A Different Man.The Berlinale have begun to announce the first few titles selected for the 74th edition of their festival, set to take place from February 15 through 21, 2024. This page will be updated as further sections are announced.COMPETITIONAnother End (Piero Messina)Architecton (Victor Kossakovsky)Black Tea (Abderrahmane Sissako)La Cocina (Alonso Ruiz Palacios) Dahomey (Mati Diop)A Different Man (Aaron Schimberg)The Empire (Bruno Dumont)Gloria! (Margherita Vicario)Suspended Time (Olivier Assayas)From Hilde, With Love (Andreas Dresen)My Favourite CakeLangue Etrangère (Claire Berger)Small Things Like These (Tim Mielants)Who Do I Belong To (Meryam Joobeur)Pepe (Nelson Carlos De Los Santos Arias)Shambhala (Min Bahadur Bham)Sterben (Matthias Glasner)Small Things Like These (Tim Mielants)A Traveler’s Needs (Hong Sang-soo)Sleep With Your Eyes Open. ENCOUNTERSArcadia (Yorgos Zois)Cidade; Campo (Juliana Rojas)Demba (Mamadou Dia)Direct ActionSleep With Your Eyes Open (Nele Wohlatz)The Fable (Raam Reddy...
- 1/23/2024
- MUBI
Mad Celebrity — the talent management subsidiary of the pan-Arab film and TV company Mad Solutions — has signed Tunisian actor and writer Majd Mastoura, French Lebanese actor Isabelle Zighondi, and Saudi actor, producer and director Amawri Ezayah to the roster of its Mad Rising Celebrity unit, and visual artist, producer and Dop Mostafa El Kashef, who will be joining Mad Crew Celebrity.
Mastoura is best known for his work on Mohamed Ben Attia’s “Hedi” — for which he received a Silver Bear for best actor from the Berlin Film Festival, making him the first-ever Arab actor to receive the award — and Léonor Serraille’s “Mother and Son,” which world premiered in Competition at the Cannes Film Festival.
His most recent project is Ben Attia’s surreal Tunisian drama feature “Behind the Mountains,” which world premiered in the Horizons Section of this year’s Venice Film Festival and is holding its Arab...
Mastoura is best known for his work on Mohamed Ben Attia’s “Hedi” — for which he received a Silver Bear for best actor from the Berlin Film Festival, making him the first-ever Arab actor to receive the award — and Léonor Serraille’s “Mother and Son,” which world premiered in Competition at the Cannes Film Festival.
His most recent project is Ben Attia’s surreal Tunisian drama feature “Behind the Mountains,” which world premiered in the Horizons Section of this year’s Venice Film Festival and is holding its Arab...
- 12/5/2023
- by Leo Barraclough
- Variety Film + TV
A version of this interview with ‘Memory Box’ directors Joana Hadjithomas and Khalil Joreige first appeared in the International issue of TheWrap’s awards magazine.
In Memory Box, a teenage girl in Montreal is transfixed when she discovers a box full of notebooks, audio tapes and photographs made by her mother during the civil war in Lebanon during the 1980s. Joana Hadjithomas and Khalil Joreige, who also work as visual and video artists, used Hadjithomas’ real notebooks from that time to inspire the story; many of those notebooks appear in the film, along with photographs taken by Joreige. The film is Lebanon’s Oscar entry.
An opening credit says your film was loosely adapted from real events. How did that work?
Joana Hadjithomas The film is a fiction. It’s not the story of my life or my parents or anything like that. But it is based on notebooks that...
In Memory Box, a teenage girl in Montreal is transfixed when she discovers a box full of notebooks, audio tapes and photographs made by her mother during the civil war in Lebanon during the 1980s. Joana Hadjithomas and Khalil Joreige, who also work as visual and video artists, used Hadjithomas’ real notebooks from that time to inspire the story; many of those notebooks appear in the film, along with photographs taken by Joreige. The film is Lebanon’s Oscar entry.
An opening credit says your film was loosely adapted from real events. How did that work?
Joana Hadjithomas The film is a fiction. It’s not the story of my life or my parents or anything like that. But it is based on notebooks that...
- 12/7/2022
- by Steve Pond
- The Wrap
Keep track of all the submissions for best international feature at the 2023 Academy Awards.
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
- 10/5/2022
- by Screen staff
- ScreenDaily
Keep track of all the submissions for best international feature at the 2023 Academy Awards.
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
- 10/4/2022
- by Screen staff
- ScreenDaily
Though it feels like the phrase “generational trauma” is everywhere these days, it’s only in the past decade that growing mental health awareness has made such terms ubiquitous. Though scientists have long studied the ways inherited trauma can actually alter our DNA, only recently have epigenetics filtered into everyday usage. But artists do not need science to tell them what they feel in their bones, and film is a powerful tool to illustrate the ephemeral memories one stores in the body.
Set between present-day Montreal and 1980s Beirut, “Memory Box” actualizes a treasure trove of unprocessed trauma in the form of a mysterious box of letters, scrapbooks, and tapes. When a curious daughter discovers a vast archive of her mother’s distant past, she begins to understand the difficult woman who raised her in new ways. As cassette recordings fade into voice memos, the work of filmmakers Joana Hadjithomas...
Set between present-day Montreal and 1980s Beirut, “Memory Box” actualizes a treasure trove of unprocessed trauma in the form of a mysterious box of letters, scrapbooks, and tapes. When a curious daughter discovers a vast archive of her mother’s distant past, she begins to understand the difficult woman who raised her in new ways. As cassette recordings fade into voice memos, the work of filmmakers Joana Hadjithomas...
- 8/5/2022
- by Jude Dry
- Indiewire
"I don't recognize my mom. She's changed so much." An official trailer is out for a wonderful indie drama titled Memory Box, from Lebanese filmmakers Joana Hadjithomas & Khalil Joreige. This premiered at the 2021 Berlin Film Festival last year, and was one of the highlights of the fest, a discovery showcasing a very sentimental and moving story about family and hidden pasts. The film is set partially in Montreal, where it begins. On Christmas Eve, Maia and her teenage daughter Alex receive an unexpected delivery: notebooks, tapes, and photos Maia sent to her best friend from 1980's Beirut. Maia refuses to open the box or confront its memories, but Alex secretly begins diving into it. Between fantasy and reality, Alex enters the world of her mother's tumultuous, passionate adolescence during the Lebanese civil war, unlocking mysteries of a hidden past. It's especially creative with how they work in real archival footage & photos into this story,...
- 6/29/2022
- by Alex Billington
- firstshowing.net
167 film critics from 68 countries voted on the awards organised by the Arab Cinema Centre.
Egyptian director Omar El Zohairy’s social satire Feathers, which won the top prize at Cannes Critics’ Week last year, has swept the board at the sixth edition of the Critics’ Awards for Arab Films.
The film, which was nominated in four categories, won best film, director and screenplay.
This year’s edition of the awards, spearheaded by the Cairo-based Arab Cinema Centre (Acc), focuses on Arab-language films that premiered on the festival circuit outside of the Arab world in 2021.
It was voted on by 167 film critics from 68 countries,...
Egyptian director Omar El Zohairy’s social satire Feathers, which won the top prize at Cannes Critics’ Week last year, has swept the board at the sixth edition of the Critics’ Awards for Arab Films.
The film, which was nominated in four categories, won best film, director and screenplay.
This year’s edition of the awards, spearheaded by the Cairo-based Arab Cinema Centre (Acc), focuses on Arab-language films that premiered on the festival circuit outside of the Arab world in 2021.
It was voted on by 167 film critics from 68 countries,...
- 5/22/2022
- by Melanie Goodfellow
- ScreenDaily
Past best film awards from the previous five editions include Wajib, Yomeddine and Gaza Mon Amour.
Jordanian director Bassel Ghandour’s The Alleys and Egyptian director Omar El Zohairy’s Feathers lead the nominations in the sixth edition of the Critics Awards for Arab Films.
The films each garnered nominations in four categories, including best film, director and screenplay.
Spearheaded and run by the Cairo-based Arab Cinema Centre (Acc), this edition focused on Arab-language films that premiered on the festival circuit outside of the Arab world in 2021.
It was voted on by 167 film critics from 68 countries, who viewed the films on Festival Scope.
Jordanian director Bassel Ghandour’s The Alleys and Egyptian director Omar El Zohairy’s Feathers lead the nominations in the sixth edition of the Critics Awards for Arab Films.
The films each garnered nominations in four categories, including best film, director and screenplay.
Spearheaded and run by the Cairo-based Arab Cinema Centre (Acc), this edition focused on Arab-language films that premiered on the festival circuit outside of the Arab world in 2021.
It was voted on by 167 film critics from 68 countries, who viewed the films on Festival Scope.
- 5/10/2022
- by Melanie Goodfellow
- ScreenDaily
Sony blockbuster is seventh-highest-grossing film of all time in the territory.
Rank Film (Distributor) Three-day gross (Jan 21-23) Total gross to date Week 1 Spider-Man: No Way Home (Sony) £2.3m £87.4m 6 2 Belfast (Universal) £2.2m £2.3m 1 3 Scream (Paramount) £1.3m £4.8m 2 4 Nightmare Alley (Disney) £549,831 £549,831 1 5 The King’s Man (Disney) £398,508 £7.1m 4
Gbp to Usd conversion rate: 1.35
Spider-Man: No Way Home held off the challenge of Belfast to top this UK-Ireland box office for a sixth consecutive weekend.
The Sony blockbuster grossed £2.3m from Friday to Sunday, a drop of just 27% on its previous session. It now has £87.4m in the territory – the seventh highest-grossing film of all time,...
