The International Film Festival in Guadalajara (FICG31) celebrated its 31th anniversary this year and moved to the center of town, a move toward regaining its early luster within the galaxy of younger festivals now competing for resources in México. With its myriad of activities beyond the mere programming of films, its mentoring other festivals such as Puerto Vallarta and Oaxaca, I would give it two thumbs up.
On Friday, March 11, it announced its awards and officially announced next year’s Guest of Honor, Germany, closing with the German film, Doris Dörrie’s “Fukushima Mon Amour” (Isa: The Match Factory). This film is a deeply moving homage to the spirit of humanity, recovery and love as a German clown, played by Rosalie Thomass and her clown partners, the wonderful Moshe Cohen of San Francisco and Nami Kamata, visit the people remaining at the devastated town of Fukushima and Rosalie bonds with the last geisha of Fukushima played by the beautiful Aya Irizuki. It premiered at the Panorama of the Berlinale where Doris won the C.I.C.A.E. Award and the Heiner Carow Prize.
Official Competition Winners FICG31
Mezcal Award for Best Mexican Film to “Maquinaria Panamericana”/ “Panamerican Machinery”
Mezcal jury
The jury consists of 30 students from related fields from universities or major schools of Mexico, Latin American, Europe and Canada. Serving as a sort of tutor, Jose Ramon Mikelajauregui, Director of Dis was responsible for the academic program held at FICG31.
The Mezcal Award consisting of 500,000 Mexican pesos went to the director, Joaquín del Paso for “Maquinaria Panamericana”/ “Panamerican Machinery”, a portrait of an inefficient factory on the edge of Mexico City where the workers lock themselves in when the owner is found dead in the back of the warehouse and they discover he has been bankrolling the wages out of his own pocket for years.
A coproduction of Mantarraya Producciones, it also won the Fipresci Prize at its premiere in the Forum of the Berlinale. International sales agent (Isa) is the new Paris-based sales and co-production company Luxbox whose
co-ceo Fiorella Moretti was formerly head of sales at Ndm, the Mexico City-based sales company she set up with director Carlos Reygadas and producer Jaime Romandia of Mantarraya Productions in 2012 to sell “Post Tenebras Lux”.
Co-ceo Hédi Zardi previously worked in sales for Fortissimo and went on to Unifrance, the French cinema promotions agency and then to the PR and events company Le Public Systeme, where he was in charge of industry initiatives at Marrakesh and Deauville festivals.
The pair got to know one another through Gabriel Ripstein’s “600 Miles”, winner of the best first feature last year at the Berlinale, which Zardi associate produced and Moretti sold.
Special Mention went to “Margarita” directed by Bruno Santamaría Razo
Infinitum Aaward Grante dby the Public, consisting of 150,000 pesos, went to " El Charro de Toluquilla" (Isa: Imcine) by José Villalobos Romero, a doc about mariachi singer Jaime Garcia Dominguez who became fascinated by the recklessness and ladies´ man lifestyle of the classic Mexican movie characters with one difference: he´s got HIV. Jaime faces an inner maturing process as he decides between keeping this lifestyle or becoming a family man. It also won the award for Best Iberoamerican Documentary of 150,000 Mexican pesos or its equivalent in dollars to the director.
Best Latin American Fiction Film consisting of 250,000 Mexican pesos or its equivalent in dollars went to the production company of Felipe Guerrero’s film “ Oscuro animal”, about three women forced to flee their homes in a war torn region in Colombia. The film also won Best Actress Award (s) for Marleyda Soto, Luisa Galiano and Jocelyn Vides Meneses and Best Photography Award to Fernando Lockett.
A coproduction of Argentina, Greece, Netherlands, Germany and Colombia, it is being sold internationally by FiGa. It previously played in the Rotterdam Film Festival’s Tiger Competition and Ficci Cartagena 2016’s Official Dramatic Competition. At the Berlinale’s Efm 2016 it was part of the World Cinema Fund’s First Look section. Financing for the film came from Colombia’s Proimágenes, Argentina’s Incaa, Netherlands’ Hubert Bals Fund, Fundación Typa, and Germany’s Nrw and World Cinema Fund.
It also won the award for Award for Best Iberoamerican Director consisting off 150,000 Mexican pesos or its equivalent in dollars, because “almost wordlessly it portrays a complex and painful situation in Colombia which is all too common in Latin America.”
