Only one year before he paved the way for the frenetic cool of the Japanese New Wave with his unabashedly sexual and violent taiyo zoku film ‘The Warped Ones’, Koreyoshi Kurahara took a huge breath before this plunge with a slightly more conservatively executed picture. Taking place a year before the Anti-Anpo demonstrations against the signing of the Security Treaty between the United States and Japan, ‘The Age of Our Own’ condenses the frustrations and anxieties of the country’s youth into an at times beguiling cinematic venture which loses its mind by its conclusion – both in good and bad ways.
“The Age of Our Own” is screening as part of Japan Society:
By following the parallel stories of two brother until their violent confluence in the third act, ‘The Age of Our Own’ explores the conflicting attitudes of the country’s youth. Minami (Hiroyuki Nagato) is largely indifferent...
“The Age of Our Own” is screening as part of Japan Society:
By following the parallel stories of two brother until their violent confluence in the third act, ‘The Age of Our Own’ explores the conflicting attitudes of the country’s youth. Minami (Hiroyuki Nagato) is largely indifferent...
- 4/3/2019
- by Jamie Cansdale
- AsianMoviePulse
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.