Sony Pictures Entertainment has acquired Alamo Drafthouse Cinema, the theater chain that inspired a passionate following with its creative cocktails, extensive food menu and strict “no talking, no texting” policies. The media company acquired Alamo Drafthouse from owners Altamont Capital Partners, Fortress Investment Group and its founder Tim League.
Under its new ownership, Alamo Drafthouse will be managed under a newly established division, Sony Pictures Experiences. In a press release touting the sale, the company said it “reinforces [Sony Pictures Entertainment’s] long-held commitment to theatrical exhibition and continued initiatives in experiential entertainment.” Alamo has been quietly soliciting offers for the past several months, but had struggled to find a buyer.
Alamo Drafthouse’s Michael Kustermann will remain CEO of the pioneering dine-in movie theater chain and head Sony Pictures Experiences, reporting to Ravi Ahuja, president and COO of Sony Pictures Entertainment. All 35 of the chain’s cinemas will operate under the Alamo Drafthouse brand.
Under its new ownership, Alamo Drafthouse will be managed under a newly established division, Sony Pictures Experiences. In a press release touting the sale, the company said it “reinforces [Sony Pictures Entertainment’s] long-held commitment to theatrical exhibition and continued initiatives in experiential entertainment.” Alamo has been quietly soliciting offers for the past several months, but had struggled to find a buyer.
Alamo Drafthouse’s Michael Kustermann will remain CEO of the pioneering dine-in movie theater chain and head Sony Pictures Experiences, reporting to Ravi Ahuja, president and COO of Sony Pictures Entertainment. All 35 of the chain’s cinemas will operate under the Alamo Drafthouse brand.
- 6/12/2024
- by Brent Lang
- Variety Film + TV
Whenever a Sony movie comes in at No. 1, Tom Rothman drives his 1967 Ford Mustang to the Culver City lot and leaves it parked in front of the Thalberg building. But on Monday, there was a hitch after Bad Boys: Ride or Die opened to a victorious $56.5 million at the domestic box office: the red beauty wouldn’t start.
The chairman of Sony Pictures Entertainment’s Motion Picture Group spent more than an hour tinkering and looking under the hood, but he gave up and decided against calling Aaa. What did it really matter when the most important issue at hand — the film — had sped out of the gate much faster than anyone expected despite a terrible early summer for a number of movies and the Will Smith factor of it all (it is the actor’s first major studio film since he slapped Oscar host Chris Rock on live television...
The chairman of Sony Pictures Entertainment’s Motion Picture Group spent more than an hour tinkering and looking under the hood, but he gave up and decided against calling Aaa. What did it really matter when the most important issue at hand — the film — had sped out of the gate much faster than anyone expected despite a terrible early summer for a number of movies and the Will Smith factor of it all (it is the actor’s first major studio film since he slapped Oscar host Chris Rock on live television...
- 6/12/2024
- by Pamela McClintock
- The Hollywood Reporter - Movie News
Last week, a rumor from The Cosmic Circus suggested that Peter Parker will ultimately come up against two of his most iconic villains in the new Spider-Man trilogy that's said to be in the works from Marvel Studios and Sony Pictures, and we may now know how these characters will make their return.
Just in case this is accurate, here's your spoiler warning.
It's said that the plan is to have Spidey encounter the Green Goblin and Doctor Octopus again in the new movies, but that doesn't mean it'll be Norman Osborn and Otto Octavius! The site is now hinting that two other characters will assume these villainous mantles.
"I know many people are curious as to how exactly they will do Doc Ock and Green Goblin again when the time comes. I’d just like to let everyone know, the whole world was watching the final fight during No Way Home.
Just in case this is accurate, here's your spoiler warning.
It's said that the plan is to have Spidey encounter the Green Goblin and Doctor Octopus again in the new movies, but that doesn't mean it'll be Norman Osborn and Otto Octavius! The site is now hinting that two other characters will assume these villainous mantles.
"I know many people are curious as to how exactly they will do Doc Ock and Green Goblin again when the time comes. I’d just like to let everyone know, the whole world was watching the final fight during No Way Home.
- 6/10/2024
- ComicBookMovie.com
Exclusive: The Lede Company has tapped Kimberly Bernhardt as a senior executive within the firm’s Strategic Communications Division. She will report directly to co-ceo Sarah Rothman in her new role.