Special Feature Film Jury Award Iberoamerican Fiction of 125,000 Mexican pesos or its equivalent in dollars, went to the production company of “The 4th Company”/ ”La 4a Compañía” by Amir Galván Cervera and Mitzi Vanessa Arreola, based upon a true story about an underdog prison (American-style) football team that, against all odds, wins against the police force team. The jury stated that it “considers it a cinematic achievement about a shameful moment in the history of Mexico to be remembered and not to be repeated”. Adrian Thief also won for Best Actor, and he is that! There is no Isa of record, so those ISAs reading this should check it out on Cinando! It’s a seller!
Award for Best Latin American Film of 125,000 Mexican pesos or its equivalent in dollars went to the superb debuting director from Puerto Rico, Angel Manuel Soto for“La Granja”/ “The Farm”. Also the first film produced independently by Tom Davia’s Cinemaven (but check out his credits!), this film is a full-circle “Crash”-style story that rivals “Gemorrah” in its look at the barrio called “The Farm” or “La Granja” in which the lives of a midwife, a young boxer, a janitor, a mute kid and a young couple collide in a story about the desperate pursuit of happiness on the mean streets of La Granja. Shot on a budget of $250,000, this film took four years to complete as the Puerto Rican government film establishment sought to block its production and release – and you can see why. It previously played in Fantastic Fest.
This is another discovery film with no Isa, and I am sure the agents have already locked their eyes upon writer-director Angel Manuel Soto. He lives in Los Angeles. “Born in Santurce, Puerto Rico. Son of a car salesman and a flight attendant. Studied architecture and advertising. Always loved films. Now he makes them. He is a cinephile. He travels all over the world doing it, including Australia, Thailand, Cambodia, France, USA, and Puerto Rico. He is not planning on stopping.”
Best Screenplay Award went to Marina Seresesky for “La Puerta Abierta”/ “Open Door” (pictured above). Marina also directed this first film. She has made two shorts previously. After Ficg it will play at Sofia Iff 2016 in International Competition, San Diego Latino 2016 and Chicago Latino 2016 Film Festivals.
Movies Recommended for Selection for the Golden Globes Awards 2017 are “The 4th Company” and “Ciudades Desiertas” / “Deserted Cities” by Roberto Sneider.
Documentary Jury Special Award of 100,000 Mexican pesos or its equivalent in dollars to the director Jorge Caballero for“Patient”/ "Paciente" Isa Rise and Shine, a new company in Germany, picked up the film at its world premiere in Competition at Idfa.
Best Iberoamerican Short Film Award D of 75,000 pesos or its equivalent in dollars to the directors Miguel de Olaso and Bruno Zacharias for the 10 minute short “ Los Angeles 1991”.
Special Mention went to “Juan's Sundown”/ "El Ocaso de Juan" by Omar Deneb Vargas Juárez
Rigo Mora Award for Best Mexican Animated Short Film of 100,000 Mexican pesos went to the director Alejandro Rios for “ The Cats”/"Los Gatos."
Maguey Award for best Lgbt film went to "Theo et Hugo dans le meme bateau"/ "Paris 05:59" of France, directed by Olivier Ducastel and Jacques Martineau.
Special Mention went to “Neon Bull” of Brazil, directed by Gabriel Mascaro for its poetic and innovative illustrating of how traditional ideas of masculinity slowly have been made obsolete inviting us to question our own perspectives on gender bias.
After the Awards, Ficg gave a great closing night party. Lots of good people, new and old friends, great salsa band, danced til 3! Here’s me with my friend David Martinez of Raindance Film Festival. Coming from Guadalajara, living in London, this year he came home with Elliot Grove of Founder and Director of Raindance, and Aaron Wileman of Imaginative Exposure who gave a Master Class on Film Funds and Product Placement.
And of course I presented my own book in its abridged, Spanish language format, published by the University of Guadalajara Press, Cine Iberoamerican Industria y financiamiento por pais (Iberoamerican Cinema: Industry and Financing by Country). Read more about it here.
On Friday, March 11, it announced its awards and officially announced next year’s Guest of Honor, Germany, closing with the German film, Doris Dörrie’s “Fukushima Mon Amour” (Isa: The Match Factory). This film is a deeply moving homage to the spirit of humanity, recovery and love as a German clown, played by Rosalie Thomass and her clown partners, the wonderful Moshe Cohen of San Francisco and Nami Kamata, visit the people remaining at the devastated town of Fukushima and Rosalie bonds with the last geisha of Fukushima played by the beautiful Aya Irizuki. It premiered at the Panorama of the Berlinale where Doris won the C.I.C.A.E. Award and the Heiner Carow Prize.
