Picturehouse Entertainment has debuted a new trailer for Joanna Hogg’s ‘The Souvenir Part II.’
In the aftermath of her tumultuous relationship with a charismatic and manipulative older man, Julie (Honor Swinton Byrne) begins to untangle her fraught love for him in making her graduation film, sorting fact from his elaborately constructed fiction. Joanna Hogg’s shimmering story of first love and a young woman’s formative years.
Related: The Souvenir II Review – Cannes 2021
The film is a portrait of the artist that transcends the halting particulars of everyday life – a singular, alchemic mix of memoir and fantasy.
Directed by Joanna Hogg, the film stars Honor Swinton Byrne, Jaygann Ayeh, Richard Ayoade, Ariane Labed, James Spencer Ashworth, Charlie Heaton, Joe Alwyn, Harris Dickinson and Tilda Swinton.
Also in trailers – Bradley Cooper undergoes questioning in trailer for Guillermo del Toro’s ‘Nightmare Alley’
The film hits UK cinemas on February 4th.
In the aftermath of her tumultuous relationship with a charismatic and manipulative older man, Julie (Honor Swinton Byrne) begins to untangle her fraught love for him in making her graduation film, sorting fact from his elaborately constructed fiction. Joanna Hogg’s shimmering story of first love and a young woman’s formative years.
Related: The Souvenir II Review – Cannes 2021
The film is a portrait of the artist that transcends the halting particulars of everyday life – a singular, alchemic mix of memoir and fantasy.
Directed by Joanna Hogg, the film stars Honor Swinton Byrne, Jaygann Ayeh, Richard Ayoade, Ariane Labed, James Spencer Ashworth, Charlie Heaton, Joe Alwyn, Harris Dickinson and Tilda Swinton.
Also in trailers – Bradley Cooper undergoes questioning in trailer for Guillermo del Toro’s ‘Nightmare Alley’
The film hits UK cinemas on February 4th.
- 11/23/2021
- by Zehra Phelan
- HeyUGuys.co.uk
"What did it make you feel?!" A24 has revealed an official trailer for the film The Souvenir: Part II, a follow-up to the 2019 film The Souvenir, both of them written and directed by filmmaker Joanna Hogg. This premiered at the 2021 Cannes Film Festival earlier this year playing in the Directors' Fortnight sidebar, and is also stopping by the Zurich, New York, and London Film Festivals this fall before its release. This is a direct sequel to The Souvenir, continuing the story of Julie, a young filmmaker in England trying to pick up the pieces of her life after a manipulative, destructive relationship (as seen in the first film) ends abruptly. Honor Swinton Byrne returns as Julie, who tries to make a film about her own life, with a cast including Jaygann Ayeh, Richard Ayoade, Ariane Labed, James Spencer Ashworth, Harris Dickinson, Charlie Heaton, Joe Alwyn, and Tilda Swinton. I'm not...
- 9/29/2021
- by Alex Billington
- firstshowing.net
While it is a warranted opinion to bemoan the endless output of sequels, an exception can certainly be made for Joanna Hogg’s follow-up The Souvenir Part II––not only one of the best films of the year, but also one of the best sequels of all-time, layering upon what came before while expanding the story in moving, daring ways. Picking up right after the previous film left off, the cast features a mix of familiar faces and new players, including Honor Swinton Byrne, Tilda Swinton, Richard Ayoade, Charlie Heaton, Harris Dickinson, Joe Alwyn, Ariane Labed, and James Spencer Ashworth. Following its Cannes and NYFF premieres, A24 will release the film in theaters on October 29 and now the first trailer has landed.
Rory O’Connor said in his Cannes review, “At the end of The Souvenir, Joanna Hogg filmed a film in the process of being made. She returns with The Souvenir Part II,...
Rory O’Connor said in his Cannes review, “At the end of The Souvenir, Joanna Hogg filmed a film in the process of being made. She returns with The Souvenir Part II,...
- 9/29/2021
- by Jordan Raup
- The Film Stage
At the end of The Souvenir, Joanna Hogg filmed a film in the process of being made. She returns with The Souvenir Part II, a film all about filmmaking and its layered realities and projections. One of the best British directors to emerge this century, Hogg first made her name as a brilliant examiner of the British middle-classes, a fine-comber of their vagaries and mores. One of the most interesting things about her earlier films—Unrelated (2007), Archipelago (2010), and Exhibition (2013)—was the rigor with which she kept her distance: shooting from afar, fragments of conversations, few close-ups. For The Souvenir, a candid work of autofiction, she went the opposite direction and had her biggest success while also making her most conventional work.
The Souvenir Part II is anything but: a daring work of meta-filmmaking in which Hogg loops backwards to re-reexamine her own past (in some ways it is more a...
The Souvenir Part II is anything but: a daring work of meta-filmmaking in which Hogg loops backwards to re-reexamine her own past (in some ways it is more a...
- 7/9/2021
- by Rory O'Connor
- The Film Stage
Joanna Hogg’s miraculous 2019 cine-memoir “The Souvenir” ends with its posh, navel-gazing, and newly grief-stricken heroine — a 25-year-old film student in 1980s London — standing on the precipice of herself. Her name is Julie Harte, she’s played by Honor Swinton Byrne with the raw honesty of someone feeling her way through a solar eclipse, and she’s following in Hogg’s uncertain footsteps with the shaky confidence of someone who’s seen “I Know Where I’m Going!” enough times to convince herself that she might. She even lives in an immaculate re-creation of the writer-director’s former apartment, built on a soundstage and surrounded by massive blow-ups of the photos Hogg once snapped through the windows of that flat.
Julie has been rattled out of her cage by the death of her heroin-addicted first love (Tom Burke). And like Hogg, she’s determined to oxidize her pain into something productive.
Julie has been rattled out of her cage by the death of her heroin-addicted first love (Tom Burke). And like Hogg, she’s determined to oxidize her pain into something productive.
- 7/8/2021
- by David Ehrlich
- Indiewire
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