19/2023
- by Rohitavra Majumdar
- Film Fugitives
"Manodrome" is a new dramatic thriller written and directed by John Trengove, starring Jesse Eisenberg, Adrien Brody, Odessa Young, Sallieu Sesay, Philip Ettinger, Ethan Suplee, Evan Jonigkeit and Caleb Eberhardt, releasing November 10, 2023 in theaters:
"...'Ralphie' (Eisenberg), a New York 'Uber' driver, is struggling to make ends meet with his pregnant partner 'Sal'.
"Then he is introduced to an intense all-male 'self-help' cult by a friend.
He suffers a breakdown and descends into madness..."
Click the images to enlarge...
"...'Ralphie' (Eisenberg), a New York 'Uber' driver, is struggling to make ends meet with his pregnant partner 'Sal'.
"Then he is introduced to an intense all-male 'self-help' cult by a friend.
He suffers a breakdown and descends into madness..."
Click the images to enlarge...
- 10/31/2023
- by Unknown
- SneakPeek
"Take back your power, Ralph!!" Lionsgate has revealed an official trailer for a film called Manodrome, an indie creation from South African filmmaker John Trengove (director of The Wound previously). This premiered at the Berlin Film Festival to mostly mixed to positive reviews - its a very slick film, although it doesn't particularly stand out much. Conflicted about his girlfriend's pregnancy, Ralphie's life spirals out of control when he meets a mysterious family of men. Manodrome is a clever criticism of toxic masculinity and fragile men who are obsessed with being men (you know the ones). Jesse Eisenberg stars as one of these guys who falls into this kind of cult for men, run by Adrien Brody. Then it gets really crazy... The cast also features Odessa Young, Philip Ettinger, Sallieu Sesay, Ethan Suplee, Evan Joningkeit, and Caleb Eberhardt. I saw this at Berlinale earlier in the year - it's a good film,...
- 10/30/2023
- by Alex Billington
- firstshowing.net
Nick Schenk, a film and television screenwriter with an affinity for grit, has signed with Agency for the Performing Arts.
Schenk has penned three scripts that became director-star vehicles for Clint Eastwood: “Gran Torino,” “The Mule,” and “Cry Macho.” 2008’s “Gran Torino” revived Eastwood as a leading man at the box office, earning nearly $270 million worldwide on a reported $33 million budget. Schenk also wrote “The Judge,” a 2014 feature teaming of Robert Downey Jr. and Robert Duvall, earning the latter an Academy Award nomination for best supporting actor.
Most recently, Schenk co-wrote ‘”A Christmas Story Christmas” for Warner Bros. and Legendary Entertainment. An update to the holiday classic, the HBO Max original saw young Ralphie (Peter Billingsley) all grown up trying to recreate the Christmas magic of his youth for his own kids.
Schenk’s TV credits include co-executive producing the Discovery anthology series “Manhunt” about Unabomber Ted Kaczynski, starring Sam Worthington and Jack Huston.
Schenk has penned three scripts that became director-star vehicles for Clint Eastwood: “Gran Torino,” “The Mule,” and “Cry Macho.” 2008’s “Gran Torino” revived Eastwood as a leading man at the box office, earning nearly $270 million worldwide on a reported $33 million budget. Schenk also wrote “The Judge,” a 2014 feature teaming of Robert Downey Jr. and Robert Duvall, earning the latter an Academy Award nomination for best supporting actor.
Most recently, Schenk co-wrote ‘”A Christmas Story Christmas” for Warner Bros. and Legendary Entertainment. An update to the holiday classic, the HBO Max original saw young Ralphie (Peter Billingsley) all grown up trying to recreate the Christmas magic of his youth for his own kids.
Schenk’s TV credits include co-executive producing the Discovery anthology series “Manhunt” about Unabomber Ted Kaczynski, starring Sam Worthington and Jack Huston.
- 4/4/2023
- by Matt Donnelly
- Variety Film + TV
In Manodrome, cinema’s enduring love for frustrated male loners is brought, kicking and screaming, into the cold light of the present day. Set in an unnamed, crumbling city in the Northeast, it stars an against-type Jesse Eisenberg as a jacked-up, emotionally stunted gym bro who joins a cult of voluntarily and involuntarily celibate men. The director is John Trengrove, whose previous feature The Wound used a very real Xhosa rite of passage as a way to examine the ever-knotted rituals of male bonding. The subcultures in Manodrome are ostensibly a work of fiction but, exaggerated as they may be, are no less plausible or rife with intrigue.
What Manodrome suffers from is a case of spreading itself too thin. Eisenberg stars as Ralphie, a taxi driver with money problems and a meds addiction. Though they might be the least of his worries. Out shopping for baby supplies with his...
What Manodrome suffers from is a case of spreading itself too thin. Eisenberg stars as Ralphie, a taxi driver with money problems and a meds addiction. Though they might be the least of his worries. Out shopping for baby supplies with his...
- 3/2/2023
- by Rory O'Connor
- The Film Stage
The Film
In writing and talking a lot about coming of age movies for the past 20 years or more, I’ve often observed that – very broadly speaking – European cinema tends to confront the harsher realities of growing up, while American cinema likes to put a little gloss on; a slight rose tint to the glasses with which it views childhood and the teen years. Todd Solondz isn’t particularly interested in that.
Welcome to the Dollhouse is often mistaken as being Solondz’ debut, but it follows the rarely screened Fear, Anxiety and Depression, which has never had a disc release to date. By all accounts though, this is where the director first truly stamped his distinctive style on a film.
The film centres on Dawn Weiner (Heather Matarazzo), an 11 year old junior high schooler. Dawn is something of a punching bag whichever way she turns. At school she’s ‘Weiner...
In writing and talking a lot about coming of age movies for the past 20 years or more, I’ve often observed that – very broadly speaking – European cinema tends to confront the harsher realities of growing up, while American cinema likes to put a little gloss on; a slight rose tint to the glasses with which it views childhood and the teen years. Todd Solondz isn’t particularly interested in that.
Welcome to the Dollhouse is often mistaken as being Solondz’ debut, but it follows the rarely screened Fear, Anxiety and Depression, which has never had a disc release to date. By all accounts though, this is where the director first truly stamped his distinctive style on a film.
The film centres on Dawn Weiner (Heather Matarazzo), an 11 year old junior high schooler. Dawn is something of a punching bag whichever way she turns. At school she’s ‘Weiner...
