San Francisco, Sep 5 (Ians) Cyber-security researchers on Monday discovered a potential data breach in Chinese short-form video app TikTok, allegedly involving up to 2 billion user database records.
Several cyber-security analysts tweeted about the discovery of what was “a breach of an insecure server that allowed access to TikTok’s storage, which they believe contained personal user data”.
“This is your forewarning. #TikTok has reportedly suffered a #data #breach, and if true there may be fallout from it in the coming days. We recommend you change your TikTok #password and enable Two-Factor Authentication, if you have not done so already,” tweeted BeeHive CyberSecurity.
“We’ve reviewed a sample of the extracted data. To our email subscribers and private clients, we’ve already sent out warning communications,” it added.
Troy Hunt, creator of data breach information site haveibeenpwned, posted a thread on Twitter to verify if the sample data is genuine or not.
Several cyber-security analysts tweeted about the discovery of what was “a breach of an insecure server that allowed access to TikTok’s storage, which they believe contained personal user data”.
“This is your forewarning. #TikTok has reportedly suffered a #data #breach, and if true there may be fallout from it in the coming days. We recommend you change your TikTok #password and enable Two-Factor Authentication, if you have not done so already,” tweeted BeeHive CyberSecurity.
“We’ve reviewed a sample of the extracted data. To our email subscribers and private clients, we’ve already sent out warning communications,” it added.
Troy Hunt, creator of data breach information site haveibeenpwned, posted a thread on Twitter to verify if the sample data is genuine or not.
- 9/5/2022
- by Glamsham Bureau
- GlamSham
Hollywood learns to imbed a social message into a crime thriller. John Paxton’s adaptation of Richard Brooks’ neat murder tale is solid noir because it sheds light on the malaise of returning soldiers. No parades and confetti here: Robert Ryan is the hateful bigot but the other characters live amid equally shadowy values — laid-back Robert Mitchum, unhappy bar girl Gloria Grahame. Edward Dmytryk puts a polish on a fine screenplay with a fresh viewpoint, that avoids thriller clichés.
Crossfire
Blu-ray
Warner Archive Collection
1947 / B&w / 1:37 Academy / 86 min. / Street Date , 2021 / available through the WBshop / 21.99
Starring: Robert Young, Robert Mitchum, Robert Ryan, Gloria Grahame, Paul Kelly,
Sam Levene, George Cooper, Jacqueline White, Steve Brodie, William Phipps, Lex Barker, Marlo Dwyer.
Cinematography: J. Roy Hunt
Film Editor: Harry Gerstad
Art Direction: Albert S. D’Agostino, Alfred Herman
Original Music: Roy Webb
Written by John Paxton from the novel The Brick Foxhole by...
Crossfire
Blu-ray
Warner Archive Collection
1947 / B&w / 1:37 Academy / 86 min. / Street Date , 2021 / available through the WBshop / 21.99
Starring: Robert Young, Robert Mitchum, Robert Ryan, Gloria Grahame, Paul Kelly,
Sam Levene, George Cooper, Jacqueline White, Steve Brodie, William Phipps, Lex Barker, Marlo Dwyer.
Cinematography: J. Roy Hunt
Film Editor: Harry Gerstad
Art Direction: Albert S. D’Agostino, Alfred Herman
Original Music: Roy Webb
Written by John Paxton from the novel The Brick Foxhole by...
- 3/20/2021
- by Glenn Erickson
- Trailers from Hell
It’s the formidable Bette Davis once again, in yet another superior William Wyler picture. The Somerset Maugham play is a classy vehicle for a star performance — the nagging legal ‘difficulty’ of plantation wife Leslie Crosbie is intertwined with colonial politics but remains entirely personal. Leslie isn’t exactly a poster girl for the feminist movement. Is she the victim of social pressures or just a petty, selfish monster? Screenwriter Howard Koch had to invent a twisted new ‘yellow peril’ finish to appease the Production Code … you know, the Code that some people say made Hollywood movies better.
The Letter
Blu-ray
The Warner Archive Collection
1940 / B&w / 1:37 flat Academy / 95 min. / Street Date September 24, 2019 / available through the WBshop / 21.99
Starring: Bette Davis, Herbert Marshall, James Stephenson, Frieda Inescort, Gale Sondergaard.