Bernhardt was previously the Chief Communications Officer at The Messenger, following executive communications posts at Bustle Digital Group, Conde Nast, Edelman and Golin.
“Kimberly’s extensive and nuanced experience in communications positions her as an asset to Lede’s continued growth,” said Rothman. “Her deep understanding of the industry landscape and track record of driving impactful narratives align seamlessly with our vision and objectives.”
Bernhardt shared, “It’s an exciting time to join The Lede Company, a trailblazing agency renowned for its innovative approach to communications and advising clients. I look forward to collaborating with the talented team to deliver unparalleled results for our clients and further solidify Lede’s position as a leader in the industry.”
Bernhardt holds...
Bernhardt was previously the Chief Communications Officer at The Messenger, following executive communications posts at Bustle Digital Group, Conde Nast, Edelman and Golin.
“Kimberly’s extensive and nuanced experience in communications positions her as an asset to Lede’s continued growth,” said Rothman. “Her deep understanding of the industry landscape and track record of driving impactful narratives align seamlessly with our vision and objectives.”
Bernhardt shared, “It’s an exciting time to join The Lede Company, a trailblazing agency renowned for its innovative approach to communications and advising clients. I look forward to collaborating with the talented team to deliver unparalleled results for our clients and further solidify Lede’s position as a leader in the industry.”
Bernhardt holds...
- 5/3/2024
- by Anthony D'Alessandro
- Deadline Film + TV
A decade on from its fateful leak, a look at how a two-minute Deadpool test reel has led to Deadpool & Wolverine – a film that is about to change the MCU.
The general public was never even meant to see it, and yet the test footage for Deadpool has made more of a dent on pop culture than some multi-million dollar films with huge marketing departments behind them.
To this day, nobody has publicly admitted to leaking that footage in 2014. Some have pointed the finger at director Tim Miller; franchise star Ryan Reynolds has playfully hinted that he might have uploaded it to the internet that July. There are theories that the studio that commissioned it, 20th Century Fox, may have leaked it deliberately as part of an elaborate publicity campaign.
Whoever leaked the two-minute reel, which showed what the red-suited, sweary anti-hero might look and sound like, it proved...
The general public was never even meant to see it, and yet the test footage for Deadpool has made more of a dent on pop culture than some multi-million dollar films with huge marketing departments behind them.
To this day, nobody has publicly admitted to leaking that footage in 2014. Some have pointed the finger at director Tim Miller; franchise star Ryan Reynolds has playfully hinted that he might have uploaded it to the internet that July. There are theories that the studio that commissioned it, 20th Century Fox, may have leaked it deliberately as part of an elaborate publicity campaign.
Whoever leaked the two-minute reel, which showed what the red-suited, sweary anti-hero might look and sound like, it proved...
- 4/30/2024
- by Ryan Lambie
- Film Stories
NBCUniversal chief content officer Donna Langley was there. So was Sony head Tom Rothman. Bob Iger was one of the few Hollywood heavyweights who couldn’t make it, but at least he had a good excuse, still in the midst of a vicious proxy battle with investor Nelson Peltz.
The event: The grand unveiling of Megalopolis, the self-funded epic from legendary The Godfather trilogy director Francis Ford Coppola, to the titans of the film industry. The March 28 screening — held 10 a.m. at the Universal CityWalk Imax theater — was also attended by such Coppola-verse luminaries as nephew Nicolas Cage, The Godfather series star Al Pacino and Spike Jonze, Coppola’s ex-son-in-law. Two of the film’s stars — Shia Labeouf and Coppola’s sister, Talia Shire — were also on hand.
The project, which Coppola first began writing in 1983, cost a reported $120 million to make — funded in part by the sale of a...
The event: The grand unveiling of Megalopolis, the self-funded epic from legendary The Godfather trilogy director Francis Ford Coppola, to the titans of the film industry. The March 28 screening — held 10 a.m. at the Universal CityWalk Imax theater — was also attended by such Coppola-verse luminaries as nephew Nicolas Cage, The Godfather series star Al Pacino and Spike Jonze, Coppola’s ex-son-in-law. Two of the film’s stars — Shia Labeouf and Coppola’s sister, Talia Shire — were also on hand.
