The 1970's was an era of extravagant hair dos and fashion senses that will test the contrast option on your television settings! It was also the time of the Kung Fu Boom and therefore the inevitable attempt of Hong Kong studios to attempt to cash in. Long before Jackie Chan made his first crack at international stardom, we got “Slaughter in San Francisco” aka “Yellow Faced Tiger” with Wong Tao in the lead and Lo Wei at the helm. Throw in Chuck Norris as the bad guy with the incredible chest hair and you have a movie that is pure 1974, released by Eureka Entertainment in their latest addition to their collection.
on Amazon by clicking on the image below
Cops Wong (Wong Tao) and John (Robert Jones) are best friends and partners on the force. An altercation with some bad guys leaves Wong removed from the police and working as a waiter.
on Amazon by clicking on the image below
Cops Wong (Wong Tao) and John (Robert Jones) are best friends and partners on the force. An altercation with some bad guys leaves Wong removed from the police and working as a waiter.
- 2/15/2024
- by Ben Stykuc
- AsianMoviePulse
One of the great thrills of old school kung fu flicks is the juxtaposition between the dance-like choreography and bone-crunching violence. Bright splashes of blood are made more shocking by the balletic quality of the fights themselves. This is the contradiction at the core of almost all classic martial arts films; the spirituality inherent in Shaolin Kung Fu coexists with its potential to cause serious bodily harm. Many of the best releases of the 70s and 80s golden age understood how to blend Zen-like philosophy with animalistic anger, and revenge storylines allowed for especially potent drama. Here are five of the most down-and-dirty payback plots from the heyday of Hong Kong action.
5. The Duel
Chang Cheh's Ti Lung and David Chiang team-up from the year before, “Vengeance,” might be the obvious choice, but “The Duel” is an underrated slice of Triad grittiness. Lung and Chiang are two of the coolest...
5. The Duel
Chang Cheh's Ti Lung and David Chiang team-up from the year before, “Vengeance,” might be the obvious choice, but “The Duel” is an underrated slice of Triad grittiness. Lung and Chiang are two of the coolest...
- 12/2/2023
- by Henry McKeand
- AsianMoviePulse
Hot on the heels of their first collection of Shaw Brothers movies, Shout! Factory’s Shaw Brothers Classics Vol. 2 continues the ongoing, multi-label effort to restore and release notable entries in the Hong Kong studio’s vast catalog. As it did with their previous collection, Shout! limits the selections for this second box set to a concentrated period of the studio’s productions. Whereas the 1967-69 range of the first box showed the studio frantically capitalizing on the breakout success of The One-Armed Swordsmen with a slew of like-minded wuxia films, the broader selection here among the first half of the ’70s finds Shaw Brothers both setting and chasing after trends.
Shout!’s first volume demonstrated how the Shaw Brothers studio made so many functionally identical movies, between the revenge-based plots, sword-based action, and reused sets, that within two years of The One-Armed Swordsmen’s paradigm shift, the house brand was already getting stale.
Shout!’s first volume demonstrated how the Shaw Brothers studio made so many functionally identical movies, between the revenge-based plots, sword-based action, and reused sets, that within two years of The One-Armed Swordsmen’s paradigm shift, the house brand was already getting stale.
- 8/31/2023
- by Jake Cole
- Slant Magazine
Jackie Chan is about to get a major new collection from Criterion, with the prestige label announcing a new set called Jackie Chan: Emergence of a Superstar. The set will contain a few of Chan’s early classics, including Fearless Hyena (and its sequel) and The Young Master, as well as a later film, My Lucky Stars, and a pair of his earliest vehicles, Half a Loaf of Kung Fu and Spiritual Kung Fu. Fans of Chan’s may be scratching their heads at a few of the titles, as outside of Young Master and Fearless Hyena, none of the films included in the set are considered his best work.
It seems like rights issues are keeping legit early classics like Drunken Master off the set, with the most puzzling choice being to include Fearless Hyena 2, which is really little more than a curiosity for fans. Chan notoriously quit...
