Film-lover designed film posters in Rome in 1960s, including one for Federico Fellini’s 8 1/2.
David Weisman, the Oscar-nominated producer of Kiss Of The Spider Woman and an accomplished graphic artist, has died in Los Angeles from illness. He was 77.
Weisman passed away on October 9 at Cedars Sinai Hospital in Los Angeles due to complications from neuroinvasive West Nile virus.
Born in Binghamton, New York, on March 11, 1942, Weisman attended Syracuse University’s School of Fine Arts in the early 1960’s. Inspired by La Dolce Vita, Weisman dropped out of college and travelled to Italy, where he found work designing film posters in Rome,...
David Weisman, the Oscar-nominated producer of Kiss Of The Spider Woman and an accomplished graphic artist, has died in Los Angeles from illness. He was 77.
Weisman passed away on October 9 at Cedars Sinai Hospital in Los Angeles due to complications from neuroinvasive West Nile virus.
Born in Binghamton, New York, on March 11, 1942, Weisman attended Syracuse University’s School of Fine Arts in the early 1960’s. Inspired by La Dolce Vita, Weisman dropped out of college and travelled to Italy, where he found work designing film posters in Rome,...
- 10/18/2019
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
David Weisman, an Academy Award nominee as producer of Kiss of the Spider Woman and an accomplished graphic artist, died on October 9 from complications from neuroinvasive West Nile virus. He died in Los Angeles at Cedars Sinai at age 77, according to his publicist.
Born in Binghamton, New York, in March 1942, Weisman attended Syracuse University’s School of Fine Arts in the early 1960’s. Inspired by the classic Italian film La Dolce Vita and armed with a gift for languages, Weisman dropped out of college to design film-posters in Rome. There he met Federico Fellini, for whom he created a poster for 8 1/2 (Otto e mezzo).
Returning to New York, he collaborated with Otto Preminger, who asked him to create the title sequence for Hurry Sundown. He then became Preminger’s assistant on the film. Weisman also designed the key art for The Boys in the Band, among many others.
In 1967, with...
Born in Binghamton, New York, in March 1942, Weisman attended Syracuse University’s School of Fine Arts in the early 1960’s. Inspired by the classic Italian film La Dolce Vita and armed with a gift for languages, Weisman dropped out of college to design film-posters in Rome. There he met Federico Fellini, for whom he created a poster for 8 1/2 (Otto e mezzo).
Returning to New York, he collaborated with Otto Preminger, who asked him to create the title sequence for Hurry Sundown. He then became Preminger’s assistant on the film. Weisman also designed the key art for The Boys in the Band, among many others.
In 1967, with...
- 10/18/2019
- by Bruce Haring
- Deadline Film + TV
More than a few foreign filmmaker have tried relocating to Hollywood, but it’s less often the case that an acclaimed Hollywood artist takes their talents overseas. Paul Schrader, at the height of his post-Taxi Driver, post-Raging Bull success, proved a notable example. In the mid-1980s, he took an opportunity to capitalize on his longstanding fascination with Japan by directing an entire film with an all-Japanese cast and script, his sister-in-law Chieko Schrader serving as linguistic and artistic interpreter. Its subject: Yukio Mishima, a controversial figure whose death so deeply shocked Japan that the film, Mishima: A Life in Four Chapters, remains banned there. Now — in the U.S. at least — the Criterion Collection is giving the film Schrader considers his finest directorial achievement a new 4K transfer and Blu-ray release.
Mishima, portrayed by Ken Ogata, was one of Japan’s most internationally acclaimed authors, and likely the country’s most infamous suicide.
Mishima, portrayed by Ken Ogata, was one of Japan’s most internationally acclaimed authors, and likely the country’s most infamous suicide.
- 6/11/2018
- by The Film Stage
- The Film Stage
Stars: Ken Ogata, Masayuki Shionoya, Junkichi Orimoto, Naoko Ôtani, Masato Aizawa, Gô Rijû | Written by Paul Schrader, Leonard Schrader, Chieko Schrader | Directed by Paul Schrader
Lucasfilm isn’t just about lightsabers, high fantasy and hunky archaeologists, you know. Occasionally it has produced films like this one: Paul Schrader’s truly original biopic about the Japanese author Yukio Mishima (real name Kimitake Hiraoka), a right-wing artist who spearheaded the infamous “Mishima Incident” in 1970. Despite winning awards for production design, cinematography and music (Philip Glass’s theme is instantly recognisable) at the 1985 Cannes Film Festival, the film has never been released in Japan.