The project, which Coppola first began writing in 1983, cost a reported $120 million to make — funded in part by the sale of a...
- 4/8/2024
- by Seth Abramovitch, Kim Masters and Pamela McClintock
- The Hollywood Reporter - Movie News
Will Smith is back to throwing hands — for good, this time — in Sony’s first trailer for its new “Bad Boys” movie. Along with the trailer, we got a title: “Bad Boys: Ride or Die.” Hell yes.
Smith and his sidekick Martin Lawrence are back up to their old antics in the June 7 film. Four years removed from “Bad Boys 3,” in what we’ve all just colloquially called “Bad Boys 4” to this point, Smith’s Mike Lowrey is still a badass. Lawrence’s Marcus Burnett, well, he has a lot going on — including tummy issues. (A word of advice to Marcus: ginger ale is only a magic elixir if you forego the Skittles and convenience-store hot dog.)
The storyline goes a little something like this: Joe Pantoliano’s Capt. Conrad Howard is either dead or just being framed for a string of crimes he did not commit. He...
Smith and his sidekick Martin Lawrence are back up to their old antics in the June 7 film. Four years removed from “Bad Boys 3,” in what we’ve all just colloquially called “Bad Boys 4” to this point, Smith’s Mike Lowrey is still a badass. Lawrence’s Marcus Burnett, well, he has a lot going on — including tummy issues. (A word of advice to Marcus: ginger ale is only a magic elixir if you forego the Skittles and convenience-store hot dog.)
The storyline goes a little something like this: Joe Pantoliano’s Capt. Conrad Howard is either dead or just being framed for a string of crimes he did not commit. He...
- 3/26/2024
- by Tony Maglio
- Indiewire
En garde. A connoisseur of the onscreen battle, Ridley Scott stepped away from production on his anticipated Gladiator 2 to usher in the latest depiction of a power-hungry, pitifully-in-love Napoleon Bonaparte on Thursday night.
Napoleon, following the meteoric rise and fall of the 19th century French emperor — produced by Apple and theatrically distributed by Sony — premiered in London’s Leicester Square with frontman Joaquin Phoenix leading the troops on a rain-soaked red, white and blue carpet.
“It was such a shame not to be able to have show business at its biggest and its best for all those months [during the recently concluded writers and actors strikes], so it feels really fantastic to be back,” Tom Rothman, chairman and CEO of Sony Pictures’ Motion Picture Group, told The Hollywood Reporter.
It wasn’t long before Rothman was hailing Phoenix’s performance: “You couldn’t do a legendary figure without a legendary actor.”
As captivating as Phoenix’s Napoleon is — a man for whom,...
Napoleon, following the meteoric rise and fall of the 19th century French emperor — produced by Apple and theatrically distributed by Sony — premiered in London’s Leicester Square with frontman Joaquin Phoenix leading the troops on a rain-soaked red, white and blue carpet.
“It was such a shame not to be able to have show business at its biggest and its best for all those months [during the recently concluded writers and actors strikes], so it feels really fantastic to be back,” Tom Rothman, chairman and CEO of Sony Pictures’ Motion Picture Group, told The Hollywood Reporter.
It wasn’t long before Rothman was hailing Phoenix’s performance: “You couldn’t do a legendary figure without a legendary actor.”
As captivating as Phoenix’s Napoleon is — a man for whom,...
- 11/16/2023
- by THR Staff
- The Hollywood Reporter - Movie News
Mysterious Circumstances and Legal Drama: Barry Rothman’s Death: Rothman, an attorney working for Hollywood Media Mogul Alki David, died under mysterious circumstances in a dentist’s chair. This event marked the beginning of a series of unfortunate incidents involving lawyers associated with David. In a shocking development that reads like a script from a Hollywood thriller, […]
The post Dead Lawyer’s Evidence Exonerates Alki David Hollywood Media Mogul appeared first on Shockya.com.
The post Dead Lawyer’s Evidence Exonerates Alki David Hollywood Media Mogul appeared first on Shockya.com.
- 11/15/2023
- by Grady Owen
- ShockYa
Holding the world premiere of Ridley Scott’s “Napoleon” in Paris was a no-brainer for Sony’s motion picture group chairman and CEO Tom Rothman, due to the film’s French DNA and its subject, the famous French emperor (played by Joaquin Phoenix).
