Somewhat similar in approach to Stop Making Sense and Storefront Hitchcock, Demme focuses on the uniqueness of the performances of Avitabile's music. A Neapolitan saxophonist and vocalist who creates intricate, multiethnic jazz compositions, Avitabile possesses a level of songwriting genius that exists on a comparable intellectual plane to David Byrne. Like Byrne, Avitabile's greatest strength is in his ability to choose teams of collaborators from around the world, then fuse them together in the recording of a song. Avitabile is well known for his thorough knowledge of world music -- specifically the instruments and rhythmic structures -- and ability to use that information in the development of intriguing collaborations. Whether or not you recognize names such as Eliades Ochoa, Naseer Shamma, Daby Touré, Trilok Gurtu and Amal Murkus does not really matter, Enzo Avitabile is about the magic that happens when Avitable creates music with these talented people.
- 10/17/2013
- by Don Simpson
- SmellsLikeScreenSpirit
Our critics' picks of this week's openings, plus your last chance to see and what to book now
• Which cultural events are in your diary this week? Tell us in the comments below
Opening this weekTheatre
Big and Small
Cate Blanchett plays Lotte, a continuing optimist in a bleak world where she struggles to make a connection with her family and others. Sydney Theatre Company with its award-winning production of Botho Strauß's surreal play. Barbican, London (020-7638 8891), Friday until 29 April.
Miss Julie
Maxine Peake plays the troubled 19th-century aristocrat who wanders into the kitchen and the bed of her father's valet, Jean, one delirious midsummer's eve. David Eldridge adapts Strindberg's troubling play, which caused a scandal when it was first produced. Royal Exchange, Manchester (0161-833 9833), Wednesday until 12 May.
Film
This Must Be The Place (dir. Paolo Sorrentino)
Paolo Sorrentino's English-language debut has Sean Penn as a retired goth rocker living in Dublin.
• Which cultural events are in your diary this week? Tell us in the comments below
Opening this weekTheatre
Big and Small
Cate Blanchett plays Lotte, a continuing optimist in a bleak world where she struggles to make a connection with her family and others. Sydney Theatre Company with its award-winning production of Botho Strauß's surreal play. Barbican, London (020-7638 8891), Friday until 29 April.
Miss Julie
Maxine Peake plays the troubled 19th-century aristocrat who wanders into the kitchen and the bed of her father's valet, Jean, one delirious midsummer's eve. David Eldridge adapts Strindberg's troubling play, which caused a scandal when it was first produced. Royal Exchange, Manchester (0161-833 9833), Wednesday until 12 May.
Film
This Must Be The Place (dir. Paolo Sorrentino)
Paolo Sorrentino's English-language debut has Sean Penn as a retired goth rocker living in Dublin.
- 4/10/2012
- The Guardian - Film News
The eagerly anticipated debut feature film of Rue Morgue publisher Rodrigo Gudino, The Last Will and Testament of Rosalind Leigh, has named the man tasked with scoring the film. World music artist Mercan Dede will fill that role.
Dede has a slew of big name films under his belt, and nabbing him to pen the music for his film is a huge win for Gudino. The Last Will and Testament of Rosalind Leigh is currently in post-production, aiming for a release later this year.
For more visit the official Rue Morgue website, "like" The Last Temptation of Rosalind Leigh on Facebook, and follow Rue Morgue on Twitter (@ruemorgue).
From the Press Release
World-renowned composer, musician, DJ, producer and multi-media artist Mercan Dede has joined ranks with award-winning filmmaker Rodrigo Gudino to score Gudino’s feature film debut The Last Will and Testament of Rosalind Leigh, now in post-production. Dede, whose...
Dede has a slew of big name films under his belt, and nabbing him to pen the music for his film is a huge win for Gudino. The Last Will and Testament of Rosalind Leigh is currently in post-production, aiming for a release later this year.
For more visit the official Rue Morgue website, "like" The Last Temptation of Rosalind Leigh on Facebook, and follow Rue Morgue on Twitter (@ruemorgue).
