Sony Pictures International Productions and Italy’s Colorado Film have teamed up on Italian comedy/road movie “50km per Hour” which has started shooting with multi-hyphenate Fabio De Luigi directing and starring.
The film is an Italian remake of Sony’s 2018 German box office hit “25 Km/h,” written by Oliver Ziegenbalg and directed by Markus Goller about two estranged siblings who reunite at their father’s funeral and make a spur of the moment decision to fulfill their childhood dream of driving across the country on their old motorbikes. It has also recently been remade in Mexico with the title “A Todas Partes” (“All the Places”).
De Luigi, who is among Italy’s most bankable talents, recently starred in “The Worse Week of My Life” and “When Mom is Away,” which was Italy’s top grossing local title during pandemic-stricken 2019. De Luigi on this film is pairing up with another top local box office draw,...
The film is an Italian remake of Sony’s 2018 German box office hit “25 Km/h,” written by Oliver Ziegenbalg and directed by Markus Goller about two estranged siblings who reunite at their father’s funeral and make a spur of the moment decision to fulfill their childhood dream of driving across the country on their old motorbikes. It has also recently been remade in Mexico with the title “A Todas Partes” (“All the Places”).
De Luigi, who is among Italy’s most bankable talents, recently starred in “The Worse Week of My Life” and “When Mom is Away,” which was Italy’s top grossing local title during pandemic-stricken 2019. De Luigi on this film is pairing up with another top local box office draw,...
- 6/21/2023
- by Nick Vivarelli
- Variety Film + TV
The festival runs June 23 - July 1.
Films by Jessica Hausner, Elegance Bratton and Sebastian Silva are among 36 titles selected for the Filmfest München’s three international competition strands, CineMasters, CineVision and CineRebels. The festival runs June 23-July 1.
CineMasters
Hausner’s Club Zero will be joined by another four Cannes competition titles - Aki Kaurismäki’s Fallen Leaves, Marco Bellocchio’s Kidnapped, Kaouther Ben Hania’s Four Daughters, and Hirokazu Kore-eda’s Monster - to screen in Munich’s CineMasters competition for the €50,000 Arri Award which is presented to the producers of the best international film.
The 12-title line-up also includes...
Films by Jessica Hausner, Elegance Bratton and Sebastian Silva are among 36 titles selected for the Filmfest München’s three international competition strands, CineMasters, CineVision and CineRebels. The festival runs June 23-July 1.
CineMasters
Hausner’s Club Zero will be joined by another four Cannes competition titles - Aki Kaurismäki’s Fallen Leaves, Marco Bellocchio’s Kidnapped, Kaouther Ben Hania’s Four Daughters, and Hirokazu Kore-eda’s Monster - to screen in Munich’s CineMasters competition for the €50,000 Arri Award which is presented to the producers of the best international film.
The 12-title line-up also includes...
- 6/13/2023
- by Martin Blaney
- ScreenDaily
German cinema is in Cannes with new works by Wim Wenders and films that explore Nazi propaganda, gender identity, economic crisis, romance, betrayal and fast cars.
In addition to domestic films, a dozen German co-productions are screening in this year’s Cannes Film Festival lineup, including major works from the likes of Wes Anderson, Aki Kaurismäki and Jessica Hausner.
Wenders is in Cannes with “Perfect Days,” which is vying for the Palme d’Or, and the documentary “Anselm” in Special Screenings.
“Perfect Days” tells the story of a Tokyo janitor (Kôji Yakusho) who seems very content with his simple life, structured routines and passion for music, books and photography. A series of unexpected encounters gradually reveal more of his past. The Japanese-German co-production is sold by the Match Factory.
“Anselm” explores the work of artist Anselm Kiefer, shedding light on his life, inspirations and creative process. Shot in 3D,...
In addition to domestic films, a dozen German co-productions are screening in this year’s Cannes Film Festival lineup, including major works from the likes of Wes Anderson, Aki Kaurismäki and Jessica Hausner.
Wenders is in Cannes with “Perfect Days,” which is vying for the Palme d’Or, and the documentary “Anselm” in Special Screenings.
“Perfect Days” tells the story of a Tokyo janitor (Kôji Yakusho) who seems very content with his simple life, structured routines and passion for music, books and photography. A series of unexpected encounters gradually reveal more of his past. The Japanese-German co-production is sold by the Match Factory.
“Anselm” explores the work of artist Anselm Kiefer, shedding light on his life, inspirations and creative process. Shot in 3D,...
- 5/19/2023
- by Ed Meza
- Variety Film + TV
Deutsche Telekom’s first major original, “Wild Republic,” is set to bow April 15 on the telco giant’s Ott service MagentaTV after production was postponed last year due to the ongoing pandemic.
The eight-part adventure series follows a group of young offenders who end up fending for themselves high in the Alps after a mysterious death disrupts the experiential educational program in which they are taking part.
Created by Jan Martin Scharf, Arne Nolting and Klaus Wolfertstetter, the series is produced by Lailaps Pictures, X Filme Creative Pool and Handwritten Pictures in co-production with Deutsche Telekom, Arte and Ard broadcasters Wdr, Swr and One.
“Wild Republic” was initially inspired by Erwin S. Strauss’ 1979 book “How to Start Your Own Country,” which explored the micronation movement of the 1960s, according to Lailaps CEO Nils Dünker. Eric Bouley, now managing partner at Handwritten Pictures, helped develop the original premise while working at Lailaps.
The eight-part adventure series follows a group of young offenders who end up fending for themselves high in the Alps after a mysterious death disrupts the experiential educational program in which they are taking part.
