‘Member when heading into The Flash‘s Season 8 finale, timesick Iris suddenly vanished from the 2049 S.T.A.R. Labs med bay and rematerialized in 2022, just in time to get zapped by one of Barry’s hurled lightning bolts? Iris then seemingly died in her husband’s arms, before dissipating into a cloud of particles.
The search was then on to find Iris, and though 2049’s Jay Garrick and wife Dr. Joan Williams traveled to 2022 to help out, why didn’t their own Barry Allen/The Flash offer up his own considerable set of skills?
More from TVLineThe Flash's...
The search was then on to find Iris, and though 2049’s Jay Garrick and wife Dr. Joan Williams traveled to 2022 to help out, why didn’t their own Barry Allen/The Flash offer up his own considerable set of skills?
More from TVLineThe Flash's...
- 10/14/2022
- by Matt Webb Mitovich
- TVLine.com
Erica Glynn..
Indigenous writer-director Erica Glynn was today named the recipient of this year's David and Joan Williams Documentary Fellowship. .
Glynn, whose latest film.In My Own Words.is.screening at the Sydney Film Festival, played a central role in the development of Indigenous filmmakers and their work through the Indigenous Unit of Screen Australia.
The fellowship is bestowed by former News Limited, Foxtel and Fox Studios Australia CEO Kim Williams in honour of his parents, and is worth $50,000.
Inaugurated in 2010 through the Australian International Documentary Conference, management of the fellowship was transferred to the Documentary Australia Foundation in 2015, when it became biennial. .
The recipient is selected by a panel comprising Bob Connolly, Victoria Treole and Julia Overton, supported by Daf CEO Dr Mitzi Goldman.
The fellowship is intended to give an independent filmmaker enough money and time to reflect and prepare for his or her next work or to undertake relevant study and research.
Indigenous writer-director Erica Glynn was today named the recipient of this year's David and Joan Williams Documentary Fellowship. .
Glynn, whose latest film.In My Own Words.is.screening at the Sydney Film Festival, played a central role in the development of Indigenous filmmakers and their work through the Indigenous Unit of Screen Australia.
The fellowship is bestowed by former News Limited, Foxtel and Fox Studios Australia CEO Kim Williams in honour of his parents, and is worth $50,000.
Inaugurated in 2010 through the Australian International Documentary Conference, management of the fellowship was transferred to the Documentary Australia Foundation in 2015, when it became biennial. .
The recipient is selected by a panel comprising Bob Connolly, Victoria Treole and Julia Overton, supported by Daf CEO Dr Mitzi Goldman.
The fellowship is intended to give an independent filmmaker enough money and time to reflect and prepare for his or her next work or to undertake relevant study and research.
- 6/8/2017
- by Don Groves
- IF.com.au
Jazz musician Alan Hicks has directed just one feature documentary, Keep On Keepin' On, but he.s just won a $50,000 prize.
Hicks has been awarded the David and Joan Williams Documentary Fellowship, intended to reward creative ambition, intellectual rigour and innovation in documentary cinema.
.Alan, whose debut film attracted international critical and commercial attention, is on the threshold of what promises to be a bold and exciting career,. said Bob Connolly, speaking on behalf of the selection committee.
Keep On Keepin' On is based on the life of jazz legend Clark Terry (Quincy Jones's first teacher) and his relationship with 23-year-old blind pianist prodigy, Justin Kauflin whom Terry first taught at William Patterson University and with whom he continued to work despite his failing health.
The doc premiered to rave reviews at the Tribeca Film Festival in April 2014, where it won the Audience Award and the Best New Documentary Director Award.
Hicks has been awarded the David and Joan Williams Documentary Fellowship, intended to reward creative ambition, intellectual rigour and innovation in documentary cinema.
.Alan, whose debut film attracted international critical and commercial attention, is on the threshold of what promises to be a bold and exciting career,. said Bob Connolly, speaking on behalf of the selection committee.
