Updated: German film master Wim Wenders was greeted like a rock star in Lyon, France, where he received an honorary tribute on Friday evening (Oct. 21) at the Lumiere Festival, a week-long celebration of classic cinema headed by Cannes festival boss Thierry Fremaux.
“I’ve received prizes in my life but this time it’s different, it’s the the prize of cinema!” said Wenders after stepping on stage to the beat of Texas’ “I Don’t Want a Lover.” Glancing at Fremaux who was standing nearby, Wenders added, with a cheeky smile, “I don’t want to say that a Palme d’Or is nothing. But the Lumiere Prize is unique and I’m proud of it!” Wenders, who won the Palme d’Or with “Paris, Texas,” is considered a Cannes regular. He’s presented his most iconic films there, including “Wings of Desire” which won best director. This year,...
“I’ve received prizes in my life but this time it’s different, it’s the the prize of cinema!” said Wenders after stepping on stage to the beat of Texas’ “I Don’t Want a Lover.” Glancing at Fremaux who was standing nearby, Wenders added, with a cheeky smile, “I don’t want to say that a Palme d’Or is nothing. But the Lumiere Prize is unique and I’m proud of it!” Wenders, who won the Palme d’Or with “Paris, Texas,” is considered a Cannes regular. He’s presented his most iconic films there, including “Wings of Desire” which won best director. This year,...
- 10/20/2023
- by Lise Pedersen and Elsa Keslassy
- Variety Film + TV
The most defining and far-reaching decision made by German Chancellor Angela Merkel during her 15 years in office is the focus of a new film making its debut at Berlin’s European Film Market.
“Merkel — Anatomy of a Crisis,” directed by Stephen Wagner, stars Imogen Kogge as the German leader during the dramatic days leading up to her decision in 2015 to allow nearly a million refugees, mostly from war-torn Syria, to enter Germany.
“We can consider this the most important political weeks of Angela Merkel’s life as chancellor,” says Alexander van Dülmen, who produced the film with Wagner via their Potsdam-based company Carte Blanche International.
Penned by Florian Oeller, “Merkel” is based on journalist Robin Alexander’s 2017 bestselling book “The Driven Ones” (“Die Getriebenen”) and examines the political wrangling among Merkel’s cabinet members and European actors like Hungarian Prime Minister Viktor Orbán as they struggle to deal with a...
“Merkel — Anatomy of a Crisis,” directed by Stephen Wagner, stars Imogen Kogge as the German leader during the dramatic days leading up to her decision in 2015 to allow nearly a million refugees, mostly from war-torn Syria, to enter Germany.
“We can consider this the most important political weeks of Angela Merkel’s life as chancellor,” says Alexander van Dülmen, who produced the film with Wagner via their Potsdam-based company Carte Blanche International.
Penned by Florian Oeller, “Merkel” is based on journalist Robin Alexander’s 2017 bestselling book “The Driven Ones” (“Die Getriebenen”) and examines the political wrangling among Merkel’s cabinet members and European actors like Hungarian Prime Minister Viktor Orbán as they struggle to deal with a...
- 2/24/2020
- by Ed Meza
- Variety Film + TV
An amazing Blu-ray year is capped by a genuine favorite, rescued by its filmmaker and set aside for almost twenty years. Wim Wenders was forced to make a shortened version of what he hoped would be his greatest success, following Wings of Desire: but he cleverly saved his 4.5-hour uncut version, making its Blu-ray debut on December 10. Longform video is currently the rage, so perhaps the time has finally come for the uncut Bis ans Ende der Welt. The music soundtrack is nothing less than fantastic, not to be missed.
Until the End of the World
Blu-ray
The Criterion Collection 1007
1991 / Color / 1:66 widescreen / 158, 181, 287 min. / Bis ans Ende der Welt / available through The Criterion Collection / Street Date December 10, 2019 / 39.95
Starring: Solveig Dommartin, William Hurt, Sam Neill, Rüdiger Vogler, Jeanne Moreau, Max von Sydow, Chishu Ryu, Kuniko Miyake, Allen Garfield, David Gulpilil, Ernie Dingo, Lois Chiles, Adelle Lutz, Chick Ortega, Eddy Mitchell,...
