Matteo Zingales and Antony Partos.
The musical partnership between Matteo Zingales and Antony Partos has served them well, earning them four combined nominations for year’s Screen Music Awards, to be staged jointly by Apra Amcos and the Australian Guild of Screen Composers (Agsc) in November.
Together Zingales and Partos are nominated for Best Music for a Mini-Series or Telemovie for Wake in Fright and Mystery Road, and both Feature Film Score of the Year and Best Soundtrack Album for HBO film Fahrenheit 451.
Separately, Zingales received an additional two nominations for Best Television Theme and Best Music for a Television Series for his work Harrow, and Partos is also nominated for Best Music for a Documentary for The Director and The Jedi.
Competing against Zingales and Partos for Best Feature Film Score of the Year are Caitlin Yeo for The Butterfly Tree, Christopher Gordon for Ladies in Black, and Richard Pleasance for Brothers’ Nest.
The musical partnership between Matteo Zingales and Antony Partos has served them well, earning them four combined nominations for year’s Screen Music Awards, to be staged jointly by Apra Amcos and the Australian Guild of Screen Composers (Agsc) in November.
Together Zingales and Partos are nominated for Best Music for a Mini-Series or Telemovie for Wake in Fright and Mystery Road, and both Feature Film Score of the Year and Best Soundtrack Album for HBO film Fahrenheit 451.
Separately, Zingales received an additional two nominations for Best Television Theme and Best Music for a Television Series for his work Harrow, and Partos is also nominated for Best Music for a Documentary for The Director and The Jedi.
Competing against Zingales and Partos for Best Feature Film Score of the Year are Caitlin Yeo for The Butterfly Tree, Christopher Gordon for Ladies in Black, and Richard Pleasance for Brothers’ Nest.
- 10/17/2018
- by jkeast
- IF.com.au
Twelve years after their breakout mockumentary hit “Kenny,” which followed a big-hearted plumber described as “the Dalai-Lama of Waste Management” as he touched the lives of many, brothers Shane and Clayton Jacobson are back with a very different kind of vehicle that nevertheless continues to showcase their distinctive, blue-collar sibling interplay. Though brimming with pitch-black comedy, “Brothers’ Nest” actually plays like more of an absurdist tragedy as it pits good brother against good-brother-gone-bad in a cautionary tale of longing and desperation that packs a surprisingly affecting punch.
In chilliest rural Victoria, mastermind Jeff and his nervous little brother Terry (Shane Jacobson) arrive early at the house in which they were raised. Ominously, they have to break in, and as they prepare for some kind of intricate crime, it is soon revealed that their plan involves murder most foul.
The target of the mission is their stepfather Rodger (Kim Gyngell), whom...
In chilliest rural Victoria, mastermind Jeff and his nervous little brother Terry (Shane Jacobson) arrive early at the house in which they were raised. Ominously, they have to break in, and as they prepare for some kind of intricate crime, it is soon revealed that their plan involves murder most foul.
The target of the mission is their stepfather Rodger (Kim Gyngell), whom...
- 6/18/2018
- by Eddie Cockrell
- Variety Film + TV
This article originally appeared in If Magazine #145 (Feb-March).
Successful soundtracks are few and far between in Australia. Following the success of Baz Luhrmann.s Moulin Rouge (the soundtrack was the highest selling CD on the Aria charts in 2001), the only local soundtrack albums to have made a mark sales-wise have been compilations from TV.s Packed to the Rafters.
.The problem with most local films is that too few people see them to fall in love with and then buy the music,. says Sandcastle Studios chief executive, Chris Cudlipp.
The most notable exception to the rule last year was Red Dog, which grossed $21.3 million during its theatrical run. With a score by composer Cezary Skubiszewski and a collection of 70s rock, the music is often considered one of the stand out aspects of the film.
The result . a collaboration between the film.s producer and music supervisor, Nelson Woss, and director,...
Successful soundtracks are few and far between in Australia. Following the success of Baz Luhrmann.s Moulin Rouge (the soundtrack was the highest selling CD on the Aria charts in 2001), the only local soundtrack albums to have made a mark sales-wise have been compilations from TV.s Packed to the Rafters.
.The problem with most local films is that too few people see them to fall in love with and then buy the music,. says Sandcastle Studios chief executive, Chris Cudlipp.
The most notable exception to the rule last year was Red Dog, which grossed $21.3 million during its theatrical run. With a score by composer Cezary Skubiszewski and a collection of 70s rock, the music is often considered one of the stand out aspects of the film.
The result . a collaboration between the film.s producer and music supervisor, Nelson Woss, and director,...
- 8/17/2012
- by Amanda Diaz
- IF.com.au
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