- 3/2/2023
- by Sam Inglis
- HeyUGuys.co.uk
There’s a rich history of movies being entirely at odds with their cryptic titles—step forward Quantum of Solace—but for his follow-up to The Wound, South African director John Trengrove has picked a doozy, a title that sounds more like a dystopian Adam Sandler comedy than the dour story of urban disintegration that it actually is. Images of star Jesse Eisenberg sporting a mop of red hair for the film have been also something of a misdirect, perhaps giving some the impression that Manodrome, which premiered in Competition at the Berlin Film Festival, could be some kind of satirical emo Fight Club for sad-sacks. Fight Club comparisons actually do turn out to be (lightly) relevant, as are callbacks to Taxi Driver, but Manodrome is so achingly laborious and serious that it won’t be encroaching on either for virtual shelf space in the Toxic Masculinity section of anyone’s streaming library.
- 2/18/2023
- by Damon Wise
- Deadline Film + TV
The first rule of “Manodrome” is you don’t talk about “Fight Club.”
“Fight Club” looms large over writer-director John Trengrove’s unsettling second feature, even if no one overtly mentions David Fincher’s provocative late-’90s movie in this dark psychological-thriller-cum-social-critique, which finds the state of masculinity even more fraught than Fincher did a quarter-century ago. Trengrove, who is gay and hails from South Africa, brings a queer sensibility to his otherwise unsatisfying analysis of contemporary manhood, enlisting Jesse Eisenberg to play yet another scrawny white guy seeking an outlet for deep wells of festering aggression.
Here, he finds it in a secret society of like-minded dudes, spearheaded by Adrien Brody as a self-appointed father figure who calls himself “Dad Dan,” and who teaches Eisenberg’s character, Ralphie, to “man up.” In what feels like a case of lazy (type)casting, “Manodrome” finds its once-shrimpy star back in “The Art of Self-Defense” mode,...
“Fight Club” looms large over writer-director John Trengrove’s unsettling second feature, even if no one overtly mentions David Fincher’s provocative late-’90s movie in this dark psychological-thriller-cum-social-critique, which finds the state of masculinity even more fraught than Fincher did a quarter-century ago. Trengrove, who is gay and hails from South Africa, brings a queer sensibility to his otherwise unsatisfying analysis of contemporary manhood, enlisting Jesse Eisenberg to play yet another scrawny white guy seeking an outlet for deep wells of festering aggression.
Here, he finds it in a secret society of like-minded dudes, spearheaded by Adrien Brody as a self-appointed father figure who calls himself “Dad Dan,” and who teaches Eisenberg’s character, Ralphie, to “man up.” In what feels like a case of lazy (type)casting, “Manodrome” finds its once-shrimpy star back in “The Art of Self-Defense” mode,...
- 2/18/2023
- by Peter Debruge
- Variety Film + TV
John Trengove’s searing 2017 debut, The Wound, explored the complex world of Xhosa masculinity via adolescent initiation rites that exposed thorny conflicts of sexuality and personal identity. The protagonist of the South African writer-director’s first English-language feature, Manodrome — played by a febrile Jesse Eisenberg in an eye-opening performance simmering with rage — is already fully inducted into the uneasy halls of manhood and finding it an uncomfortable fit. Barely scraping by financially and staring ahead at an unpromising future, the damaged Ralphie reaches for a lifeline with a shadowy cult of male separatists, which only makes his hold on reality unravel faster.
What Ralphie goes through over the course of this absorbing enough but bludgeoning portrait of corrosive masculinity makes him both victim and monster. Recently laid off from a corporate maintenance job, he’s struggling to make ends meet as an Uber driver and wondering how he’s going...
What Ralphie goes through over the course of this absorbing enough but bludgeoning portrait of corrosive masculinity makes him both victim and monster. Recently laid off from a corporate maintenance job, he’s struggling to make ends meet as an Uber driver and wondering how he’s going...
- 2/18/2023
- by David Rooney
- The Hollywood Reporter - Movie News
Los Angeles, Feb 18 (Ians) ‘The Pianist’ actor Adrien Brody is not interested in culture wars. “It’s fascinating”, he admits, “But it’s really tragic”, reports ‘Variety’.
“We see how fractured our world is. Look around — it’s not hard to see,” said the Oscar-winning actor from his home in New York.
Brody had to dive into these dark corners when preparing for ‘Manodrome’, in which he plays a masculinity cult leader, and was quick to dive right out.
“I tried to put this stuff down,” he admitted.
As per ‘Variety’, his character ‘Dad Dan’ isn’t the super-serious, nefarious figurehead one summons when envisioning a libertarian masculinity cult. Rather, he is a friendly, hoodie-wearing man of leisure who opens his house to all who need sanctuary. Sanctuary, that is, from the evil, entrapping ways of women and modern society.
“It was important for me to not be a superficially manipulative villain,...
“We see how fractured our world is. Look around — it’s not hard to see,” said the Oscar-winning actor from his home in New York.
Brody had to dive into these dark corners when preparing for ‘Manodrome’, in which he plays a masculinity cult leader, and was quick to dive right out.
“I tried to put this stuff down,” he admitted.
As per ‘Variety’, his character ‘Dad Dan’ isn’t the super-serious, nefarious figurehead one summons when envisioning a libertarian masculinity cult. Rather, he is a friendly, hoodie-wearing man of leisure who opens his house to all who need sanctuary. Sanctuary, that is, from the evil, entrapping ways of women and modern society.
“It was important for me to not be a superficially manipulative villain,...
- 2/18/2023
- by News Bureau
- GlamSham
Five years ago, South African director John Trengove’s feature debut, “The Wound,” scored coveted berths at Sundance and Berlin before being short-listed for an Academy Award — even as the powerful gay drama set in the secretive world of Xhosa initiation ceremonies faced angry protests in his home country.
His sophomore effort, “Manodrome,” which plays in competition in Berlin, stars Jesse Eisenberg as a down-at-the-heels Uber driver and expecting father who begins to lose his grip on reality. He’s taken under the wing of a charismatic, self-styled father figure (Adrien Brody), who inducts him into a libertarian masculinity cult, even as his repressed desires — suddenly awakened — push him toward a terrifying descent into violence.
