The dust still hasn’t settled on the 96th annual Academy Award nominations due to the uproar over the “Barbie” snubs for Best Actress for Margot Robbie and Greta Gerwig for Best Director. They still earned Oscar nominations for the cultural phenomena that was the No. 1 film of 2023 with an international box office of $1.4 billion. Robbie and Gerwig received noms as producer for the Best Picture nominee and Gerwig also was garnered a nomination for co-writing the adapted screenplay. But the film is about female empowerment, so it’s beyond ironic it was Ken (Ryan Gosling), not Barbie, who received Oscar recognition.
Gosling wasn’t happy: “Against all odds with nothing but a couple of soulless, scantily clad, and thankfully crotchless dolls, made us laugh, they broke our hearts, they pushed the culture and made history. Their work should be recognized along with the other very deserving nominees.”
America Ferrera,...
Gosling wasn’t happy: “Against all odds with nothing but a couple of soulless, scantily clad, and thankfully crotchless dolls, made us laugh, they broke our hearts, they pushed the culture and made history. Their work should be recognized along with the other very deserving nominees.”
America Ferrera,...
- 1/25/2024
- by Susan King
- Gold Derby
For the second time in six years, the Best Actress category looked to be on track to feature nominees from films nominated for Best Picture. But just like six years ago, it came up short — and it once again involved Margot Robbie.
Annette Bening (“Nyad”), Lily Gladstone (“Killers of the Flower Moon”), Sandra Hüller (“Anatomy of a Fall”), Carey Mulligan (“Maestro”) and Emma Stone (“Poor Things”) made the Best Actress cut on Tuesday. Every film but “Nyad” is nominated for Best Picture. Gladstone, Hüller, Mulligan and Stone were all expected to get in, but Bening was in seventh place in the odds. Now a five-time nominee, she made it in over Robbie, who was in fifth place in the odds and headlines Best Picture nominee “Barbie” (Robbie is nominated as producer).
Six years ago, it was the reverse situation with Robbie. She earned her first career Oscar nomination for her...
Annette Bening (“Nyad”), Lily Gladstone (“Killers of the Flower Moon”), Sandra Hüller (“Anatomy of a Fall”), Carey Mulligan (“Maestro”) and Emma Stone (“Poor Things”) made the Best Actress cut on Tuesday. Every film but “Nyad” is nominated for Best Picture. Gladstone, Hüller, Mulligan and Stone were all expected to get in, but Bening was in seventh place in the odds. Now a five-time nominee, she made it in over Robbie, who was in fifth place in the odds and headlines Best Picture nominee “Barbie” (Robbie is nominated as producer).
Six years ago, it was the reverse situation with Robbie. She earned her first career Oscar nomination for her...
- 1/24/2024
- by Joyce Eng
- Gold Derby
With the Academy Awards just a month away, it’s the perfect time to look at fun facts, trivia and tidbits for both this year and historically.
John Williams, who just turned 91, reaped his 53rd Oscar nomination for scoring Steven Spielberg’s movie memoir “The Fabelmans.” Three of his five Oscar wins are for Spielberg films. His first Oscar nomination was for Best Music for 1967’s “Valley of the Dolls” and his first win was for Best Music (scoring adaptation and original song score) for 1971’s “Fiddler on the Roof.” And what was the first film he scored? The long-forgotten 1958 Aip release 1958 “Daddy-o.”
In terms of nominations, Williams is second only to Walt Disney. During his 40-plus year film career, he received 26 Oscar — 22 of those were competitive — and a staggering 59 bids. At the 5th Oscars, he won an honorary Oscar for creating Mickey Mouse, while winning the Academy Award for...
John Williams, who just turned 91, reaped his 53rd Oscar nomination for scoring Steven Spielberg’s movie memoir “The Fabelmans.” Three of his five Oscar wins are for Spielberg films. His first Oscar nomination was for Best Music for 1967’s “Valley of the Dolls” and his first win was for Best Music (scoring adaptation and original song score) for 1971’s “Fiddler on the Roof.” And what was the first film he scored? The long-forgotten 1958 Aip release 1958 “Daddy-o.”
In terms of nominations, Williams is second only to Walt Disney. During his 40-plus year film career, he received 26 Oscar — 22 of those were competitive — and a staggering 59 bids. At the 5th Oscars, he won an honorary Oscar for creating Mickey Mouse, while winning the Academy Award for...