Rank Film (Distributor) Three-day gross (Jan 21-23) Total gross to date Week 1 Spider-Man: No Way Home (Sony) £2.3m £87.4m 6 2 Belfast (Universal) £2.2m £2.3m 1 3 Scream (Paramount) £1.3m £4.8m 2 4 Nightmare Alley (Disney) £549,831 £549,831 1 5 The King’s Man (Disney) £398,508 £7.1m 4
Gbp to Usd conversion rate: 1.35
Spider-Man: No Way Home held off the challenge of Belfast to top this UK-Ireland box office for a sixth consecutive weekend.
The Sony blockbuster grossed £2.3m from Friday to Sunday, a drop of just 27% on its previous session. It now has £87.4m in the territory – the seventh highest-grossing film of all time,...
- 1/24/2022
- by Ben Dalton
- ScreenDaily
Guillermo del Toro’s ‘Nightmare Alley’, Sony’s ‘A Journal For Jordan’ also new.
Kenneth Branagh’s awards season contender Belfast is playing in all 30 open cinemas in Northern Ireland this weekend, as one of the leading new titles at the UK-Ireland box office.
Released by Universal Pictures, Belfast is opening in a huge 704 sites across the UK and Ireland – the eighth-widest release of all time in the full territory.
Shot in autumn 2020 in a gap between Covid-19 lockdowns, Belfast is inspired by Branagh’s childhood, and tells the story of a young boy and his working-class family in the tumultuous late 1960s.
Kenneth Branagh’s awards season contender Belfast is playing in all 30 open cinemas in Northern Ireland this weekend, as one of the leading new titles at the UK-Ireland box office.
Released by Universal Pictures, Belfast is opening in a huge 704 sites across the UK and Ireland – the eighth-widest release of all time in the full territory.
Shot in autumn 2020 in a gap between Covid-19 lockdowns, Belfast is inspired by Branagh’s childhood, and tells the story of a young boy and his working-class family in the tumultuous late 1960s.
- 1/21/2022
- by Ben Dalton
- ScreenDaily
Sony’s “Spider-Man: No Way Home” spent a fifth consecutive weekend at the top of the U.K. and Ireland box office, collecting £3.2 million ($4.3 million), according to numbers provided by Comscore.
With a mighty total of £84.1 million ($114.2 million), “Spider-Man” has swung past “Titanic” (£80.2 million) and “Star Wars: The Last Jedi (£82.7) to claim seventh position in the all time U.K. and Ireland box office chart and now has its sights set on the sixth position held by “Avengers: Endgame” (£88.7 million).
Paramount’s horror reboot “Scream” debuted in second place with a strong £2.4 million. In its third weekend, Disney prequel “The King’s Man” collected £627,445 in third place and now has a total of £6.4 million.
In its sixth weekend, eOne’s “Clifford The Big Red Dog” took £525,107 in fourth place and now has £7.9 million.
Rounding off the top five was Universal’s “Licorice Pizza” with £393,988 and has now collected £1.5 million.
Over the...
With a mighty total of £84.1 million ($114.2 million), “Spider-Man” has swung past “Titanic” (£80.2 million) and “Star Wars: The Last Jedi (£82.7) to claim seventh position in the all time U.K. and Ireland box office chart and now has its sights set on the sixth position held by “Avengers: Endgame” (£88.7 million).
Paramount’s horror reboot “Scream” debuted in second place with a strong £2.4 million. In its third weekend, Disney prequel “The King’s Man” collected £627,445 in third place and now has a total of £6.4 million.
In its sixth weekend, eOne’s “Clifford The Big Red Dog” took £525,107 in fourth place and now has £7.9 million.
Rounding off the top five was Universal’s “Licorice Pizza” with £393,988 and has now collected £1.5 million.
Over the...
- 1/18/2022
- by Naman Ramachandran
- Variety Film + TV
Lebanese film-makers Joana Hadjithomas and Khalil Joreige explain how their experiences of war shaped their new film – and how art freed them
On 4 August 2020, a catastrophic explosion ripped through Beirut’s main port and into the city. In total, 218 people were killed. At the time, around 6pm, the artist and film-maker Joana Hadjithomas was in a cafe with a friend, around the corner from the studio she shares with her husband. The first thing she heard was a strange sound. “My friend and I just looked at each other. Instinctively, we went underneath the table. I curled up and protected my face.” As a teenager, she had lived through Lebanon’s civil war; taking cover was second nature, a survival reflex. Then came the massive blast.
Afterwards, walking back to her apartment, she had no idea what was happening. An attack? An explosion? It was beyond comprehension. People were covered...
On 4 August 2020, a catastrophic explosion ripped through Beirut’s main port and into the city. In total, 218 people were killed. At the time, around 6pm, the artist and film-maker Joana Hadjithomas was in a cafe with a friend, around the corner from the studio she shares with her husband. The first thing she heard was a strange sound. “My friend and I just looked at each other. Instinctively, we went underneath the table. I curled up and protected my face.” As a teenager, she had lived through Lebanon’s civil war; taking cover was second nature, a survival reflex. Then came the massive blast.
Afterwards, walking back to her apartment, she had no idea what was happening. An attack? An explosion? It was beyond comprehension. People were covered...
- 1/13/2022
- by Cath Clarke
- The Guardian - Film News
Mexican director Joaquin del Paso’s coming-of-age drama “The Hole in the Fence,” set in an all-male religious camp in rural Mexico, scored the Cairo Film Festival’s top prize, the Golden Pyramid, on Sunday capping a vibrant 43rd edition of the preeminent Arab event, which was held in person despite the impending threat of the coronavirus Omicron variant.
Though there were some last minute cancellations, most international attendees made the trek to Cairo undeterred, including jury president Emir Kusturica, U.S. producer Lawrence Bender and Cannes topper Thierry Fremaux – dubbed the “King of the Croisette” by the master of ceremonies. The latter two were honored with lifetime achievement awards during the glitzy closing ceremony in Cairo’s opera house.
“Hole in the Fence,” which world premiered in Venice, is Del Paso’s second work after “Panamerican Machinery,” which had made a splash after launching from Berlin in 2016. “Hole” explores...
Though there were some last minute cancellations, most international attendees made the trek to Cairo undeterred, including jury president Emir Kusturica, U.S. producer Lawrence Bender and Cannes topper Thierry Fremaux – dubbed the “King of the Croisette” by the master of ceremonies. The latter two were honored with lifetime achievement awards during the glitzy closing ceremony in Cairo’s opera house.
“Hole in the Fence,” which world premiered in Venice, is Del Paso’s second work after “Panamerican Machinery,” which had made a splash after launching from Berlin in 2016. “Hole” explores...
- 12/6/2021
- by Nick Vivarelli
- Variety Film + TV
Italy’s Torino Film Festival, the pre-eminent event for young directors and indie cinema — now being revamped after going virtual due to the pandemic — will somewhat symbolically kick off its upcoming 39th edition with the international premiere of “Sing 2” with director Garth Jennings in tow.
“It’s a hymn to going back into movie theaters,” says Torino artistic director Stefano Francia di Celle on choosing the animated musical comedy, featuring more than 40 rock, rap and pop tunes, as opener for the Nov. 26-Dec. 4 event. It will be Italy’s first festival held in venues with 100% seating capacity since Covid-19 struck.
“Sing 2,” he points out, is also only the second feature helmed by Jennings, who cut his teeth in the indie world making videos for many of the best pop acts of the 1990s such as Blur, Radiohead and Beck, before he was able to get Universal on board for his impressive “Sing” debut.
“It’s a hymn to going back into movie theaters,” says Torino artistic director Stefano Francia di Celle on choosing the animated musical comedy, featuring more than 40 rock, rap and pop tunes, as opener for the Nov. 26-Dec. 4 event. It will be Italy’s first festival held in venues with 100% seating capacity since Covid-19 struck.
“Sing 2,” he points out, is also only the second feature helmed by Jennings, who cut his teeth in the indie world making videos for many of the best pop acts of the 1990s such as Blur, Radiohead and Beck, before he was able to get Universal on board for his impressive “Sing” debut.
- 11/25/2021
- by Nick Vivarelli
- Variety Film + TV
The 39th edition of Torino Film Festival, Italy’s preeminent event for young directors and indie cinema, kicks off Friday with the international premiere of “Sing 2.” It is the country’s first festival held in venues with 100% seating capacity since Covid-19 struck, and it will also be the first in-person edition assembled by artistic director Stefano Francia di Celle, who debuted last year with an online event, due to the pandemic. Di Celle is now rebooting Torino for the present-day digital age.
The festival, which rose to international prominence under current Venice topper Alberto Barbera, has always been geared toward giving visibility to promising newcomers. These have included Luca Guadagnino, Michelangelo Frammartino (“Il Buco”) and Pietro Marcello (“Martin Eden”), who got a crucial early boost from their launches there. Di Celle’s vision going forward, he told Variety, is rooted in what he calls its “militant” tradition, but he...
The festival, which rose to international prominence under current Venice topper Alberto Barbera, has always been geared toward giving visibility to promising newcomers. These have included Luca Guadagnino, Michelangelo Frammartino (“Il Buco”) and Pietro Marcello (“Martin Eden”), who got a crucial early boost from their launches there. Di Celle’s vision going forward, he told Variety, is rooted in what he calls its “militant” tradition, but he...
- 11/24/2021
- by Nick Vivarelli
- Variety Film + TV
The international premiere of animated musical comedy “Sing 2” will open the upcoming Torino Film Festival, Italy’s preeminent event for young directors and indie fare, which will be honoring Monica Bellucci with a lifetime achievement award.