Official Competition Winners FICG31
Mezcal Award for Best Mexican Film to “Maquinaria Panamericana”/ “Panamerican Machinery”
Mezcal jury
The jury consists of 30 students from related fields from universities or major schools of Mexico, Latin American, Europe and Canada. Serving as a sort of tutor, Jose Ramon Mikelajauregui, Director of Dis was responsible for the academic program held at FICG31.
The Mezcal Award consisting of 500,000 Mexican pesos went to the director, Joaquín del Paso for “Maquinaria Panamericana”/ “Panamerican Machinery”, a portrait of an inefficient factory on the edge of Mexico City where the workers lock themselves in when the owner is found dead in the back of the warehouse and they discover he has been bankrolling the wages out of his own pocket for years.
A coproduction of Mantarraya Producciones, it also won the Fipresci Prize at its premiere in the Forum of the Berlinale. International sales agent (Isa) is the new Paris-based sales and co-production company Luxbox whose
co-ceo Fiorella Moretti was formerly head of sales at Ndm, the Mexico City-based sales company she set up with director Carlos Reygadas and producer Jaime Romandia of Mantarraya Productions in 2012 to sell “Post Tenebras Lux”.
Co-ceo Hédi Zardi previously worked in sales for Fortissimo and went on to Unifrance, the French cinema promotions agency and then to the PR and events company Le Public Systeme, where he was in charge of industry initiatives at Marrakesh and Deauville festivals.
The pair got to know one another through Gabriel Ripstein’s “600 Miles”, winner of the best first feature last year at the Berlinale, which Zardi associate produced and Moretti sold.
Special Mention went to “Margarita” directed by Bruno Santamaría Razo
Infinitum Aaward Grante dby the Public, consisting of 150,000 pesos, went to " El Charro de Toluquilla" (Isa: Imcine) by José Villalobos Romero, a doc about mariachi singer Jaime Garcia Dominguez who became fascinated by the recklessness and ladies´ man lifestyle of the classic Mexican movie characters with one difference: he´s got HIV. Jaime faces an inner maturing process as he decides between keeping this lifestyle or becoming a family man. It also won the award for Best Iberoamerican Documentary of 150,000 Mexican pesos or its equivalent in dollars to the director.
Best Latin American Fiction Film consisting of 250,000 Mexican pesos or its equivalent in dollars went to the production company of Felipe Guerrero’s film “ Oscuro animal”, about three women forced to flee their homes in a war torn region in Colombia. The film also won Best Actress Award (s) for Marleyda Soto, Luisa Galiano and Jocelyn Vides Meneses and Best Photography Award to Fernando Lockett.
A coproduction of Argentina, Greece, Netherlands, Germany and Colombia, it is being sold internationally by FiGa. It previously played in the Rotterdam Film Festival’s Tiger Competition and Ficci Cartagena 2016’s Official Dramatic Competition. At the Berlinale’s Efm 2016 it was part of the World Cinema Fund’s First Look section. Financing for the film came from Colombia’s Proimágenes, Argentina’s Incaa, Netherlands’ Hubert Bals Fund, Fundación Typa, and Germany’s Nrw and World Cinema Fund.
It also won the award for Award for Best Iberoamerican Director consisting off 150,000 Mexican pesos or its equivalent in dollars, because “almost wordlessly it portrays a complex and painful situation in Colombia which is all too common in Latin America.”
Special Feature Film Jury Award Iberoamerican Fiction of 125,000 Mexican pesos or its equivalent in dollars, went to the production company of “The 4th Company”/ ”La 4a Compañía” by Amir Galván Cervera and Mitzi Vanessa Arreola, based upon a true story about an underdog prison (American-style) football team that, against all odds, wins against the police force team. The jury stated that it “considers it a cinematic achievement about a shameful moment in the history of Mexico to be remembered and not to be repeated”. Adrian Thief also won for Best Actor, and he is that! There is no Isa of record, so those ISAs reading this should check it out on Cinando! It’s a seller!
Award for Best Latin American Film of 125,000 Mexican pesos or its equivalent in dollars went to the superb debuting director from Puerto Rico, Angel Manuel Soto for“La Granja”/ “The Farm”. Also the first film produced independently by Tom Davia’s Cinemaven (but check out his credits!), this film is a full-circle “Crash”-style story that rivals “Gemorrah” in its look at the barrio called “The Farm” or “La Granja” in which the lives of a midwife, a young boxer, a janitor, a mute kid and a young couple collide in a story about the desperate pursuit of happiness on the mean streets of La Granja. Shot on a budget of $250,000, this film took four years to complete as the Puerto Rican government film establishment sought to block its production and release – and you can see why. It previously played in Fantastic Fest.