- 2/15/2023
- by Susan King
- Gold Derby
CAA Talent Agent Josh Lieberman Buys Paul R. Williams-Designed Brentwood Mansion, Lists 90210 Estate
Pioneering Black architect Paul R. Williams — a favorite of Golden Age Hollywood elite and other assorted jetsetters — designed this stately 1930s manor for opera singer-actress Grace Moore and her husband, Spanish actor Valentín Parera. But the couple ultimately became disenchanted with Hollywood, fled the city and never actually lived in the Brentwood house — legendary actor Tyrone Power and his French wife Annabella were its first occupants, having bought the place soon after it was built, according to the Paul R. Williams Project. This is one of two Williams-designed houses owned by Power; the actor apparently loved the Brentwood digs so much that he commissioned the architect to design him a custom Bel Air residence in the late 1940s.
This property was eventually sold to a non-famous family, who held onto the place for decades. In recent years, the Georgian Colonial Revival mansion was leased out to Michael S. Smith, Barack Obama’s White House decorator,...
This property was eventually sold to a non-famous family, who held onto the place for decades. In recent years, the Georgian Colonial Revival mansion was leased out to Michael S. Smith, Barack Obama’s White House decorator,...
- 8/12/2021
- by Wendy Bowman, Dirt.com
- The Hollywood Reporter - Movie News
CAA Talent Agent Josh Lieberman Buys Paul R. Williams-Designed Brentwood Mansion, Lists 90210 Estate
Pioneering Black architect Paul R. Williams — a favorite of Golden Age Hollywood elite and other assorted jetsetters — designed this stately 1930s manor for opera singer-actress Grace Moore and her husband, Spanish actor Valentín Parera. But the couple ultimately became disenchanted with Hollywood, fled the city and never actually lived in the Brentwood house — legendary actor Tyone Power and his French wife Annabella were its first occupants, having bought the place soon after it was built, according to the Paul R. Williams Project. One of two Williams-designed houses owned by Power, the actor apparently loved the Brentwood digs so much that he commissioned the architect ...
- 8/11/2021
- The Hollywood Reporter - Movie News
CAA Talent Agent Josh Lieberman Buys Paul R. Williams-Designed Brentwood Mansion, Lists 90210 Estate
Pioneering Black architect Paul R. Williams — a favorite of Golden Age Hollywood elite and other assorted jetsetters — designed this stately 1930s manor for opera singer-actress Grace Moore and her husband, Spanish actor Valentín Parera. But the couple ultimately became disenchanted with Hollywood, fled the city and never actually lived in the Brentwood house — legendary actor Tyrone Power and his French wife Annabella were its first occupants, having bought the place soon after it was built, according to the Paul R. Williams Project. This is one of two Williams-designed houses owned by Power; the actor apparently loved the Brentwood digs so much that he commissioned ...
- 8/11/2021
- The Hollywood Reporter - Film + TV
Last year we watched as Renee Zellweger followed the yellow brick road all the way to the Wizard of Oscar as Judy Garland in “Judy.” Can lightning (or a tornado) strike two years in a row? That’s surely the hope of Andra Day, looking like a strong Best Actress Oscar contender for her title role in “The United States vs. Billie Holiday.” Like Garland, Holiday rose to stardom in the late 1930s. She also had multiple marriages, faced financial woes and struggled with drugs and alcohol. The question is: can the role in this Hulu release deliver the Oscar to Day?
Before making a decision, keep in mind that the academy has a long history of recognizing actresses for portraying other actresses or entertainers. And the more drama, trauma and tragedy the better. Even raging and hysterical divas are welcome. Let’s look back at some prime and primadonna examples from Oscar’s history.
Before making a decision, keep in mind that the academy has a long history of recognizing actresses for portraying other actresses or entertainers. And the more drama, trauma and tragedy the better. Even raging and hysterical divas are welcome. Let’s look back at some prime and primadonna examples from Oscar’s history.
- 1/22/2021
- by Tariq Khan
- Gold Derby
Frances McDormand (“Three Billboards Outside Ebbing, Missouri”), Saoirse Ronan (“Lady Bird”), Sally Hawkins (“The Shape of Water”), Meryl Streep (“The Post”) and Margot Robbie (“I, Tonya”) have long been our predicted Best Actress Oscar nominees. If they all make the cut, along with their films in Best Picture, they’d join a very exclusive club: It’d be first Best Actress slate in 40 years and just the fifth overall where everyone is in a film nominated for Best Picture.
