Since Bong Joon-ho’s Parasite hit the jackpot at this year’s Oscars, all eyes are on South Korea as a new film mecca. That piles expectations on Peninsula, writer-director Yeon Sang-ho’s follow-up to 2016’s Train to Busan, his surprise smash about zombies who crash a ride on a bullet train where even traveling first class earns you no perks from the walking dead. That film and its animated prequel Seoul Station, released the same year, served as a cutting critique of the class system that divides society into haves and have-nots.
- 8/19/2020
- by Peter Travers
- Rollingstone.com
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