Cinematography: Tony Gaudio
Art Direction: Carl Jules Weyl
Film Editor: George Amy, Warren Low
Original Music: Max Steiner
Written by Howard...
The Letter
Blu-ray
The Warner Archive Collection
1940 / B&w / 1:37 flat Academy / 95 min. / Street Date September 24, 2019 / available through the WBshop / 21.99
Starring: Bette Davis, Herbert Marshall, James Stephenson, Frieda Inescort, Gale Sondergaard.
Cinematography: Tony Gaudio
Art Direction: Carl Jules Weyl
Film Editor: George Amy, Warren Low
Original Music: Max Steiner
Written by Howard...
- 10/5/2019
- by Glenn Erickson
- Trailers from Hell
Chamber of Horrors
Blu-ray
Kino Lorber
1940 / B&W / 1:33 / Street Date March 21, 2017
Starring: Lilli Palmer, Leslie Banks.
Cinematography: Alex Bryce, Ernest Palmer
Film Editor: Ted Richards
Written by Gilbert Gunn, Norman Lee
Produced by John Argyle
Directed by Norman Lee
Near the turn of the century a struggling war correspondent named Edgar Wallace began churning out detective stories for British monthlies like Detective Story Magazine to help make the rent. Creative to a fault, his preposterously prolific output (exacerbated by ongoing gambling debts) soon earned him a legion of fans along with a pointedly ambiguous sobriquet, “The Man Who Wrote Too Much.”
A reader new to Wallace’s work could be excused for thinking the busy writer was making it up as he went along… because that’s pretty much what he did. He dictated his narratives, unedited, into a dictaphone for transcription by his secretary where they would then...
Blu-ray
Kino Lorber
1940 / B&W / 1:33 / Street Date March 21, 2017
Starring: Lilli Palmer, Leslie Banks.
Cinematography: Alex Bryce, Ernest Palmer
Film Editor: Ted Richards
Written by Gilbert Gunn, Norman Lee
Produced by John Argyle
Directed by Norman Lee
Near the turn of the century a struggling war correspondent named Edgar Wallace began churning out detective stories for British monthlies like Detective Story Magazine to help make the rent. Creative to a fault, his preposterously prolific output (exacerbated by ongoing gambling debts) soon earned him a legion of fans along with a pointedly ambiguous sobriquet, “The Man Who Wrote Too Much.”
A reader new to Wallace’s work could be excused for thinking the busy writer was making it up as he went along… because that’s pretty much what he did. He dictated his narratives, unedited, into a dictaphone for transcription by his secretary where they would then...
- 4/17/2017
- by Charlie Largent
- Trailers from Hell
I'll trade you two RKOs for two Warners', an even swap! This quartet of movie-magic wonderments offer a full course on old-school film effects wizardry at its best. Willis O'Brien passes the baton to disciple Ray Harryhausen, who dazzles us with his own effects magic for the first '50s giant monster epic. And the best monster thriller of the decade is offered at its original widescreen aspect ratio. It's all special enough to merit a mid-week review. Special Effects Collection Blu-ray The Son of Kong, Mighty Joe Young, The Beast from 20,000 Fathoms, Them! Warner Home Video 1933-1954 / B&W / 1:37 Academy - 1:85 widescreen / 335 min. / Street Date October 27, 2015 / 54.96 or 19.98 separately Starring Robert Armstrong, Helen Mack,, Frank Reicher, Victor Wong; Robert Armstrong, Terry Moore, Ben Johnson, Frank McHugh; Paul Christian, Paula Raymond, Cecil Kellaway, Kenneth Tobey, Donald Woods, Lee Van Cleef; James Whitmore, Edmund Gwenn, Joan Weldon, James Arness, Onslow Stevens,...
- 10/23/2015
- by Glenn Erickson
- Trailers from Hell
Special Mention: The Bird with the Crystal Plumage
Directed by Dario Argento
Screenplay by Dario Argento
1970, Italy
Genre: Giallo
One of the most self-assured directorial debuts of the 70’s was Dario Argento’s The Bird with the Crystal Plumage. Not only was it a breakthrough film for the master of Giallo, but it was also a box office hit and had critics buzzing, regardless if they liked it or not. Although Argento would go on to perfect his craft in later films, The Bird With The Crystal Plumage went a long way in popularizing the Giallo genre and laid the groundwork for later classics like Deep Red. A difficult film to discuss without spoiling many of its most impressive and famous scenes, The Bird with the Crystal Plumage is a fairly straightforward murder mystery, albeit with many twists, turns and one of the best surprise endings of all time. But...
