Those who have suggested that The Review Show's move from BBC2 to BBC4 signals the end for the programme are wrong, but the reduction to once a month is a travesty
After almost 20 years on mainstream TV, The Review Show is being shunted to BBC4, its weekly slot reduced to a monthly cameo. As John Dugdale wrote in last week's issue, the messages coming from BBC management are, in the words of my fellow panellist Anne McElvoy, "executive code for likely death". I'd known for a while of the quiet euthanasia that was being performed on the programme that I'd loved since, as a pimply teenager, I'd tuned into Tom Paulin, Tony Parsons and Allison Pearson chewing over the cultural significance of Toy Story on the Late Review. Now the world knew too, and a half-hearted #savethereviewshow campaign briefly fizzled into life on Twitter. I made the trip up to...
After almost 20 years on mainstream TV, The Review Show is being shunted to BBC4, its weekly slot reduced to a monthly cameo. As John Dugdale wrote in last week's issue, the messages coming from BBC management are, in the words of my fellow panellist Anne McElvoy, "executive code for likely death". I'd known for a while of the quiet euthanasia that was being performed on the programme that I'd loved since, as a pimply teenager, I'd tuned into Tom Paulin, Tony Parsons and Allison Pearson chewing over the cultural significance of Toy Story on the Late Review. Now the world knew too, and a half-hearted #savethereviewshow campaign briefly fizzled into life on Twitter. I made the trip up to...
- 3/16/2013
- by Alex Preston
- The Guardian - Film News
Flagship BBC2 arts and culture show loses its weekly status but retains presenters Martha Kearney and Kirsty Wark
For nearly 20 years it has brought BBC2 viewers the latest developments in the world of arts and culture, in various incarnations and featuring bickering panellists including Tom Paulin, Allison Pearson and Tony Parsons.
But now The Review Show, one of the BBC's flagship arts programmes, is to be moved from BBC2 to BBC4 and cut from a weekly to monthly slot – as new director general Lord Hall prepares to join the BBC on 2 April from one of the UK's leading arts institutions, the Royal Opera House.
Arts coverage on BBC1 and BBC2 is being cut as a result of the BBC's £700m cost-cutting measures, Delivering Quality First.
The BBC's arts commissioning editor, Mark Bell, said the reduction in arts coverage was minimal across BBC1 and BBC2, amounting to a "couple of hours" a year.
For nearly 20 years it has brought BBC2 viewers the latest developments in the world of arts and culture, in various incarnations and featuring bickering panellists including Tom Paulin, Allison Pearson and Tony Parsons.
But now The Review Show, one of the BBC's flagship arts programmes, is to be moved from BBC2 to BBC4 and cut from a weekly to monthly slot – as new director general Lord Hall prepares to join the BBC on 2 April from one of the UK's leading arts institutions, the Royal Opera House.
Arts coverage on BBC1 and BBC2 is being cut as a result of the BBC's £700m cost-cutting measures, Delivering Quality First.
The BBC's arts commissioning editor, Mark Bell, said the reduction in arts coverage was minimal across BBC1 and BBC2, amounting to a "couple of hours" a year.
- 2/27/2013
- by John Plunkett
- The Guardian - Film News
More Dickens and even more Shakespeare, but also new novels from Toni Morrison, Hilary Mantel, Zadie Smith, plus exciting new voices – 2012's literary highlights
January
10 Charles Dickens's The Mystery of Edwin Drood, starring Matthew Rhys and Tamzin Merchant, begins – and, unlike the book, ends – on BBC2.
13 Michael Morpurgo's much-loved children's novel War Horse, a long-running favourite at the National and on Broadway, gets the Hollywood treatment. A tearjerking saga about a young soldier and his horse – it was only a matter of time before it was Spielberged.
16 Ts Eliot prize. Despite withdrawals from the shortlist over objections to a hedge fund's sponsorship of the prize, the Eliot remains the UK's premier poetry award, and its eve-of-event reading is always a treat. This year's shortlist includes Daljit Nagra, Carol Ann Duffy and John Burnside.
20 Release of film of Coriolanus, an Orson Wellesian effort directed by and starring Ralph Fiennes,...
January
10 Charles Dickens's The Mystery of Edwin Drood, starring Matthew Rhys and Tamzin Merchant, begins – and, unlike the book, ends – on BBC2.
13 Michael Morpurgo's much-loved children's novel War Horse, a long-running favourite at the National and on Broadway, gets the Hollywood treatment. A tearjerking saga about a young soldier and his horse – it was only a matter of time before it was Spielberged.
16 Ts Eliot prize. Despite withdrawals from the shortlist over objections to a hedge fund's sponsorship of the prize, the Eliot remains the UK's premier poetry award, and its eve-of-event reading is always a treat. This year's shortlist includes Daljit Nagra, Carol Ann Duffy and John Burnside.
20 Release of film of Coriolanus, an Orson Wellesian effort directed by and starring Ralph Fiennes,...
- 1/6/2012
- The Guardian - Film News
Claudia Winkleman's debut helped reinvigorate the format – but did she really need such a large team of supporting critics to help her?
There are a few cinema critics who still exert influence in their fields – the News of the World's Robbie Collin for blockbusters, the Guardian's Peter Bradshaw for world cinema, and the Chicago Sun-Times's Roger Ebert, who has managed to retain power in the old media by embracing the new. But generally speaking, the critic's influence is quickly diminishing.
The first episode in the revamped run of Film 2010, the BBC's flagship movie show – which aired last night to 1.1 million viewers, a 65% increase on previous host Jonathan Ross's farewell episode – tackled this problem in two ways. The first was to open up the format. Instead of one man in a broom cupboard, a seat filled most comfortably by Barry Norman, we instead had nominal host Claudia Winkleman...
There are a few cinema critics who still exert influence in their fields – the News of the World's Robbie Collin for blockbusters, the Guardian's Peter Bradshaw for world cinema, and the Chicago Sun-Times's Roger Ebert, who has managed to retain power in the old media by embracing the new. But generally speaking, the critic's influence is quickly diminishing.
The first episode in the revamped run of Film 2010, the BBC's flagship movie show – which aired last night to 1.1 million viewers, a 65% increase on previous host Jonathan Ross's farewell episode – tackled this problem in two ways. The first was to open up the format. Instead of one man in a broom cupboard, a seat filled most comfortably by Barry Norman, we instead had nominal host Claudia Winkleman...
- 10/14/2010
- by Catherine Shoard
- The Guardian - Film News
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