This is another discovery film with no Isa, and I am sure the agents have already locked their eyes upon writer-director Angel Manuel Soto. He lives in Los Angeles. “Born in Santurce, Puerto Rico. Son of a car salesman and a flight attendant. Studied architecture and advertising. Always loved films. Now he makes them. He is a cinephile. He travels all over the world doing it, including Australia, Thailand, Cambodia, France, USA, and Puerto Rico. He is not planning on stopping.”
Best Screenplay Award went to Marina Seresesky for “La Puerta Abierta”/ “Open Door” (pictured above). Marina also directed this first film. She has made two shorts previously. After Ficg it will play at Sofia Iff 2016 in International Competition, San Diego Latino 2016 and Chicago Latino 2016 Film Festivals.
Movies Recommended for Selection for the Golden Globes Awards 2017 are “The 4th Company” and “Ciudades Desiertas” / “Deserted Cities” by Roberto Sneider.
Documentary Jury Special Award of 100,000 Mexican pesos or its equivalent in dollars to the director Jorge Caballero for“Patient”/ "Paciente" Isa Rise and Shine, a new company in Germany, picked up the film at its world premiere in Competition at Idfa.
Best Iberoamerican Short Film Award D of 75,000 pesos or its equivalent in dollars to the directors Miguel de Olaso and Bruno Zacharias for the 10 minute short “ Los Angeles 1991”.
Special Mention went to “Juan's Sundown”/ "El Ocaso de Juan" by Omar Deneb Vargas Juárez
Rigo Mora Award for Best Mexican Animated Short Film of 100,000 Mexican pesos went to the director Alejandro Rios for “ The Cats”/"Los Gatos."
Maguey Award for best Lgbt film went to "Theo et Hugo dans le meme bateau"/ "Paris 05:59" of France, directed by Olivier Ducastel and Jacques Martineau.
Special Mention went to “Neon Bull” of Brazil, directed by Gabriel Mascaro for its poetic and innovative illustrating of how traditional ideas of masculinity slowly have been made obsolete inviting us to question our own perspectives on gender bias.
After the Awards, Ficg gave a great closing night party. Lots of good people, new and old friends, great salsa band, danced til 3! Here’s me with my friend David Martinez of Raindance Film Festival. Coming from Guadalajara, living in London, this year he came home with Elliot Grove of Founder and Director of Raindance, and Aaron Wileman of Imaginative Exposure who gave a Master Class on Film Funds and Product Placement.
And of course I presented my own book in its abridged, Spanish language format, published by the University of Guadalajara Press, Cine Iberoamerican Industria y financiamiento por pais (Iberoamerican Cinema: Industry and Financing by Country). Read more about it here.
- 3/17/2016
- by Sydney Levine
- Sydney's Buzz
The winners have been announced in the second edition of the fund to support projects in development and post-production through collaboration with Labodigita.
The seven projects in development stage that will receive $5,000 each are:
Shadow Collector (Coleccionistas De Sombras) by director and producer Viviana García Besné;
Tribeca Film Institute project Our Darkest Days (Los Días Más Oscuros De Nosotras) by director Astrid Rondero and producer Fernanda Valadez;
Confusion (Entrevero) by director Max Zunino and producer Laura Imperiale;
Man For Man (Hombre Por Hombre) by director Marcelo Tobar and producer Elsa Reyes;
Sea And Earth Eyes (Ojos De Mar Y Tierra) by director José Álvarez and producer Julio Chavezmontes;
Seven Hours (Siete Horas) by director Chema Rodríguez and producers Francisco Vargas and Chema Rodríguez; and I’m No Longer Here (Ya No Estoy Aquí) by director Fernando Frías and producers Gerry Kim and Mayuran Tiruchelvam.
The jury comprised Rise And Shine World Sales acquisitions manager Diana Karklin, Tribeca...