The only other times this has occurred were for the film years 1934, 1939, 1940 and 1977 — but many of them come with caveats. In 1934, there were still only three acting nominees — winner Claudette Colbert (“It Happened One Night”), Grace Moore (“One Night of Love”) and Norma Shearer (“The Barretts of Wimpole Street”) — and 12 Best Picture nominees, before the academy standardized the categories to five each. This was also the infamous year of the write-in...
The only other times this has occurred were for the film years 1934, 1939, 1940 and 1977 — but many of them come with caveats. In 1934, there were still only three acting nominees — winner Claudette Colbert (“It Happened One Night”), Grace Moore (“One Night of Love”) and Norma Shearer (“The Barretts of Wimpole Street”) — and 12 Best Picture nominees, before the academy standardized the categories to five each. This was also the infamous year of the write-in...
- 1/19/2018
- by Joyce Eng
- Gold Derby
In February 1937, Columbia Pictures unveiled the musical When You're in Love, featuring star turns by Cary Grant and Grace Moore. The Hollywood Reporter's original review is below.
With a more substantial story than the last two Grace Moore vehicles, When You're in Love is a signal triumph for the foremost diva of the screen, for Cary Grant who should soar to stardom as a result of his performance in this, and for Robert Riskin, here notably handling his first directorial assignment. It is money in the bank for any house, due for holdover business in many spots.
Based on an original...
With a more substantial story than the last two Grace Moore vehicles, When You're in Love is a signal triumph for the foremost diva of the screen, for Cary Grant who should soar to stardom as a result of his performance in this, and for Robert Riskin, here notably handling his first directorial assignment. It is money in the bank for any house, due for holdover business in many spots.
Based on an original...
- 2/13/2017
- by THR Staff
- The Hollywood Reporter - Movie News
On February 12, 1937, Columbia Pictures unveiled the musical When You're in Love, featuring star turns by Cary Grant and Grace Moore. The Hollywood Reporter's original review is below.
With a more substantial story than the last two Grace Moore vehicles, When You're in Love is a signal triumph for the foremost diva of the screen, for Cary Grant who should soar to stardom as a result of his performance in this, and for Robert Riskin, here notably handling his first directorial assignment. It is money in the bank for any house, due for holdover business ...
With a more substantial story than the last two Grace Moore vehicles, When You're in Love is a signal triumph for the foremost diva of the screen, for Cary Grant who should soar to stardom as a result of his performance in this, and for Robert Riskin, here notably handling his first directorial assignment. It is money in the bank for any house, due for holdover business ...
- 2/13/2017
- The Hollywood Reporter - Film + TV
On February 12, 1937, Columbia Pictures unveiled the musical When You're in Love, featuring star turns by Cary Grant and Grace Moore. The Hollywood Reporter's original review is below.
With a more substantial story than the last two Grace Moore vehicles, When You're in Love is a signal triumph for the foremost diva of the screen, for Cary Grant who should soar to stardom as a result of his performance in this, and for Robert Riskin, here notably handling his first directorial assignment. It is money in the bank for any house, due for holdover business ...
With a more substantial story than the last two Grace Moore vehicles, When You're in Love is a signal triumph for the foremost diva of the screen, for Cary Grant who should soar to stardom as a result of his performance in this, and for Robert Riskin, here notably handling his first directorial assignment. It is money in the bank for any house, due for holdover business ...
- 2/13/2017
- The Hollywood Reporter - Movie News
'The Merry Widow' with Maurice Chevalier, Jeanette MacDonald and Minna Gombell under the direction of Ernst Lubitsch. Ernst Lubitsch movies: 'The Merry Widow,' 'Ninotchka' (See previous post: “Ernst Lubitsch Best Films: Passé Subtle 'Touch' in Age of Sledgehammer Filmmaking.”) Initially a project for Ramon Novarro – who for quite some time aspired to become an opera singer and who had a pleasant singing voice – The Merry Widow ultimately starred Maurice Chevalier, the hammiest film performer this side of Bob Hope, Jim Carrey, Adam Sandler – the list goes on and on. Generally speaking, “hammy” isn't my idea of effective film acting. For that reason, I usually find Chevalier a major handicap to his movies, especially during the early talkie era; he upsets their dramatic (or comedic) balance much like Jack Nicholson in Martin Scorsese's The Departed or Jerry Lewis in anything (excepting Scorsese's The King of Comedy...
