Even the best football movies struggle to capture the sport's drama on film. The worst (and there are many) are truly abysmal
Why has cinema found football to be such a tricky customer? Football scenes in film and television are traditionally very awkward affairs, with the "defenders" tip-toeing nervously around the "attackers" as they advance, the goal finally coming via the sort of impractical flying volley you just never see on a real pitch. It's clearly very difficult to let someone score a script-dictated goal while pretending to try to stop them but, at the same time, trying not to look like you're pretending to try to stop them. Perhaps they teach it at Rada, who knows?
Furthermore, filmmakers have the challenge of adding a fictional big-screen gloss to what is already an overwhelmingly camera-friendly and consistently dramatic spectacle in its own right. Real-life football already has its own "script...
Why has cinema found football to be such a tricky customer? Football scenes in film and television are traditionally very awkward affairs, with the "defenders" tip-toeing nervously around the "attackers" as they advance, the goal finally coming via the sort of impractical flying volley you just never see on a real pitch. It's clearly very difficult to let someone score a script-dictated goal while pretending to try to stop them but, at the same time, trying not to look like you're pretending to try to stop them. Perhaps they teach it at Rada, who knows?
Furthermore, filmmakers have the challenge of adding a fictional big-screen gloss to what is already an overwhelmingly camera-friendly and consistently dramatic spectacle in its own right. Real-life football already has its own "script...
- 2/27/2014
- by Adam Hurrey
- The Guardian - Film News
Chicago – It’s been awhile since the ultra-useful DVD Round-Up brought you a wave of recently released DVDs that slipped below the mainstream radar but we’re back with a very star-powered installment of your favorite column and you can now expect us to return with monthly editions. Russell Crowe and Joseph Gordon-Levitt lead the way for this revamped list of synopses, cast info, tech specs, and special features. Pick your favorites from the quartet below.
“Tony” was released on April 6th, 2010.
“Tenderness” was released on April 13th, 2010.
“Neowolf” was released on April 20th, 2010.
“Uncertainty” will be released on April 27th, 2010.
“Tenderness”
Photo credit: Lionsgate Home Video
Synopsis: “A career-hardened detective (Oscar winner Russell Crowe) becomes obsesses with the early release of Eric, a teenaged serial killer he helped send to prison. While the detective trails the young psychopath, Eric is joined by a troubled girl who knows the predator’s darkest secrets and desires.
“Tony” was released on April 6th, 2010.
“Tenderness” was released on April 13th, 2010.
“Neowolf” was released on April 20th, 2010.
“Uncertainty” will be released on April 27th, 2010.
“Tenderness”
Photo credit: Lionsgate Home Video
Synopsis: “A career-hardened detective (Oscar winner Russell Crowe) becomes obsesses with the early release of Eric, a teenaged serial killer he helped send to prison. While the detective trails the young psychopath, Eric is joined by a troubled girl who knows the predator’s darkest secrets and desires.
- 4/23/2010
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Jeff Favreproduction: A Beautiful View, Son of Semele Theatre; Robots vs. Fake Robots, Powerhouse Theatre; Shipwrecked! An Entertainment, Geffen Playhouse.Playwriting: David Largman Murray, Robots vs. Fake Robots.Direction: Don Boughton, A Beautiful View; John Doyle, Sweeney Todd, the Demon Barber of Fleet Street, Center Theatre Group, Ahmanson Theatre; Tiger Reel, Cartoon, Art/Works Theatre; Elise Robertson, The Women, Circus Theatricals.Music Direction: Sarah Travis, Sweeney Todd, the Demon Barber of Fleet Street. Scenic Design: Simon Higlett, The School of Night, Center Theatre Group, Mark Taper Forum; Christine Jones, Spring Awakening, Center Theatre Group, Ahmanson Theatre; Anthony Ward, My Fair Lady, Center Theatre Group, Ahmanson Theatre.Lighting Design: Russell H. Champa, The School of Night; Richard Jones, Sweeney Todd, the Demon Barber of Fleet Street.Costume Design: Anthony Ward, My Fair Lady.Sound Design: Dan Moses Schreier, Sweeney Todd, the Demon Barber of Fleet Street.Perfomance In A (Primarily) Straight Play:Gregory Itzin,...
- 3/11/2009
- backstage.com
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