Director Garth Jennings will be on hand in Torino for the overseas festival bow of his sequel to 2016’s “Sing,” which follows a koala named Buster Moon, voiced by Matthew McConaughey, as he and his cast of performing animals prepare for their biggest concert yet in Redshore City, and must convince a reclusive rockstar (Bono) to join them.
Bellucci, besides coming to be celebrated and to hold a masterclass, will also be attending the fest to launch her latest film “The Girl in the Fountain,” directed by Italy’s Antongiulio Panizzi, in which she plays the iconic Anita Ekberg, a role for which she died her hair blonde.
Charlotte Gainsbourg will also be...
Director Garth Jennings will be on hand in Torino for the overseas festival bow of his sequel to 2016’s “Sing,” which follows a koala named Buster Moon, voiced by Matthew McConaughey, as he and his cast of performing animals prepare for their biggest concert yet in Redshore City, and must convince a reclusive rockstar (Bono) to join them.
Bellucci, besides coming to be celebrated and to hold a masterclass, will also be attending the fest to launch her latest film “The Girl in the Fountain,” directed by Italy’s Antongiulio Panizzi, in which she plays the iconic Anita Ekberg, a role for which she died her hair blonde.
Charlotte Gainsbourg will also be...
- 11/9/2021
- by Nick Vivarelli
- Variety Film + TV
Red Sea International Film Fest Unveils Arab Spectacular
Titles from Rashid Masharawi, Dhafer L’Abidine and Joana Hadjithomas comprise the eight initial films selected under the Red Sea International Film Festival’s (RedSeaIFF) Arab Spectacular strand. The inaugural edition of the festival will take place in Jeddah, Saudi Arabia from December 6-15. Titles within the Arab Spectacular line-up include World Premiere of Recovery by Masharawi (Ticket to Jerusalem), L’Abidine’s feature debut directorial Ghodwa and Golden Bear nominee Memory Box (pictured) by Hadjithomas and Khalil Joreige. Emmy-nominated director Jay Bulger and Karim Debbagh (Men In Black: International) also collaborate for Their Heads Are Green And Their Hands Are Blue. Films selected in this slate will cover Pan-Arab identity stories across Iraq, Palestine, Algeria, Tunisia, Egypt, Lebanon and Morocco, while also exploring women in society.
HanWay Films Strikes Deals For Paul Schrader’s ‘Master Gardener’
HanWay Films has acquired international sales...
Titles from Rashid Masharawi, Dhafer L’Abidine and Joana Hadjithomas comprise the eight initial films selected under the Red Sea International Film Festival’s (RedSeaIFF) Arab Spectacular strand. The inaugural edition of the festival will take place in Jeddah, Saudi Arabia from December 6-15. Titles within the Arab Spectacular line-up include World Premiere of Recovery by Masharawi (Ticket to Jerusalem), L’Abidine’s feature debut directorial Ghodwa and Golden Bear nominee Memory Box (pictured) by Hadjithomas and Khalil Joreige. Emmy-nominated director Jay Bulger and Karim Debbagh (Men In Black: International) also collaborate for Their Heads Are Green And Their Hands Are Blue. Films selected in this slate will cover Pan-Arab identity stories across Iraq, Palestine, Algeria, Tunisia, Egypt, Lebanon and Morocco, while also exploring women in society.
HanWay Films Strikes Deals For Paul Schrader’s ‘Master Gardener’
HanWay Films has acquired international sales...
- 11/2/2021
- by Anuj Radia
- Deadline Film + TV
The 62nd Thessaloniki International Film Festival will return to the movie theaters starting from November 4 to 14, 2021. This year’s celebration of independent cinema will take place in physical spaces as well as online (https://online.filmfestival.gr/).
Among the 197 films to be screened at the Festival (with 144 of these available online), a number of Asian films will feature in the following categories:
International Competition
Moneyboys, C. B. Yi, Austria-France-Taiwan-Belgium, 2021, 120’ (in theatre and online)
Fei works illegally as a hustler in order to support his family, yet when he realizes they are only willing to accept his money but not his way of life, their relationship breaks down. Together with the headstrong Long, Fei seems to find a new lease on life, but then he encounters Xiaolai, the love of his youth, who confronts him with the guilt of his repressed past.
White Building, Kavich Neang, Cambodia-France-China-Qatar, 2020, 90’ (in theatre and online...
Among the 197 films to be screened at the Festival (with 144 of these available online), a number of Asian films will feature in the following categories:
International Competition
Moneyboys, C. B. Yi, Austria-France-Taiwan-Belgium, 2021, 120’ (in theatre and online)
Fei works illegally as a hustler in order to support his family, yet when he realizes they are only willing to accept his money but not his way of life, their relationship breaks down. Together with the headstrong Long, Fei seems to find a new lease on life, but then he encounters Xiaolai, the love of his youth, who confronts him with the guilt of his repressed past.
White Building, Kavich Neang, Cambodia-France-China-Qatar, 2020, 90’ (in theatre and online...
- 10/26/2021
- by Suzie Cho
- AsianMoviePulse
Sydney Film Festival has revealed the first 22 titles on its line-up for this year, which will see the festival return to cinemas around the city after 2020’s virtual iteration.
Leading the pack are a contingent of local docos including Philippa Bateman’s Wash My Soul in the River’s Flow; Amanda Blue’s Step into Paradise and Eddie Martin’s The Kids, recently selected for Tribeca.
Sff will also boast the Nsw premiere of Kiwi film The Justice of Bunny King, Gaysorn Thavat’s debut feature led by Essie Davis and Thomasin McKenzie; and Nz-Canadian co-production, NIght Raiders, directed by Danis Goulet and executive produced by Taika Waititi.
Festival director Nashen Moodley is excited to return to an in-person event come August, noting the festival already had a “incredible” response to its summer season in January at the State Theatre, when it screened High Ground, Firestarter, Girls Can’t Surf, Minari and Another Round.
Leading the pack are a contingent of local docos including Philippa Bateman’s Wash My Soul in the River’s Flow; Amanda Blue’s Step into Paradise and Eddie Martin’s The Kids, recently selected for Tribeca.
Sff will also boast the Nsw premiere of Kiwi film The Justice of Bunny King, Gaysorn Thavat’s debut feature led by Essie Davis and Thomasin McKenzie; and Nz-Canadian co-production, NIght Raiders, directed by Danis Goulet and executive produced by Taika Waititi.
Festival director Nashen Moodley is excited to return to an in-person event come August, noting the festival already had a “incredible” response to its summer season in January at the State Theatre, when it screened High Ground, Firestarter, Girls Can’t Surf, Minari and Another Round.
- 6/8/2021
- by Jackie Keast
- IF.com.au
The distributor has also picked up a SXSW drama.
Eve Gabereau’s Modern Films has acquired UK and Ireland rights to three dramas set to screen at the Berlinale’s Summer Special and a title first seen at SXSW.
The London-based firm has picked up Memory Box, directed by Joana Hadjithomas and Khalil Joreige, from The Playtime Group; Anna Zohra Berrached’s Copilot from The Match Factory; and Jacqueline Lentzou’s Moon, 66 Questions from Luxbox
Modern Films has also added Leah Purcell’s The Drover’s Wife to its release slate, following its debut at SXSW, in a deal with Memento International.
Eve Gabereau’s Modern Films has acquired UK and Ireland rights to three dramas set to screen at the Berlinale’s Summer Special and a title first seen at SXSW.
The London-based firm has picked up Memory Box, directed by Joana Hadjithomas and Khalil Joreige, from The Playtime Group; Anna Zohra Berrached’s Copilot from The Match Factory; and Jacqueline Lentzou’s Moon, 66 Questions from Luxbox
Modern Films has also added Leah Purcell’s The Drover’s Wife to its release slate, following its debut at SXSW, in a deal with Memento International.
- 6/4/2021
- by Michael Rosser
- ScreenDaily
Some movies spoof a sub-genre on their own. There is the term “Big Chill clone” that brings together the films about a group of school friends that went their separate ways gathering again to mourn the untimely death of one of their buddies and to take a walk down the memory lane. The Berlinale competition title “Memory Box” might eventually end up in that familiar territory, but the road to it is quite particular and with a number of side topics woven into the film’s fabric.
There are multiple reasons for it, one of them being the focus on the three generations of women of a Quebecois family of Lebanese immigrants, the second being the background of the Lebanese Civil War and the traumas it left, while the third one is the fact that this co-operation by Joana Hadjithomas and Khalil Joreige is based on the material from Hadjithomas’ personal collection of memories.
There are multiple reasons for it, one of them being the focus on the three generations of women of a Quebecois family of Lebanese immigrants, the second being the background of the Lebanese Civil War and the traumas it left, while the third one is the fact that this co-operation by Joana Hadjithomas and Khalil Joreige is based on the material from Hadjithomas’ personal collection of memories.
- 3/18/2021
- by Marko Stojiljković
- AsianMoviePulse
With a two-part structure featuring an online press and industry component that’s just concluded, followed by physical screenings this summer, the Berlin International Film Festival is unveiling a selection of the year’s finest films. Along with our extensive coverage of the festival (with a few reviews still to come), we’ve asked our Berlinale contributors to share their personal favorites. Check out their lists below, with links to coverage where available.
Ed Frankl
Memory Box
1. Petite Maman (Céline Sciamma)
2. Memory Box (Joana Hadjithomas & Khalil Joreige)
3. Brother’s Keeper (Ferit Karahan)
4. Ballad of a White Cow (Behtash Sanaeeha & Maryam Moghaddam)
5. Ninjababy (Yngvild Sve Flikke)
Honorable Mentions: The Fam, Language Lessons, Natural Light, Taste, and Wheel of Fortune and Fantasy.