“Words are insufficient,” Mishima (Ken Ogata) laments early on. He’s seeking a new form of expression. Mishima: A Life in Four Chapters is a portrait of a frustrated artist, so it’s easy to see why Schrader – the man who wrote Taxi Driver over a fevered fortnight – would be attracted to the story.
Lucasfilm isn’t just about lightsabers, high fantasy and hunky archaeologists, you know. Occasionally it has produced films like this one: Paul Schrader’s truly original biopic about the Japanese author Yukio Mishima (real name Kimitake Hiraoka), a right-wing artist who spearheaded the infamous “Mishima Incident” in 1970. Despite winning awards for production design, cinematography and music (Philip Glass’s theme is instantly recognisable) at the 1985 Cannes Film Festival, the film has never been released in Japan.
“Words are insufficient,” Mishima (Ken Ogata) laments early on. He’s seeking a new form of expression. Mishima: A Life in Four Chapters is a portrait of a frustrated artist, so it’s easy to see why Schrader – the man who wrote Taxi Driver over a fevered fortnight – would be attracted to the story.
- 6/11/2018
- by Rupert Harvey
- Nerdly
In Japan Leonard Schrader's docu about real-life American horrors was called Violent America. The decidedly unflattering picture couldn't find a U.S. distributor when new but accrued a reputation as the ultimate compilation of violent historical images. It's now filed with cannibal and zombie pictures in exploitation movie catalogs, yet it has more in common with Schrader's Taxi Driver. The Killing of America Blu-ray Severin Films 1981 / Color / 2:35 1:85 widescreen 1:37 flat full frame / 95, 115 min. / Street Date October 25, 2016 / 29.98 Starring Chuck Riley (narrator, English version), Ed Dorris, Thomas Noguchi, Sirhan Sirhan, Wayne Henley, Ed Kemper. Cinematography Robert Charlton, Tom Hurwitz, Willy Kurant, Peter Smokler Film Editor Lee Percy Original Music W. Michael Lewis, Mark Lindsay Written by Leonard Schrader, Chieko Schrader Produced by Mataichiro Yamamoto, Leonard Schrader Directed by Sheldon Renan
Reviewed by Glenn Erickson
1980s censorship in Japan strongly limited violent images on TV. They didn't see the steady...
Reviewed by Glenn Erickson
1980s censorship in Japan strongly limited violent images on TV. They didn't see the steady...
- 11/12/2016
- by Glenn Erickson
- Trailers from Hell
The Killing of America
Directed by Sheldon Renan
Written by Leonard Schrader and Chieko Schrader
USA, 1982
The Killing of America is an impassioned and emotional showcase of violence in America from the period of the early 1960s into the early 1980s. Resting on the thesis that the society quickly devolved into increasingly acts of senseless violence, the film utilizes rare and disturbing footage of both familiar and unfamiliar events. Rift with a somewhat confused ideology, the film nonetheless packs a punch and suggests where many others haven’t that access to guns are part of the problem, an issue that continues to be debated within American society to this day. Is this little more than a parade of greatest hits for snuff fans or does it reaches deeper, revealing darker truths and realities that we are unwilling or unable to face.
Originally produced for the Japanese market, this “mondo” documentary which has never been released,...
Directed by Sheldon Renan
Written by Leonard Schrader and Chieko Schrader
USA, 1982
The Killing of America is an impassioned and emotional showcase of violence in America from the period of the early 1960s into the early 1980s. Resting on the thesis that the society quickly devolved into increasingly acts of senseless violence, the film utilizes rare and disturbing footage of both familiar and unfamiliar events. Rift with a somewhat confused ideology, the film nonetheless packs a punch and suggests where many others haven’t that access to guns are part of the problem, an issue that continues to be debated within American society to this day. Is this little more than a parade of greatest hits for snuff fans or does it reaches deeper, revealing darker truths and realities that we are unwilling or unable to face.
Originally produced for the Japanese market, this “mondo” documentary which has never been released,...
- 8/5/2013
- by Justine
- SoundOnSight
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