Until the End of the World
Blu-ray
The Criterion Collection 1007
1991 / Color / 1:66 widescreen / 158, 181, 287 min. / Bis ans Ende der Welt / available through The Criterion Collection / Street Date December 10, 2019 / 39.95
Starring: Solveig Dommartin, William Hurt, Sam Neill, Rüdiger Vogler, Jeanne Moreau, Max von Sydow, Chishu Ryu, Kuniko Miyake, Allen Garfield, David Gulpilil, Ernie Dingo, Lois Chiles, Adelle Lutz, Chick Ortega, Eddy Mitchell,...
- 11/30/2019
- by Glenn Erickson
- Trailers from Hell
The Glorious Acceptance of Nicolas ChauvinIn an earlier dispatch I wrote on the extraordinary documentary Pharos of Chaos, a captivating long-form interview with actor Sterling Hayden that came about when the West German critic and filmmaker, Wolf-Eckart Bühler, tracked him down to get permission to adapt his 1963 memoir, Wanderer. The film that resulted is Der Havarist (1984), and reading about both films in the festival catalog, I assumed that the documentary would be a mere supplement to this feature adaptation, yet the opposite turned out to be true. Pharos of Chaos ranges widely without a lot of historical detail and is reliant—but thereby thrives—on the screen presence of Hayden and bountiful detail of character. Der Havarist, far from a straight staging or telling of Hayden’s life, is more multi-form and Brechtian, using several actors (including Rüdiger Vogler and musician Hannes Waader) to play Hayden by reciting passages from the book,...
- 8/10/2018
- MUBI
Mubi's retrospective Angela Schanelec: Showing without Telling is playing from April 5 - June 3, 2018. The director's film Passing Summer (2001) is showing April 5 - May 5, 2018.The films of Angela Schanelec are made up of particles of experience, each work carefully sculpted out of fragmented slices of the everyday. They are an attempt to capture on screen the undifferentiated flow of time—seamless summer days in Berlin, idle lonely hours wandering around Marseilles, the dead time spent in an Orly airport terminal waiting to be carried off somewhere else. Schanelec pleasures in gaps and holes, allowing for narrative excursions, digressions, detours. Two friends sit in a café talking about their future, one is going off to Rome, and the other is staying behind in Berlin. The conversation freely drifts from one topic to another, in the background the rich green of trees; we hear the wind outside, the noise of car traffic.
- 4/27/2018
- MUBI
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon Instant Video, and more (note: U.S. only). Check out our rundown for this week’s selections below.
10 Cloverfield Lane (Dan Trachtenberg)
Forget the Cloverfield connection. The actors who were in this film didn’t even know what the title was until moments before the first trailer dropped. Producer J.J. Abrams used that branding as part of the wrapping for its promotional mystery box, but the movie stands perfectly alone from 2008’s found-footage monster picture. Hell, 10 Cloverfield Lane perhaps doesn’t even take place...
10 Cloverfield Lane (Dan Trachtenberg)
Forget the Cloverfield connection. The actors who were in this film didn’t even know what the title was until moments before the first trailer dropped. Producer J.J. Abrams used that branding as part of the wrapping for its promotional mystery box, but the movie stands perfectly alone from 2008’s found-footage monster picture. Hell, 10 Cloverfield Lane perhaps doesn’t even take place...
- 6/3/2016
- by The Film Stage
- The Film Stage
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. Check out our rundown below and return every Tuesday for the best (or most interesting) films one can take home. Note that if you’re looking to support the site, every purchase you make through the links below helps us and is greatly appreciated.
City of Women (Federico Fellini)
Federico Fellini‘s epic 1980 fantasia introduced the start of the Maestro’s delirious late period. A surrealist tour-de-force filmed on soundstages and locations alike, and overflowing with the same sensory (and sensual) invention heretofore found only in the classic movie-musicals (and Fellini’s own oeuvre), La città delle donne [City of Women] taps into the era’s restless youth culture, coalescing into nothing less than Fellini’s post-punk opus. Marcello Mastroianni appears as Fellini’s alter...
