Her incandescent beauty, innocent sensuality, and effervescent persona still send hearts aflutter and earned her the sobriquet of “Venus of Indian films”, but Madhubala’s enigmatic and beguiling smile and charm masked a lifetime of pain and suffering.
Madhubala, who passed away on this day (February 23) in 1969, earned tributes that have rarely been matched, leave alone surpassed.
She acted in a film named after her when she was not even midway through her career, was being copied or parodied when she was still acting, and is possibly the only Indian, film or otherwise, with a song dedicated to her being played at the Olympics.
She was also compared to the near-contemporary Marilyn Monroe – the two would pass away within a few years of each other, both aged 36, but did not welcome this as she did not consider herself a sex symbol.
Performances as the captivating but star-crossed Anarkali of “Mughal-e-Azam...
Madhubala, who passed away on this day (February 23) in 1969, earned tributes that have rarely been matched, leave alone surpassed.
She acted in a film named after her when she was not even midway through her career, was being copied or parodied when she was still acting, and is possibly the only Indian, film or otherwise, with a song dedicated to her being played at the Olympics.
She was also compared to the near-contemporary Marilyn Monroe – the two would pass away within a few years of each other, both aged 36, but did not welcome this as she did not consider herself a sex symbol.
Performances as the captivating but star-crossed Anarkali of “Mughal-e-Azam...
- 2/23/2024
- by Agency News Desk
- GlamSham
She had a film named after her even before she hit her career’s peak, was being parodied when she was still active, and is the only Indian film actress who has a song to her played at the Olympics. That was the spell of Madhubala, whose angelic features, beguiling yet enigmatic smile, and incandescent beauty, coupled with her restrained but undeniable talent, made her part of some of Hindi cinema’s most iconic films.
While she is imprinted in the hearts and minds of film-watchers as the winsome, entrancing but star-crossed Anarkali of “Mughal-e-Azam” (1960), as the entrancing nightclub singer in “Howrah Bridge”, and for her exuberant, effusive, and elfin charm in romantic comedies “Chalti Ka Naam Gaadi” (1958), “Jhumroo” (1961) and “Half Ticket” (1962), she left her mark across film genres from ghost/gothic stories to comic crime capers to film noir, beyond the usual romantic dramas in a relatively short career.
While she is imprinted in the hearts and minds of film-watchers as the winsome, entrancing but star-crossed Anarkali of “Mughal-e-Azam” (1960), as the entrancing nightclub singer in “Howrah Bridge”, and for her exuberant, effusive, and elfin charm in romantic comedies “Chalti Ka Naam Gaadi” (1958), “Jhumroo” (1961) and “Half Ticket” (1962), she left her mark across film genres from ghost/gothic stories to comic crime capers to film noir, beyond the usual romantic dramas in a relatively short career.
- 2/14/2023
- by News Bureau
- GlamSham
A tabla player with a prominent theatrical troupe, he went on to partner with a harmonium player to create – and guide – the duo that seamlessly melded the strains of Indian classical and popular music with Western melodies to create an array of immortal tunes for films starring titans, from Raj Kapoor to Shammi Kapoor to Rajesh Khanna.
Shankar-Jaiskishan was not the first duo to give music for Hindi films – that signal honour went to their own ustads Husnlal-Bhagatram – but they were the most successful, right from their first venture in 1949, down till the dawn of the 1970s.
Going just by the metric of Filmfare Awards, their record of the most Best Music Awards (nine) stood for nearly four decades till A R Rahman picked up his 10th in 2012. And though they were runners-up in most nominations (20), behind Laxmikant-Pyarelal’s 25, 10 of their nominations were in consecutive years since 1959.
More tellingly, their...
Shankar-Jaiskishan was not the first duo to give music for Hindi films – that signal honour went to their own ustads Husnlal-Bhagatram – but they were the most successful, right from their first venture in 1949, down till the dawn of the 1970s.
Going just by the metric of Filmfare Awards, their record of the most Best Music Awards (nine) stood for nearly four decades till A R Rahman picked up his 10th in 2012. And though they were runners-up in most nominations (20), behind Laxmikant-Pyarelal’s 25, 10 of their nominations were in consecutive years since 1959.
More tellingly, their...
- 10/15/2022
- by Glamsham Bureau
- GlamSham
Abu Dhabi, Dec 25 (Ians) Veteran leg-spinner Pravin Tambe, right-arm medium fast bowler Ishan Malhotra and leg-spinner Prashant Gupta are the three Indians who will be playing in the fourth edition of the Abu Dhabi T10 slated to be played from January 28 to February 6 next year at the Sheikh Zayed Stadium.
In August, Tambe had become the first Indian to play in the Caribbean Premier League (Cpl) where he played with Trinbago Knight Riders (Tkr). The 48-year-old had made his Ipl debut at the age of 41 in 2013. He has so far played 33 matches in all Ipl editions picking up 28 wickets.
Spinner Ishan, picked by Arabians, played one match for the Deccan Chargers against Delhi Daredevils during Ipl 2011.
Gupta, picked by Team Abu Dhabi, played domestic cricket for Uttar Pradesh and Railways from 2008 to 2019.
In the third edition played last year, former India all-rounder Yuvraj made his debut in the league. He...
In August, Tambe had become the first Indian to play in the Caribbean Premier League (Cpl) where he played with Trinbago Knight Riders (Tkr). The 48-year-old had made his Ipl debut at the age of 41 in 2013. He has so far played 33 matches in all Ipl editions picking up 28 wickets.
Spinner Ishan, picked by Arabians, played one match for the Deccan Chargers against Delhi Daredevils during Ipl 2011.
Gupta, picked by Team Abu Dhabi, played domestic cricket for Uttar Pradesh and Railways from 2008 to 2019.
In the third edition played last year, former India all-rounder Yuvraj made his debut in the league. He...
- 12/25/2020
- by IANS
- GlamSham
Director Sharmeen Obaid-Chinoy will head committee to choose country's first flagbearer in 50 years
Pakistan is planning to submit a film for the best foreign-language Oscar for the first time in 50 years, reports Variety.
The committee responsible for picking the entry has reportedly received tacit support from the Pakistan authorities, despite professing independence. Pakistan has only previously sent two movies to the Academy Awards since the foreign-language category was created in 1965: Akhtar J Kardar's Jago Hua Savera in 1959 and Khawaja Khurshid Anwar's Ghunghat in 1963.
British-Pakistani director Hammad Khan told Variety: "Pakistan has not officially submitted any films for the Academy Awards consideration in 50 years because the state has never taken film seriously, neither as a cultural art form nor as a valuable communal experience." The film-maker, whose 2011 debut feature Slackistan was refused a release in Pakistan unless cuts (which he refused to make) were carried out, added: "In all those years,...
Pakistan is planning to submit a film for the best foreign-language Oscar for the first time in 50 years, reports Variety.
The committee responsible for picking the entry has reportedly received tacit support from the Pakistan authorities, despite professing independence. Pakistan has only previously sent two movies to the Academy Awards since the foreign-language category was created in 1965: Akhtar J Kardar's Jago Hua Savera in 1959 and Khawaja Khurshid Anwar's Ghunghat in 1963.
British-Pakistani director Hammad Khan told Variety: "Pakistan has not officially submitted any films for the Academy Awards consideration in 50 years because the state has never taken film seriously, neither as a cultural art form nor as a valuable communal experience." The film-maker, whose 2011 debut feature Slackistan was refused a release in Pakistan unless cuts (which he refused to make) were carried out, added: "In all those years,...
- 8/2/2013
- by Ben Child
- The Guardian - Film News
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