Film Clinic is set to dominate the lineup of the highly anticipated third edition of the Red Sea International Film Festival — which is scheduled to run from Nov 30, 2023 – Sat, Dec 9, 2023 — with the prolific production and distribution shingle boasting four of its titles in the festival. Coming in first in Arab Spectacular section titles Hajjan and Four Daughters. In Competition — Backstage and showcasing in the Festival Favourites section — Animalia.
Hajjan
Abu Bakr Shawky's latest Hajjan, produced by the King Abdulaziz Center for World Culture (Ithra) & Film Clinic. It had its World Premiere in the Toronto International Film Festival.– It is also produced by Mohamed Hefzy and Majed Zuhair Samman, co-produced by The
Imaginarium Films' Rula Nasser, and distributed by Film Clinic Indie Distribution in the Arab world while Film Constellation has the
worldwide rights. It revolves around brothers Matar and Ghanim, who live in the endless desert of Saudi Arabia.
Hajjan
Abu Bakr Shawky's latest Hajjan, produced by the King Abdulaziz Center for World Culture (Ithra) & Film Clinic. It had its World Premiere in the Toronto International Film Festival.– It is also produced by Mohamed Hefzy and Majed Zuhair Samman, co-produced by The
Imaginarium Films' Rula Nasser, and distributed by Film Clinic Indie Distribution in the Arab world while Film Constellation has the
worldwide rights. It revolves around brothers Matar and Ghanim, who live in the endless desert of Saudi Arabia.
- 11/12/2023
- by Adriana Rosati
- AsianMoviePulse
Animalia Review — Animalia (2023) Film Review from the 46th Annual Sundance Film Festival, a movie written and directed by Sofia Alaoui and starring Oumaïma Barid, Mehdi Dehbi, Souad Khouyi and Fouad Oughaou. Filmmaker Sofia Alaoui’s new film, Animalia, is a work of great complexity but there’s a lack of depth to the film’s ambiguous [...]
Continue reading: Film Review: Animalia: Sofia Alaoui’s Film is Compelling but its Mysterious Plot Needs More of a Resolve [Sundance 2023]...
Continue reading: Film Review: Animalia: Sofia Alaoui’s Film is Compelling but its Mysterious Plot Needs More of a Resolve [Sundance 2023]...
- 1/31/2023
- by Thomas Duffy
- Film-Book
A careful camera takes note of the placid symmetries of a gated house in a desert location. A fountain flows in the courtyard. A chandelier hangs in the hallway. Rococo chairs share plush rooms with Middle Eastern mosaics under elaborate wooden ceilings — a clash of aesthetic influences that signify wealth even above geography or culture. In the kitchen, Itto (an excellent Oumaïma Barid) — beautiful, young, heavily pregnant — chats cheerfully with the staff, relaxed and easy. Until, that is, her mother-in-law enters and a frosty hush settles. Director Sofia Alaoui sets up “Animalia” as an intimate dissection of the foibles and hypocrisies of Morocco’s moneyed classes. But Amine Bouhafa’s fine score, all ominous cello and somber bass, suggests that something more profound and destabilizing than the class divide is lying in wait, just beyond the hazy horizon.
Alaoui’s award-winning short film “So What If the Goats Die,” which was also gorgeously,...
Alaoui’s award-winning short film “So What If the Goats Die,” which was also gorgeously,...
- 1/21/2023
- by Jessica Kiang
- Variety Film + TV
In her promising debut feature, Animalia, Moroccan writer-director Sofia Alaoui doesn’t turn the global catastrophe scenario on its head as much as she flips it sideways.
The film, which makes its world premiere in Sundance, starts off on familiar enough ground, following a very pregnant young woman, Itto (photogenic newcomer Oumaïma Barid), as she’s stranded from her new husband, Amine (Mehdi Dehbi), while a mysterious supernatural catastrophe occurs right outside their country estate.
But if Animalia begins like small-scale Roland Emmerich, it ends up more like Terrence Malick, with Alaoui eschewing your typical action-packed finale and taking things in much more of a mystical direction. This, along with her keen commentary on religion, social class and the place of women in contemporary Morocco, could give the film a boost in a marketplace already crowded with lots of doomsday content.
An extension of the director’s 2020 short, So What If the Goats Die,...
The film, which makes its world premiere in Sundance, starts off on familiar enough ground, following a very pregnant young woman, Itto (photogenic newcomer Oumaïma Barid), as she’s stranded from her new husband, Amine (Mehdi Dehbi), while a mysterious supernatural catastrophe occurs right outside their country estate.
But if Animalia begins like small-scale Roland Emmerich, it ends up more like Terrence Malick, with Alaoui eschewing your typical action-packed finale and taking things in much more of a mystical direction. This, along with her keen commentary on religion, social class and the place of women in contemporary Morocco, could give the film a boost in a marketplace already crowded with lots of doomsday content.
An extension of the director’s 2020 short, So What If the Goats Die,...
- 1/20/2023
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
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