The seven projects in development stage that will receive $5,000 each are:
Shadow Collector (Coleccionistas De Sombras) by director and producer Viviana García Besné;
Tribeca Film Institute project Our Darkest Days (Los Días Más Oscuros De Nosotras) by director Astrid Rondero and producer Fernanda Valadez;
Confusion (Entrevero) by director Max Zunino and producer Laura Imperiale;
Man For Man (Hombre Por Hombre) by director Marcelo Tobar and producer Elsa Reyes;
Sea And Earth Eyes (Ojos De Mar Y Tierra) by director José Álvarez and producer Julio Chavezmontes;
Seven Hours (Siete Horas) by director Chema Rodríguez and producers Francisco Vargas and Chema Rodríguez; and I’m No Longer Here (Ya No Estoy Aquí) by director Fernando Frías and producers Gerry Kim and Mayuran Tiruchelvam.
The jury comprised Rise And Shine World Sales acquisitions manager Diana Karklin, Tribeca...
- 11/13/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The winners have been announced in the second edition of the fund to support projects in development and post-production through collaboration with Labodigita.
The seven projects in development stage that will receive $5,000 each are:
Shadow Collector (Coleccionistas De Sombras) by director and producer Viviana García Besné;
Tribeca Film Institute project Our Darkest Days (Los Días Más Oscuros De Nosotras) by director Astrid Rondero and producer Fernanda Valádez;
Confusion (Entrevero) by director Max Zunino and producer Laura Imperiale;
Man For Man (Hombre Por Hombre) by director Marcelo Tobar and producer Elsa Reyes;
Sea And Earth Eyes (Ojos De Mar Y Tierra) by director José Álvarez and producer Julio Chavezmontes;
Seven Hours (Siete Horas) by director Chema Rodríguez and producers Francisco Vargas and Chema Rodríguez; and
I’m No Longer Here (Ya No Estoy Aquí) by director Fernando Frías and producers Gerry Kim and Mayuran Tiruchelvam.
The jury comprised Rise And Shine World Sales acquisitions manager Diana Karklin, Tribeca...
The seven projects in development stage that will receive $5,000 each are:
Shadow Collector (Coleccionistas De Sombras) by director and producer Viviana García Besné;
Tribeca Film Institute project Our Darkest Days (Los Días Más Oscuros De Nosotras) by director Astrid Rondero and producer Fernanda Valádez;
Confusion (Entrevero) by director Max Zunino and producer Laura Imperiale;
Man For Man (Hombre Por Hombre) by director Marcelo Tobar and producer Elsa Reyes;
Sea And Earth Eyes (Ojos De Mar Y Tierra) by director José Álvarez and producer Julio Chavezmontes;
Seven Hours (Siete Horas) by director Chema Rodríguez and producers Francisco Vargas and Chema Rodríguez; and
I’m No Longer Here (Ya No Estoy Aquí) by director Fernando Frías and producers Gerry Kim and Mayuran Tiruchelvam.
The jury comprised Rise And Shine World Sales acquisitions manager Diana Karklin, Tribeca...
- 11/13/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Los Cabos International Film Festival will offer, within its industry activities, a total of Usd $227,000 to support projects from Mexico, the U.S.A. and Canada.
In its Third Edition, in an effort to contribute the development and consolidation of the North American film industry, presents as part of its industry activities, the first Mexico-usa-Canada Co-production Forum .
Los Cabos Film Festival , announces the 13 participant projects in the Forum:
Afronauts by Frances Bodomo (USA). Coward by Boris Rodriguez, an Anne Marie Gélinas production (Canada). The Other Tom by Rodrigo Plá, a Sandino Saravia production (Mexico). First Match by Olivia Newman, a Veronica Nickel and Chanelle Elaine production (USA). Away from Meaning by Olivia Luengas Magaña, a Vanessa Romo Gutiérrez production (Mexico). Butterfly by Maria Saakya, a Jeff Kalousdian production (USA). Museum by Alonso Ruizpalacios, a Manuel Alcalá and Alberto Muffelman production (Mexico). Permanent by Colette Burson, a Haroula Rose and Joshua Blum production (USA). Taganga by Ciro Guerra, a Katrin Pors and Serge Noel production (Canada- Colombia). Wolverine Hotel by Patricia Chica, a Byron A. Martin production (Canada). X Quinientos by Juan Andrés Arango, a Edher Campos and Yanick Letourneau production (Canada- Mexico- Colombia). I’m No Longer Here by Fernando Frías, a Gerry Kim and Mayuran Tiruchelvam production (Mexico- USA). Yamaha 300 by Jorge Michel Grau, a Mayra Espinosa Castro production (Mexico - USA). Representatives from each project will have access to a series of one-to-one meetings with key members of the international film industry and potential co-producers.
