The great thing about underground films these days is that they are the last and final place where cinema can still be mysterious. They are the antidote to today’s mainstream movies that, on all technical fronts — from the scriptwriting to the CGI effects — craft nitpickishly logical worlds down to the nano pixel, allowing audiences to leave the magic of their own imagination at home when they go to the theater.
For the past 22 years, the Chicago Underground Film Festival has been programming films — both shorts and features — that miraculously asks audiences to bring their own imaginations with them to interact with the imagery conjured up by cinematic magicians. At the fest’s most recent edition on May 13-17, 2015, two extremely different short films perfectly typify the kind of enigmatic cinematic experience that make the viewing of underground movies so invigorating.
Echoes, by Winnipeg-based filmmaker Jaimz Asmundson, is the stunningly...
For the past 22 years, the Chicago Underground Film Festival has been programming films — both shorts and features — that miraculously asks audiences to bring their own imaginations with them to interact with the imagery conjured up by cinematic magicians. At the fest’s most recent edition on May 13-17, 2015, two extremely different short films perfectly typify the kind of enigmatic cinematic experience that make the viewing of underground movies so invigorating.
Echoes, by Winnipeg-based filmmaker Jaimz Asmundson, is the stunningly...
- 5/18/2015
- by Mike Everleth
- Underground Film Journal
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