It’s a zeitgeisty exploration of toxic masculinity with a tour-de-force performance by Eisenberg, playing opposite a gripping Odessa Young as his pregnant girlfriend. Trengove spoke to Variety ahead of the film’s Feb. 18 premiere.
His sophomore effort, “Manodrome,” which plays in competition in Berlin, stars Jesse Eisenberg as a down-at-the-heels Uber driver and expecting father who begins to lose his grip on reality. He’s taken under the wing of a charismatic, self-styled father figure (Adrien Brody), who inducts him into a libertarian masculinity cult, even as his repressed desires — suddenly awakened — push him toward a terrifying descent into violence.
It’s a zeitgeisty exploration of toxic masculinity with a tour-de-force performance by Eisenberg, playing opposite a gripping Odessa Young as his pregnant girlfriend. Trengove spoke to Variety ahead of the film’s Feb. 18 premiere.
- 2/18/2023
- by Christopher Vourlias
- Variety Film + TV
Adrien Brody is not interested in the culture wars. It’s fascinating, he admits, “but it’s really tragic.”
“We see how fractured our world is. Look around: It’s not hard to see,” says the Oscar-winning actor from his home in New York. Brody had to dive into these dark corners when preparing for “Manodrome,” in which he plays a masculinity cult leader, and was quick to dive right out. “I tried to put this stuff down,” he admits.
But his character, “Dad Dan,” isn’t the super-serious, nefarious figurehead one summons when envisioning a libertarian masculinity cult. Rather, his is a friendly, hoodie-wearing man of leisure who opens his house to all who need sanctuary. Sanctuary, that is, from the evil, entrapping ways of women and modern society.
“It was important for me to not be a superficially manipulative villain,” the 49-year-old star tells Variety of the part.
“We see how fractured our world is. Look around: It’s not hard to see,” says the Oscar-winning actor from his home in New York. Brody had to dive into these dark corners when preparing for “Manodrome,” in which he plays a masculinity cult leader, and was quick to dive right out. “I tried to put this stuff down,” he admits.
But his character, “Dad Dan,” isn’t the super-serious, nefarious figurehead one summons when envisioning a libertarian masculinity cult. Rather, his is a friendly, hoodie-wearing man of leisure who opens his house to all who need sanctuary. Sanctuary, that is, from the evil, entrapping ways of women and modern society.
“It was important for me to not be a superficially manipulative villain,” the 49-year-old star tells Variety of the part.
- 2/18/2023
- by Manori Ravindran
- Variety Film + TV
In what feels like all-too poignant timing given the recent headlines about Andrew Tate, the world of toxic masculinity heads to the Berlinale this year with John Trengove’s competition entry Manodrome. Described as a “nihilist thriller,” this tense and troubling dive into incel culture and male fragility is led by a perhaps unlikely guide, Jesse Eisenberg.
Often seen playing insecure men with a more jittery, nervous disposition, Eisenberg’s Manodrome character Ralphie — a gym-obsessed Uber driver and soon-to-be father struggling under personal and economic burdens — sees such anxieties manifest themselves into pure anger, anger which violently erupts after he’s inducted into a libertarian masculinity cult (led by a typically charismatic Adrien Brody).
While Ralphie — a beefed-up young man who appears constantly on the verge of starting a fight — might not seem a typical Eisenberg role, the Oscar-nominated star of The Social Network, Zombieland, Now You See Me, as...
Often seen playing insecure men with a more jittery, nervous disposition, Eisenberg’s Manodrome character Ralphie — a gym-obsessed Uber driver and soon-to-be father struggling under personal and economic burdens — sees such anxieties manifest themselves into pure anger, anger which violently erupts after he’s inducted into a libertarian masculinity cult (led by a typically charismatic Adrien Brody).
While Ralphie — a beefed-up young man who appears constantly on the verge of starting a fight — might not seem a typical Eisenberg role, the Oscar-nominated star of The Social Network, Zombieland, Now You See Me, as...
- 2/18/2023
- by Alex Ritman
- The Hollywood Reporter - Movie News
Exclusive: South African director John Trengove’s crisis of masculinity drama Mandrome, which world premieres in Competition at the Berlinale this weekend, is one of the most topical Golden Bear contenders this year.
Jesse Eisenberg stars as Ralphie, a disenfranchised young man whose life spirals out of control when he falls under the spell of a cultish ‘family of men’.
Money pressures and his own difficult childhood have left Ralphie conflicted about impending fatherhood with his girlfriend (Odessa Young) as he struggles to find his place in society.
When he is embraced by a group of supportive older men, led by a charismatic father figure (Adrien Brody), he is hooked but an initiation ceremony unleashes dangerous emotions within him
Deadline unveiled a first teaser ahead of the world premiere which you can watch here.
The film is Trengove’s second film after his award-winning debut The Wound, about a closeted...
Jesse Eisenberg stars as Ralphie, a disenfranchised young man whose life spirals out of control when he falls under the spell of a cultish ‘family of men’.
Money pressures and his own difficult childhood have left Ralphie conflicted about impending fatherhood with his girlfriend (Odessa Young) as he struggles to find his place in society.
When he is embraced by a group of supportive older men, led by a charismatic father figure (Adrien Brody), he is hooked but an initiation ceremony unleashes dangerous emotions within him
Deadline unveiled a first teaser ahead of the world premiere which you can watch here.
The film is Trengove’s second film after his award-winning debut The Wound, about a closeted...
- 2/17/2023
- by Melanie Goodfellow
- Deadline Film + TV
Director Steven Spielberg has issued a statement on the passing of Melinda Dillion, who became a two-time Oscar nominee under this guidance in the film Close Encounters of the Third Kind.
“Melinda was generous of spirit and lent such kindness to the character she played in Close Encounters of the Third Kind,” said Spielberg. “She was a wonderful actor, and as gifted in dramas – including her unforgettable turn in Absence of Malice – as she was in beloved comedies like A Christmas Story, Harry and the Hendersons, and Slapshot. We will all miss her.”
Dillon died at 83 on January 9 in Los Angeles. No cause or other details were given.
Dillon was best-known for playing the mother whose young son is abducted by the aliens in Spielberg’s 1977 epic Close Encounters of the Third Kind. She and Roy (Richard Dreyfuss) inexplicably are drawn to Devils Tower in Wyoming as they struggle to...