The Co-production Forum Jury, composed of Fabien Westerhoff , Sales and Distribution Director at WestEnd Films (UK), Nick Ogiony , Sales Agent at Creative Artists Agency (USA) and Lyse Lafontaine , renowned Canadian producer, will announce the winning project at the Festival, which will receive a cash prize of Usd $8,000.
Also, the recognized studios Splendor - Omnia Mantarraya will award a prize valued at Usd$30,000 to one of the participating projects, consisting of a 40 hours of color correction, 40 hours of sound mixing, accommodation and food for two people in Tepoztlán, Mexico.
Supporting the completion of Mexican feature or documentary films in post-production stage, Los Cabos Film Festival has announced the six films participating in the second Work In Progress Mexico :
El charro de Toluquilla by José Villalobos Romero, a Sergio Adrián Morkin and José Villalobos Romero production. Charity by Marcelino Islas Hernández, a Santiago García Galván production. Heirs by Jorge Hernández Aldana, a Michel Franco production. Light Feet by Juan Carlos Núñez, a Henry Lesperance Álvarez production. You Will Know what to Do with Me by Katina Medina Mora, a Gerardo Gatica and Alberto Muffelmann production. Holy Days by Alejandra Márquez Abella, a Nicolás Celis and Sebastián Celis production.
Jaie Laplante, Director of the Miami International Film Festival (USA), Nicole Mackey, Vice President of sales agency Fortissimo Films (UK), and Nate Bolotin, Xyz Films cofounder (USA), as members of the Work In Progress Mexico Jury, will evaluate six films that compete for a cash prize of Usd$10,000 .
The TV station Fox+ will also award a prize of Usd $30,000 to one of the participating films (the equivalent to the anticipated purchase of broadcast rights for Latin America and the Caribbean, excluding Brazil through the channel’s windows). And the outstanding post-production company Chemistry will award a prize worth Usd $45,000 consisting of 80 hours of color correction, 40 hours of conform and digital mastering, and packaging in Dcp.
In addition, the two winning films of the Post-production Gabriel Figueroa Film Fund , each received from Labodigital’s Usd $52,000 in post-production services. These two films will also be part of the Work In Progress Mexico selection.
In its Third Edition, in an effort to contribute the development and consolidation of the North American film industry, presents as part of its industry activities, the first Mexico-usa-Canada Co-production Forum .
Los Cabos Film Festival , announces the 13 participant projects in the Forum:
Afronauts by Frances Bodomo (USA). Coward by Boris Rodriguez, an Anne Marie Gélinas production (Canada). The Other Tom by Rodrigo Plá, a Sandino Saravia production (Mexico). First Match by Olivia Newman, a Veronica Nickel and Chanelle Elaine production (USA). Away from Meaning by Olivia Luengas Magaña, a Vanessa Romo Gutiérrez production (Mexico). Butterfly by Maria Saakya, a Jeff Kalousdian production (USA). Museum by Alonso Ruizpalacios, a Manuel Alcalá and Alberto Muffelman production (Mexico). Permanent by Colette Burson, a Haroula Rose and Joshua Blum production (USA). Taganga by Ciro Guerra, a Katrin Pors and Serge Noel production (Canada- Colombia). Wolverine Hotel by Patricia Chica, a Byron A. Martin production (Canada). X Quinientos by Juan Andrés Arango, a Edher Campos and Yanick Letourneau production (Canada- Mexico- Colombia). I’m No Longer Here by Fernando Frías, a Gerry Kim and Mayuran Tiruchelvam production (Mexico- USA). Yamaha 300 by Jorge Michel Grau, a Mayra Espinosa Castro production (Mexico - USA). Representatives from each project will have access to a series of one-to-one meetings with key members of the international film industry and potential co-producers.
The Co-production Forum Jury, composed of Fabien Westerhoff , Sales and Distribution Director at WestEnd Films (UK), Nick Ogiony , Sales Agent at Creative Artists Agency (USA) and Lyse Lafontaine , renowned Canadian producer, will announce the winning project at the Festival, which will receive a cash prize of Usd $8,000.
Also, the recognized studios Splendor - Omnia Mantarraya will award a prize valued at Usd$30,000 to one of the participating projects, consisting of a 40 hours of color correction, 40 hours of sound mixing, accommodation and food for two people in Tepoztlán, Mexico.