City of Women (Federico Fellini)
Federico Fellini‘s epic 1980 fantasia introduced the start of the Maestro’s delirious late period. A surrealist tour-de-force filmed on soundstages and locations alike, and overflowing with the same sensory (and sensual) invention heretofore found only in the classic movie-musicals (and Fellini’s own oeuvre), La città delle donne [City of Women] taps into the era’s restless youth culture, coalescing into nothing less than Fellini’s post-punk opus. Marcello Mastroianni appears as Fellini’s alter...
- 5/31/2016
- by The Film Stage
- The Film Stage
A major talent of the New German Cinema finds his footing out on the open highway, in a trio of intensely creative pictures that capture the pace and feel of living off the beaten path. All three star Rüdiger Vogler, an actor who could be director Wim Wenders' alter ego. Wim Wenders' The Road Trilogy Blu-ray The Criterion Collection 813 1974-1976 / B&W and Color / 1:66 widescreen / 113, 104, 176 min. / available through The Criterion Collection / Street Date May 30, 2016 / 99.95 Starring Rüdiger Vogler, Lisa Kreuzer, Yetta Rottländer; Hannah Schygulla, Nasstasja Kinski, Hans Christian Blech, Ivan Desny; Robert Zischler. Cinematography Robby Müller, Martin Schäfer Film Editor Peter Przygodda, Barbara von Weltershausen Original Music Can, Jürgen Knieper, Axel Linstädt. Directed by Wim Wenders
Reviewed by Glenn Erickson
This morning I 'fessed up to never having seen David Lynch's Lost Highway. Now I get to say that until now I've never seen Wim Wenders'...
Reviewed by Glenn Erickson
This morning I 'fessed up to never having seen David Lynch's Lost Highway. Now I get to say that until now I've never seen Wim Wenders'...
- 5/16/2016
- by Glenn Erickson
- Trailers from Hell
In his 1969 short film 3 American LP’s, the 24-year-old Wim Wenders, in the kind of feat of earnestness that can befit a young man, attempts to match his two greatest interests” America’s landscapes and its rock-and-roll music. If we’re to pick perhaps the most endearing eye-roller from this “rockist” mission statement, one can look no further than Wenders describing a Creedence Clearwater Revival album as being “like chocolate.”
But this isn’t necessarily an atypical moment in his filmography, as Wenders has always skirted the line of, for lack of a better word, corniness — if not just telegraphing his influences to at-times-obnoxious degrees, also with a kind of sentimentality both formally and politically speaking. Consider Wings of Desire‘s glossy look, which could so easily be reconfigured into a perfume-commercial aesthetic, or even just the title of one of his later, forgotten films; The End of Violence.
Yet...
But this isn’t necessarily an atypical moment in his filmography, as Wenders has always skirted the line of, for lack of a better word, corniness — if not just telegraphing his influences to at-times-obnoxious degrees, also with a kind of sentimentality both formally and politically speaking. Consider Wings of Desire‘s glossy look, which could so easily be reconfigured into a perfume-commercial aesthetic, or even just the title of one of his later, forgotten films; The End of Violence.
Yet...
- 1/29/2016
- by Ethan Vestby
- The Film Stage
2016 marks the 25th anniversary of Wim Wenders' masterwork Until the End of the World. Photo: Anne-Katrin Titze
Sam Shepard's influence before he worked with Volker Schlöndorff on Max Frisch's Homo Faber (Voyager), Peter Carey and the script, Yasujiro Ozu actors Chishû Ryû and Kuniko Miyake, Alfred Hitchcock's Vertigo and The Man Who Knew Too Much, Chen Kaige, Robby Müller and Vermeer, Yohji Yamamoto, Notebook on Cities and Clothes, Lord Byron and much more are inspected here.
Until The End Of The World stars Solveig Dommartin, Max von Sydow, William Hurt, Jeanne Moreau, Rüdiger Vogler and Sam Neill and an extraordinary soundtrack featuring Nick Cave and the Bad Seeds, U2, Julee Cruise, Peter Gabriel, Lou Reed, Crime and the City Solution, Neneh Cherry, R.E.M., Patti Smith, Daniel Lanois, T-Bone Burnett, Elvis Costello, Jane Siberry, k.d. lang with uncredited performances by David Byrne with Talking Heads, Tom Waits...
