Rank Film (distributor) Three-day gross (May 3-5) Total gross to date Week 1. Kingdom Of The Planet Of The Apes (Disney) £3.2m £3.8m 1 2. The Fall Guy (Universal) £948,970 £6.7m 2 3. Challengers (Warner Bros) £333,125 £4.7m 3 4. Back To Black (Studiocanal) £211,104 £11.3m 5 5. Tarot (Sony) £140,983 £923,013 2
Gbp to Usd conversion rate: 1.25
Disney’s Kingdom Of The Planet Of The Apes topped the UK and Ireland box office with £3.2m, with warm weather possibly deterring cinemagoers.
The fourth instalment in the Planet Of The Apes reboot series, and the first of a planned trilogy, swung into 650 cinemas for a £4,923 location average and made £3.8m overall including previews.
Kingdom Of The Planet Of The Apes...
Gbp to Usd conversion rate: 1.25
Disney’s Kingdom Of The Planet Of The Apes topped the UK and Ireland box office with £3.2m, with warm weather possibly deterring cinemagoers.
The fourth instalment in the Planet Of The Apes reboot series, and the first of a planned trilogy, swung into 650 cinemas for a £4,923 location average and made £3.8m overall including previews.
Kingdom Of The Planet Of The Apes...
- 5/13/2024
- ScreenDaily
12.00 Normal 0 false false false En-us X-none X-none MicrosoftInternetExplorer4 Vampire culture has gotten the film treatment more than any niche of the occult world. The world seems to be ga-ga for vampirism; the inherent sexuality, the blood, the power - the elements come together each and every time to form the same movie, the only real difference is how the features are implemented. Bled definitely has a new angle on the vampire concept treating it as a mere means to be exploited for immortality instead of focusing on the immortality of vampirism itself. The blood of innocents sustaining the life of an immortal: old and mentioned in Bled. Where Bled hits a new vein is in how the vampirism exists and the elementary analysis of addiction that gets thrown in along with it.
Sai (Sarah Farooqui) aspires to reach a new level with her art - an opportunity that presents itself...
Sai (Sarah Farooqui) aspires to reach a new level with her art - an opportunity that presents itself...
- 4/24/2009
- by Lex Walker
- JustPressPlay.net
Bled is a vampire movie without teeth. There’s literally and figuratively no bite to it. And not much bloodshed, either. Or sex. On the DVD’s audio commentary by producer Jeffrey Allard, director Christopher Hutson and composer Chris Kazmier, the filmmakers discuss their intention to “retool” the vampire film. If by this they mean defang and dilute the subgenre, well, then they were successful.
Horror fans will have a frustrating time sitting through a movie that plays like Twilight lite for “bit lit” readers. And sorry, ladies (and any “bit lit” gents out there), but Bled’s bloodsucker, Renfield (Jonathan Oldham), is no Robert Pattinson. I can’t believe I just said that…
The movie begins with some very pretentious, very bad narration grandiloquently spoken by Renfield over a dream sequence of Sai (Sarah Farooqui) being chased through a forest by a creature (called the “Incubus”) that looks like...
Horror fans will have a frustrating time sitting through a movie that plays like Twilight lite for “bit lit” readers. And sorry, ladies (and any “bit lit” gents out there), but Bled’s bloodsucker, Renfield (Jonathan Oldham), is no Robert Pattinson. I can’t believe I just said that…
The movie begins with some very pretentious, very bad narration grandiloquently spoken by Renfield over a dream sequence of Sai (Sarah Farooqui) being chased through a forest by a creature (called the “Incubus”) that looks like...
- 4/7/2009
- Fangoria
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