- 1/31/2016
- by Andre Soares
- Alt Film Guide
'Sunset Blvd.': Gloria Swanson as Norma Desmond. The Charles Brackett Diaries: Gay Rumors quashed, troubled Billy Wilder partnership discussed in Q&A with Anthony Slide See previous post: “Charles Brackett Diaries: Politics and Gossip During the Studio Era.” First of all, how did you become involved in this Charles Brackett project? And what did your editorial job entail? I discovered the diaries about six years ago when I was asked by Brackett's grandson, Jim Moore, to place a financial value on them during the process of his donating them to the Margaret Herrick Library of the Academy of Motion Picture Arts and Sciences. It was clear to me that these diaries had not only considerable financial worth, but also, and perhaps more importantly, they were primary resources in the study of Hollywood history. Happily, Charles Brackett's family (who own the copyright) gave permission for me to edit the diaries,...
- 9/25/2015
- by Andre Soares
- Alt Film Guide
Adolphe Menjou movies today (This article is currently being revised.) Despite countless stories to the contrary, numerous silent film performers managed to survive the coming of sound. Adolphe Menjou, however, is a special case in that he not only remained a leading man in the early sound era, but smoothly made the transition to top supporting player in mid-decade, a position he would continue to hold for the quarter of a century. Menjou is Turner Classic Movies' Star of the Day today, Aug. 3, as part of TCM's "Summer Under the Stars" 2015 series. Right now, TCM is showing William A. Wellman's A Star Is Born, the "original" version of the story about a small-town girl (Janet Gaynor) who becomes a Hollywood star, while her husband (Fredric March) boozes his way into oblivion. In typical Hollywood originality (not that things are any different elsewhere), this 1937 version of the story – produced by...
- 8/4/2015
- by Andre Soares
- Alt Film Guide
Kristen Stewart, Catherine Deneuve make César Award history (photo: Kristen Stewart in 'Clouds of Sils Maria,' with Juliette Binoche) Kristen Stewart and Catherine Deneuve are two 2015 César Award nominees making history. The French Academy of Motion Picture Arts and Crafts announced the nominations on Jan. 28, 2015; the César Awards ceremony will take place on Feb. 20, 2015, at Paris' Théâtre du Châtelet. Kristen Stewart is in the running in the Best Supporting Actress category for Clouds of Sils Maria / Sils Maria. Catherine Deneuve has been shortlisted as Best Actress for In the Courtyard / Dans la cour. So, how are Stewart and Deneuve making César history? Well, let's begin with "the expected one": Deneuve. Catherine Deneuve One of the biggest film icons ever, Catherine Deneuve is one of those relatively rare international film superstars who has never bothered with – or needed – a Hollywood career. Deneuve, who turned 71 last October 22, has been...
- 1/30/2015
- by Steve Montgomery
- Alt Film Guide
Dead at 99: Opera star and Crosby's ex-girlfriend in 1944 Best Picture Oscar winner Risë Stevens, the Metropolitan Opera mezzo-soprano that moviegoers remember as Nelson Eddy's romantic partner in Roy Del Ruth's 1941 musical The Chocolate Soldier and as Bing Crosby's ex-girlfriend in Leo McCarey's 1944 Oscar-winning blockbuster Going My Way, died on Wednesday, March 20, at her Manhattan home. The former singer was 99 years old. (Pictured above: Stevens in her most famous operatic role, that of Bizet's anti-heroine Carmen.) Born in The Bronx, New York City, Stevens sang at the Metropolitan from 1938 to 1961; among her most popular roles were Dalila in Camille Saint-Saëns' Samson et Dalila, Mignon in Ambroise Thomas' opera of the same name, and most notable of all, the lead in Bizet's Carmen. After leaving the stage, she became an arts administrator with the Met and president of the Mannes College of Music.
- 3/22/2013
- by Andre Soares
- Alt Film Guide
Bette Davis, Of Human Bondage – Part I: Biggest Oscar Snubs #1 "The air was thick with rumors," Bette Davis later recalled in her memoirs. "It seemed inevitable that I would receive the coveted award. The press, the public and the members of the Academy who did the voting were sure I would win! Surer than I!" According to Mason Wiley and Damien Bona's Inside Oscar, when Bette Davis announced she would be present at the awards ceremony on Feb. 27, 1935, official Best Actress nominees Claudette Colbert, Grace Moore, and Norma Shearer decided they wouldn't. They needn't have worried. Possibly because many votes had already been sent in by the time of Howard Eastabrook's announcement [see previous post], or perhaps because of other vote-tallying issues — whether intentional or unintentional — regarding the write-in ballots, Claudette Colbert turned out to be year's Best Actress. Davis later claimed that the powers-that-be at [...]...