“Where else could you begin the worldwide rollout of ‘Napoleon’ than France?,” said Rothman on the red carpet of the event at the Salle Pleyel concert hall, where Phoenix, Vanessa Kirby and Tahar Rahim were able to attend thanks to the end of the 118-day SAG-AFTRA strike.
But the French theatrical bow comes with a downside for Apple, which financed the pricey movie and will now have to wait 17 months to launch the movie on its service due to France’s strict windowing rules.
“It’s a great credit to Apple who made the film because this particular movie (…) is a big screen experience,” said Rothman. “It...
“Where else could you begin the worldwide rollout of ‘Napoleon’ than France?,” said Rothman on the red carpet of the event at the Salle Pleyel concert hall, where Phoenix, Vanessa Kirby and Tahar Rahim were able to attend thanks to the end of the 118-day SAG-AFTRA strike.
But the French theatrical bow comes with a downside for Apple, which financed the pricey movie and will now have to wait 17 months to launch the movie on its service due to France’s strict windowing rules.
“It’s a great credit to Apple who made the film because this particular movie (…) is a big screen experience,” said Rothman. “It...
- 11/14/2023
- by Elsa Keslassy
- Variety Film + TV
Paris’ Salle Pleyel hosted the world premiere of Ridley Scott’s Napoleon this evening, rolling out the red carpet for the epic that stars Joaquin Phoenix and Vanessa Kirby. Scott, the two leads and actor Tahar Rahim all were in attendance for the unveiling of the film from Apple Original Films and Sony. Watch Scott introduce the pic below.
Deadline asked Chairman and CEO of Sony Pictures’ Motion Picture Group Tom Rothman about being on a red carpet in the French capital with stars of a film steeped in Gallic history. “Well, it feels appropriate,” the exec said. “If you’re gonna premiere the movie of Napoleon, a great epic by Ridley Scott, you should be in Paris. You should be in France.”
A smiling Rothman added that he feels “great” about this being the first big red carpet after the SAG-AFTRA strike. “It think that’s a great relief,...
Deadline asked Chairman and CEO of Sony Pictures’ Motion Picture Group Tom Rothman about being on a red carpet in the French capital with stars of a film steeped in Gallic history. “Well, it feels appropriate,” the exec said. “If you’re gonna premiere the movie of Napoleon, a great epic by Ridley Scott, you should be in Paris. You should be in France.”
A smiling Rothman added that he feels “great” about this being the first big red carpet after the SAG-AFTRA strike. “It think that’s a great relief,...
- 11/14/2023
- by Melanie Goodfellow and Nancy Tartaglione
- Deadline Film + TV
Paul Noble, a veteran executive who served as co-head of global theatrical marketing at Sony Pictures Entertainment since 2021, has died. He was 51.
The company confirmed to Deadline that Noble died September 9 of bulbar Als at Ronald Reagan UCLA Medical Center in Westwood. He has been diagnosed in summer 2021.
“Paul was a rare and marvelous human being, possessed with an abundance of positivity, warmth, humor and kindness,” Sony Chairman Tom Rothman wrote in an email to staff. “He faced his diagnosis with courage and grace and in doing so set a remarkable example for his family and, indeed, for all of us. To say he will be missed is of course an understatement.”
Following a decade-plus film-marketing career marketing at top agencies in London, Noble joined Sony Pictures in Los Angeles in 2015, initially as SVP International Marketing and later EVP before being promoted to Co-President of International Marketing in 2018. He was...
The company confirmed to Deadline that Noble died September 9 of bulbar Als at Ronald Reagan UCLA Medical Center in Westwood. He has been diagnosed in summer 2021.
“Paul was a rare and marvelous human being, possessed with an abundance of positivity, warmth, humor and kindness,” Sony Chairman Tom Rothman wrote in an email to staff. “He faced his diagnosis with courage and grace and in doing so set a remarkable example for his family and, indeed, for all of us. To say he will be missed is of course an understatement.”
Following a decade-plus film-marketing career marketing at top agencies in London, Noble joined Sony Pictures in Los Angeles in 2015, initially as SVP International Marketing and later EVP before being promoted to Co-President of International Marketing in 2018. He was...