Leonardo Goi
Taste
1. Taste (Lê Bảo)
2. Petite Maman (Céline Sciamma)
3. The Scary of Sixty-First (Dasha Nekrasova)
4. Wheel of Fortune and Fantasy (Ryûsuke Hamaguchi)
5. Bad Luck Banging or Loony Porn (Radu Jude...
Ed Frankl
Memory Box
1. Petite Maman (Céline Sciamma)
2. Memory Box (Joana Hadjithomas & Khalil Joreige)
3. Brother’s Keeper (Ferit Karahan)
4. Ballad of a White Cow (Behtash Sanaeeha & Maryam Moghaddam)
5. Ninjababy (Yngvild Sve Flikke)
Honorable Mentions: The Fam, Language Lessons, Natural Light, Taste, and Wheel of Fortune and Fantasy.
Leonardo Goi
Taste
1. Taste (Lê Bảo)
2. Petite Maman (Céline Sciamma)
3. The Scary of Sixty-First (Dasha Nekrasova)
4. Wheel of Fortune and Fantasy (Ryûsuke Hamaguchi)
5. Bad Luck Banging or Loony Porn (Radu Jude...
- 3/10/2021
- by The Film Stage
- The Film Stage
One of two films at the 2021 Berlinale about the lasting trauma of the Lebanese Civil War (along with the superior Miguel’s War), Memory Box follows three generations of Lebanese women, now living in Montreal, whose lives are uprooted when a literal box of memories lands on their doorstep. “It’s bad memories,” Téta (Clémence Sabbagh) tells her curious granddaughter, Alex (Paloma Vauthier), when she sees the box is from a woman named Liza Haber. It’s Christmas Eve, and these “bad memories” aren’t the kind of present Téta wants to give her daughter, Maia (Rim Turki). So she stuffs them away in a cupboard, to be dealt with at a later date.
Memory Box is “freely adapted” (as a title card states) from the real-life correspondences of its co-writer-director Joana Hadjithomas, who made the film with her husband, Khalil Joreige. As a young woman living in Beirut, Hadjithomas...
Memory Box is “freely adapted” (as a title card states) from the real-life correspondences of its co-writer-director Joana Hadjithomas, who made the film with her husband, Khalil Joreige. As a young woman living in Beirut, Hadjithomas...
- 3/6/2021
- by Orla Smith
- The Film Stage
Three years after the first movie theater reopened in Saudi Arabia – following removal of a religion-related ban – the kingdom has become the top theatrical market in the Middle East and is turning into a major driver for Arabic film production.
“At the moment Saudi is on a different path from the rest of the world,” says David Hancock, an analyst at London-based Omdia, which sees this new market as having the potential to be ranked among the top 10-15 territories for box office worldwide by 2024.
By 2024 Omdia estimates there will be 1,400 screens in Saudi Arabia, up from a current count of less than 300 screens in 2020 with more than 600 screens expected in 2021. In 2020 Saudi box office was up 3% to $115 million, bucking the downward trend in the rest of the world.
But besides growing box office and screen count, just like in other parts of the world such as China where there is moviegoing growth,...
“At the moment Saudi is on a different path from the rest of the world,” says David Hancock, an analyst at London-based Omdia, which sees this new market as having the potential to be ranked among the top 10-15 territories for box office worldwide by 2024.
By 2024 Omdia estimates there will be 1,400 screens in Saudi Arabia, up from a current count of less than 300 screens in 2020 with more than 600 screens expected in 2021. In 2020 Saudi box office was up 3% to $115 million, bucking the downward trend in the rest of the world.
But besides growing box office and screen count, just like in other parts of the world such as China where there is moviegoing growth,...
- 3/4/2021
- by Nick Vivarelli
- Variety Film + TV
Four titles have landed on the first edition of the grid.
Dominik Graf’s period drama Fabian – Going To The Dogs has set the early pace on Screen’s Berlin 2021 Competition jury grid, with a score of 3.1.
The result came from seven of the eight critics, and included three “excellent” scores of four stars from Die Zeit’s Katja Nicodemus, Sight & Sound’s Nick James and Screen’s own critic.
The Morning Star’s Rita di Santo and Anton Dolin of Meduza and Film Art awarded it an “average” mark of two stars each.
Set in Berlin during the Weimar Republic,...
Dominik Graf’s period drama Fabian – Going To The Dogs has set the early pace on Screen’s Berlin 2021 Competition jury grid, with a score of 3.1.
The result came from seven of the eight critics, and included three “excellent” scores of four stars from Die Zeit’s Katja Nicodemus, Sight & Sound’s Nick James and Screen’s own critic.
The Morning Star’s Rita di Santo and Anton Dolin of Meduza and Film Art awarded it an “average” mark of two stars each.
Set in Berlin during the Weimar Republic,...
- 3/2/2021
- by Ben Dalton
- ScreenDaily
When directors Joana Hadjithomas and Khalil Joreige uncovered a trove of photographs, journals and audio recordings they had made while growing up in Beirut of the 1980s, they knew these personal archives would fuel their next film. Acclaimed artists and documentarians, the creative duo opted to develop these archives into a narrative feature that tells the story of two generations of mothers and daughters.
Set in present-day Canada and 1980s Lebanon, Berlin competition title “Memory Box” focuses on an adolescent girl who stumbles upon her mother’s own personal archives — and through them discovers her mother at a wholly different age.
Why did you want to develop this as fiction feature — your first in over a decade?
Hadjithomas: We had so much material that we didn’t want to go into a documentary. For us, it was clear to take those existing documents, those pictures and tapes, and work them into narrative fiction.
Set in present-day Canada and 1980s Lebanon, Berlin competition title “Memory Box” focuses on an adolescent girl who stumbles upon her mother’s own personal archives — and through them discovers her mother at a wholly different age.
Why did you want to develop this as fiction feature — your first in over a decade?
Hadjithomas: We had so much material that we didn’t want to go into a documentary. For us, it was clear to take those existing documents, those pictures and tapes, and work them into narrative fiction.
- 3/2/2021
- by Ben Croll
- Variety Film + TV
Analogue Chronicles: The Past is Present in the Latest Memory Exercise from Hadjithomas & Joreige
A veritable remembrance of things past catalyzes the semi-autobiographical narrative from celebrated Lebanese directing duo Joana Hadjithomas and Khalil Joreige in Memory Box, their first narrative offering since the 2008 Catherine Deneuve led I Want to See. That title is itself a repeated sentiment in their new project, which is freely adapted from Hadjithomas’ own journals and tapes from 1982 to 1988 in this examination of a young woman’s traumatic memories as a teenager in war-torn Beirut, left behind in her family’s flight to Montreal.…...
A veritable remembrance of things past catalyzes the semi-autobiographical narrative from celebrated Lebanese directing duo Joana Hadjithomas and Khalil Joreige in Memory Box, their first narrative offering since the 2008 Catherine Deneuve led I Want to See. That title is itself a repeated sentiment in their new project, which is freely adapted from Hadjithomas’ own journals and tapes from 1982 to 1988 in this examination of a young woman’s traumatic memories as a teenager in war-torn Beirut, left behind in her family’s flight to Montreal.…...
- 3/1/2021
- by Nicholas Bell
- IONCINEMA.com
Perhaps it’s because “Memory Box” is freely adapted from co-director Joana Hadjithomas’ teenage letters and diaries that this is the most affectingly Proustian of the filmmaker’s works made with Khalil Joreige. “Perhaps” because it would be wrong to treat this richly multi-layered exploration of memory and how it’s processed across generations as a standard fictionalized memoir. Well-known for how they organically incorporate experimental techniques into films tackling the traumas of Lebanese society since the Civil War, the duo here weave together what starts as an almost too-traditional mother-daughter struggle today with visualizations of life in Beirut during the early 1980s. The combination becomes an intoxicating cocktail of recollections while also addressing how different generations process the touchstone triggers of memory.
Through an ingenious blend of image and music, Hadjithomas and Joreige’s creative treatment of the image, including meaningful juxtaposition of different gauges and textures, has never...
Through an ingenious blend of image and music, Hadjithomas and Joreige’s creative treatment of the image, including meaningful juxtaposition of different gauges and textures, has never...
- 3/1/2021
- by Jay Weissberg
- Variety Film + TV
The tragedy of the Lebanese civil war extends far beyond the 1980s and into the third generation of a family resettled in Canada in the affecting drama Memory Box. It marks the first film in nine years from the award-winning team Joana Hadjithomas and Khalil Joreige, whose work has ranged freely over feature films, docs, installations and performance art.
Though Memory Box shows the sophisticated modernity of their artistic approach, it is also one of the most accessible of their films, thanks to a winning cast of fine actresses and an engrossing back-and-forth timeline that jumps from wartime Beirut under the bombs ...
Though Memory Box shows the sophisticated modernity of their artistic approach, it is also one of the most accessible of their films, thanks to a winning cast of fine actresses and an engrossing back-and-forth timeline that jumps from wartime Beirut under the bombs ...
The tragedy of the Lebanese civil war extends far beyond the 1980s and into the third generation of a family resettled in Canada in the affecting drama Memory Box. It marks the first film in nine years from the award-winning team Joana Hadjithomas and Khalil Joreige, whose work has ranged freely over feature films, docs, installations and performance art.
Though Memory Box shows the sophisticated modernity of their artistic approach, it is also one of the most accessible of their films, thanks to a winning cast of fine actresses and an engrossing back-and-forth timeline that jumps from wartime Beirut under the bombs ...