Sam Shepard's influence before he worked with Volker Schlöndorff on Max Frisch's Homo Faber (Voyager), Peter Carey and the script, Yasujiro Ozu actors Chishû Ryû and Kuniko Miyake, Alfred Hitchcock's Vertigo and The Man Who Knew Too Much, Chen Kaige, Robby Müller and Vermeer, Yohji Yamamoto, Notebook on Cities and Clothes, Lord Byron and much more are inspected here.
Until The End Of The World stars Solveig Dommartin, Max von Sydow, William Hurt, Jeanne Moreau, Rüdiger Vogler and Sam Neill and an extraordinary soundtrack featuring Nick Cave and the Bad Seeds, U2, Julee Cruise, Peter Gabriel, Lou Reed, Crime and the City Solution, Neneh Cherry, R.E.M., Patti Smith, Daniel Lanois, T-Bone Burnett, Elvis Costello, Jane Siberry, k.d. lang with uncredited performances by David Byrne with Talking Heads, Tom Waits...
- 1/2/2016
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Anne-Katrin Titze presents The Salt Of The Earth - IFC Center Photo: Anne-Katrin Titze
On September 18, at 3:05pm, as part of the Wim Wenders: Portraits Along The Road in New York, film journalist Anne-Katrin Titze will present Wenders' and Juliano Ribeiro Salgado's The Salt Of The Earth on the life and work of master photographer Sebastião Salgado.
Sebastião Salgado could be John Ford looking out over the plains
In an upcoming conversation on Until The End Of The World, Wim and I discuss Sam Shepard's influence before he worked with Volker Schlöndorff on Max Frisch's Homo Faber. We also talk about Yasujiro Ozu actors Chishû Ryû and Kuniko Miyake, Alfred Hitchcock and San Francisco, Chen Kaige and China, Robby Müller and Vermeer, and look forward to Michael Almereyda's Experimenter.
Starring Solveig Dommartin, Max von Sydow, William Hurt, Jeanne Moreau, Rüdiger Vogler and Sam Neill,...
On September 18, at 3:05pm, as part of the Wim Wenders: Portraits Along The Road in New York, film journalist Anne-Katrin Titze will present Wenders' and Juliano Ribeiro Salgado's The Salt Of The Earth on the life and work of master photographer Sebastião Salgado.
Sebastião Salgado could be John Ford looking out over the plains
In an upcoming conversation on Until The End Of The World, Wim and I discuss Sam Shepard's influence before he worked with Volker Schlöndorff on Max Frisch's Homo Faber. We also talk about Yasujiro Ozu actors Chishû Ryû and Kuniko Miyake, Alfred Hitchcock and San Francisco, Chen Kaige and China, Robby Müller and Vermeer, and look forward to Michael Almereyda's Experimenter.
Starring Solveig Dommartin, Max von Sydow, William Hurt, Jeanne Moreau, Rüdiger Vogler and Sam Neill,...
- 9/16/2015
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Pray for the Wounded Planet: Wenders’ Belabored Road Trip to the Apocalypse
The troubled production and following critical ambivalence towards Wim Wenders’ 1991 film Until the End of the World launched it into a sort of oblivion. Nearly twenty five years after its ill-fated reception, initially released as a three hour film which the director bitterly deigned the Reader’s Digest version of his epic, the near four hour and forty minute director’s cut premiered at the 2015 Berlin International Film Festival to coincide with the premiere of his first narrative feature in seven years, Every Thing Will Be Fine. Now, this complete version is finally seeing a Us theatrical release courtesy of a fifteen city national touring retrospective of Wenders’ films kicking off in New York at the IFC Center. In retrospect, time has been much kinder to the mishandled title than anticipated. Restored as Wenders’ complete vision, it’s...
The troubled production and following critical ambivalence towards Wim Wenders’ 1991 film Until the End of the World launched it into a sort of oblivion. Nearly twenty five years after its ill-fated reception, initially released as a three hour film which the director bitterly deigned the Reader’s Digest version of his epic, the near four hour and forty minute director’s cut premiered at the 2015 Berlin International Film Festival to coincide with the premiere of his first narrative feature in seven years, Every Thing Will Be Fine. Now, this complete version is finally seeing a Us theatrical release courtesy of a fifteen city national touring retrospective of Wenders’ films kicking off in New York at the IFC Center. In retrospect, time has been much kinder to the mishandled title than anticipated. Restored as Wenders’ complete vision, it’s...