“Melinda was generous of spirit and lent such kindness to the character she played in Close Encounters of the Third Kind,” said Spielberg. “She was a wonderful actor, and as gifted in dramas – including her unforgettable turn in Absence of Malice – as she was in beloved comedies like A Christmas Story, Harry and the Hendersons, and Slapshot. We will all miss her.”
Dillon died at 83 on January 9 in Los Angeles. No cause or other details were given.
Dillon was best-known for playing the mother whose young son is abducted by the aliens in Spielberg’s 1977 epic Close Encounters of the Third Kind. She and Roy (Richard Dreyfuss) inexplicably are drawn to Devils Tower in Wyoming as they struggle to...
- 2/4/2023
- by Bruce Haring
- Deadline Film + TV
Melinda DIllon, best known from her roles in Steven Spielberg’s “Close Encounters of the Third Kind” and the holiday classic “A Christmas Story”, died last month at age 83.
According to an obituary issued by her family, Dillon died on Jan. 9.
Dillon got her start on stage, and made an auspicious debut on Broadway in the 1963 production of “Who’s Afraid of Virginia Woolf”, for which she won a Tony nomination and a Theatre World Award.
Read More: Long-Awaited Sequel To ‘A Christmas Story’ Gets HBO Max Release Date
Onscreen, Dillon appeared in the Oscar-winning film “Bound for Glory”, Paul Newman’s cult-favourite hockey comedy “Slap Shot” and family film “Harry and the Hendersons”, in addition to memorable roles in “F.I.S.T.”, “The Prince of Tides” and “Magnolia”.
Dillon received her a Best Supporting Actress Oscar nomination in 1978 for her performance in “Close Encounters” as Jillian Guiler, a single mother whose...
According to an obituary issued by her family, Dillon died on Jan. 9.
Dillon got her start on stage, and made an auspicious debut on Broadway in the 1963 production of “Who’s Afraid of Virginia Woolf”, for which she won a Tony nomination and a Theatre World Award.
Read More: Long-Awaited Sequel To ‘A Christmas Story’ Gets HBO Max Release Date
Onscreen, Dillon appeared in the Oscar-winning film “Bound for Glory”, Paul Newman’s cult-favourite hockey comedy “Slap Shot” and family film “Harry and the Hendersons”, in addition to memorable roles in “F.I.S.T.”, “The Prince of Tides” and “Magnolia”.
Dillon received her a Best Supporting Actress Oscar nomination in 1978 for her performance in “Close Encounters” as Jillian Guiler, a single mother whose...
- 2/4/2023
- by Brent Furdyk
- ET Canada
Melinda Dillon, the actor best known for roles in Close Encounters of the Third Kind and A Christmas Story, has died at the age of 83.
The news was announced by her family, with no cause of death disclosed.
Born in Arkansas in 1939, and raised in Alabama, Dillon began her acting career on Broadway, with a role as Honey in the original 1963 production of Edward Albee’s playWho’s Afraid of Virginia Woolf?
In 1969, she had her first film role, in the Jack Lemmon-Catherine Deneuve romcom The April Fools.
Dillon was nominated for a Golden Globe in 1976 (in the Best Female Acting Debut category), for her role in the Woody Guthrie biopic Bound for Glory.
The year after, she played a mother whose child is abducted by aliens in Steven Spielberg’s classic sci-fi Close Encounters of the Third Kind.
Her performance in the film earned her an Oscar nomination for Best Supporting Actress.
The news was announced by her family, with no cause of death disclosed.
Born in Arkansas in 1939, and raised in Alabama, Dillon began her acting career on Broadway, with a role as Honey in the original 1963 production of Edward Albee’s playWho’s Afraid of Virginia Woolf?
In 1969, she had her first film role, in the Jack Lemmon-Catherine Deneuve romcom The April Fools.
Dillon was nominated for a Golden Globe in 1976 (in the Best Female Acting Debut category), for her role in the Woody Guthrie biopic Bound for Glory.
The year after, she played a mother whose child is abducted by aliens in Steven Spielberg’s classic sci-fi Close Encounters of the Third Kind.
Her performance in the film earned her an Oscar nomination for Best Supporting Actress.
- 2/4/2023
- by Louis Chilton
- The Independent - Film
Melinda Dillon of "Close Encounters of the Third Kind" and "A Christmas Story" fame passed away early last month at the age of 83. Her family made the announcement that she passed on January 9, 2023.
Dillon had a wonderful and eclectic career on the stage and screen and worked with some of the best directors of her era, including Hal Ashby, Steven Spielberg, Bob Clark, George Roy Hill, Sydney Pollack, and more recently Paul Thomas Anderson and Mike Binder. She originated the role of Honey in "Who's Afraid of Virginia Woolf?" in 1963, a performance that would earn her a Tony nomination before she took a break from performing citing mental health reasons.
In a 1976 interview with The New York Times, Dillon candidly discussed the pressure of the constant schedule of New York theater and the birth of her son after a series of miscarriages that lead to her seeking treatment at a mental health facility,...
Dillon had a wonderful and eclectic career on the stage and screen and worked with some of the best directors of her era, including Hal Ashby, Steven Spielberg, Bob Clark, George Roy Hill, Sydney Pollack, and more recently Paul Thomas Anderson and Mike Binder. She originated the role of Honey in "Who's Afraid of Virginia Woolf?" in 1963, a performance that would earn her a Tony nomination before she took a break from performing citing mental health reasons.
In a 1976 interview with The New York Times, Dillon candidly discussed the pressure of the constant schedule of New York theater and the birth of her son after a series of miscarriages that lead to her seeking treatment at a mental health facility,...
- 2/4/2023
- by Eric Vespe
- Slash Film
Sad news today as it’s been reported that Melinda Dillon, best known for her roles in Close Encounters of the Third Kind and A Christmas Story, has died at the age of 83.
Melinda Dillon played Jillian Guiler in Steven Spielberg’s Close Encounters of the Third Kind, a mother whose child is abducted by aliens. She was cast in the role just three days before filming began on the recommendation of Hal Ashby, who had directed her in Bound for Glory. Dillon’s performance would earn her an Academy Award nomination for Best Supporting Actress. She also played Ralphie’s mother in Bob Clark’s A Christmas Story, memorably telling him that he would shoot his eye out if he got a Red Ryder Carbine Action 200-shot Range Model air rifle. She received another Academy Award nomination for Best Supporting Actress for her role in Sydney Pollack’s Absence of Malice.