Supporting the completion of Mexican feature or documentary films in post-production stage, Los Cabos Film Festival has announced the six films participating in the second Work In Progress Mexico :
El charro de Toluquilla by José Villalobos Romero, a Sergio Adrián Morkin and José Villalobos Romero production. Charity by Marcelino Islas Hernández, a Santiago García Galván production. Heirs by Jorge Hernández Aldana, a Michel Franco production. Light Feet by Juan Carlos Núñez, a Henry Lesperance Álvarez production. You Will Know what to Do with Me by Katina Medina Mora, a Gerardo Gatica and Alberto Muffelmann production. Holy Days by Alejandra Márquez Abella, a Nicolás Celis and Sebastián Celis production.
Jaie Laplante, Director of the Miami International Film Festival (USA), Nicole Mackey, Vice President of sales agency Fortissimo Films (UK), and Nate Bolotin, Xyz Films cofounder (USA), as members of the Work In Progress Mexico Jury, will evaluate six films that compete for a cash prize of Usd$10,000 .
The TV station Fox+ will also award a prize of Usd $30,000 to one of the participating films (the equivalent to the anticipated purchase of broadcast rights for Latin America and the Caribbean, excluding Brazil through the channel’s windows). And the outstanding post-production company Chemistry will award a prize worth Usd $45,000 consisting of 80 hours of color correction, 40 hours of conform and digital mastering, and packaging in Dcp.
In addition, the two winning films of the Post-production Gabriel Figueroa Film Fund , each received from Labodigital’s Usd $52,000 in post-production services. These two films will also be part of the Work In Progress Mexico selection.
- 10/23/2014
- by Sydney Levine
- Sydney's Buzz
For short films, the Tribeca Film Festival is a must. Winning the award for Narrative Short or Best Documentary Short automatically qualifies a film for the Academy Awards. Their track record isn’t too bad either. Shawn Christensen’s Curfew had its New York premiere at the Festival and went on to win the Academy Award.
This year, Tribeca will show 60 short films in eight categories, from a variety of new and returning directors (including Christensen with Grandma’s Not A Toaster), and featuring performances from a number of Hollywood stars. Elijah Wood plays a standup comic who attempts a daring set in Setup,...
This year, Tribeca will show 60 short films in eight categories, from a variety of new and returning directors (including Christensen with Grandma’s Not A Toaster), and featuring performances from a number of Hollywood stars. Elijah Wood plays a standup comic who attempts a daring set in Setup,...
- 3/11/2013
- by Lindsey Bahr
- EW - Inside Movies
The Spanish Institute for Film and Audiovisual Arts (Icaa) a part of the Ministry of Education, Culture and Sport, together with the American Cinematheque and Egeda (Audio-Visual Producers’ Rights Management Association) announce the 18th edition of Recent Spanish Cinema series that will showcase the most outstanding recent Spanish films at the American Cinematheque at the Egyptian Theatre in Los Angeles, October 11 – 14, 2012.
This 2012 series will be kicked off with the special opening premiere of the official Spanish Entry for Best Foreign Language Film for the Academy Awards 2013, Blancanieves (Snow White) directed by Pablo Berger and starring Maribel Verdú, Inma Cuesta & Macarena García.
This edition is honored with the attendance of directors Pablo Berger (Blancanieves), Benito Zambrano (The Sleeping Voice) and Patricia Ferreira (The Wild Ones).
Join us for our 18th annual showcase of the wildest, sexiest new films from Spain - on the big screen at the Egyptian Theatre in Hollywood. Included in this year's lineup are the 2012 Goya Best Film winner No Rest For The Wicked, a searing neo-noir from director Enrique Urbizu, starring Jose Coronado; Alberto Rodriguez's crime drama Unit 7 and Fernando Gonzalez Molina's coming of age drama and romance I Want You (the sequel to Three Steps Above Heaven, a selection from last year's Recent Spanish Cinema), both starring Spanish star Mario Casas. Also included are Ignacio Ferreras' stunning animated feature Wrinkles, based on Paco Roca’s comic of the same title; The Wild Ones, an elegant triptych of coming-of-age tales and winner of four awards at the Malaga Spanish Film Festival; and 2011’s much-lauded, multiple-Goya winner The Sleeping Voice, starring Maria Leon, Inma Cuesta, from director Benito Zambrano.
In addition to the lineup, the series will screen the short film Wings by José Villalobos, the winning entry from the New Filmmakers from Spain short film contest, a competition for Spanish film students living in USA.
For further details on the schedule, please check the Recent Spanish Cinema website
Venue: 6712 Hollywood Blvd, Los Angeles, CA 90028. Tickets: www.Fandango.com
Blancanieves (Snow White)
2012| Mama Films, Arcadia Motion Pictures, Motion Investment Group, Noodles Production|104 min.