- 8/30/2015
- by Nicholas Bell
- IONCINEMA.com
The veteran German film writer and producer died earlier this week aged 61. We look back over his career in clips
The sudden death of Bernd Eichinger has left German cinema reeling, as arguably its most powerful and influential figure is no longer around. Eichinger started writing and directing in the early 70s New German Cinema ferment, but really made his mark as a producer – his first serious credit was on the 1975 movie The Wrong Movement, directed by Ngc wunderkind Wim Wenders. The Wrong Movement is one of those odd Wim Wenders road movies featuring Rüdiger Vogler, made in between Alice in the Cities and Kings of the Road, that were so bafflingly influential at the time. (Try watching Chris Petit's Radio On, you'll see what I mean.)
But Eichinger's production career didn't take proper wing until the New German Cinema wave was all but over. In 1978 he bought an established distribution company,...
The sudden death of Bernd Eichinger has left German cinema reeling, as arguably its most powerful and influential figure is no longer around. Eichinger started writing and directing in the early 70s New German Cinema ferment, but really made his mark as a producer – his first serious credit was on the 1975 movie The Wrong Movement, directed by Ngc wunderkind Wim Wenders. The Wrong Movement is one of those odd Wim Wenders road movies featuring Rüdiger Vogler, made in between Alice in the Cities and Kings of the Road, that were so bafflingly influential at the time. (Try watching Chris Petit's Radio On, you'll see what I mean.)
But Eichinger's production career didn't take proper wing until the New German Cinema wave was all but over. In 1978 he bought an established distribution company,...
- 1/28/2011
- by Andrew Pulver
- The Guardian - Film News
Chicago – In our latest edition of HollywoodChicago.com Hookup: DVD, we have 10 DVDs up for grabs to “Oss 117: Lost in Rio” as well as 3 DVDs to South Korean thriller “Seven Days” with Yunjin Kim of ABC’s “Lost”!
“Oss 117: Lost in Rio” stars Jean Dujardin, Louise Monot, Rüdiger Vogler, Alex Lutz, Reem Kherici, Pierre Bellemare and Ken Samuels. “Seven Days” stars Yunjin Kim, Mi-suk Kim, Hie-sun Park, Myeong-su Choi, Hang-Seon Jang, Dong-hwan Jeong and Kwang-rok Oh.
To win your free DVD courtesy of HollywoodChicago.com, all you need to do is answer our question in this Web-based submission form. That’s it! Directions to enter this HollywoodChicago.com Hookup and immediately win can be found beneath the graphics below.
The movie poster for “Oss 117: Lost in Rio” with Jean Dujardin and Louise Monot.
Image credit: Music Box Films
The movie poster for “Seven Days” with Yunjin Kim...
“Oss 117: Lost in Rio” stars Jean Dujardin, Louise Monot, Rüdiger Vogler, Alex Lutz, Reem Kherici, Pierre Bellemare and Ken Samuels. “Seven Days” stars Yunjin Kim, Mi-suk Kim, Hie-sun Park, Myeong-su Choi, Hang-Seon Jang, Dong-hwan Jeong and Kwang-rok Oh.
To win your free DVD courtesy of HollywoodChicago.com, all you need to do is answer our question in this Web-based submission form. That’s it! Directions to enter this HollywoodChicago.com Hookup and immediately win can be found beneath the graphics below.
The movie poster for “Oss 117: Lost in Rio” with Jean Dujardin and Louise Monot.
Image credit: Music Box Films
The movie poster for “Seven Days” with Yunjin Kim...