Melinda Dillon played Jillian Guiler in Steven Spielberg’s Close Encounters of the Third Kind, a mother whose child is abducted by aliens. She was cast in the role just three days before filming began on the recommendation of Hal Ashby, who had directed her in Bound for Glory. Dillon’s performance would earn her an Academy Award nomination for Best Supporting Actress. She also played Ralphie’s mother in Bob Clark’s A Christmas Story, memorably telling him that he would shoot his eye out if he got a Red Ryder Carbine Action 200-shot Range Model air rifle. She received another Academy Award nomination for Best Supporting Actress for her role in Sydney Pollack’s Absence of Malice.
- 2/3/2023
- by Kevin Fraser
- JoBlo.com
Melinda Dillon, the two-time Oscar nominee known for her roles in “Close Encounters of the Third Kind” and “A Christmas Story,” died January 9 in Los Angeles, according to an announcement from her family. She was 83.
Dillon was born in 1939 in Hope, Arkansas. Her stepfather was an army veteran, and she grew up on military bases around the country and in Germany before graduating from the Hyde Park High School in Chicago. She studied acting at the Goodman School of Drama and began her career performing improv at The Second City.
In 1962, Dillon played Honey in the original Broadway production of Edward Albee’s “Who’s Afraid of Virginia Woolf.” The performance earned her a Tony nomination at 23 years old. Over the course of her career, she picked up two Oscar nominations for Best Supporting Actress for her turns as a mother whose children are abducted by aliens in “Close Encounters of the Third Kind...
Dillon was born in 1939 in Hope, Arkansas. Her stepfather was an army veteran, and she grew up on military bases around the country and in Germany before graduating from the Hyde Park High School in Chicago. She studied acting at the Goodman School of Drama and began her career performing improv at The Second City.
In 1962, Dillon played Honey in the original Broadway production of Edward Albee’s “Who’s Afraid of Virginia Woolf.” The performance earned her a Tony nomination at 23 years old. Over the course of her career, she picked up two Oscar nominations for Best Supporting Actress for her turns as a mother whose children are abducted by aliens in “Close Encounters of the Third Kind...
- 2/3/2023
- by Wilson Chapman
- Indiewire
Melinda Dillon, a two-time Oscar nominee for Close Encounters of the Third Kind and Absence of Malice who also played Ralphie’s mom in A Christmas Story, has died. She was 83. Her family said she died January 9 in Los Angeles but did not give other details.
Dillon and Richard Dreyfuss in ‘Close Encounters of the Third Kind,’ 1977
Dillon probably is best known for playing a mother whose young son is abducted by the aliens in Steven Spielberg’s 1977 epic Close Encounters of the Third Kind. She and Roy (Richard Dreyfuss) inexplicably are drawn to Devils Tower in Wyoming as they struggle to make sense of what has happened to them. She earned a Supporting Actress Oscar nom for the role.
She also played the mother of the young lead Ralphie (Peter Billingsley) in the 1983 holiday classic A Christmas Story, memorably warning the boy who wants a Bb rifle that, “You’ll shoot your eye out!
Dillon and Richard Dreyfuss in ‘Close Encounters of the Third Kind,’ 1977
Dillon probably is best known for playing a mother whose young son is abducted by the aliens in Steven Spielberg’s 1977 epic Close Encounters of the Third Kind. She and Roy (Richard Dreyfuss) inexplicably are drawn to Devils Tower in Wyoming as they struggle to make sense of what has happened to them. She earned a Supporting Actress Oscar nom for the role.
She also played the mother of the young lead Ralphie (Peter Billingsley) in the 1983 holiday classic A Christmas Story, memorably warning the boy who wants a Bb rifle that, “You’ll shoot your eye out!
- 2/3/2023
- by Erik Pedersen
- Deadline Film + TV
Melinda Dillon, who was nominated as Best Supporting Actress for her roles in Steven Spielberg’s “Close Encounters of the Third Kind” and Sydney Pollack’s “Absence of Malice,” has died at age 83, her family said in a public obituary.
She died on Jan. 9, but the obituary gave no cause of death.
Dillon memorably played single mother Jillian Guiler, whose son Barry (Cary Guffey), is abducted by aliens in “Close Encounters.” Like Richard Dreyfuss’s lead character, she also becomes obsessed with Devil’s Tower in Wyoming and both their quests lead them there. After running the gauntlet of military obstacles, they are the only two civilians who witness the alien ship landing in the film’s emotional finale.
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She died on Jan. 9, but the obituary gave no cause of death.
Dillon memorably played single mother Jillian Guiler, whose son Barry (Cary Guffey), is abducted by aliens in “Close Encounters.” Like Richard Dreyfuss’s lead character, she also becomes obsessed with Devil’s Tower in Wyoming and both their quests lead them there. After running the gauntlet of military obstacles, they are the only two civilians who witness the alien ship landing in the film’s emotional finale.
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Lisa Loring, Original Wednesday on ‘The Addams Family,’ Dies at 64
She received her second nomination for playing a Catholic who commits suicide after a reporter (Sally Field) writes about...
- 2/3/2023
- by Sharon Knolle
- The Wrap
Melinda Dillon, who received supporting Oscar nominations for her turns in Close Encounters of the Third Kind and Absence of Malice and portrayed the doting mom in the holiday perennial A Christmas Story, died Jan. 9, her family announced. She was 83.
Right out of the gate, Dillon earned a Tony nomination and Theatre World award in 1963 for her debut performance on Broadway as the childlike wife Honey in the original production of Edward Albee‘s Who’s Afraid of Virginia Woolf?
Later, the Arkansas native played two characters opposite David Carradine — Woody Guthrie’s first wife, Mary, and a dark-haired folk singer named Memphis Sue — in the biopic Bound for Glory (1976), directed by Hal Ashby; was a lesbian hockey wife in George Roy Hill’s Slap Shot (1977); and portrayed John Lithgow’s wife in the family film Harry and the Hendersons (1987).
Her big-screen résumé also included Norman Jewison’s F.I.S.T. (1978), as...
Right out of the gate, Dillon earned a Tony nomination and Theatre World award in 1963 for her debut performance on Broadway as the childlike wife Honey in the original production of Edward Albee‘s Who’s Afraid of Virginia Woolf?
