- [on his first film] I had 2,000 feet of film after we shot it, and it looked very poor - only because it was repetitious and long. I struggled with the footage for weeks. No matter what I did, it seemed boring. In desperation, I started cutting shots shorter and shorter, and when I saw the energy that put into the film, I have my first real revelation about cutting.
- The artists I knew at that time felt pretty genuinely that if the process got too heavy or ponderous or worried, if you weren't having a good time at least part of the time, something was wrong. We were bent on having a good time.
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