- 9/7/2010
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
In a 20-minute interview that is one of the supplements to this excellent DVD edition (a Region 2 Pal UK set from the label Axiom) of Kings of the Road, a contemporary Wenders considers this film and all of his films prior and subsequent to it, and tries to tie them together. "All these films have in common," he says (in German), "is not a theme, but what ties them together, from this one, to Buena Vista Social Club, to Until The End Of The World, is the question: 'How should one live?''' In this case, for one of its characters, Robert (Hanns Zischler), the question might better be put, "How can one live?" He has driven his car into a river, and instead of drowning, he is left bereft of personal possessions. Including the car. Wenders knows his Kristofferson, that is, that freedom's just another word for nothing left to lose.
- 7/25/2010
- MUBI
Rating: 2.0/5.0
Chicago – It’s no mystery why the appeal of spy satires transcend the boundaries of time and culture. Clueless detectives with a bloated sense of self-importance are great comic punching bags. Everyone loves seeing a doofus get his head slammed in a door, whether that doofus be Inspector Clouseau or Lt. Frank Drebin or countless other law officers who could easily blend in with the Keystone Kops.
Hubert Bonisseur de La Bath, the French spy better known as Oss 117, was created by author Jean Bruce as a straightforward hero. The character was featured in several ’60s thrillers that were meant to be serious competitors with the James Bond franchise. But in 2006, director Michel Hazanavicius decided to do for the outdated character what Austin Powers did for Bond. His picture, “Oss 117: Cairo, Nest of Spies” was a gloriously nutty delight, with a smashing lead performance by Jean Dujardin, who...
Chicago – It’s no mystery why the appeal of spy satires transcend the boundaries of time and culture. Clueless detectives with a bloated sense of self-importance are great comic punching bags. Everyone loves seeing a doofus get his head slammed in a door, whether that doofus be Inspector Clouseau or Lt. Frank Drebin or countless other law officers who could easily blend in with the Keystone Kops.
Hubert Bonisseur de La Bath, the French spy better known as Oss 117, was created by author Jean Bruce as a straightforward hero. The character was featured in several ’60s thrillers that were meant to be serious competitors with the James Bond franchise. But in 2006, director Michel Hazanavicius decided to do for the outdated character what Austin Powers did for Bond. His picture, “Oss 117: Cairo, Nest of Spies” was a gloriously nutty delight, with a smashing lead performance by Jean Dujardin, who...
- 6/10/2010
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Yes, we're excited to see "Iron Man 2," "Inception" and God help us, "Predators." But what we're really looking forward to spending a few hours in the company of an undertaking Bill Murray ("Get Low"), an Italian-speaking Tilda Swinton ("I Am Love") and a toga-wearing Rachel Weisz ("Agora") in the comfort of air-conditioned theater over the next three months. (Either that or we'll be enjoying them from the comfort of home online, on demand or on DVD.)
There are no less than 114 independently produced movies arriving in theaters this summer to compete with the big studio blockbusters and we've compiled this helpful guide that covers all of them. Yet realizing that the latest arthouse and foreign fare is subject to changing dates, particularly if you don't live in Los Angeles or New York, we've also included links to follow the films on Twitter, Facebook and release schedules where available, so...
There are no less than 114 independently produced movies arriving in theaters this summer to compete with the big studio blockbusters and we've compiled this helpful guide that covers all of them. Yet realizing that the latest arthouse and foreign fare is subject to changing dates, particularly if you don't live in Los Angeles or New York, we've also included links to follow the films on Twitter, Facebook and release schedules where available, so...
- 5/11/2010
- by Stephen Saito
- ifc.com
Director: Michel Hazanavicius Writers: Jean Bruce (character), Jean-François Halin (screenplay) Producers: Eric Altmeyer, Nicholas Altmeyer Cinematographer: Guillaume Schiffman Starring: Jean Dujardin, Louise Monot, Rüdiger Vogler Studio: Mandarin Films The spy who loved himself Buffoonish French super-spy Hubert Bonisseur de La Bath (Jean Dujardin), aka agent 117, once again charms the ladies while foiling nefarious villains in Oss 117: Lost in Rio, a stale follow-up to 2006’s Cairo, Nest of Spies. An Austin Powers-style spoof carried out with reasonable attention to aesthetic period detail (grainy cinematography, mod outfits, copious split screen effects), Michel Hazanavicius’ comedy charts 117’s efforts in swinging 1967...
- 5/7/2010
- Pastemagazine.com
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