The title is a bit misleading in German writer-director Nicolette Krebitz’s offbeat romantic comedy “Aeiou — A Quick Alphabet of Love.” Despite its promise of deeper meaning attached to all the vowels in the alphabet, it’s ‘A’ on which it fixates: Said aloud and elongated, we are told, the first letter vocalizes a spectrum of feeling ranging from primal need to sharp pain to orgasmic release. Sure enough, all are present in this unpredictable tale of mutual misfit attraction between a juvenile delinquent and the middle-aged actor whose role in his life shifts from mentor to mother to lover. It’s difficult, prickly material that “Aeiou” handles with a light touch, even as the narrative lurches recklessly across genres into flighty caper territory.
Marked by a gentle deadpan drollness that occasionally blossoms into fanciful romanticism, this an altogether less intense proposition than Krebitz’s last feature, the Sundance-selector 2016 psychodrama “Wild,...
Marked by a gentle deadpan drollness that occasionally blossoms into fanciful romanticism, this an altogether less intense proposition than Krebitz’s last feature, the Sundance-selector 2016 psychodrama “Wild,...
- 2/13/2022
- by Guy Lodge
- Variety Film + TV
It’s not your regular meet-cute. Anna Moth (Sophie Rois) an actress recognized by people in the street but apparently unable to get work — “everyone knows she’s mental,” says a fellow actor after she extracts herself from his grip during the recording of a clearly low-rent radio play — gets mugged in the street outside a smart bar by a young man. He takes her handbag while a spunky young woman who sees the whole incident chases after him and gets the bag back, minus the wallet. Anna, meanwhile, is recovering her composure inside the bar, diva-style.
“No more than a kid, really,” she says when describing the incident to Michel (Udo Kier), her landlord, benefactor, confidante and possibly number-one fan. What was he wearing? “A leather jacket. I could smell it.” Michel throws his head back, closes his eyes and sniffs theatrically. “The perfect combination,” he sighs. And there...
“No more than a kid, really,” she says when describing the incident to Michel (Udo Kier), her landlord, benefactor, confidante and possibly number-one fan. What was he wearing? “A leather jacket. I could smell it.” Michel throws his head back, closes his eyes and sniffs theatrically. “The perfect combination,” he sighs. And there...
- 2/13/2022
- by Stephanie Bunbury
- Deadline Film + TV
The complete lineup for the 2022 Berlin International Film Festival, taking place February 10-20, 2022, has been unveiled and it’s a major collection of some of our most-anticipated films of the year. As teased yesterday, Claire Denis’ Fire (which now has the title Avec amour et acharnement (aka Both Sides of the Blade)) will premiere in competition, alongside Hong Sangsoo’s The Novelist’s Film, Carla Simón’s Summer 1993 follow-up Alcarràs, Ulrich Seidl’s Rimini, Rithy Panh’s Everything Will Be Ok, and more.
Elsewhere in the festival is Bertrand Bonello’s Coma, Dario Argento’s Dark Glasses, Andrew Dominik’s Nick Cave & Warren Ellis doc This Much I Know To Be True, Peter Strickland’s Flux Gourmet, Gastón Solnicki’s A Little Love Package, Quentin Dupieux’s Incredible But True, plus new shorts by Lucrecia Martel, Hlynur Pálmason, and more. Also recently announced was the Panorama section, which will open...
Elsewhere in the festival is Bertrand Bonello’s Coma, Dario Argento’s Dark Glasses, Andrew Dominik’s Nick Cave & Warren Ellis doc This Much I Know To Be True, Peter Strickland’s Flux Gourmet, Gastón Solnicki’s A Little Love Package, Quentin Dupieux’s Incredible But True, plus new shorts by Lucrecia Martel, Hlynur Pálmason, and more. Also recently announced was the Panorama section, which will open...
- 1/19/2022
- by Jordan Raup
- The Film Stage
International sales company The Match Factory has revealed its Berlin Film Festival lineup, including two titles in Competition: “A E I O U – A Quick Alphabet of Love” by Nicolette Krebitz and “Rabiye Kurnaz vs. George W. Bush” by Andreas Dresen.
The Match Factory, which was acquired by Mubi last week, has three films in the shortlist for the International Feature Film Oscar: “Great Freedom,” “Drive My Car” and “Prayers for the Stolen.”
After the irreverent “Wild,” which premiered at Sundance in 2016, Krebitz is back with a new take on love in “A E I O U – A Quick Alphabet of Love.”
The film follows an actress who is mugged in front of a trendy bar in West Berlin. Barging into her, a young man takes her handbag and runs off into the night. A short while later, they meet again. She is Anna (Sophie Rois) and he is Adrian...
The Match Factory, which was acquired by Mubi last week, has three films in the shortlist for the International Feature Film Oscar: “Great Freedom,” “Drive My Car” and “Prayers for the Stolen.”