Directed by Dario Argento
Screenplay by Dario Argento
1970, Italy
Genre: Giallo
One of the most self-assured directorial debuts of the 70’s was Dario Argento’s The Bird with the Crystal Plumage. Not only was it a breakthrough film for the master of Giallo, but it was also a box office hit and had critics buzzing, regardless if they liked it or not. Although Argento would go on to perfect his craft in later films, The Bird With The Crystal Plumage went a long way in popularizing the Giallo genre and laid the groundwork for later classics like Deep Red. A difficult film to discuss without spoiling many of its most impressive and famous scenes, The Bird with the Crystal Plumage is a fairly straightforward murder mystery, albeit with many twists, turns and one of the best surprise endings of all time. But...
- 10/16/2015
- by Ricky Fernandes
- SoundOnSight
Throughout the month of October, Editor-in-Chief and resident Horror expert Ricky D, will be posting a list of his favorite Horror films of all time. The list will be posted in six parts. Click here to see every entry.
As with all lists, this is personal and nobody will agree with every choice – and if you do, that would be incredibly disturbing. It was almost impossible for me to rank them in order, but I tried and eventually gave up.
****
Special Mention: Gremlins
Directed by Joe Dante
Written by Chris Columbus
1984, USA
Gremlins gets a special mention because I’ve always considered it more of a comedy and a wholesome Christmas flick than an actual horror film. This tribute the 1950s matinee genre stands the test of time from a time when parents would take their children to family films that pushed the boundaries of the MPAA. Joe Dante is...
As with all lists, this is personal and nobody will agree with every choice – and if you do, that would be incredibly disturbing. It was almost impossible for me to rank them in order, but I tried and eventually gave up.
****
Special Mention: Gremlins
Directed by Joe Dante
Written by Chris Columbus
1984, USA
Gremlins gets a special mention because I’ve always considered it more of a comedy and a wholesome Christmas flick than an actual horror film. This tribute the 1950s matinee genre stands the test of time from a time when parents would take their children to family films that pushed the boundaries of the MPAA. Joe Dante is...
- 10/15/2012
- by Ricky
- SoundOnSight
Craig here with Take Three. Today: Gloria Grahame.
Take One: The Big Heat (1953)
When you think of Film Noir, you think of hard-boiled anti-heroes in fedoras, smoking, permanently with gun. But in some noirs it’s ladies first. Fritz Lang’s dirty, masterful noir par excellence The Big Heat has a first-rate femme fatale in Grahame’s Debby Marsh. Thank 20th Century Fox for replacement pleasures then: Grahame stepped in when original pick Marilyn Monroe’s fee became too high, giving the the film an extra sprinkling of salty sass. She excelled in each moment, whether heartfelt or hardened; I can only hazard a guess that Monroe might have made Debby’s eventual desperation too pleading. Under Grahame’s control Debby’s desperate dilemma was frenetic and wrenching. Never has the rapid flush of devastation been so well conveyed on screen as when she runs to Glenn Ford’s apartment to beg for cover.
Take One: The Big Heat (1953)
When you think of Film Noir, you think of hard-boiled anti-heroes in fedoras, smoking, permanently with gun. But in some noirs it’s ladies first. Fritz Lang’s dirty, masterful noir par excellence The Big Heat has a first-rate femme fatale in Grahame’s Debby Marsh. Thank 20th Century Fox for replacement pleasures then: Grahame stepped in when original pick Marilyn Monroe’s fee became too high, giving the the film an extra sprinkling of salty sass. She excelled in each moment, whether heartfelt or hardened; I can only hazard a guess that Monroe might have made Debby’s eventual desperation too pleading. Under Grahame’s control Debby’s desperate dilemma was frenetic and wrenching. Never has the rapid flush of devastation been so well conveyed on screen as when she runs to Glenn Ford’s apartment to beg for cover.
- 3/20/2011
- by Craig Bloomfield
- FilmExperience
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