Though Memory Box shows the sophisticated modernity of their artistic approach, it is also one of the most accessible of their films, thanks to a winning cast of fine actresses and an engrossing back-and-forth timeline that jumps from wartime Beirut under the bombs ...
The titles for the 71st Berlin International Film Festival are being announced in anticipation of the event running March 1 - March 5, 2021. We will update the program as new films are revealed.IntroductionCOMPETITIONAlbatross (Xavier Beauvois): Laurent, a young police officer in a small town in Normandy, plans to marry Marie, with whom he has a daughter nicknamed Poulette. He loves his job despite the social misery he witnesses on a daily basis. Then one day, his life is thrown into turmoil when he accidentally kills a farmer threatening to commit suicide…Bad Luck Banging or Loony Porn (Radu Jude): Emi is a schoolteacher, whose career is threatened when a clip of her having sex with her spouse is uploaded on a adults-only site. When she is forced to face a group of furious parents asking for her dismissal, she clashes with them over their morality concerns, resulting in a debate that exposes the hypocrisy,...
- 2/19/2021
- MUBI
A co-production uniting France, Lebanon and Canada, this film by Joana Hadjithomas and Khalil Joreige dazzles up front in the sales agent’s top-notch line-up. After 2019’s By the Grace of God and Irradiated which was released last year, the French international sales agent Playtime will once again see a title from its line-up competing in the Berlin Film Festival, in the form of Memory Box by Lebanese directors Joana Hadjithomas and Khalil Joreige. The group will also get the chance to work on a great many highly appealing, future secret weapons at the European Film Market (running 1-5 March) unfolding within the German festival’s 71st edition. Memory Box is the 5th feature film to come courtesy of the filmmaking duo, following on from Around the Pink House (1999), A Perfect Day (which battled it out for the Fipresci Prize in Locarno’s 2005 competition), Je veux voir (unveiled in Cannes’ Un.
This year’s Berlin International Film Festival will look a bit different this year, with a virtual edition taking place March 1-5 for industry and press, then a public, in-person edition kicking off in June.
The complete lineup has now been unveiled, including Céline Sciamma’s highly-anticipated Portrait of a Lady on Fire follow-up Petite Maman, a surprise new Hong Sang-soo feature, the latest work from Ryūsuke Hamaguchi, along with new projects by Radu Jude, Xavier Beauvois, Dominik Graf, Pietro Marcello, Ramon Zürcher & Silvan Zürcher, and more.
Check out each section below.
Competition Tiles
“Albatros” (Drift Away)
France
by Xavier Beauvois
with Jérémie Renier, Marie-Julie Maille, Victor Belmondo
“Babardeală cu buclucsau porno balamuc” (Bad Luck Banging or Loony Porn)
Romania/Luxemburg/Croatia/Czech Republic
by Radu Jude
with Katia Pascariu, Claudia Ieremia, Olimpia Mălai
“Fabian oder Der Gang vor die Hunde” (Fabian – Going to the Dogs)
Germany
by Dominik Graf
with Tom Schilling,...
The complete lineup has now been unveiled, including Céline Sciamma’s highly-anticipated Portrait of a Lady on Fire follow-up Petite Maman, a surprise new Hong Sang-soo feature, the latest work from Ryūsuke Hamaguchi, along with new projects by Radu Jude, Xavier Beauvois, Dominik Graf, Pietro Marcello, Ramon Zürcher & Silvan Zürcher, and more.
Check out each section below.
Competition Tiles
“Albatros” (Drift Away)
France
by Xavier Beauvois
with Jérémie Renier, Marie-Julie Maille, Victor Belmondo
“Babardeală cu buclucsau porno balamuc” (Bad Luck Banging or Loony Porn)
Romania/Luxemburg/Croatia/Czech Republic
by Radu Jude
with Katia Pascariu, Claudia Ieremia, Olimpia Mălai
“Fabian oder Der Gang vor die Hunde” (Fabian – Going to the Dogs)
Germany
by Dominik Graf
with Tom Schilling,...
- 2/11/2021
- by Jordan Raup
- The Film Stage
The Berlin International Film Festival has set its full slate for the upcoming 2021 edition. Berlinale usually follows Sundance with a February festival, but the pandemic has forced organizers to develop a new festival format for 2021. The 71st Berlin International Film Festival is set to take place with the “Industry Event” from March 1 to 5, which will include the European Film Market (EFM), the Berlinale Co-Production Market, the Berlinale Talents, and the World Cinema Fund in online forms. From June 9 to 20, 2021 the Berlinale will launch a “Summer Special” with numerous film presentations in Berlin, both at indoor and outdoor cinemas.
Included in the March event is the traditional film festival slate, which includes the main Berlinale Competition lineup as well as sidebar sections such as Berlinale Special & Berlinale Series, Encounters, Berlinale Shorts, Panorama, Forum & Forum Expanded, Generation, Perspektive Deutsches Kino, and Retrospective. With the exception of the Retrospective, the films will be shown at the March event.
Included in the March event is the traditional film festival slate, which includes the main Berlinale Competition lineup as well as sidebar sections such as Berlinale Special & Berlinale Series, Encounters, Berlinale Shorts, Panorama, Forum & Forum Expanded, Generation, Perspektive Deutsches Kino, and Retrospective. With the exception of the Retrospective, the films will be shown at the March event.
- 2/11/2021
- by Zack Sharf
- Indiewire
Mariette Rissenbeek and Carlo Chatrian also unveiled Berlinale Special features.
A 15-title Competition line-up including new films from Céline Sciamma and Radu Jude has been unveiled for the 2021 Berlin International Film Festival.
The festival’s executive director Mariette Rissenbeek and artistic director Carlo Chatrian unveiled the complete Competition strand along with Berlinale Special titles at a virtual press conference today (February 11), from an empty cinema.
Scroll down for the full list of titles
This year’s edition will take place in two parts; an industry-focused, online-only event running March 1-5, and a Summer Special event featuring physical screenings, planned for June 9-20.
The Panorama,...
A 15-title Competition line-up including new films from Céline Sciamma and Radu Jude has been unveiled for the 2021 Berlin International Film Festival.
The festival’s executive director Mariette Rissenbeek and artistic director Carlo Chatrian unveiled the complete Competition strand along with Berlinale Special titles at a virtual press conference today (February 11), from an empty cinema.
Scroll down for the full list of titles
This year’s edition will take place in two parts; an industry-focused, online-only event running March 1-5, and a Summer Special event featuring physical screenings, planned for June 9-20.
The Panorama,...
- 2/11/2021
- by Michael Rosser¬Ben Dalton
- ScreenDaily
Actor Daniel Bruhl’s directorial debut and new titles from Radu Jude, Celine Sciamma, Hong Sangsoo and Xavier Beauvois are among the 15 competition titles in the Berlin Film Festival, all of which were revealed Thursday.
Five of the titles are from female filmmakers (some of whom are co-directors on titles), on par with last year’s competition, when six of the 18 competition titles were helmed by women.
The festival also revealed the 11 titles in the Berlinale Special strand.
Festival executive director Mariette Rissenbeek introduced the format of this year’s festival, after which artistic director Carlo Chatrian presented the films selected.
As first revealed by Variety, the festival’s 71st edition will take place in two stages. Industry platforms European Film Market, Berlinale Co-Production Market, Berlinale Talents and the World Cinema Fund will be online March 1-5. Meanwhile, June 9-20 will see a physical summer public event, pandemic permitting.
Explaining the rationale,...
Five of the titles are from female filmmakers (some of whom are co-directors on titles), on par with last year’s competition, when six of the 18 competition titles were helmed by women.
The festival also revealed the 11 titles in the Berlinale Special strand.
Festival executive director Mariette Rissenbeek introduced the format of this year’s festival, after which artistic director Carlo Chatrian presented the films selected.
As first revealed by Variety, the festival’s 71st edition will take place in two stages. Industry platforms European Film Market, Berlinale Co-Production Market, Berlinale Talents and the World Cinema Fund will be online March 1-5. Meanwhile, June 9-20 will see a physical summer public event, pandemic permitting.
Explaining the rationale,...
- 2/11/2021
- by Naman Ramachandran
- Variety Film + TV
Comedy co-stars Sara Forestier and Laetitia Dosch.
Paris-based sales company Playtime will launch sales on the French graphic novelist and illustrator Nine Antico’s feature debut comedy Playlist at this year’s Unifrance Rendez-vous with Cinema, which officially kicks off online on Wednesday and runs until January 15.
Sara Forestier plays a talented graphic artist whose life begins to unravel when she falls pregnant just as she lands a job at a prestigious Parisian publisher.
When she breaks the news to her boyfriend, everything explodes, and they break-up. The turn of events results in her returning to her old job of...
Paris-based sales company Playtime will launch sales on the French graphic novelist and illustrator Nine Antico’s feature debut comedy Playlist at this year’s Unifrance Rendez-vous with Cinema, which officially kicks off online on Wednesday and runs until January 15.
Sara Forestier plays a talented graphic artist whose life begins to unravel when she falls pregnant just as she lands a job at a prestigious Parisian publisher.
When she breaks the news to her boyfriend, everything explodes, and they break-up. The turn of events results in her returning to her old job of...
- 1/13/2021
- by Melanie Goodfellow
- ScreenDaily
After a year that tested their limits and redefined landscapes, leaders in France’s entertainment industry share thoughts on their top achievements, the pandemic’s long-term impact and what’s on the horizon for them in 2021.
