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After twenty years honing his craft on ever-more precise filmic constructions, David Lean opened up his imagination for a story of loneliness and romance in Venice, Italy. A vacationing American woman searches for — she doesn’t know what. Katharine Hepburn reveals the vulnerable side of her personality, and the woman eventually leaves her fears behind. Lean creates the most compelling ‘relaxed vacation’ ever, yet every shot is as keenly envisioned as in any of his films. It’s an amazing ‘on location’ show that initially ran into trouble with U.S. censors — some thought it was morally incompatible with the Production Code, and shouldn’t be released here at all.

Summertime

Blu-ray

The Criterion Collection 22

1955 / Color / 1:37 Academy (1:66 widescreen?) / 100 min. / available through The Criterion Collection / Street Date July 12, 2022 / 39.95

Starring: Katharine Hepburn, Rossano Brazzi, Darren McGavin, Jane Rose, Mari Aldon, Macdonald Parke, Gaetano Autiero, Jeremy Spenser, Isa Miranda, Virginia Simeon,...

What better way to reach episode fifty than to be joined by one of the most foremost and respected film critics and theorists of her generation, to discuss Max Ophuls’ La signora di tutti we are honored to have Laura Mulvey join us. We hope you enjoy!

From Masters of Cinema:

With the Nazi terror on the ascent, master filmmaker Max Ophuls fled to Italy in 1934 and made La signora di tutti [Everybody’s Lady] — an exuberant, desperate melodrama that, although arriving early in Ophuls’ body of work, ranks comfortably alongside Letter from an Unknown Woman, Madame de…, or Lola Montès in the hierarchy of the director’s achievements.

Isa Miranda, one of Italy’s greatest stars, plays the role of a star revisiting her life in flashback after a suicide attempt leaves her comatose. From the record revolving on a turntable in the picture’s opening moments, Ophuls sets into motion one...

Close-Up is a column that spotlights films now playing on Mubi. Black Sabbath is playing on Mubi in the Us through November 13, and Bay of Blood is playing on Mubi in the Us October 15 - November 14.Starting as a cinematographer and director of documentaries and shorts, Mario Bava would ultimately explore a variety of genres, from spaghetti westerns and sword-and-sandal adventures, to a modish detective film and even a romping sex comedy. It is his work within the horror genre, however, for which he is most widely, and justly, lauded. Among the Italian filmmakers who rose to prominence on the international horror scene of the 1960s and 70s, few would attain his degree of diverse stylistic virtuosity, nor would they cover the genre in such an expansive fashion. As the years of his career happened to fall, Bava ended up documenting the horror film in the process of profound transition.

Simone Simon in 'La Bête Humaine' 1938: Jean Renoir's film noir (photo: Jean Gabin and Simone Simon in 'La Bête Humaine') (See previous post: "'Cat People' 1942 Actress Simone Simon Remembered.") In the late 1930s, with her Hollywood career stalled while facing competition at 20th Century-Fox from another French import, Annabella (later Tyrone Power's wife), Simone Simon returned to France. Once there, she reestablished herself as an actress to be reckoned with in Jean Renoir's La Bête Humaine. An updated version of Émile Zola's 1890 novel, La Bête Humaine is enveloped in a dark, brooding atmosphere not uncommon in pre-World War II French films. Known for their "poetic realism," examples from that era include Renoir's own The Lower Depths (1936), Julien Duvivier's La Belle Équipe (1936) and Pépé le Moko (1937), and particularly Marcel Carné's Port of Shadows (1938) and Daybreak (1939).[11] This thematic and...

'Cat People' 1942 actress Simone Simon Remembered: Starred in Jacques Tourneur's cult horror movie classic (photo: Simone Simon in 'Cat People') Pert, pouty, pretty Simone Simon is best remembered for her starring roles in Jacques Tourneur's cult horror movie Cat People (1942) and in Jean Renoir's French film noir La Bête Humaine (1938). Long before Brigitte Bardot, Mamie Van Doren, Ann-Margret, and (for a few years) Jane Fonda became known as cinema's Sex Kittens, Simone Simon exuded feline charm in a film career that spanned a quarter of a century. From the early '30s to the mid-'50s, she seduced men young and old on both sides of the Atlantic – at times, with fatal results. During that period, Simon was featured in nearly 40 movies in France, Italy, Germany, Britain, and Hollywood. Besides Jean Renoir, in her native country she worked for the likes of Jacqueline Audry...

Shirley MacLaine, Irma la Douce on TCM Shirley MacLaine is Turner Classic Movies' "Summer Under the Stars" star of the day today, August 10. This evening, TCM is presenting its last four Shirley MacLaine movies: Billy Wilder's Oscar winner The Apartment (1960), which is on right now; Vincente Minnelli's Some Came Running (1958), which earned MacLaine her first Best Actress Academy Award nomination; Lewis Milestone's Ocean's Eleven (1960), in which MacLaine has a mere cameo; and Anthony Asquith's omnibus feature The Yellow Rolls Royce (1964), in which MacLaine is one of about a dozen stars in several individual stories. [Shirley MacLaine Movie Schedule.] It's too late for me to recommend The Apartment, though recommendable it is. For one thing, this collaboration between Billy Wilder and screenwriter I.A.L. Diamond features what is, in my view, Fred MacMurray's best performance by far. Usually an intolerable leading man — macho, reactionary, humorless, unsexy, dull — MacMurray could be a fascinating slimeball,...

Like some deranged, X-rated episode of Miss Marple, Mario Bava's giallo slasher crossover is a gleefully sinister tale where anyone and everyone is a suspect. Beautiful, blackly comic and disturbing it pre-dates the golden era of Us slashers that owe so much to it by nearly a decade.

 When Countess Federica Donati (Isa Miranda) is bumped off in the film's opening moments, it sets in motion a chain of gruesome deaths as an assortment of miscreants attempt to takeover the beautiful bay she owns. Amongst those vying for a piece of the pie (or indeed all of it) are an architect intent on development, the countess' daughter, son and husband. Add to this their various spouses and lovers, plus some fun-loving but doomed teenagers partying in a disused night club. The film opens with a pair of brutal deaths and continues in this manner as various characters are swiftly...

Max Ophüls, 1934, PG, Eureka!

Max Ophüls (1902-57) was firmly established in Germany as a director for stage, radio and cinema with one minor movie masterpiece (Liebelei) to his credit when the Nazis came to power. As a prominent Jewish artist, he went into exile never to return, working elsewhere in Europe, then in Hollywood, before returning to France to make La Ronde and three other masterworks before his untimely death. Stories of love at first sight, frustrated affairs, tragic encounters – these were his forte, with haunting, romantic music, and exquisite tracking shots that take the audience down streets, through rooms, up and down staircases.

All this is here in the one movie he made in Italy, La Signora di tutti ("Everybody's Lady"), which brought him the prize for technical achievement at the second Venice film festival. The enchanting Isa Miranda (left)plays a chanteuse and Italian movie star who reviews...