Later, the Arkansas native played two characters opposite David Carradine — Woody Guthrie’s first wife, Mary, and a dark-haired folk singer named Memphis Sue — in the biopic Bound for Glory (1976), directed by Hal Ashby; was a lesbian hockey wife in George Roy Hill’s Slap Shot (1977); and portrayed John Lithgow’s wife in the family film Harry and the Hendersons (1987).
Her big-screen résumé also included Norman Jewison’s F.I.S.T. (1978), as...
- 2/3/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Chicago – 2022 was a year of change and transformation. The former leader of the free world morphed into a horribly photoshopped digital trading card spokesmodel and pitch man. That and a full on spy challenging the DOJ to find the stolen classified documents in a shell game of 3 card monte exactly like a subway car hustler.
“Step right up Ladies and gentlemen and find the nuclear codes! Are they under Mar-a-Lago, in Bedminster or Trump Tower? Lay down your cash and you can win in a flash!.”
Elon Musk, the now former richest man on the planet and CEO of spontaneously combustible car and rocket companies, shape shifted into Julius Streicher 2.0. Under Musk’s genius leadership Twitter welcomed white nationalists and antisemites to his new platform with a fervor not seen since the brown shirted glory days with Streicher, an executed war criminal and Der Führer’s Bff.
Self Portrait: Photographer...
“Step right up Ladies and gentlemen and find the nuclear codes! Are they under Mar-a-Lago, in Bedminster or Trump Tower? Lay down your cash and you can win in a flash!.”
Elon Musk, the now former richest man on the planet and CEO of spontaneously combustible car and rocket companies, shape shifted into Julius Streicher 2.0. Under Musk’s genius leadership Twitter welcomed white nationalists and antisemites to his new platform with a fervor not seen since the brown shirted glory days with Streicher, an executed war criminal and Der Führer’s Bff.
Self Portrait: Photographer...
- 1/7/2023
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Holiday favorite “A Christmas Story” is the tale of a typical boy Ralphie Parker (Peter Billingsley) as he deals with the typical struggles kids face during the Christmas season. One of the many thorns in his side during the film is his issues with bullies Scut and Grover Dill, played by Zack Ward and Yano Anaya, who harass him throughout the movie. In order to create real tension between the two and the other child actors, they were kept separate from the rest of the cast, as Ward revealed in a recent interview with Insider.
“Most of the time Yano and I were not hanging out with the other kids. They had different shooting schedules than we did,” Ward said. “[Director Bob Clark] told our parents, ‘I just want Yano and Zack to hang out and be friends, and if possible, without being rude to the other kids, don’t really...
“Most of the time Yano and I were not hanging out with the other kids. They had different shooting schedules than we did,” Ward said. “[Director Bob Clark] told our parents, ‘I just want Yano and Zack to hang out and be friends, and if possible, without being rude to the other kids, don’t really...
- 12/28/2022
- by Wilson Chapman
- Indiewire
Everyone has their favorite classic Christmas movies that they turn to year after year, but sometimes you need something new — and if you’re looking for new Christmas movies in 2022, streaming services have you covered more than ever before.
Hallmark has a new holiday hub on Peacock, Lindsay Lohan is singing ‘Jingle Bell Rock’ again in “Falling for Christmas,” Food Network stars Bobby Flay and Duff Goldman pop up in new Discovery+ originals; even Will Ferrell is back in the Christmas biz nearly 20 years after “Elf,” co-starring alongside Ryan Reynolds in the AppleTV+ Christmas musical “Spirited.”
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To help you keep track, we’ve put together a complete guide to all the new Christmas movies streaming in 2022, where you can watch them, and when they debut.
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Friday, Nov. 4
“A Holiday Homecoming” – Before Christmas, a town shelters...
Hallmark has a new holiday hub on Peacock, Lindsay Lohan is singing ‘Jingle Bell Rock’ again in “Falling for Christmas,” Food Network stars Bobby Flay and Duff Goldman pop up in new Discovery+ originals; even Will Ferrell is back in the Christmas biz nearly 20 years after “Elf,” co-starring alongside Ryan Reynolds in the AppleTV+ Christmas musical “Spirited.”
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- 12/24/2022
- by Aurora Amidon and Haleigh Foutch
- The Wrap
Here’s when and where you can stream more than 20 new holiday movies and specials this year, including at least three new versions of “A Christmas Carol:” the Ryan Reynolds and Will Ferrell musical “Spirited;” Netflix’s animated “Scrooge” with the voices of Luke Evans and Olivia Colman; and “A New Diva’s Christmas Carol,” where the mean old miser is now a faded music star who’s now a mean old judge on a reality TV show.
And — “Mean Girls” alert — Lindsay Lohan, Lacey Chabert and Jonathan Bennett each have a holiday movie out this year. And don’t forget “Hannukah on Rye,” about two deli owners who get matched up for the holidays, featuring singer Lisa Loeb.
If you don’t have the Hallmark channel, which is Christmas movie central, their new movies will be available on-demand on Peacock for 72 hours after their network premiere and on subsequent re-airings.
And — “Mean Girls” alert — Lindsay Lohan, Lacey Chabert and Jonathan Bennett each have a holiday movie out this year. And don’t forget “Hannukah on Rye,” about two deli owners who get matched up for the holidays, featuring singer Lisa Loeb.
If you don’t have the Hallmark channel, which is Christmas movie central, their new movies will be available on-demand on Peacock for 72 hours after their network premiere and on subsequent re-airings.
- 12/19/2022
- by Sharon Knolle
- The Wrap
Let's be real — "A Christmas Story" never left the public eye. Sure, its original release was almost 40 years ago but, much like Michael Bublé, who goes into hibernation between holiday seasons, Ralphie Parker (Peter Billingsley) is always there, ready to entertain the moment the temperature starts dropping again. In fact, Ralphie's story is as much Christmas now as the story of Santa Claus. So while it would not be inaccurate to say that "A Christmas Story" is extra hot right now because of the recent HBO Max sequel release, it would still be disingenuous.
But that's not to marsh anyone's mallow. By most accounts, "A Christmas Story Christmas" is a solid, if not repetitious, nostalgia flick. At the very least, the project got Billingsley back into the holiday spirit, so much so that he's co-hosting "A Cinematic Journey" with Nick Schenk. We should probably tell you what that is,...