After the irreverent “Wild,” which premiered at Sundance in 2016, Krebitz is back with a new take on love in “A E I O U – A Quick Alphabet of Love.”
The film follows an actress who is mugged in front of a trendy bar in West Berlin. Barging into her, a young man takes her handbag and runs off into the night. A short while later, they meet again. She is Anna (Sophie Rois) and he is Adrian...
- 1/19/2022
- by Leo Barraclough
- Variety Film + TV
The 72nd Berlin International Film Festival (February 10-20) revealed its Competition line-up on Wednesday, scroll down for the full list.
As previously announced, the International Competition opens this year with François Ozon’s Peter Von Kant. Joining the Ozon pic today were 17 further features, including new films from Hong Sang-soo, Claire Denis, Ulrich Seidl, and Rithy Panh.
This marks Denis’ first time in Berlin’s Competition, having been a regular at Cannes over the years, while her last film High Life debuted at Toronto. The director’s new movie Both Sides of the Blade (previously known as Fire) stars Juliette Binoche and Vincent Lindon.
South Korean filmmaker Hong Sang-soo picked up the Silver Bear for Best Director in 2020 for movie The Woman Who Ran. His latest pic is The Novelist’s Film, which Berlin Artistic Director today said celebrates chance encounters.
The Competition program is 17 world premieres plus one international premiere,...
As previously announced, the International Competition opens this year with François Ozon’s Peter Von Kant. Joining the Ozon pic today were 17 further features, including new films from Hong Sang-soo, Claire Denis, Ulrich Seidl, and Rithy Panh.
This marks Denis’ first time in Berlin’s Competition, having been a regular at Cannes over the years, while her last film High Life debuted at Toronto. The director’s new movie Both Sides of the Blade (previously known as Fire) stars Juliette Binoche and Vincent Lindon.
South Korean filmmaker Hong Sang-soo picked up the Silver Bear for Best Director in 2020 for movie The Woman Who Ran. His latest pic is The Novelist’s Film, which Berlin Artistic Director today said celebrates chance encounters.
The Competition program is 17 world premieres plus one international premiere,...
- 1/19/2022
- by Tom Grater
- Deadline Film + TV
Films by auteurs Claire Denis, Hong Sangsoo and Rithy Panh are part of the lineup in competition at the 72nd Berlin Film Festival.
Berlin’s 2022 selection spans 18 movies, seven directed by women, which will compete for the Golden and Silver Bears. The films originate from 15 countries, with 17 serving as world premieres. Two of the films are first features, both from women.
Artistic director Carlo Chatrian discussed the thematic throughline of “human and emotional bonds” across the selection, with the family unit serving as a key focal point in a number of movies. More than half are set in the present time, and two are within the pandemic era.
The festival hosts 12 returning filmmakers, eight of whom are in competition and five of whom already hold a Bear from Berlin.
The festival will go ahead as an in-person event, albeit with seating capacity in movie theaters reduced to 50% and without any parties or receptions.
Berlin’s 2022 selection spans 18 movies, seven directed by women, which will compete for the Golden and Silver Bears. The films originate from 15 countries, with 17 serving as world premieres. Two of the films are first features, both from women.
Artistic director Carlo Chatrian discussed the thematic throughline of “human and emotional bonds” across the selection, with the family unit serving as a key focal point in a number of movies. More than half are set in the present time, and two are within the pandemic era.
The festival hosts 12 returning filmmakers, eight of whom are in competition and five of whom already hold a Bear from Berlin.
The festival will go ahead as an in-person event, albeit with seating capacity in movie theaters reduced to 50% and without any parties or receptions.
- 1/19/2022
- by Naman Ramachandran
- Variety Film + TV
Projects to receive funding include Joachim Hedén’s Breaking Surface and Margarethe von Trotta’s Bachmann & Frisch.
New projects by Komplizen Film, augenschein Filmproduktion, X Filme and Gaumont are among 16 films and TV series awarded a total of more than €9.6m ($11.5m) in production funding by North Rhine-Westphalia’s regional film fund Film- und Medienstiftung Nrw in its first funding session of 2021.
The largest single award to a feature, €1m ($1.19m), went to augenschein Filmproduktion’s English-language survival drama The Dive, based on Swedish writer-director Joachim Hedén’s Breaking Surface, which will be directed by Maximilian Erlenwein in Sardinia and Germany later this year.
New projects by Komplizen Film, augenschein Filmproduktion, X Filme and Gaumont are among 16 films and TV series awarded a total of more than €9.6m ($11.5m) in production funding by North Rhine-Westphalia’s regional film fund Film- und Medienstiftung Nrw in its first funding session of 2021.
The largest single award to a feature, €1m ($1.19m), went to augenschein Filmproduktion’s English-language survival drama The Dive, based on Swedish writer-director Joachim Hedén’s Breaking Surface, which will be directed by Maximilian Erlenwein in Sardinia and Germany later this year.
- 2/4/2021
- by Martin Blaney
- ScreenDaily
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