It seems like rights issues are keeping legit early classics like Drunken Master off the set, with the most puzzling choice being to include Fearless Hyena 2, which is really little more than a curiosity for fans. Chan notoriously quit...
- 8/15/2023
- by Chris Bumbray
- JoBlo.com
A couple of days into the new month and we've still got time to let you know what is coming to the Arrow Video Player in August. Subscribers will get two currated selections from League of Gentlemen's Reece Shearsmith and filmmaker Roger Avery. There is the classic Jackie Chan flick New Fist of Fury. It is the action icon's first leading role, from the original film's director Lo Wei. Arrow Offers Classic and Cutting Edge Cult Cinema August 2023 Lineup Includes a Lost German Gem, Reece Shearsmith Selects, Revenge, Paul Joyce Docs and More! August 2023 Seasons: Revengeamatics, Reece Shearsmith Selects, Access All Areas: The Documentaries of Paul Joyce, Renegade Cops, Roger Avary Selects, This is Torture! Arrow Video is...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 8/2/2023
- Screen Anarchy
Arrow’s recent box sets Shawscope Volume One and Volume Two highlighted the golden age of Hong Kong’s Shaw Brothers studio, spanning roughly from the mid-1970s to their pivot toward TV in 1986. Now, Shout! Factory’s Shaw Brothers Classics: Volume 1 focuses on the studio’s rapid commercial ascendency at the end of the ’60s with their then-new, harder-edged take on martial arts cinema.
The earliest film in the set is, fittingly, Chang Cheh’s The Assassin, from 1967. Made hot on the heels of Chang’s (and the studio’s) breakout feature The One-Armed Swordsman from the same year, The Assassin furthers the filmmaker’s interest in moving the martial arts film away from its erstwhile emphasis on female heroes who are prone to musical outbursts and flowery romances as they are violence and toward the sort of male-centric revenge narratives that dominate the titles collected here.
One-Armed Swordsman...
The earliest film in the set is, fittingly, Chang Cheh’s The Assassin, from 1967. Made hot on the heels of Chang’s (and the studio’s) breakout feature The One-Armed Swordsman from the same year, The Assassin furthers the filmmaker’s interest in moving the martial arts film away from its erstwhile emphasis on female heroes who are prone to musical outbursts and flowery romances as they are violence and toward the sort of male-centric revenge narratives that dominate the titles collected here.
One-Armed Swordsman...
- 6/26/2023
- by Jake Cole
- Slant Magazine
Having worked with Bruce Lee on “The Big Boss” and “Fist of Fury” was one of the great achievements in the career of Hong Kong director Lo Wei, as it propelled the actor’s reputation as well as the filmmaker’s. However, while shooting the latter, he also collaborated with one of the future stars of the martial-arts-genre, as Jackie Chan did some of the stunts on “Fist of Fury” and left quite an impression with Wei who followed his career, until he was certain Chan could be the next star on the horizon. Since he also saw something of the charisma and talent of Lee in Chan, it was perhaps logical to make him star in “New Fist of Fury”, a somewhat loose sequel to the 1972 original. While it is not on the same level as the former, it has a few qualities worth mentioning, especially in the second half,...
- 8/29/2022
- by Rouven Linnarz
- AsianMoviePulse
Hong Kong novelist and screenwriter Ni Kuang, who penned some 300 screenplays including The One-Armed Swordsman and The 36th Chamber Of Shaolin, has died. According to local media, he passed away on Sunday at age 87.
Tenky Tin Kai-man, actor and spokesman of the Federation of Hong Kong Filmmakers, confirmed Ni’s passing to the South China Morning Post. The cause of death was reportedly skin cancer.
Hailed as a giant in the Chinese literary world, Ni rose to fame with the New Adventures Of Wisely series which was first published in Chinese daily Ming Pao in 1963. He specialized in martial arts, wuxia and science fiction.
Beginning in 1965, Ni branched out into screenwriting, often working for the Shaw Brothers. His credits include 1967’s The One-Armed Swordsman; 1975 superhero movie Infra-Man; and 1978’s The 36th Chamber Of Shaolin and Enter The Fat Dragon (the latter directed by and starring Sammo Hung); along with hundreds of others.