Keep On Keepin' On is based on the life of jazz legend Clark Terry (Quincy Jones's first teacher) and his relationship with 23-year-old blind pianist prodigy, Justin Kauflin whom Terry first taught at William Patterson University and with whom he continued to work despite his failing health.
The doc premiered to rave reviews at the Tribeca Film Festival in April 2014, where it won the Audience Award and the Best New Documentary Director Award.
- 5/31/2015
- by Staff writer
- IF.com.au
Director Jennifer Peedom was awarded the $25,000 David and Joan Williams Documentary Fellowship at the Sydney Film Festival last week. The fellowship, which was established by Foxtel boss Kim Williams Am to honour his parents, was presented by Australian International Documentary Conference (Aidc) executive director Joost den Hartog. Peedom directed the award-winning Solo (alongside David Michôd), about Andrew McAuley's attempted solo kayak expedition across the world's most treacherous ocean,.and, more recently, Living The End ..three stories about travelling towards death. Solo won an AFI Award, Fcca and Adg Award while Living the End has been nominated at the Banff World Media Awards. The fellowship, valued at up to $25,000,.is given...
- 6/19/2011
- by Brendan Swift
- IF.com.au
Sbs Documentary and specifically Cordell Jigsaw Productions have been recognised for documentary Living The End, directed by Jen Peedom at the Banff World Media Festival in the non-fiction rockies award ceremony.
The documentary was made for, and originally screened on Sbs in January 2011 as part of Australian Season, Secrets and Lives. The film follows the life and emotions of three chronically ill people as they move towards death.
Peedom was today announced the winner of the inaugural recipient of the David and Joan Williams Documentary Fellowship. Announced at the Sydney Film Festival by Joost den Hartog, Executive Director of the Australian International Documentary Conference, Peedom will receive $25,000, the most substantial annual award in Australia for documentary practitioners.
Peedom won an AFI Award, an Fcca and Adg Award for her documentary Solo, directed by herself and Animal Kingdom’s David Michod.
At the Banff World Media Festival the film beat out...
The documentary was made for, and originally screened on Sbs in January 2011 as part of Australian Season, Secrets and Lives. The film follows the life and emotions of three chronically ill people as they move towards death.
Peedom was today announced the winner of the inaugural recipient of the David and Joan Williams Documentary Fellowship. Announced at the Sydney Film Festival by Joost den Hartog, Executive Director of the Australian International Documentary Conference, Peedom will receive $25,000, the most substantial annual award in Australia for documentary practitioners.
Peedom won an AFI Award, an Fcca and Adg Award for her documentary Solo, directed by herself and Animal Kingdom’s David Michod.
At the Banff World Media Festival the film beat out...
- 6/17/2011
- by Colin Delaney
- Encore Magazine
The new David & Joan Williams Documentary Fellowship will be administered by the Australian International Documentary Conference (Aidc), providing up to $20,000 to its recipient.
The annual fellowship has been established by Kim Williams to honour his parents’ involvement with the creative process, cinema and Australian culture. It will reward “creative ambition, intellectual rigour and innovation” in documentary.
“For me much of the most important work in film in Australia has always reposed in documentary – the heartland of our national consciousness and sense of what makes Australia. I am delighted to be able to enable a modest contribution which honours the continuing work of the diverse women and men working in this vital area of creative endeavour and in doing so commemorate my parents who were special people. It is a link they would have valued,” said Kim Williams.
The selection process will be based on past work and future ambitions. It...
The annual fellowship has been established by Kim Williams to honour his parents’ involvement with the creative process, cinema and Australian culture. It will reward “creative ambition, intellectual rigour and innovation” in documentary.
“For me much of the most important work in film in Australia has always reposed in documentary – the heartland of our national consciousness and sense of what makes Australia. I am delighted to be able to enable a modest contribution which honours the continuing work of the diverse women and men working in this vital area of creative endeavour and in doing so commemorate my parents who were special people. It is a link they would have valued,” said Kim Williams.
The selection process will be based on past work and future ambitions. It...
- 3/17/2011
- by Miguel Gonzalez
- Encore Magazine
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