But that's not to marsh anyone's mallow. By most accounts, "A Christmas Story Christmas" is a solid, if not repetitious, nostalgia flick. At the very least, the project got Billingsley back into the holiday spirit, so much so that he's co-hosting "A Cinematic Journey" with Nick Schenk. We should probably tell you what that is,...
- 12/12/2022
- by Cameron Roy Hall
- Slash Film
If you grew up anywhere around cold weather and snow, you might already know this, but if you're new to icy conditions, here is a public service announcement: Do not touch your tongue to a flagpole when it drops below freezing. Even if someone triple-dog dares you. Of course, if you've seen the 1983 film "A Christmas Story," you probably already know this. You likely have, as TNT and TBS do a marathon of the film every holiday.
This was one of those moments that fills me with remembered dread, as I almost attempted this before I saw "A Christmas Story" for the first time. I wondered how they did this and if poor Scott Schwartz, who played the unfortunate Flick, was okay.
Wild West Picture Show Productions partners Peter Billingsley (who starred as Ralphie in the film) and Vince Vaughn, have started a new podcast called "A Cinematic Christmas Journey,...
This was one of those moments that fills me with remembered dread, as I almost attempted this before I saw "A Christmas Story" for the first time. I wondered how they did this and if poor Scott Schwartz, who played the unfortunate Flick, was okay.
Wild West Picture Show Productions partners Peter Billingsley (who starred as Ralphie in the film) and Vince Vaughn, have started a new podcast called "A Cinematic Christmas Journey,...
- 12/10/2022
- by Jenna Busch
- Slash Film
Although "A Christmas Story" was not a big hit when it first released in theaters in 1983, it's long since become one of the most famous holiday movies of all time. We can credit the TNT channel for this; in 1997 they started airing 24-hour Christmas marathons of the movie, and throughout the whole month of December "A Christmas Story" still plays on the channel seemingly every day. The TNT executives decided that everyone was going to learn to love this movie, whether they wanted to or not.
Of course, the movie would never have caught on as well as it has if it wasn't legitimately good. As /Film's own Demetra Nikolakakis put it, the reason it's so great is because it "chooses nostalgic realism over rose-tinted glasses." The movie is about an adult Ralphie reflecting on his childhood, and it never sugarcoats just how terrible so many parts of childhood are.
Of course, the movie would never have caught on as well as it has if it wasn't legitimately good. As /Film's own Demetra Nikolakakis put it, the reason it's so great is because it "chooses nostalgic realism over rose-tinted glasses." The movie is about an adult Ralphie reflecting on his childhood, and it never sugarcoats just how terrible so many parts of childhood are.
- 12/10/2022
- by Michael Boyle
- Slash Film
"A Christmas Story" is a staple of the holiday season, with annual 24-hour marathons on TBS and TNT. This year we have double the Ralphie fun because a sequel, "A Christmas Story Christmas," is streaming on HBO Max. Not only that, but Peter Billingsley, who played Ralphie, and his Wild West Picture Show Productions partner Vince Vaughn, have started a new video podcast called "A Cinematic Christmas Journey." The first episode is about "A Christmas Story," and we're getting some fun tales from the set.
It's hosted by Billingsley and Nick Schenk, the screenwriter for the Clint Eastwood films "Gran Torino," "Cry Macho," and "The Mule," as well as the new sequel "A Christmas Story Christmas." For this episode, Schenk and Billingsley welcome Ian Petrella, who played Ralphie's little brother Randy, R.D. Robb, who played Schwartz, and Scott Schwartz, who played Flick. There are stories about the cursing Ralphie did and where it came from,...
It's hosted by Billingsley and Nick Schenk, the screenwriter for the Clint Eastwood films "Gran Torino," "Cry Macho," and "The Mule," as well as the new sequel "A Christmas Story Christmas." For this episode, Schenk and Billingsley welcome Ian Petrella, who played Ralphie's little brother Randy, R.D. Robb, who played Schwartz, and Scott Schwartz, who played Flick. There are stories about the cursing Ralphie did and where it came from,...
- 12/10/2022
- by Jenna Busch
- Slash Film
There is an irony at play with Bob Clark's 1983 film "A Christmas Story." Set in 1940, "A Christmas Story" told an aggressively unromantic story of what childhood looked like at the time. It was a movie meant to undo any notions of warm nostalgia, freeing Christmastime from its halcyon and clichéd Rockwellian idylls. The young Ralphie (Peter Billingsley) was no well-behaved moppet, but a foul-mouthed, bratty child who longed to fire a weapon. He hated his school, and vengefully beat up schoolyard bullies. Santa was scary. The family Christmas tree was ruined. Christmas dinner had to be eaten at a Chinese restaurant, one of the only places open on December 25. Tradition, "A Christmas Story" posits, is an embarrassing joke.
The irony comes in with the film's eventual reputation. "A Christmas Story" became a seasonal classic, and the Gen-x children who grew up watching it happily proselytized its comedic power. Eventually,...
The irony comes in with the film's eventual reputation. "A Christmas Story" became a seasonal classic, and the Gen-x children who grew up watching it happily proselytized its comedic power. Eventually,...
- 12/9/2022
- by Witney Seibold
- Slash Film
Bob Clark's 1983 holiday classic, "A Christmas Story," has become a traditional watch for countless people across the globe. Based on Jean Shepherd's semi-fictional anecdotes in his 1966 book "In God We Trust: All Others Pay Cash" and set during the winter of 1940, "A Christmas Story" is arguably one of the most recognizable Christmas films ever made. Ralphie's pink bunny pajamas, Flick licking a frozen flag pole, the constant chant of "you'll shoot your eye out," the secret Ovaltine commercial, and of course, "the soft glow of electric sex gleaming in the window" from the old man's leg lamp have all become Christmas cultural staples of the holiday season.
Since 1997, TNT has been airing a 24-hour marathon dubbed "24 Hours of 'A Christmas Story,'" which means plenty of people have watched the film so many times, it's not unlikely that someone could recite any random line from the script from memory.
Since 1997, TNT has been airing a 24-hour marathon dubbed "24 Hours of 'A Christmas Story,'" which means plenty of people have watched the film so many times, it's not unlikely that someone could recite any random line from the script from memory.
