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Bob Dylan turns 76 today and we’re ranking Dylan’s 10 best film performances, dating back half a century to 1967. The key word is “performances,” which encompass acting work, concert films, and documentaries. It’s often hard to know when Dylan is acting and when he’s being himself (whoever that is), but whenever the iconic singer-songwriter appears on film, one thing’s for certain: you’re watching a performance.
Bob Dylan’s ‘Don’t Look Back’ Gets Deluxe Treatment With New Blu-ray Set
For this reason, we’re lumping everything together, ranking the films based on the depth and richness of performance. It was hard not to include the televised 1965 press conference in San Francisco, which sees Dylan effortlessly (and hilariously) shoot down reporters’ attempts to have him label himself, but we limited this list to feature-length films. Don’t look for Todd Haynes’ “I’m Not There” or any...
Bob Dylan’s ‘Don’t Look Back’ Gets Deluxe Treatment With New Blu-ray Set
For this reason, we’re lumping everything together, ranking the films based on the depth and richness of performance. It was hard not to include the televised 1965 press conference in San Francisco, which sees Dylan effortlessly (and hilariously) shoot down reporters’ attempts to have him label himself, but we limited this list to feature-length films. Don’t look for Todd Haynes’ “I’m Not There” or any...
- 5/24/2017
- by Graham Winfrey
- Indiewire
ABC‘s newest effort Killer Women is a mix of ideas that is difficult to nail down. Focusing on Texas Ranger Molly Parker (Tricia Helfer), the show is equal parts Longmire and Justified, which would be great, if you could stop there. Unfortunately, the show also throws in a splash of Scandal (in that it’s written like a glorified Telenovela), and a rather large scoop of, for lack of a better referent, Michael Bay (in that it has ludicrously unrealistic action scenes. That’s still something difficult to describe more thoroughly, and certainly something difficult to recommend.
The key problem with the show, apart from the nearly malicious waste of potential, is that it has to start somewhere, and this is a classic example of not knowing how to get out of the gates on solid footing.
(ABC/Bill Matlock)
Tricia Helfer
Tricia Helfer is a solid casting choice,...
The key problem with the show, apart from the nearly malicious waste of potential, is that it has to start somewhere, and this is a classic example of not knowing how to get out of the gates on solid footing.
(ABC/Bill Matlock)
Tricia Helfer
Tricia Helfer is a solid casting choice,...
- 1/7/2014
- by Marc Eastman
- AreYouScreening.com
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