- 10/5/2023
- by Erik Pedersen
- Deadline Film + TV
When it comes to horror movies at the box office, Sony resurrected its track record this past weekend with the opening of Blumhouse/Stage 6 Films’ fifthquel, Insidious: The Red Door which had a $32.65M domestic opening, $64M Worldwide debut.
On the domestic front, that’s the second best horror opening for Sony after 2004’s The Grudge which debuted to $39.1M. It’s also the second best domestic debut for an Insidious movie after Chapter 2‘s $40.2M opening. Even more amazing, this 13-year-old horror franchise stole the No. 1 thunder away from Disney/Lucasfilm’s legacy sequel Indiana Jones and the Dial of Destiny which only did $26.5M in weekend two.
While Sony pre-pandemic had horror sleepers such as Don’t Breathe and Escape Room, the Culver City lot wasn’t reaping the riches of genre post Covid like Paramount, Universal and Warner Bros. Now, Sony has posted a U.S./Canada start...
On the domestic front, that’s the second best horror opening for Sony after 2004’s The Grudge which debuted to $39.1M. It’s also the second best domestic debut for an Insidious movie after Chapter 2‘s $40.2M opening. Even more amazing, this 13-year-old horror franchise stole the No. 1 thunder away from Disney/Lucasfilm’s legacy sequel Indiana Jones and the Dial of Destiny which only did $26.5M in weekend two.
While Sony pre-pandemic had horror sleepers such as Don’t Breathe and Escape Room, the Culver City lot wasn’t reaping the riches of genre post Covid like Paramount, Universal and Warner Bros. Now, Sony has posted a U.S./Canada start...
- 7/9/2023
- by Anthony D'Alessandro
- Deadline Film + TV
Sunday Am Writethru after Saturday update: Post Covid, there are a lot of studios that have been able to make horror work at the box office, including Paramount with Smile, Warner Bros with Evil Dead Rise, and Universal with M3GAN and The Black Phone.
But not Sony. Until now.
Red Door is opening to $32.65M this weekend, the second-best start in the Insidious franchise after Chapter 2′s $40.2M, entombing Indiana Jones in second place with a $26.5M second weekend. Red Door also reps the best start in the last two years for a PG-13 horror movie. More pom-poms for Sony: their Marvel Spider-Man: Across the Spider-Verse just outstripped Disney/Marvel’s Guardians of the Galaxy: Vol. 3 as the highest-grossing movie of the summer, $357.6M to $357.5M.
For Blumhouse, Red Door is its 16th title to open at No. 1. While tentpoles get all the glory in the post-Covid marketplace,...
But not Sony. Until now.
Red Door is opening to $32.65M this weekend, the second-best start in the Insidious franchise after Chapter 2′s $40.2M, entombing Indiana Jones in second place with a $26.5M second weekend. Red Door also reps the best start in the last two years for a PG-13 horror movie. More pom-poms for Sony: their Marvel Spider-Man: Across the Spider-Verse just outstripped Disney/Marvel’s Guardians of the Galaxy: Vol. 3 as the highest-grossing movie of the summer, $357.6M to $357.5M.
For Blumhouse, Red Door is its 16th title to open at No. 1. While tentpoles get all the glory in the post-Covid marketplace,...
- 7/9/2023
- by Anthony D'Alessandro
- Deadline Film + TV
Strap in, Rider-dies! The third season of Amazon Freevee’s Alex Rider has officially (and finally!) begun production in the U.K. and Malta, and we can exclusively reveal that our favorite teen spy (Otto Farrant) is getting some new grown-ups to go toe-to-toe with. Aside from his handlers at the MI6’s Department of Special Operations, that is. Joining the cast this season are Sofia Helin (Sweden’s The Bridge) as Julia Rothman, “an enigmatic, rich widow who, unbeknownst to the world, is a highly secretive agent with Scorpia,” better known to fans as the cabal behind Alex Rider’s deadliest encounters; Jason Wong, most recently seen in “The 355,” is also coming aboard as Nile, a dangerous Scorpia assassin, devoted to Rothman; and Kevin McNally (The Crown) as Max Grendel, described as “a shrewd and calm senior council for Scorpia, with the outward appearance of a kind,...