Thierry Fremaux
Director, Cannes Film Festival / Director, Institut Lumiere
What is the single thing — material or otherwise — getting you through the pandemic? The love of cinema. And the love of those who love cinema, for whom we tried to survive. Also, the new albums from Bob Dylan and Bruce Springsteen.
What was your greatest achievement in 2020? A book about judo. When I was young, I was into films and judo. Without cinemas, I went back to judo.
What do you think will be the long-term impact of the pandemic on the industry? The acceleration and urgency in proving that cinema is a singular art — and a precious one. Like movie theaters.
Who would you...
Thierry Fremaux
Director, Cannes Film Festival / Director, Institut Lumiere
What is the single thing — material or otherwise — getting you through the pandemic? The love of cinema. And the love of those who love cinema, for whom we tried to survive. Also, the new albums from Bob Dylan and Bruce Springsteen.
What was your greatest achievement in 2020? A book about judo. When I was young, I was into films and judo. Without cinemas, I went back to judo.
What do you think will be the long-term impact of the pandemic on the industry? The acceleration and urgency in proving that cinema is a singular art — and a precious one. Like movie theaters.
Who would you...
- 1/4/2021
- by Elsa Keslassy
- Variety Film + TV
“We finished the shoot for Ely Dagher’s Harvest just as the first case of Covid-19 was reported in Lebanon.”
Beirut-based producer Georges Schoucair is the founder and CEO of top Middle East independent film production house Abbout Productions and its more recently created sister company Schortcut Films.
The recent credits of Abbout Productions include Oualid Mouaness’s coming-of-age drama 1982, which was Lebanon’s submission to the Academy Awards’ best international film category this year; Ahmad Ghossein’s All This Victory, which premiered in Venice Critics’ Week; and Egyptian filmmaker Mohamed Siam’s feature-length documentary Amal.
Schortcut Films, which he...
Beirut-based producer Georges Schoucair is the founder and CEO of top Middle East independent film production house Abbout Productions and its more recently created sister company Schortcut Films.
The recent credits of Abbout Productions include Oualid Mouaness’s coming-of-age drama 1982, which was Lebanon’s submission to the Academy Awards’ best international film category this year; Ahmad Ghossein’s All This Victory, which premiered in Venice Critics’ Week; and Egyptian filmmaker Mohamed Siam’s feature-length documentary Amal.
Schortcut Films, which he...
- 4/15/2020
- by 1100388¦Melanie Goodfellow¦0¦
- ScreenDaily
“We finished the shoot for Ely Dagher’s film Harvest just as the first case of Covid-19 was reported in Lebanon.”
Beirut-based producer Georges Schoucair is the founder and CEO of top Middle East independent film production house Abbout Productions and its more recently created sister company Schortcut Films.
The recent credits of Abbout Productions include Oualid Mouaness’s bittersweet coming-of-age drama 1982, which premiered at Toronto and was Lebanon’s submission to the Academy Awards’ best international film category this year; Ahmad Ghossein’s All This Victory, which premiered in Venice Critics’ Week, winning three awards, and Egyptian filmmaker Mohamed Siam’s feature-length documentary Amal.
Beirut-based producer Georges Schoucair is the founder and CEO of top Middle East independent film production house Abbout Productions and its more recently created sister company Schortcut Films.
The recent credits of Abbout Productions include Oualid Mouaness’s bittersweet coming-of-age drama 1982, which premiered at Toronto and was Lebanon’s submission to the Academy Awards’ best international film category this year; Ahmad Ghossein’s All This Victory, which premiered in Venice Critics’ Week, winning three awards, and Egyptian filmmaker Mohamed Siam’s feature-length documentary Amal.
- 4/15/2020
- by 1100388¦Melanie Goodfellow¦0¦
- ScreenDaily
Ahead of its world premiere at the Berlin Film Festival, Stephen Maxwell Johnson’s “High Ground” has found a U.S. home with Samuel Goldwyn. The film, headlined by Simon Baker, is represented in international markets by pan-European group Playtime and is having a gala screening at the festival.
Set in 1919, “High Ground” tells the story of former WWI sniper Travis, who is now a policeman in the vast and remote landscape of Northern Australia. He loses control of an operation, resulting in the massacre of an indigenous tribe.
While his superiors decide to bury the truth, the experience leaves a scar on Travis’ conscience, but he’s forced to return there 12 years later on a mission to track down an Aboriginal outlaw. Travis soon realizes the young man he’s chasing is the only known survivor of the massacre.
“High Ground” shot on location in the world heritage-listed Kakadu...
Set in 1919, “High Ground” tells the story of former WWI sniper Travis, who is now a policeman in the vast and remote landscape of Northern Australia. He loses control of an operation, resulting in the massacre of an indigenous tribe.
While his superiors decide to bury the truth, the experience leaves a scar on Travis’ conscience, but he’s forced to return there 12 years later on a mission to track down an Aboriginal outlaw. Travis soon realizes the young man he’s chasing is the only known survivor of the massacre.
“High Ground” shot on location in the world heritage-listed Kakadu...
- 2/23/2020
- by Elsa Keslassy
- Variety Film + TV
The sixth edition of the Venice Gap-Financing Market (August 30 – September 1), which takes place during the Venice Film Festival, will feature 51 projects in the final stages of development and funding.
Of those, 23 projects from Europe and beyond are narrative features with 70% funding in place. Five projects are documentaries.
Among highlights are Czech feature Sarlatan by Oscar-nominated Polish director Agnieszka Holland (Mr. Jones) about a man gifted with exceptional abilities set against the background of the events of the totalitarian ’50s; Russian film Air by Dovlatov director Alexey German Jr; Grbavica director Jasmila Zbanic’s Euro co-pro Quo Vadis Aida (working title); and Canadian pic Saint-Narcisse by Bruce La Bruce.
Here’s a full list of projects taking part in the market:
28 Selected Fiction And Documentary Projects
Air (Russia) by Alexey German Jr., SAGa, Metrafilms Alam (France, Lebanon, Belgium) by Firas Khoury, Mpm Film A la sombra de los árboles (Chile) by Matías Rojas Valencia,...
Of those, 23 projects from Europe and beyond are narrative features with 70% funding in place. Five projects are documentaries.
Among highlights are Czech feature Sarlatan by Oscar-nominated Polish director Agnieszka Holland (Mr. Jones) about a man gifted with exceptional abilities set against the background of the events of the totalitarian ’50s; Russian film Air by Dovlatov director Alexey German Jr; Grbavica director Jasmila Zbanic’s Euro co-pro Quo Vadis Aida (working title); and Canadian pic Saint-Narcisse by Bruce La Bruce.
Here’s a full list of projects taking part in the market:
28 Selected Fiction And Documentary Projects
Air (Russia) by Alexey German Jr., SAGa, Metrafilms Alam (France, Lebanon, Belgium) by Firas Khoury, Mpm Film A la sombra de los árboles (Chile) by Matías Rojas Valencia,...
- 7/2/2019
- by Andreas Wiseman
- Deadline Film + TV
Ten leading European sales agents attended the first edition of Marrakech Film Festival’s Atlas Workshops. In interviews with Variety the executives emphasized the importance of this new industry event, which will help leverage the importance of Marrakech as a key industry hub for Arab and African filmmakers.
Films Boutique’s Gabor Greiner said that the workshops provided an excellent opportunity to meet filmmakers and producers from the region, some of whom don’t travel very often to festivals in Europe.
“African cinema has tremendous potential and we’re keen to learn more about cinema from the region. As sales agents we’re on the lookout for something that stands out, and it can be easier to find unusual new voices in a region where cinema production is less common.”
Greiner cited examples of recent films that have raised visibility for Africa-related issues – such as Aalam-Warqe Davidian’s tragic romance “Fig Tree,...
Films Boutique’s Gabor Greiner said that the workshops provided an excellent opportunity to meet filmmakers and producers from the region, some of whom don’t travel very often to festivals in Europe.
“African cinema has tremendous potential and we’re keen to learn more about cinema from the region. As sales agents we’re on the lookout for something that stands out, and it can be easier to find unusual new voices in a region where cinema production is less common.”
Greiner cited examples of recent films that have raised visibility for Africa-related issues – such as Aalam-Warqe Davidian’s tragic romance “Fig Tree,...
- 12/6/2018
- by Martin Dale
- Variety Film + TV
The Chilean film receives a grant of €15,000.
Chilean film The Summer Of The Electric Lion has received the top prize at Cinéfondation, the Cannes selection of short films from film school students.
Directed by Diego Céspedes from the University of Chile Icei, the 22-minute film follows Alonso as he accompanies his sister Daniela, who waits to become the seventh wife of a mysterious prophet called El Léon (The Lion).
Céspedes receives a grant of €15,000, and is guaranteed to have his first feature presented at a future Cannes Film Festival.
This year’s jury was chaired by French director and screenwriter...
Chilean film The Summer Of The Electric Lion has received the top prize at Cinéfondation, the Cannes selection of short films from film school students.
Directed by Diego Céspedes from the University of Chile Icei, the 22-minute film follows Alonso as he accompanies his sister Daniela, who waits to become the seventh wife of a mysterious prophet called El Léon (The Lion).
Céspedes receives a grant of €15,000, and is guaranteed to have his first feature presented at a future Cannes Film Festival.
This year’s jury was chaired by French director and screenwriter...
- 5/18/2018
- by Ben Dalton
- ScreenDaily
In the Cannes Film Festival’s key film school shorts awards, “El Verano del León Eléctrico” (The Summer of the Electric Lion), by Chile’s Diego Céspedes, a student at the Instituto de Comunicación e Imagen – Universidad de Chile, won the First Jury Prize at 21st Cinéfondation Selection on Thursday.