From the Press Release
World-renowned composer, musician, DJ, producer and multi-media artist Mercan Dede has joined ranks with award-winning filmmaker Rodrigo Gudino to score Gudino’s feature film debut The Last Will and Testament of Rosalind Leigh, now in post-production. Dede, whose...
- 4/4/2012
- by Doctor Gash
- DreadCentral.com
New Delhi, Dec 14 – An Indo-jazz concert, a rock festival with performances by international bands and a jazz festival – young Delhi is on its feet this winter, rocking to quality music from abroad.
The party began last month with a rare fusion Indo-jazz concert, Melange, featuring veterans Larry Coryell, Lily Hayden, Trilok Gurtu and Nishat Khan.
It was followed by a hurricane trip by leading jazz.
The party began last month with a rare fusion Indo-jazz concert, Melange, featuring veterans Larry Coryell, Lily Hayden, Trilok Gurtu and Nishat Khan.
It was followed by a hurricane trip by leading jazz.
- 12/14/2010
- by realbollywood
- RealBollywood.com
SYDNEY -- With his debut feature Lucky Miles, Michael James Rowland leaches the politics out of the prickly topic of illegal immigration and turns out an unexpectedly amiable comedy. The narrative -- which follows a motley crew of asylum seekers stumbling through the Outback -- lacks momentum, and the film falls short of the Gods Must Be Crazy-style mayhem for which it appears to be shooting. But its congeniality is disarming, and the themes are slyly conscience-pricking.
Inspired by a number of real-life events, Miles features a cast of unknowns, which, together with frequent subtitles, could limit accessibility upon its local release. It's already proven to be a festival favorite in Australia, and Cineclick Asia has picked it up for international distribution.
Setting the action in 1990, Rowland harks back to a time before the nation, or at least its government, seemed to lose any sense of compassion for the Third World refugees seeking sanctuary on its shores. It starts on a cheery note as a group of Cambodians and Iraqis wade ashore after being dropped off by Indonesian people-smugglers on a deserted stretch of coastline in Western Australia.
Their joy soon turns to despair as the boat chugs off. They crest the sand dunes to discover, instead of the promised bus stop to Perth, an abundance of what is referred to by locals as "bugger-all."
They splinter into two groups: Iraqis heading one way into nothingness, Cambodians the other. The Cambodians are quickly picked up by police after they stop at an isolated pub to ask directions, though a fateful trip to the outhouse means one, Arun (Kenneth Moraleda), escapes the roundup. Meanwhile, a bunch of laconic army reservists on border patrol have been dispatched to investigate a suspicious fishing boat in the area.
They pick up Arun's tracks but soon discover three sets of footprints: A couple of only slightly strained plot contrivances have thrown the Cambodian together with one of the Iraqis, a structural engineer named Youssif (Rodney Afif), and Ramelan (Srisacd Sacdpraseuth), the Indonesian boat owner's ne'er-do-well nephew.
The ill-matched trio unites around a single water bottle and shared survival instincts, though the two refugees wonder how much they can trust a man who sadly informs them that his mother died before he was born. Arun's sketchy map gives no sense of the unpopulated vastness that surrounds them and sends them off on an elliptical odyssey that sorely tests their uneasy alliance.
Underpinning the naive slapstick and droll verbal clashes is a deep seam of humanism that makes its point about tolerance of difference gently. Heated debate about national identity and the ethics of detention have no place in this comic fable, and neither do cultural stereotypes.
Discord is rooted in the need for survival in a strange and hostile environment. Even the army trackers seem motivated by a desire to save the skins of the bumbling trespassers.
Moraleda is particularly effective as the politely resolute Arun, dogged in his determination to reach Perth and the father he has never met. Afif gets great comic mileage out of a centerpiece scene involving a cobbled-together Jeep.
Indian composer Trilok Gurtu contributes a dramatic percussive score, while cinematographer Geoff Burton does a terrific job conveying the enormity of the brutally beautiful West Australian landscapes.
