Stream Asian cinema on your Android TV
Search “Terracotta” under apps on your Android TV, or Google Chromecast device, and install their Android TV app dedicated solely to Asian films.
Choose between subscription or pay-per-film options, or take advantage of the promo “annual subscription at 10 months cost”.
(Note: not all films are available on the subscription tier).
The app comes with better navigation – browse by Genre, Country, Director and Detailed Genre (horror comes in different flavours!).
New films being added regularly.
If you don’t have an Android TV, you can use their web browser version which has the same content and you can view the films on your laptop, desktop, mobile, tablet: https://stream.terracottadistribution.com
Available in UK and Eire only.
Terracotta Blu Ray & DVD Store
The Skyhawk (Eureka Entertainment)
Jump into an epic martial arts adventure with The Skyhawk, a 1974 version of the Wong Fei Hung story.
Search “Terracotta” under apps on your Android TV, or Google Chromecast device, and install their Android TV app dedicated solely to Asian films.
Choose between subscription or pay-per-film options, or take advantage of the promo “annual subscription at 10 months cost”.
(Note: not all films are available on the subscription tier).
The app comes with better navigation – browse by Genre, Country, Director and Detailed Genre (horror comes in different flavours!).
New films being added regularly.
If you don’t have an Android TV, you can use their web browser version which has the same content and you can view the films on your laptop, desktop, mobile, tablet: https://stream.terracottadistribution.com
Available in UK and Eire only.
Terracotta Blu Ray & DVD Store
The Skyhawk (Eureka Entertainment)
Jump into an epic martial arts adventure with The Skyhawk, a 1974 version of the Wong Fei Hung story.
- 6/3/2023
- by Suzie Cho
- AsianMoviePulse
Restored versions of Chinese language cinema classics Wong Kar-wai’s “Days of Being Wild” (1990) and Jia Zhangke’s first full-length feature “Pickpocket” (“Xiao Wu”) 1998) will lead the inaugural program of Hong Kong’s M+ Cinema, which will be opened to the public on June 8.
The opening program also features the Hong Kong premiere of one of the films from Russian director Ilya Khrzhanovskiy’s epic project series “Dau,” making the M+ Museum notable for not canceling Russian culture following the country’s invasion of Ukraine.
The cinema, comprising three theaters with seating capacity of 180, 60, and 40 seats, is a core facility of the Moving Image Centre at M+, the visual culture museum that opened in Hong Kong’s West Kowloon Cultural District in November last year. Moving images, including artist-made audio-visual works, artist films, and traditional feature films, are considered among one of the three key disciplines of the mega institution...
The opening program also features the Hong Kong premiere of one of the films from Russian director Ilya Khrzhanovskiy’s epic project series “Dau,” making the M+ Museum notable for not canceling Russian culture following the country’s invasion of Ukraine.
The cinema, comprising three theaters with seating capacity of 180, 60, and 40 seats, is a core facility of the Moving Image Centre at M+, the visual culture museum that opened in Hong Kong’s West Kowloon Cultural District in November last year. Moving images, including artist-made audio-visual works, artist films, and traditional feature films, are considered among one of the three key disciplines of the mega institution...
- 6/3/2022
- by Vivienne Chow
- Variety Film + TV
Above: We Have BootsLast week was Lunar New Year, by tradition the most joyous period in the Chinese movie calendar, when all the biggest movies with all the biggest stars shining their biggest smiles take over the screens, wishing everyone the best in the coming year. But thanks to the coronavirus outbreak in Wuhan that has quickly spread across China and beyond, public gatherings have been discouraged and proscribed across the country, and the releases of all the major New Year films has been postponed indefinitely. Given the past year in the Chinese-speaking world, it’s understandable that folks may not see much to be cheerful about anyway.The most dramatic on-going crisis in the Chinese-speaking world right now, though far from the only one, has been the series of protests that have been shaking Hong Kong off and on for the past six months. Initially sparked by a proposed...
- 2/5/2020
- MUBI
The International Film Festival Rotterdam is to be the first major cultural event to react to the ongoing Hong Kong political protests. It will put on a program showcasing recent films that chronicle the city’s biggest social upheaval.
Ordinary Heroes: Made in Hong Kong will showcase 24 features, documentaries and short films. These include the world premiere of James Leong and Lynn Lee’s “If We Burn,” a documentary feature on the seven-month long protests that were sparked by the now-withdrawn extradition bill in June 2019. Alan Lau’s feature-length film debut “The Cube Phantom,” an experimental dance film about Hong Kong people’s struggle for freedom and democracy, is another highlight.
The section also features international premiere of “Memories to Choke On, Drinks to Wash Them Down,” a collection of shorts about Hong Kong life by Leung Ming-kai and Kate Reilly, and Evans Chan’s “We Have Boots”, said to...
Ordinary Heroes: Made in Hong Kong will showcase 24 features, documentaries and short films. These include the world premiere of James Leong and Lynn Lee’s “If We Burn,” a documentary feature on the seven-month long protests that were sparked by the now-withdrawn extradition bill in June 2019. Alan Lau’s feature-length film debut “The Cube Phantom,” an experimental dance film about Hong Kong people’s struggle for freedom and democracy, is another highlight.
The section also features international premiere of “Memories to Choke On, Drinks to Wash Them Down,” a collection of shorts about Hong Kong life by Leung Ming-kai and Kate Reilly, and Evans Chan’s “We Have Boots”, said to...
- 1/3/2020
- by Vivienne Chow
- Variety Film + TV
Contemporary Chinese Cinema is a column devoted to exploring contemporary Chinese-language cinema primarily as it is revealed to us at North American multiplexes.Ding Sheng’s remake of John Woo’s classic A Better Tomorrow (1986) encapsulates much that’s wrong with contemporary mainstream cinema, both in China and abroad. Ding, most known for directing moderately successful latter-day Jackie Chan vehicles like Railroad Tigers, Little Big Solider, and Policy Story 2013, is a competent director of action who seems to feel deeply bored by anything that doesn’t have an explosion of some type, and so he cuts aimlessly and pointlessly through expository dialogue and ostensibly character-building scenes, a remedial Michael Bay without any of the panache. The remake hews closely to the plot of the original film: a pair of gangster “brothers,” Triad counterfeiters in the first film, now Mainland smugglers, are betrayed on a mission in a foreign territory (first Taiwan,...
- 2/12/2018
- MUBI
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