Tenky Tin Kai-man, actor and spokesman of the Federation of Hong Kong Filmmakers, confirmed Ni’s passing to the South China Morning Post. The cause of death was reportedly skin cancer.
Hailed as a giant in the Chinese literary world, Ni rose to fame with the New Adventures Of Wisely series which was first published in Chinese daily Ming Pao in 1963. He specialized in martial arts, wuxia and science fiction.
Beginning in 1965, Ni branched out into screenwriting, often working for the Shaw Brothers. His credits include 1967’s The One-Armed Swordsman; 1975 superhero movie Infra-Man; and 1978’s The 36th Chamber Of Shaolin and Enter The Fat Dragon (the latter directed by and starring Sammo Hung); along with hundreds of others.
- 7/4/2022
- by Nancy Tartaglione
- Deadline Film + TV
Click here to read the full article.
Ni Kuang, the prolific Hong Kong writer behind the Wisely series of sci-fi novels as well as over 300 film screenplays including the classic martial arts films One-Armed Swordsman and The 36th Chamber of Shaolin and the Bruce Lee hits Fist of Fury and The Big Boss, has died. He was 87.
The South China Morning Post reported that Ni died Sunday at his home in Hong Kong. Local media reported that the cause of death was skin cancer. In a double blow to Hong Kong’s cultural landscape, Ni died on the same day as legendary director and screenwriter Alex Law.
A giant of Chinese literature, Ni’s shadow looms large over the genres of science fiction, wuxia fiction and martial arts, but he also wrote extensive non-fiction pieces, newspaper columns, satirical pieces and dabbled in the romance and detective genres. It has been...
Ni Kuang, the prolific Hong Kong writer behind the Wisely series of sci-fi novels as well as over 300 film screenplays including the classic martial arts films One-Armed Swordsman and The 36th Chamber of Shaolin and the Bruce Lee hits Fist of Fury and The Big Boss, has died. He was 87.
The South China Morning Post reported that Ni died Sunday at his home in Hong Kong. Local media reported that the cause of death was skin cancer. In a double blow to Hong Kong’s cultural landscape, Ni died on the same day as legendary director and screenwriter Alex Law.
A giant of Chinese literature, Ni’s shadow looms large over the genres of science fiction, wuxia fiction and martial arts, but he also wrote extensive non-fiction pieces, newspaper columns, satirical pieces and dabbled in the romance and detective genres. It has been...
- 7/4/2022
- by Abid Rahman
- The Hollywood Reporter - Movie News
Ni Kuang, one of Hong Kong’s most distinguished screenwriters and novelists, has died. He was 87.
He died on Sunday in Hong Kong, with local media reporting skin cancer as the cause of death.
Ni wrote some 300 screenplays, many in the martial arts genre and many for the Shaw Brothers studio with co-writer Chang Chen. He wrote the scripts for classic films “The 36th Chamber of Shaolin” and “One Armed Swordsman” and had a hand in two of Bruce Lee’s six movies “The Big Boss” and “Fist of Fury” though the writing credit went to Wei Lo.
As a novelist, Ni wrote the “New Adventures of Wesley” a series of detective stories that often featured aliens and extra-terrestrial creatures. These were initially serialized in the Ming Pao newspaper from the 1960s and spawned numerous films and TV series (some written as ‘Wisely’).
“For those who are a bit old,...
He died on Sunday in Hong Kong, with local media reporting skin cancer as the cause of death.
Ni wrote some 300 screenplays, many in the martial arts genre and many for the Shaw Brothers studio with co-writer Chang Chen. He wrote the scripts for classic films “The 36th Chamber of Shaolin” and “One Armed Swordsman” and had a hand in two of Bruce Lee’s six movies “The Big Boss” and “Fist of Fury” though the writing credit went to Wei Lo.
As a novelist, Ni wrote the “New Adventures of Wesley” a series of detective stories that often featured aliens and extra-terrestrial creatures. These were initially serialized in the Ming Pao newspaper from the 1960s and spawned numerous films and TV series (some written as ‘Wisely’).