- 12/9/2022
- by BJ Colangelo
- Slash Film
The holidays, in general, are about family. Spending time with family, appreciating family, and also, getting really sick of family after an afternoon listening to that one crazy uncle rant just a little too long about god knows what this time. But that sense of family leads to wanting to watch family-friendly, wholesome content, which is no doubt part of why "A Christmas Story" is on TV around the clock every December. It's become a genuine classic, beloved enough to have been added to the National Film Registry. Not bad for a movie about a little kid just hoping to get a Bb gun for Christmas.
Along the way, Ralphie — our protagonist — gets into mischief with his friends, drops an F-bomb in front of his old man, and gets a little too into his father's major award (that just happens to be shaped like a woman's leg). Come to think of it,...
Along the way, Ralphie — our protagonist — gets into mischief with his friends, drops an F-bomb in front of his old man, and gets a little too into his father's major award (that just happens to be shaped like a woman's leg). Come to think of it,...
- 12/4/2022
- by Jeff Kelly
- Slash Film
Few Christmas movies seem to be as frequently rewatched — and well-loved — as "A Christmas Story." Sure, "Home Alone" gives Ralphie a good run for his money, but it's hard to beat the annual 24-hour "A Christmas Story" marathons. Whether you always hunker down for the day-long ordeal or indulge your family by watching the classic movie once every few years (a situation that I can personally relate to — my dad's a big fan), "A Christmas Story" has certainly slipped its way into many people's holiday customs.
Of course, it certainly doesn't hurt that the movie is an ode to family, childhood innocence, and nostalgic traditions. If the holiday season tempts us to reminisce about simpler, happier days — when Christmas was met with pure, childlike excitement, the playground was the center of the universe, and hot chocolate tasted extra-sweet — "A Christmas Story" is an indulgence that chooses nostalgic realism over rose-tinted glasses.
Of course, it certainly doesn't hurt that the movie is an ode to family, childhood innocence, and nostalgic traditions. If the holiday season tempts us to reminisce about simpler, happier days — when Christmas was met with pure, childlike excitement, the playground was the center of the universe, and hot chocolate tasted extra-sweet — "A Christmas Story" is an indulgence that chooses nostalgic realism over rose-tinted glasses.
- 12/2/2022
- by Demetra Nikolakakis
- Slash Film
As the holiday season descends upon us, engulfing everything in sight with a deluge of frost and good cheer, we've officially reached the time of year when it's socially acceptable to watch "A Christmas Story" again. The 1983 comedy, which follows a young boy's pursuit of a non-lethal firearm in 1940s Indiana, achieves the rare combination of being both Christmas-y enough for children and not so cloyingly sweet that it forces parents to reconsider their life choices.
The movie has maintained its popularity over the years, with TBS having aired a 24-hour marathon of the film every Christmas since 1997, a tradition that has long plagued people trying to find the Christmas Day NBA games. This year, the film received a long-awaited sequel (we're all agreeing to ignore some of the previous attempts), "A Christmas Story Christmas," which features the return of much of the original cast, including the first film's star,...
The movie has maintained its popularity over the years, with TBS having aired a 24-hour marathon of the film every Christmas since 1997, a tradition that has long plagued people trying to find the Christmas Day NBA games. This year, the film received a long-awaited sequel (we're all agreeing to ignore some of the previous attempts), "A Christmas Story Christmas," which features the return of much of the original cast, including the first film's star,...
- 12/2/2022
- by Matt Rainis
- Slash Film
Click here to read the full article.
Last month, Dodgeball: A True Underdog Story star Justin Long got fans buzzing when he revealed that Vince Vaughn had an idea for a sequel to the 2004 comedy that was just waiting for Ben Stiller’s stamp of approval after he was uncertain about doing a follow-up.
At Wednesday night’s premiere for his new comedy Christmas with the Campbells, which he co-wrote and produced, Vaughn gave an update on the project himself, sharing that he and Stiller are both open but cautious of the risks of revisiting the hit film.
“They’ve always talked about these things forever and I had an idea that was fun and the studio likes it, so we’ll see where it goes,” Vaughn told The Hollywood Reporter. “I think Ben is open to doing it, I think he’s in the same boat as me actually...
Last month, Dodgeball: A True Underdog Story star Justin Long got fans buzzing when he revealed that Vince Vaughn had an idea for a sequel to the 2004 comedy that was just waiting for Ben Stiller’s stamp of approval after he was uncertain about doing a follow-up.
At Wednesday night’s premiere for his new comedy Christmas with the Campbells, which he co-wrote and produced, Vaughn gave an update on the project himself, sharing that he and Stiller are both open but cautious of the risks of revisiting the hit film.
“They’ve always talked about these things forever and I had an idea that was fun and the studio likes it, so we’ll see where it goes,” Vaughn told The Hollywood Reporter. “I think Ben is open to doing it, I think he’s in the same boat as me actually...
- 12/1/2022
- by Kirsten Chuba
- The Hollywood Reporter - Movie News
Editor’s note: This review was originally published at the 2022 Locarno Film Festival. Oscilloscope releases the film in select theaters on Friday, August 25.
Using sci-fi to create a sexual allegory is a staple of body horror genre, just ask David Cronenberg. Now, let us introduce the body pleasure genre. No, not porn, but a character-driven drama in which personal and sexual growth synthesise in the name of erotic cinema.
Visual artist Ann Oren’s debut feature “Piaffe” fits this exact mold, following a meek introvert in Berlin who grows a horse’s tail and has a sexual awakening. Oren’s teasing style is the perfect route into the story. Shooting on 16mm, she mounts every scene by slowly, surely feeding in key details. In other words: she has a gift for both horseplay and foreplay.
Eva (Simone Bucio) is tasked with sound designing a commercial for a dubious mood-stabilizing drug after sister,...
Using sci-fi to create a sexual allegory is a staple of body horror genre, just ask David Cronenberg. Now, let us introduce the body pleasure genre. No, not porn, but a character-driven drama in which personal and sexual growth synthesise in the name of erotic cinema.
Visual artist Ann Oren’s debut feature “Piaffe” fits this exact mold, following a meek introvert in Berlin who grows a horse’s tail and has a sexual awakening. Oren’s teasing style is the perfect route into the story. Shooting on 16mm, she mounts every scene by slowly, surely feeding in key details. In other words: she has a gift for both horseplay and foreplay.
Eva (Simone Bucio) is tasked with sound designing a commercial for a dubious mood-stabilizing drug after sister,...
- 8/12/2022
- by Sophie Monks Kaufman
- Indiewire
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