LUCKY MILES
Cineclick Asia
Short of Easy
Credits:
Director/co-producer: Michael James Rowland
Screenwriters: Helen Barnes, Michael James Rowland
Producers: Jo Dyer, Lesley Dyer
Executive producer: Michael Bourchier
Director of photography: Geoff Burton
Production designer: Pete Baxter
Music: Trilok Gurtu
Costume designer: Ruth de la Lande
Editor: Henry Dangar
Cast:
Arun: Kenneth Moraleda
Youssif: Rodney Afif
Ramelan: Srisacd Sacdpraseuth
O'Shane: Glenn Shea
Greg: Don Hany
Tom: Sean Mununggurr
Muluk: Sawung Jabo
Abdu: Arif Hidayat
Running time -- 104 minutes
No MPAA rating...
Inspired by a number of real-life events, Miles features a cast of unknowns, which, together with frequent subtitles, could limit accessibility upon its local release. It's already proven to be a festival favorite in Australia, and Cineclick Asia has picked it up for international distribution.
Setting the action in 1990, Rowland harks back to a time before the nation, or at least its government, seemed to lose any sense of compassion for the Third World refugees seeking sanctuary on its shores. It starts on a cheery note as a group of Cambodians and Iraqis wade ashore after being dropped off by Indonesian people-smugglers on a deserted stretch of coastline in Western Australia.
Their joy soon turns to despair as the boat chugs off. They crest the sand dunes to discover, instead of the promised bus stop to Perth, an abundance of what is referred to by locals as "bugger-all."
They splinter into two groups: Iraqis heading one way into nothingness, Cambodians the other. The Cambodians are quickly picked up by police after they stop at an isolated pub to ask directions, though a fateful trip to the outhouse means one, Arun (Kenneth Moraleda), escapes the roundup. Meanwhile, a bunch of laconic army reservists on border patrol have been dispatched to investigate a suspicious fishing boat in the area.
They pick up Arun's tracks but soon discover three sets of footprints: A couple of only slightly strained plot contrivances have thrown the Cambodian together with one of the Iraqis, a structural engineer named Youssif (Rodney Afif), and Ramelan (Srisacd Sacdpraseuth), the Indonesian boat owner's ne'er-do-well nephew.
The ill-matched trio unites around a single water bottle and shared survival instincts, though the two refugees wonder how much they can trust a man who sadly informs them that his mother died before he was born. Arun's sketchy map gives no sense of the unpopulated vastness that surrounds them and sends them off on an elliptical odyssey that sorely tests their uneasy alliance.
Underpinning the naive slapstick and droll verbal clashes is a deep seam of humanism that makes its point about tolerance of difference gently. Heated debate about national identity and the ethics of detention have no place in this comic fable, and neither do cultural stereotypes.
Discord is rooted in the need for survival in a strange and hostile environment. Even the army trackers seem motivated by a desire to save the skins of the bumbling trespassers.
Moraleda is particularly effective as the politely resolute Arun, dogged in his determination to reach Perth and the father he has never met. Afif gets great comic mileage out of a centerpiece scene involving a cobbled-together Jeep.
Indian composer Trilok Gurtu contributes a dramatic percussive score, while cinematographer Geoff Burton does a terrific job conveying the enormity of the brutally beautiful West Australian landscapes.
LUCKY MILES
Cineclick Asia
Short of Easy
Credits:
Director/co-producer: Michael James Rowland
Screenwriters: Helen Barnes, Michael James Rowland
Producers: Jo Dyer, Lesley Dyer
Executive producer: Michael Bourchier
Director of photography: Geoff Burton
Production designer: Pete Baxter
Music: Trilok Gurtu
Costume designer: Ruth de la Lande
Editor: Henry Dangar
Cast:
Arun: Kenneth Moraleda
Youssif: Rodney Afif
Ramelan: Srisacd Sacdpraseuth
O'Shane: Glenn Shea
Greg: Don Hany
Tom: Sean Mununggurr
Muluk: Sawung Jabo
Abdu: Arif Hidayat
Running time -- 104 minutes
No MPAA rating...
- 7/19/2007
- The Hollywood Reporter - Movie News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.