- 1/19/2023
- TV Insider
The cartoon character Pogo by Walt Kelly is best remembered for his line, “We have met the enemy, and he is us.”
That sentiment was the underlying theme of Bill Maher’s Real Time on Friday, as the comedian and his guests explored the various ways that America remains divided, often by our own hand.
B.J. Novak of The Office was up first. His new film comedy, Vengeance, has undertones of the social struggles that divide America. Maher played up that angle, asking about the red state/blue state divide and how it’s possible to love those who don’t share your views.
What’s separating us, Novak said, is more about emotion than the argument. He suggested that we stop “picking at the scab” of the things we disagree about, and focus on comedy, sports, art, “or sitting down over dinner. That is a start.” He added, “There is no separating.
That sentiment was the underlying theme of Bill Maher’s Real Time on Friday, as the comedian and his guests explored the various ways that America remains divided, often by our own hand.
B.J. Novak of The Office was up first. His new film comedy, Vengeance, has undertones of the social struggles that divide America. Maher played up that angle, asking about the red state/blue state divide and how it’s possible to love those who don’t share your views.
What’s separating us, Novak said, is more about emotion than the argument. He suggested that we stop “picking at the scab” of the things we disagree about, and focus on comedy, sports, art, “or sitting down over dinner. That is a start.” He added, “There is no separating.
- 8/20/2022
- by Bruce Haring
- Deadline Film + TV
Stanley Kubrick's 1964 satire "Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb" is now regarded as an American classic, one of a legendary filmmaker's strongest films. The film's comedic treatment of a hot-button global issue was as revolutionary as it was hilarious. Still, the risky subject matter gave the film's production company pause, leading to pushback from the executives over at Columbia Pictures.
"Dr. Strangelove" centers around a worst-case Cold War scenario: what if a loose cannon in the U.S. military triggered a nuclear attack against the Soviet Union? A hodge-podge group of high-ranking personnel must scramble to pick up the pieces, three of whom are played by Peter Sellers.
The comedy was originally written as a conventional narrative drama, producer James B. Harris revealed in a behind-the scenes documentary (via Toby Roby). Harris worked closely with Kubrick while writing "Dr. Strangelove." The director...
"Dr. Strangelove" centers around a worst-case Cold War scenario: what if a loose cannon in the U.S. military triggered a nuclear attack against the Soviet Union? A hodge-podge group of high-ranking personnel must scramble to pick up the pieces, three of whom are played by Peter Sellers.
The comedy was originally written as a conventional narrative drama, producer James B. Harris revealed in a behind-the scenes documentary (via Toby Roby). Harris worked closely with Kubrick while writing "Dr. Strangelove." The director...
- 8/18/2022
- by Shae Sennett
- Slash Film
Netflix has lined up the cast for its limited series Painkiller, about the opioid epidemic.
Uzo Aduba (In Treatment) and Matthew Broderick (The Producers, Better Things) will star in the six-episode series, which will dramatize the origins of the crisis with a focus on Purdue Pharma, the maker of OxyContin. The cast also includes West Duchovny, Dina Shihabi and John Rothman.
Patrick Radden Keefe’s New Yorker article “The Family That Built an Empire of Pain” and Barry Meier’s book Pain Killer: An Empire of Deceit and the Origin of America’s Opioid Epidemic serve as source material for the series; both will consult on the show, which is slated to begin filming in Toronto later this year.
The limited series marks a return to Netflix for Aduba, who won two Emmys during her time on the streamer’s Orange Is the New Black. She’ll play Edie, an...
Uzo Aduba (In Treatment) and Matthew Broderick (The Producers, Better Things) will star in the six-episode series, which will dramatize the origins of the crisis with a focus on Purdue Pharma, the maker of OxyContin. The cast also includes West Duchovny, Dina Shihabi and John Rothman.
Patrick Radden Keefe’s New Yorker article “The Family That Built an Empire of Pain” and Barry Meier’s book Pain Killer: An Empire of Deceit and the Origin of America’s Opioid Epidemic serve as source material for the series; both will consult on the show, which is slated to begin filming in Toronto later this year.
The limited series marks a return to Netflix for Aduba, who won two Emmys during her time on the streamer’s Orange Is the New Black. She’ll play Edie, an...
- 7/8/2021
- by Rick Porter
- The Hollywood Reporter - Movie News
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