After highlighting the most overlooked films of 2021, today we put our spotlight on those that need a home in the first place: movies we loved on the festival circuit—from Berlinale, SXSW, Sundance, TIFF, NYFF, Rotterdam, and beyond—still seeking U.S. distribution.
For acting also as a 2021 retrospective, we hope that highlighting these titles spurs some distributor interests and a release in the next twelve months. Make sure to follow us on Twitter for the latest distribution updates. As we move into 2022, one can also track our upcoming festival coverage here.
We should note that The Dog Who Wouldn’t Be Quiet, Taming the Garden, and Liborio nearly made the cut, but they’ll get a digital premiere on Mubi this month.
Ali & Ava (Clio Barnard)
It’s so rare to find a romance between two middle-aged characters in which the main conflict is just baggage of past relationships and past hurt.
For acting also as a 2021 retrospective, we hope that highlighting these titles spurs some distributor interests and a release in the next twelve months. Make sure to follow us on Twitter for the latest distribution updates. As we move into 2022, one can also track our upcoming festival coverage here.
We should note that The Dog Who Wouldn’t Be Quiet, Taming the Garden, and Liborio nearly made the cut, but they’ll get a digital premiere on Mubi this month.
Ali & Ava (Clio Barnard)
It’s so rare to find a romance between two middle-aged characters in which the main conflict is just baggage of past relationships and past hurt.
- 1/3/2022
- by The Film Stage
- The Film Stage
Lise (Flora Ofelia Hofmann Lindahl) couldn’t be happier now that she knows her mother’s (Ida Cæcilie Rasmussen’s Anna) determination has successfully overcome her father’s (Thure Lindhardt’s Anders) objections about sending her to school. It’s the late 1800s after all. A big reason why a farming family such as theirs has so many children is to work the land. Sending off the eldest at fourteen isn’t therefore conducive to their home’s machinery—especially since Anders has no qualms with leaving the daily chores to his sister, mother, daughters, and servants while leaving for hours on end. If Lise had anyone else to thank besides her mother for the miracle that is her impending emancipation, it would therefore have to be God. Unfortunately, God’s will has never been purely optimistic.
Based on the 1912 novel by Danish author Marie Bregendahl, writer/director Tea Lindeburg...
Based on the 1912 novel by Danish author Marie Bregendahl, writer/director Tea Lindeburg...
- 9/10/2021
- by Jared Mobarak
- The Film Stage
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