The prize was awarded by a jury headed by French director Bertrand Bonello (“Saint Laurent”). The jury also included Lebanese helmer Khalil Joreige (“The Lebanese Rocket Society”), Germany’s Valeska Grisebach (“Western”), Lithuanian filmmaker Alanté Kavaïté (“The Summer of Sangaile”), and Greek-born French actress Ariane Labed (“The Lobster”).
“The Summer of the Electric Lion” is based on the true story of the Lion, a Chilean prophet whose cult-like following believed he could electrocute others with a simple touch. The film is about a young boy who accompanies his sister on a journey to meet the prophet, who will claim her as his seventh wife.
The prize was awarded by a jury headed by French director Bertrand Bonello (“Saint Laurent”). The jury also included Lebanese helmer Khalil Joreige (“The Lebanese Rocket Society”), Germany’s Valeska Grisebach (“Western”), Lithuanian filmmaker Alanté Kavaïté (“The Summer of Sangaile”), and Greek-born French actress Ariane Labed (“The Lobster”).
“The Summer of the Electric Lion” is based on the true story of the Lion, a Chilean prophet whose cult-like following believed he could electrocute others with a simple touch. The film is about a young boy who accompanies his sister on a journey to meet the prophet, who will claim her as his seventh wife.
- 5/17/2018
- by Christopher Vourlias
- Variety Film + TV
Co-production market running Dec 9-11 during the Dubai International Film Festival unveils line-up.
Lebanese actress Hiam Abbass [pictured] and Palestinian director Najwa Najjar will be among the film-makers presenting their upcoming feature film projects at the Dubai Film Connection (Dfc) this year.
The annual co-production event, focused on Arab cinema and taking place during the Dubai International Film Festival (Dec 7-14), unveiled its upcoming line-up on Monday (Nov 7).
Projects
A total of 13 projects – hailing from Lebanon, Algeria, Jordan, Iraq, Egypt, Syria, Palestine and Morocco – have been selected.
Abbass will present her second feature-length film A Girl Made Of Dust, an adaptation of Nathalie Abi-Ezzi’s acclaimed novel about the experiences of a family living in a village near Beirut during the 1980s Lebanese civil war, told from the perspective of its youngest member, the eight-year-old daughter Ruba.
Najjar – who won the top prize at the Dfc in 2011 for her last film Eyes Of A Thief – returns with The...
Lebanese actress Hiam Abbass [pictured] and Palestinian director Najwa Najjar will be among the film-makers presenting their upcoming feature film projects at the Dubai Film Connection (Dfc) this year.
The annual co-production event, focused on Arab cinema and taking place during the Dubai International Film Festival (Dec 7-14), unveiled its upcoming line-up on Monday (Nov 7).
Projects
A total of 13 projects – hailing from Lebanon, Algeria, Jordan, Iraq, Egypt, Syria, Palestine and Morocco – have been selected.
Abbass will present her second feature-length film A Girl Made Of Dust, an adaptation of Nathalie Abi-Ezzi’s acclaimed novel about the experiences of a family living in a village near Beirut during the 1980s Lebanese civil war, told from the perspective of its youngest member, the eight-year-old daughter Ruba.
Najjar – who won the top prize at the Dfc in 2011 for her last film Eyes Of A Thief – returns with The...
- 11/7/2016
- ScreenDaily
LatinoBuzz: Winners of 33rd Edition CineMart Include Academy Award-Nominee Ciro Guerra's New Project
The CineMart 2016 awards have been announced marking the close of the 33rd edition of the co-production market. German production "Berlin Alexanderplatz" was awarded the Eurimages Co-Production Development Award of €20,000, which is given to a project presented by a European producer. Colombian production "Birds of Passage" was awarded the €6,000 Arte International Prize and the Wouter Barendrecht Award went to Christopher Radcliff’s new project "The Strange Ones." The prize of €5,000 is given by the Wouter Barendrecht Film Foundation. The jury for the Arte and Eurimages awards is comprised of the Netherlands Film Fund’s Dorien van de Pas, producer Annamaria Lodato and Fabien Westerhoff, head of international licensing, production and finance company Ffwd (formerly with Hanway and WestEnd). The Wouter Barendrecht Award is decided on by representatives of the Wouter Barendrecht Film Foundation, Nelleke and Ellis Driessen.
CineMart selected 25 international projects to participate in the four day event which has been one of the most successful in recent years. Multiple conferences and panels covering topics ranging from “Making the most of a film festival” to “The Micro-Budget Talent Programmes” were held in front of packed audiences who were invited to be involved in the debates and receive advice. Mike S. Ryan (Greyshack Films), Michael Weber (The Match Factory), Winnie Lau (Jettone Films Ltd) and Bero Beyer (Director Iffr) discussing ‘The Creative Thunder of Cinema’ proved one of the highlights of Iffr 2016.
On making the announcement, Head of Industry and CineMart, Marit van den Elshout commented: “This year’s line-up was exceptional and inspiring. I speak on behalf of the entire team when I say that we could not be more proud – we have seen so many great projects, and so many talented teams behind them, the winners really exemplify this. I am also pleased to say that we hosted multiple extremely well attended panels and conversations, discussing the current state and possible future of the cinema that we love and cherish in Rotterdam.”
This year’s Eurimages Co-Production Development Award winner, "Berlin Alexanderplatz" by Burhan Qurbani (Germany) is a Sommerhaus Filmproduktion production. On the jury’s decision, Dorien van de Pas commented: “The project gives us a new and relevant view on a classic piece. The talented director has already made several films about urgent and relevant topics, that currently affect all our countries. Here he will combine elements of genre film with more political and emotional layers, which makes it accessible for a younger audience. The project leads to an ideal co-production scenario and the money of this award will be well employed for casting and further development.”
The Arte International Prize winner is "Birds of Passage" (Colombia) by Ciro Guerra, who is currently nominated for the Best Foreign Language Academy Award for "Embrace of the Serpent," produced by Ciudad Lunar Producciones and Blond Indian Films. On presenting the award, Annemaria Lodato commented: “We decided to give the Arte International Prize to a young South American filmmaker who has already produced a strong and convincing body of work. The project takes us into the heart of an indigenous community, a time and place never explored on screen.”
The Wouter Barendrecht Award winner is "The Strange Ones" (USA), directed by Christopher Radcliff and Lauren Wolkstein, produced by Sébastien Aubert. "Mysterious events surround the travels of two brothers as they make their way across a remote American landscape. On the surface all seems normal, but what appears to be a simple vacation soon gives way to something more complex, dark, and potentially deadly." On presenting the award Managing Director of Fortissimo Films, Nelleke Driessen commented: “The short film on which this film project is based, convinced the jury of the potential for the feature. We trust that the makers will succeed to translate this apparent simple story into an intriguing, multi layered psychological thriller.”
Hbf+Europe Distribution Support for International Co-productions
Next to these awards, Iffr’s Hubert Bals Fund is proud to announce the first selection of its brand-new distribution scheme: Hbf+Europe Distribution Support for International Co-productions. The scheme is designed to boost the distribution of internationally co-produced films from Africa, Asia, Latin America, the Middle East and parts of Eastern Europe.
The Hbf is pleased to announce that the first Hbf+Europe Distribution grant of 20.000 Euro has been awarded to Heretic Outreach from Greece to support the distribution of "Babai" by Visar Morina (Kosovo, Germany, Macedonia and France) in Greece, Bulgaria and Egypt.
Full selection list for CineMart 2016:
"The Announcement" - Mahmut Fazil Coskun - Turkey/Bulgaria - Filmotto Production/The Chouchkov Brothers "Berlin Alexanderplatz" - Burhan Qurbani - Germany - Sommerhaus Filmproduktion GmbH "Birds of Passage" - Ciro Guerra - Colombia - Ciudad Lunar/Blond Indian Films "Bloody Marie" - Guido van Driel - the Netherlands/Germany - Family Affair Films/Schiwago Film GmbH "Bootlegger" - Caroline Monnet - Canada - Microclimat Films "Dark Room" - Itamar Alcalay - Israel/Germany - Lama Films/Komplizen Film "The Devil Outside" - Andrew Hulme - UK - Ipso Facto Productions "Is this What You Were Born For?" - Radu Jude - Romania - Hi Film Productions "Jessica" - Ninja Thyberg - Sweden - Plattform Produktion "The Last Harem" - Maryam Keshavarz - France/Portugal - Neon Productions/ Ítaca Films/MaraKesh Films (Art:Film) "The Notebooks" - Joana Hadjithomas, Khalil Joreige - Lebanon/France - Abbout Productions "Over the City" - Emir Baigazin - Kazakhstan/Germany - Emir Baigazin Production/Augenschein Filmproduktion "Pompei" - John Shank, Anna Falguères - Belgium/Italy - Tarantula/Solaria Film "Rafaël" - Ben Sombogaart - the Netherlands/Italy/Belgium/Tunisia - Rinkel Film/Verdeoro/Entre Chien et Loup/Nomadis Images/Cinetelefilms "Sick, Sick, Sick" - Alice Furtado - Brazil - Estúdio Giz/Oceano "Slam" - Partho Sen-Gupta - Australia - Invisible Republic "Sleep." - Jan-Willem van Ewijk - the Netherlands - Waterland Film/Propellor Film "The Strange Ones" - Christopher Radcliff, Lauren Wolkstein - France/USA - Adastra Films "Teenage Jesus" - Marie Grahtø - Denmark - Beofilm "Under the Sun" - Qiu Yang - France/China - House on Fire/Colorful Age Culture & Media "Der Unschuldige" - Simon Jaquemet - Switzerland - 8Horses "Ursa Major"- Benjamin Crotty - USA/France - AgX/Les Films du Bal "Vikings" - Daniel Hoesl - Austria - Ulrich Seidl Film Produktion GmbH "Wild Princess" - Ester Martin Bergsmark - Sweden - Garagefilm International (Art:Film) "What if Women Ruled the World?" - Yael Bartana - UK - Jacqui Davies Limited...