- 1/30/2011
- by Andre Soares
- Alt Film Guide
Singer and Hollywood star best known for her roles in MGM musicals of the 1940s and 50s
When coloratura soprano Kathryn Grayson, who has died aged 88, sang five songs, including an aria from La Traviata, in MGM's all-star patriotic parade, Thousands Cheer (1943), she began her 10-year reign as the prima donna of Hollywood. With her china-doll features, little turned-up nose and patrician manner, Grayson raised the tone of more than a dozen musicals. Although opera managers did not beat a path to her door, her clear, slightly shrill, small voice carried well on film in popular classics and operatic scenes.
Her classical training led her not to the opera house, but to the radio, in particular The Eddie Cantor Show, on which she was discovered by an MGM talent scout at the age of 18 in 1940. In the same year, she married the minor film actor John Shelton.
In her first film,...
When coloratura soprano Kathryn Grayson, who has died aged 88, sang five songs, including an aria from La Traviata, in MGM's all-star patriotic parade, Thousands Cheer (1943), she began her 10-year reign as the prima donna of Hollywood. With her china-doll features, little turned-up nose and patrician manner, Grayson raised the tone of more than a dozen musicals. Although opera managers did not beat a path to her door, her clear, slightly shrill, small voice carried well on film in popular classics and operatic scenes.
Her classical training led her not to the opera house, but to the radio, in particular The Eddie Cantor Show, on which she was discovered by an MGM talent scout at the age of 18 in 1940. In the same year, she married the minor film actor John Shelton.
In her first film,...
- 2/20/2010
- by Ronald Bergan
- The Guardian - Film News
Kathryn Grayson, the lilting soprano who starred in the classic MGM musicals "Show Boat," "Kiss Me Kate" and "Anchors Aweigh," died Wednesday at her Los Angeles home. She turned 88 last week.Grayson's longtime companion and secretary, Sally Sherman, said Thursday that the actress died of natural causes.Grayson also was professionally linked with Howard Keel, with whom she co-starred in three movies. With him, Grayson sang and acted as the riverboat belle Magnolia in "Show Boat" (1951); as a Parisian dress shop owner in "Lovely to Look At" (1952) -- in which she sang Jerome Kern's "Smoke Gets in Your Eyes" -- and as a high-strung actress in "Kiss Me Kate" (1953). Later in their careers, Grayson and Keel performed together in nightclubs -- she was a coloratura soprano, he was a baritone -- and toured in summer stock.Born as Zelma Kathryn Elisabeth Hedrick on Feb. 9, 1922, in Winston-Salem, N.C., she...
- 2/18/2010
- backstage.com
Kathryn Grayson, the lilting soprano who starred in the classic MGM musicals "Show Boat," "Kiss Me Kate" and "Anchors Aweigh," died Wednesday at her Los Angeles home. She turned 88 last week.
Grayson's longtime companion and secretary, Sally Sherman, said Thursday that the actress died of natural causes.
Grayson also was professionally linked with Howard Keel, with whom she co-starred in three movies. With him, Grayson sang and acted as the riverboat belle Magnolia in "Show Boat" (1951); as a Parisian dress shop owner in "Lovely to Look At" (1952) -- in which she sang Jerome Kern's "Smoke Gets in Your Eyes" -- and as a high-strung actress in "Kiss Me Kate" (1953).
Later in their careers, Grayson and Keel performed together in nightclubs -- she was a coloratura soprano, he was a baritone -- and toured in summer stock.
Born as Zelma Kathryn Elisabeth Hedrick on Feb. 9, 1922, in Winston-Salem, N.C., she...
Grayson's longtime companion and secretary, Sally Sherman, said Thursday that the actress died of natural causes.
Grayson also was professionally linked with Howard Keel, with whom she co-starred in three movies. With him, Grayson sang and acted as the riverboat belle Magnolia in "Show Boat" (1951); as a Parisian dress shop owner in "Lovely to Look At" (1952) -- in which she sang Jerome Kern's "Smoke Gets in Your Eyes" -- and as a high-strung actress in "Kiss Me Kate" (1953).
Later in their careers, Grayson and Keel performed together in nightclubs -- she was a coloratura soprano, he was a baritone -- and toured in summer stock.
Born as Zelma Kathryn Elisabeth Hedrick on Feb. 9, 1922, in Winston-Salem, N.C., she...
- 2/18/2010
- by By Duane Byrge
- The Hollywood Reporter - Movie News
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