Earlier this year, we caught word that Arrow Video’s 4K box set release of the first four Hellraiser movies (get it Here) would include a workprint cut of the 1996 installment, Hellraiser: Bloodline (watch that one Here), allowing fans the chance to see what the movie was going to be like before Dimension Films started tinkering with it. Now that the Arrow Video box set is available, JoBlo’s own Lance Vlcek has a copy of the Hellraiser: Bloodline workprint – and in the video embedded above, he offers his review of this cut of the film, comparing it to the theatrical version we’ve been watching for over twenty-five years. To hear all about this Hellraiser: Bloodline workprint vs. theatrical cut match-up, hit play on the video!
Hellraiser: Bloodline was a famously troubled production, with director Kevin Yagher leaving the project when distributor Miramax / Dimension demanded substantial reshoots. Halloween: The Curse of Michael Myers...
Hellraiser: Bloodline was a famously troubled production, with director Kevin Yagher leaving the project when distributor Miramax / Dimension demanded substantial reshoots. Halloween: The Curse of Michael Myers...
- 11/9/2023
- by Cody Hamman
- JoBlo.com
The fourth installment of the Hellraiser franchise, Hellraiser: Bloodline, was the last film of the series to be released theatrically. It was also notorious for its troubled production, eventually leading director Kevin Yagher to walk away when Miramax demanded reshoots. Miramax then brought in Joe Chappelle to complete the film.
When Yagher saw the finished cut of Hellraiser: Bloodline, post reshoots, it’d become so removed from his vision that he had his name removed from the credits using the Alan Smithee pseudonym, as did Chappelle. While Yagher’s version of the prequel/sequel is lost to time, Arrow’s Hellraiser: Bloodline Workprint assembles the footage Yagher shot, offering fans the closest we’ll ever get to a Director’s Cut. Arrow’s workprint makes for a more coherent and fascinating version of the troubled franchise installment.
Hellraiser: Bloodline spans time, tracing a family lineage that began with Philippe “Toymaker...
When Yagher saw the finished cut of Hellraiser: Bloodline, post reshoots, it’d become so removed from his vision that he had his name removed from the credits using the Alan Smithee pseudonym, as did Chappelle. While Yagher’s version of the prequel/sequel is lost to time, Arrow’s Hellraiser: Bloodline Workprint assembles the footage Yagher shot, offering fans the closest we’ll ever get to a Director’s Cut. Arrow’s workprint makes for a more coherent and fascinating version of the troubled franchise installment.
Hellraiser: Bloodline spans time, tracing a family lineage that began with Philippe “Toymaker...
- 11/7/2023
- by Meagan Navarro
- bloody-disgusting.com
Released in 1996, and co-directed by makeup effects artist Kevin Yagher and Joe Chappelle, fourth franchise installment Hellraiser: Bloodline served the dual role of being a prequel and a sequel, telling a centuries-spanning story that documents the puzzle box’s beginning and end. While horror fans have come to appreciate the ambitious “Pinhead in Space” movie in recent years, it’s the behind the scenes drama of the production that often takes center stage.
For starters, Kevin Yagher was replaced by Joe Chappelle before production was completed, and both filmmakers ultimately declined to have their names attached to the finished product.
That’s why Hellraiser: Bloodline is credited to the fake director “Alan Smithee.”
As Meagan Navarro explained here on Bd back in 2020, “Writer Peter Atkins and director Kevin Yagher originally envisioned a sprawling story that took place in three separate timelines, with the past, present, and future tied to a single man.
For starters, Kevin Yagher was replaced by Joe Chappelle before production was completed, and both filmmakers ultimately declined to have their names attached to the finished product.
That’s why Hellraiser: Bloodline is credited to the fake director “Alan Smithee.”
As Meagan Navarro explained here on Bd back in 2020, “Writer Peter Atkins and director Kevin Yagher originally envisioned a sprawling story that took place in three separate timelines, with the past, present, and future tied to a single man.
- 8/16/2023
- by John Squires
- bloody-disgusting.com
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