What makes a good Satanic Panic flick? Is it the urbane, dark humor of Rosemary’s Baby (’68), perhaps the outsized biblical insanity of The Omen (’76), or the insidious paranoia that infuses Race with the Devil (’75)? The answer for me is all of the above, and what a treat it is to come across another that brings something a little different - The Brotherhood of Satan (’71) offers a sense of quiet displacement before unleashing a torrent of blustery brimstone and hellfire.
Released by Columbia Pictures in early August, The Brotherhood of Satan even received some decent notices; Roger Greenspun of The New York Times proclaimed that the film “displays bold, direct, relatively uncomplicated acceptance of its supernature”, which is definitely one of its strengths – the evil is ingrained in the small town structure and those within are resigned to its nature. Hey, it was the ‘70s! Were you really expecting upbeat?...
Released by Columbia Pictures in early August, The Brotherhood of Satan even received some decent notices; Roger Greenspun of The New York Times proclaimed that the film “displays bold, direct, relatively uncomplicated acceptance of its supernature”, which is definitely one of its strengths – the evil is ingrained in the small town structure and those within are resigned to its nature. Hey, it was the ‘70s! Were you really expecting upbeat?...
- 4/21/2018
- by Scott Drebit
- DailyDead
When I Dismember Mama was released as a double-bill with The Blood Spattered Bride at the drive-in and various lowbrow theaters in 1974, upchuck cups were passed out amongst patrons as a gag gift to promote the film and to get people talking outside of the theaters. The trailer for the double-bill is even better.
Blood Spattered Bride/I Dismember Mama
Released on VHS in the 1980s by Simitar Entertainment, I Dismember Mama has become a cult classic amongst horror fans – most likely because of its catchy and alluring title. You would assume that the film is about – well – dismembering mama, right? Wrong. This Oedipal-Norman-Bates-style movie has very little to do with dismembering at all, although it has it’s fair share of kills and thrills.
Directed by Paul Leder and originally titled Poor Albert and Little Annie (a much more accurate title), Zooey Hall stars as Albert, a deranged young...
Blood Spattered Bride/I Dismember Mama
Released on VHS in the 1980s by Simitar Entertainment, I Dismember Mama has become a cult classic amongst horror fans – most likely because of its catchy and alluring title. You would assume that the film is about – well – dismembering mama, right? Wrong. This Oedipal-Norman-Bates-style movie has very little to do with dismembering at all, although it has it’s fair share of kills and thrills.
Directed by Paul Leder and originally titled Poor Albert and Little Annie (a much more accurate title), Zooey Hall stars as Albert, a deranged young...
- 4/3/2013
- by Lianne Spiderbaby
- FEARnet
As happened for so many other genres, the 1960s/1970s saw a tremendous creative expansion in crime and cop thrillers. The old Hollywood moguls had died off or retired, most of the major studios were bleeding red ink, attendance had gone off a cliff since the end of Ww II, and a new breed of young, creatively adventurous production executives had been tasked with trying to save their business by coming up with movies which could hook a new, young, cinema-literate audience.
It also happened to be one of the most socially turbulent times in American history. Even before the American public grew restive over the growing disaster in Vietnam, the social fabric was unraveling with self-examination and doubt. The Cold War; a certain inner emptiness that went with a period of great material prosperity; once invisible fault lines on matters of race and gender discrimination beginning to crack – all...
It also happened to be one of the most socially turbulent times in American history. Even before the American public grew restive over the growing disaster in Vietnam, the social fabric was unraveling with self-examination and doubt. The Cold War; a certain inner emptiness that went with a period of great material prosperity; once invisible fault lines on matters of race and gender discrimination beginning to crack – all...
- 3/22/2012
- by Bill Mesce
- SoundOnSight
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