“For those who are a bit old,...
- 7/4/2022
- by Patrick Frater
- Variety Film + TV
Making a remake of a beloved classic is always risky business, no matter what genre we are talking about, but in the case of a Bruce-Lee-movie, there is always the obstacle of the leading actor having to compete with the martial-arts legend. Consequently, Jet Li, despite his status within the Chinese film industry and impressive filmography at that point, was hesitant when he was approached to star in a new version of “Fist of Fury”, a feature which cemented the reputation of Lee as one of the major forces within the genre. In an interview with Hong Kong Cinemagic director Gordon Chan explains that, even though he knew about the risks, he always felt the script was something of a weakness of the original, painting a “black-and-white” image of the conflict between Japanese and Chinese. In the end, “Fist of Legend” does a lot more than re-tell the familiar story...
- 7/2/2022
- by Rouven Linnarz
- AsianMoviePulse
It is no secret that Jimmy Wang Yu, with his connections had helped Jackie Chan, then a young actor to settle his dispute with director Lo Wei. So in returning the favor, Chan appeared in a few movies produced by Wang and this is one of their collaborations. Interestingly, even though he only showed up briefly in support roles, these movies still get marketed as him being the main lead. As Chan became more popular in the West, and on DVD, this production became “Jackie Chan is The Prisoner”, which is misleading.
on Amazon
Set in Taiwan, this prison drama has quite an impressive ensemble cast of supporting Hong Kong actors besides Golden Horse Awards winner, veteran Taiwanese actor Ko Chuen Hsiung as the prison superintendent. Nevertheless, Tony Leung Ka Fai plays Andy Wang Wei, a cop who, upon his return to Taipei, witnesses his father-in-law gunned...
on Amazon
Set in Taiwan, this prison drama has quite an impressive ensemble cast of supporting Hong Kong actors besides Golden Horse Awards winner, veteran Taiwanese actor Ko Chuen Hsiung as the prison superintendent. Nevertheless, Tony Leung Ka Fai plays Andy Wang Wei, a cop who, upon his return to Taipei, witnesses his father-in-law gunned...
- 6/12/2022
- by David Chew
- AsianMoviePulse
Taiwanese filmmaker and actress Sylvia Chang has been chosen as the Filmmaker in Focus at this year’s Hong Kong International Film Festival (Hkiff).
The festival (March 23-April 6) plans to screen 13 of Chang’s films, including the world premiere of her new work, Murmur Of The Hearts.
Other films to be screened include Legend Of The Mountain (1979), That Day, On The Beach (1983), Passion (1986), Queen Of Temple Street (1990), Tempting Heart (1999) and 20 30 40 (2004).
Chang will also attend a “Face to Face” seminar on April 5 at the Hong Kong Cultural Centre to share insights on her films, art and life.
Born in Chiayi City, Taiwan, Chang moved with her family to Hong Kong and New York before returning to Taiwan aged 15.
She made her acting debut in 1973 in Wei Lo’s The Flying Tiger and her directing debut in 1981 by completing Once Upon A Time, after the film’s original director, Tu Chung-hsun, died in a car accident.
In 1995, Chang...
The festival (March 23-April 6) plans to screen 13 of Chang’s films, including the world premiere of her new work, Murmur Of The Hearts.
Other films to be screened include Legend Of The Mountain (1979), That Day, On The Beach (1983), Passion (1986), Queen Of Temple Street (1990), Tempting Heart (1999) and 20 30 40 (2004).
Chang will also attend a “Face to Face” seminar on April 5 at the Hong Kong Cultural Centre to share insights on her films, art and life.
Born in Chiayi City, Taiwan, Chang moved with her family to Hong Kong and New York before returning to Taiwan aged 15.
She made her acting debut in 1973 in Wei Lo’s The Flying Tiger and her directing debut in 1981 by completing Once Upon A Time, after the film’s original director, Tu Chung-hsun, died in a car accident.
In 1995, Chang...
- 2/2/2015
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
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