The French artist Apolonia Sokol – focus of the Oscar-shortlisted documentary Apolonia, Apolonia – has been compared to the great Mexican painter Frida Kahlo. She concedes there may be a few parallels, beginning with something of a physical resemblance.
“I was joking a little bit about that — the fact that we have the unibrow and the mustache,” Sokol laughs. “Maybe these are similarities.”
On a more substantive level, both artists describe themselves as almost possessed by the creative urge. “I paint because I need to,” Kahlo once said. In the documentary directed by Lea Glob, Sokol comments, “I can’t tell the difference between my identity and my work. But there really is no difference.”
Painter Frida Kahlo (1907-1954), circa 1945.
There’s another parallel between them. “What is so interesting about Frida Kahlo is that she was one of the first artists to actually create her own mythology, her personal mythology, for her paintings.
“I was joking a little bit about that — the fact that we have the unibrow and the mustache,” Sokol laughs. “Maybe these are similarities.”
On a more substantive level, both artists describe themselves as almost possessed by the creative urge. “I paint because I need to,” Kahlo once said. In the documentary directed by Lea Glob, Sokol comments, “I can’t tell the difference between my identity and my work. But there really is no difference.”
Painter Frida Kahlo (1907-1954), circa 1945.
There’s another parallel between them. “What is so interesting about Frida Kahlo is that she was one of the first artists to actually create her own mythology, her personal mythology, for her paintings.
- 1/13/2024
- by Matthew Carey
- Deadline Film + TV
At the sold-out annual gala of Moca on Saturday night, April 15, Keanu Reeves and his girlfriend artist Alexandra Grant, walked the red carpet and shared a kiss in front of the phalanx of photographers, before joining around 600 other guests inside the museum’s Geffen Contemporary building in downtown L.A.
During the cocktail hour, attendees — who also included Tiffany Haddish, Jodie Foster and Alexandra Hedison, Paramount Animation chief Ramsey Ann Naito and Reeves’ one-time Bill and Ted co-star Alex Winter, Jennifer Tilly, Lisa Edelstein, David and Susan Gersh, producers Lawrence Bender and Carolyn Folks, and CAA’s Joel Lubin — got the first look at Moca’s new exhibit, Carl Craig: Party/After-Party, an immersive soundscape and light installation, ahead of its opening today. “It’s so intense and the vibrations are so strong, that you can’t even hang art in the adjacent building,” Moca director Johanna Burton told THR of the show.
During the cocktail hour, attendees — who also included Tiffany Haddish, Jodie Foster and Alexandra Hedison, Paramount Animation chief Ramsey Ann Naito and Reeves’ one-time Bill and Ted co-star Alex Winter, Jennifer Tilly, Lisa Edelstein, David and Susan Gersh, producers Lawrence Bender and Carolyn Folks, and CAA’s Joel Lubin — got the first look at Moca’s new exhibit, Carl Craig: Party/After-Party, an immersive soundscape and light installation, ahead of its opening today. “It’s so intense and the vibrations are so strong, that you can’t even hang art in the adjacent building,” Moca director Johanna Burton told THR of the show.
- 4/16/2023
- by Degen Pener
- The Hollywood Reporter - Movie News
Feature Jason D'Allison 17 May 2013 - 07:08
Grange Hill. The only school kids ever seemed to be interested in. Us included…
At your school, did anyone die in the swimming pool? Did you have to contend with vicious bullies (and we’re talking about the teachers!)? Did everyone have London accents coarse enough to strip the paint off the classroom doors? Yes? Flippin’ ’eck, you must have gone to Grange Hill!
If you grew up in the 1980s but don’t have a fondness for Grange Hill, there’s probably only one explanation: you were banned from watching it. Yep, for those of us who could get away with it, this rites-of-passage drama series about the pupils of a north-London comprehensive was must-see television, but by parents and teachers it was generally despised. It all started in 1978, and continues to this day (just about), but its golden age was undoubtedly the 1980s.
Grange Hill. The only school kids ever seemed to be interested in. Us included…
At your school, did anyone die in the swimming pool? Did you have to contend with vicious bullies (and we’re talking about the teachers!)? Did everyone have London accents coarse enough to strip the paint off the classroom doors? Yes? Flippin’ ’eck, you must have gone to Grange Hill!
If you grew up in the 1980s but don’t have a fondness for Grange Hill, there’s probably only one explanation: you were banned from watching it. Yep, for those of us who could get away with it, this rites-of-passage drama series about the pupils of a north-London comprehensive was must-see television, but by parents and teachers it was generally despised. It all started in 1978, and continues to this day (just about), but its golden age was undoubtedly the 1980s.
- 5/16/2013
- by louisamellor
- Den of Geek
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