Dir. Pablo Berger.
Cast: Maribel Verdú, Daniel Giménez Cacho, Ángela Molina, Inma Cuesta, Macarena García.
The Sleeping Voice (La Voz Dormida)
2011|Maestranza Films, Mirada Sur|128 min.
Dir. Benito Zambrano.
Cast: Inma Cuesta, María Leon, Marc Clotet, Daniel Holguín.
Unit 7 (Grupo 7)
2012|Atípica films, La Zanfoña Producciones, Sacromonte Films|96 min.
Dir. Alberto Rodríguez.
Cast: Mario Casas, Antonio de la Torre, Inma Cuesta.
Wrinkles (Arrugas)
2011|Perro Verde Films, Cromosoma |89 min.
Dir. Ignacio Ferreras
I Want You (Tengo Ganas De Ti)
2012|Zeta Audiovisual, Antena 3 Films|124 min.
Dir. Fernando González Molina.
Cast: Mario Casas, Clara Lago, María Valverde.
The Wild Ones (Els Nens Salvatges)
2012| Distinto Films, Aralan Films, La Femme Endormie Sarl |100 min.
Dir. Patricia Ferreira.
Cast: Marina Comas, Álex Monner, Albert Baró.
This 2012 series will be kicked off with the special opening premiere of the official Spanish Entry for Best Foreign Language Film for the Academy Awards 2013, Blancanieves (Snow White) directed by Pablo Berger and starring Maribel Verdú, Inma Cuesta & Macarena García.
This edition is honored with the attendance of directors Pablo Berger (Blancanieves), Benito Zambrano (The Sleeping Voice) and Patricia Ferreira (The Wild Ones).
Join us for our 18th annual showcase of the wildest, sexiest new films from Spain - on the big screen at the Egyptian Theatre in Hollywood. Included in this year's lineup are the 2012 Goya Best Film winner No Rest For The Wicked, a searing neo-noir from director Enrique Urbizu, starring Jose Coronado; Alberto Rodriguez's crime drama Unit 7 and Fernando Gonzalez Molina's coming of age drama and romance I Want You (the sequel to Three Steps Above Heaven, a selection from last year's Recent Spanish Cinema), both starring Spanish star Mario Casas. Also included are Ignacio Ferreras' stunning animated feature Wrinkles, based on Paco Roca’s comic of the same title; The Wild Ones, an elegant triptych of coming-of-age tales and winner of four awards at the Malaga Spanish Film Festival; and 2011’s much-lauded, multiple-Goya winner The Sleeping Voice, starring Maria Leon, Inma Cuesta, from director Benito Zambrano.
In addition to the lineup, the series will screen the short film Wings by José Villalobos, the winning entry from the New Filmmakers from Spain short film contest, a competition for Spanish film students living in USA.
For further details on the schedule, please check the Recent Spanish Cinema website
Venue: 6712 Hollywood Blvd, Los Angeles, CA 90028. Tickets: www.Fandango.com
Blancanieves (Snow White)
2012| Mama Films, Arcadia Motion Pictures, Motion Investment Group, Noodles Production|104 min.
Dir. Pablo Berger.
Cast: Maribel Verdú, Daniel Giménez Cacho, Ángela Molina, Inma Cuesta, Macarena García.
The Sleeping Voice (La Voz Dormida)
2011|Maestranza Films, Mirada Sur|128 min.
Dir. Benito Zambrano.
Cast: Inma Cuesta, María Leon, Marc Clotet, Daniel Holguín.
Unit 7 (Grupo 7)
2012|Atípica films, La Zanfoña Producciones, Sacromonte Films|96 min.
Dir. Alberto Rodríguez.
Cast: Mario Casas, Antonio de la Torre, Inma Cuesta.
Wrinkles (Arrugas)
2011|Perro Verde Films, Cromosoma |89 min.
Dir. Ignacio Ferreras
I Want You (Tengo Ganas De Ti)
2012|Zeta Audiovisual, Antena 3 Films|124 min.
Dir. Fernando González Molina.
Cast: Mario Casas, Clara Lago, María Valverde.
The Wild Ones (Els Nens Salvatges)
2012| Distinto Films, Aralan Films, La Femme Endormie Sarl |100 min.
Dir. Patricia Ferreira.
Cast: Marina Comas, Álex Monner, Albert Baró.
- 10/3/2012
- by Sydney Levine
- Sydney's Buzz
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