CineMart selected 25 international projects to participate in the four day event which has been one of the most successful in recent years. Multiple conferences and panels covering topics ranging from “Making the most of a film festival” to “The Micro-Budget Talent Programmes” were held in front of packed audiences who were invited to be involved in the debates and receive advice. Mike S. Ryan (Greyshack Films), Michael Weber (The Match Factory), Winnie Lau (Jettone Films Ltd) and Bero Beyer (Director Iffr) discussing ‘The Creative Thunder of Cinema’ proved one of the highlights of Iffr 2016.
On making the announcement, Head of Industry and CineMart, Marit van den Elshout commented: “This year’s line-up was exceptional and inspiring. I speak on behalf of the entire team when I say that we could not be more proud – we have seen so many great projects, and so many talented teams behind them, the winners really exemplify this. I am also pleased to say that we hosted multiple extremely well attended panels and conversations, discussing the current state and possible future of the cinema that we love and cherish in Rotterdam.”
This year’s Eurimages Co-Production Development Award winner, "Berlin Alexanderplatz" by Burhan Qurbani (Germany) is a Sommerhaus Filmproduktion production. On the jury’s decision, Dorien van de Pas commented: “The project gives us a new and relevant view on a classic piece. The talented director has already made several films about urgent and relevant topics, that currently affect all our countries. Here he will combine elements of genre film with more political and emotional layers, which makes it accessible for a younger audience. The project leads to an ideal co-production scenario and the money of this award will be well employed for casting and further development.”
The Arte International Prize winner is "Birds of Passage" (Colombia) by Ciro Guerra, who is currently nominated for the Best Foreign Language Academy Award for "Embrace of the Serpent," produced by Ciudad Lunar Producciones and Blond Indian Films. On presenting the award, Annemaria Lodato commented: “We decided to give the Arte International Prize to a young South American filmmaker who has already produced a strong and convincing body of work. The project takes us into the heart of an indigenous community, a time and place never explored on screen.”
The Wouter Barendrecht Award winner is "The Strange Ones" (USA), directed by Christopher Radcliff and Lauren Wolkstein, produced by Sébastien Aubert. "Mysterious events surround the travels of two brothers as they make their way across a remote American landscape. On the surface all seems normal, but what appears to be a simple vacation soon gives way to something more complex, dark, and potentially deadly." On presenting the award Managing Director of Fortissimo Films, Nelleke Driessen commented: “The short film on which this film project is based, convinced the jury of the potential for the feature. We trust that the makers will succeed to translate this apparent simple story into an intriguing, multi layered psychological thriller.”
Hbf+Europe Distribution Support for International Co-productions
Next to these awards, Iffr’s Hubert Bals Fund is proud to announce the first selection of its brand-new distribution scheme: Hbf+Europe Distribution Support for International Co-productions. The scheme is designed to boost the distribution of internationally co-produced films from Africa, Asia, Latin America, the Middle East and parts of Eastern Europe.
The Hbf is pleased to announce that the first Hbf+Europe Distribution grant of 20.000 Euro has been awarded to Heretic Outreach from Greece to support the distribution of "Babai" by Visar Morina (Kosovo, Germany, Macedonia and France) in Greece, Bulgaria and Egypt.
Full selection list for CineMart 2016:
"The Announcement" - Mahmut Fazil Coskun - Turkey/Bulgaria - Filmotto Production/The Chouchkov Brothers "Berlin Alexanderplatz" - Burhan Qurbani - Germany - Sommerhaus Filmproduktion GmbH "Birds of Passage" - Ciro Guerra - Colombia - Ciudad Lunar/Blond Indian Films "Bloody Marie" - Guido van Driel - the Netherlands/Germany - Family Affair Films/Schiwago Film GmbH "Bootlegger" - Caroline Monnet - Canada - Microclimat Films "Dark Room" - Itamar Alcalay - Israel/Germany - Lama Films/Komplizen Film "The Devil Outside" - Andrew Hulme - UK - Ipso Facto Productions "Is this What You Were Born For?" - Radu Jude - Romania - Hi Film Productions "Jessica" - Ninja Thyberg - Sweden - Plattform Produktion "The Last Harem" - Maryam Keshavarz - France/Portugal - Neon Productions/ Ítaca Films/MaraKesh Films (Art:Film) "The Notebooks" - Joana Hadjithomas, Khalil Joreige - Lebanon/France - Abbout Productions "Over the City" - Emir Baigazin - Kazakhstan/Germany - Emir Baigazin Production/Augenschein Filmproduktion "Pompei" - John Shank, Anna Falguères - Belgium/Italy - Tarantula/Solaria Film "Rafaël" - Ben Sombogaart - the Netherlands/Italy/Belgium/Tunisia - Rinkel Film/Verdeoro/Entre Chien et Loup/Nomadis Images/Cinetelefilms "Sick, Sick, Sick" - Alice Furtado - Brazil - Estúdio Giz/Oceano "Slam" - Partho Sen-Gupta - Australia - Invisible Republic "Sleep." - Jan-Willem van Ewijk - the Netherlands - Waterland Film/Propellor Film "The Strange Ones" - Christopher Radcliff, Lauren Wolkstein - France/USA - Adastra Films "Teenage Jesus" - Marie Grahtø - Denmark - Beofilm "Under the Sun" - Qiu Yang - France/China - House on Fire/Colorful Age Culture & Media "Der Unschuldige" - Simon Jaquemet - Switzerland - 8Horses "Ursa Major"- Benjamin Crotty - USA/France - AgX/Les Films du Bal "Vikings" - Daniel Hoesl - Austria - Ulrich Seidl Film Produktion GmbH "Wild Princess" - Ester Martin Bergsmark - Sweden - Garagefilm International (Art:Film) "What if Women Ruled the World?" - Yael Bartana - UK - Jacqui Davies Limited...
- 2/4/2016
- by Sydney Levine
- Sydney's Buzz
This is the fifth year that Iffr has included an Art: Film platform within the CineMart as part of an ongoing attempt to bring art world professionals closer together with their colleagues from cinema.
The initiative has proved very successful, supporting the development of films by Fiona Tan (Tiger contender History’s Future), Phil Collins, Michelangelo Frammartino and others. Nonetheless, the same question is often asked by potential funders - what is it all about?
The artists want to attract “normal” film funding. To do so, they are sometimes asked to pitch or present their projects in a way they find simplistic and reductive. The funders, for their part, can sometimes seem baffled by the esoteric nature of the artists’ projects. Art: Film was designed to help break down the suspicions and misunderstandings between the two worlds.
This year, on Monday (Feb 1), two new projects are being showcased: The Notebooks by Joana Hadjithomas and Khalil Joreige (Lebanon...
The initiative has proved very successful, supporting the development of films by Fiona Tan (Tiger contender History’s Future), Phil Collins, Michelangelo Frammartino and others. Nonetheless, the same question is often asked by potential funders - what is it all about?
The artists want to attract “normal” film funding. To do so, they are sometimes asked to pitch or present their projects in a way they find simplistic and reductive. The funders, for their part, can sometimes seem baffled by the esoteric nature of the artists’ projects. Art: Film was designed to help break down the suspicions and misunderstandings between the two worlds.
This year, on Monday (Feb 1), two new projects are being showcased: The Notebooks by Joana Hadjithomas and Khalil Joreige (Lebanon...
- 1/31/2016
- by geoffrey@macnab.demon.co.uk (Geoffrey Macnab)
- ScreenDaily
Exclusive: Projects hail from Australia, China, Brazil, UK, Lebanon and Us.Scroll down for full line-up
International Film Festival Rotterdam’s (Iffr) co-production market CineMart (Jan 31-Feb 3) has revealed its line-up for the upcoming 2016 edition.
The line-up consists of titles includes new works from filmmakers from the Netherlands, Australia, China, Brazil, the UK, Lebanon, France and the Us. The selection also includes two Art:Film projects.
Filmmakers selected this year include Romania’s Radu Jude, whose Aferim! won the Silver Bear at the 2015 Berlinale and will present his new feature project, Is This What You Were Born For?.
Director Guido van Driel from the Netherlands, whose debut feature film Resurrection of a Bastard was the opening film of Iffr in 2013, will present his new project Bloody Marie.
Colombian director Ciro Guerra, whose third feature Embrace of the Serpent won the Art Cinema Award in the Quinzaine des Réalisateurs section at 2015 Cannes, will attend...
International Film Festival Rotterdam’s (Iffr) co-production market CineMart (Jan 31-Feb 3) has revealed its line-up for the upcoming 2016 edition.
The line-up consists of titles includes new works from filmmakers from the Netherlands, Australia, China, Brazil, the UK, Lebanon, France and the Us. The selection also includes two Art:Film projects.
Filmmakers selected this year include Romania’s Radu Jude, whose Aferim! won the Silver Bear at the 2015 Berlinale and will present his new feature project, Is This What You Were Born For?.
Director Guido van Driel from the Netherlands, whose debut feature film Resurrection of a Bastard was the opening film of Iffr in 2013, will present his new project Bloody Marie.
Colombian director Ciro Guerra, whose third feature Embrace of the Serpent won the Art Cinema Award in the Quinzaine des Réalisateurs section at 2015 Cannes, will attend...
- 12/10/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
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