Martin Halle(I)
- Visual Effects
Born in Quebec City, Quebec. Graduated from college in Graphic Design and work in the industry for several years before moving in Vancouver
in 1996 to realize one of his child dream to work in the movie. He enrolled at The Art Institute of Vancouver - Burnaby and graduated in the Visual Effects Digital Animation Masters program.
He later went to work at Stargate Digital Vancouver. Where he took the position of lead of the 3D department. Working on such projects as The Dead Zone, Jake 2.0, E.R., Las Vegas, C.S.I., Carrie, Helen of Troy, white noise, Treat Matrix, and more.
He moved on a few years later to start the 3D department at a new branch of Spin VFX in Vancouver. Working on more television series but also lots of commercials and a few features. Also getting to move on and work on set as an assistant supervisor on the film "Like Mike 2: streetball" and set supervisor on commercial for subway and others.
After a few years at spin, Martin moved on to become a freelancer working on many projects at a few different company. Starting with Blades of glory at Rainmaker, followed by Pirates of the Caribbean 3 at Industrial Light and Magic, and a few features for Technicolor. He also supervised on Set for a couple features for the Sci-Fy network. After that he went back to ILM to work on the last installment of Indiana Jones. His last completed project was for MPC Vancouver on the Watchmen.
In 2009, Martin Halle move to New Zealand and join Weta Digital to work on the effects of James Cameron Avatar. Followed by Harry Potter and the deadly hallows part 1. In September 2011, he moved on to the next project at Rhythm and Hues, doing water simulation for the dolphin stampede on Hang Lee "Life of Pi", using Naiad and Houdini. Moving on after that on destruction for the movie R.I.P.D. After Rhythm she Hues bankruptcy, Martin shortly return at Prime Focus to do effects on white house down. And then moved on to zoic studio to work on multiple TV shows.
In July 2014, he joined Scanline vfx team as a flowline artist. Creating simulation on movie like Exodus, San Andreas, The 5th Wave, Batman vs Superman and independence day 2, the Meg. Antman and the Wasp, Aquaman.
In 2018 he move back to Montreal as FX Lead at the new Scanline Montreal. Working on Captain Marvel, Terminator dark fate, Midway and Zack Snider justice league and more.
He later went to work at Stargate Digital Vancouver. Where he took the position of lead of the 3D department. Working on such projects as The Dead Zone, Jake 2.0, E.R., Las Vegas, C.S.I., Carrie, Helen of Troy, white noise, Treat Matrix, and more.
He moved on a few years later to start the 3D department at a new branch of Spin VFX in Vancouver. Working on more television series but also lots of commercials and a few features. Also getting to move on and work on set as an assistant supervisor on the film "Like Mike 2: streetball" and set supervisor on commercial for subway and others.
After a few years at spin, Martin moved on to become a freelancer working on many projects at a few different company. Starting with Blades of glory at Rainmaker, followed by Pirates of the Caribbean 3 at Industrial Light and Magic, and a few features for Technicolor. He also supervised on Set for a couple features for the Sci-Fy network. After that he went back to ILM to work on the last installment of Indiana Jones. His last completed project was for MPC Vancouver on the Watchmen.
In 2009, Martin Halle move to New Zealand and join Weta Digital to work on the effects of James Cameron Avatar. Followed by Harry Potter and the deadly hallows part 1. In September 2011, he moved on to the next project at Rhythm and Hues, doing water simulation for the dolphin stampede on Hang Lee "Life of Pi", using Naiad and Houdini. Moving on after that on destruction for the movie R.I.P.D. After Rhythm she Hues bankruptcy, Martin shortly return at Prime Focus to do effects on white house down. And then moved on to zoic studio to work on multiple TV shows.
In July 2014, he joined Scanline vfx team as a flowline artist. Creating simulation on movie like Exodus, San Andreas, The 5th Wave, Batman vs Superman and independence day 2, the Meg. Antman and the Wasp, Aquaman.
In 2018 he move back to Montreal as FX Lead at the new Scanline Montreal. Working on Captain Marvel, Terminator dark fate, Midway and Zack Snider justice league and more.