Created by Jan Martin Scharf, Arne Nolting and Klaus Wolfertstetter, the series is produced by Lailaps Pictures, X Filme Creative Pool and Handwritten Pictures in co-production with Deutsche Telekom, Arte and Ard broadcasters Wdr, Swr and One.
“Wild Republic” was initially inspired by Erwin S. Strauss’ 1979 book “How to Start Your Own Country,” which explored the micronation movement of the 1960s, according to Lailaps CEO Nils Dünker. Eric Bouley, now managing partner at Handwritten Pictures, helped develop the original premise while working at Lailaps.
- 3/2/2021
- by Ed Meza
- Variety Film + TV
Mexico’s Mauricio Ochmann is re-teaming with director Pitipol Ybarra for the Mexican remake of the 2018 German hit “25 Km/H” from Sony Pictures Intl. Prods. (Spip).
Ochmann and Ybarra previously collaborated on family drama “Ya Veremos,” which Pantelion/Lionsgate released in the U.S. on Labor Day weekend in 2018. Drama topped the specialty releases that weekend, grossing an estimated $1.8 million over the three-day holiday.
In “25 Km/H,” an estranged brother and sister reunite at their father’s funeral and make a spur of the moment decision to fulfill their childhood dream of driving across Mexico on their old motorbikes. The cross-country adventure allows them to mend their relationship and bring some renewed purpose to their lives.
“We honestly can’t believe our good fortune to be able to reteam Mauricio and Pitipol for this title,” said Laine Kline, head of Spip. “As a duo, they bring that rare quality that...
Ochmann and Ybarra previously collaborated on family drama “Ya Veremos,” which Pantelion/Lionsgate released in the U.S. on Labor Day weekend in 2018. Drama topped the specialty releases that weekend, grossing an estimated $1.8 million over the three-day holiday.
In “25 Km/H,” an estranged brother and sister reunite at their father’s funeral and make a spur of the moment decision to fulfill their childhood dream of driving across Mexico on their old motorbikes. The cross-country adventure allows them to mend their relationship and bring some renewed purpose to their lives.
“We honestly can’t believe our good fortune to be able to reteam Mauricio and Pitipol for this title,” said Laine Kline, head of Spip. “As a duo, they bring that rare quality that...
- 6/24/2020
- by Anna Marie de la Fuente
- Variety Film + TV
Four upcoming premium drama series from German production companies—“Deutschland89,” “Wild Republic,” “Algiers Confidential” and “MaPa”—have been selected for Coming Next, a section that forms part of Series Mania’s Forum program. German Films, an agency that promotes Teutonic film and TV productions, compiled the selection.
“Wild Republic” takes place at an institution at the foot of the Alps, where young offenders are undergoing an experiential educational program intended to re-socialize them. When a member of the program dies a violent death—although nobody knows exactly what happened—the youths face a difficult decision: Should they wait for the authorities to recover the body and investigate the crime, or escape and take their fate into their own hands?
The eight-part show, produced by Nils Dünker, was written by Jan Martin Scharf, Arne Nolting and Klaus Wolfertstetter, and directed by Markus Goller and Lennart Ruff.
Dünker tells Variety that the...
“Wild Republic” takes place at an institution at the foot of the Alps, where young offenders are undergoing an experiential educational program intended to re-socialize them. When a member of the program dies a violent death—although nobody knows exactly what happened—the youths face a difficult decision: Should they wait for the authorities to recover the body and investigate the crime, or escape and take their fate into their own hands?
The eight-part show, produced by Nils Dünker, was written by Jan Martin Scharf, Arne Nolting and Klaus Wolfertstetter, and directed by Markus Goller and Lennart Ruff.
Dünker tells Variety that the...
- 3/24/2020
- by Leo Barraclough
- Variety Film + TV
As the coronavirus crisis continues to devastate Germany’s entertainment industry, calls are growing ever louder for an official ban on shooting.
At the same time, the country’s film funders have come together to finance an industry rescue package, while leading TV broadcasters are promising to bear a share of the costs of shuttered productions.
The crisis has already resulted in cancellations of some major film and TV productions across the country. At Studio Babelsberg, work on Warner Bros.’ “The Matrix 4” and Sony Pictures’ “Uncharted” has been put on hold for several weeks. Constantin Film has said the pandemic has “interrupted” most of its current productions.
Yet many producers have been forced to continue working or face financial ruin.
Berlin-based X Filme is calling for an official government ban on filming in order to ensure production companies can qualify for state aid. At the moment, shooting is allowed on private premises,...
At the same time, the country’s film funders have come together to finance an industry rescue package, while leading TV broadcasters are promising to bear a share of the costs of shuttered productions.
The crisis has already resulted in cancellations of some major film and TV productions across the country. At Studio Babelsberg, work on Warner Bros.’ “The Matrix 4” and Sony Pictures’ “Uncharted” has been put on hold for several weeks. Constantin Film has said the pandemic has “interrupted” most of its current productions.
Yet many producers have been forced to continue working or face financial ruin.
Berlin-based X Filme is calling for an official government ban on filming in order to ensure production companies can qualify for state aid. At the moment, shooting is allowed on private premises,...
- 3/23/2020
- by Ed Meza
- Variety Film + TV
Thomas “Tom” Zickler, one of Germany’s most successful producers, died Monday following a short illness. He was 55.
Zickler worked with actor-director Til Schweiger on some of Germany’s most successful films of the past two decades. Overseeing production at Barefoot Films and Mr. Brown Entertainment, companies he ran with Schweiger, Zickler produced such hits as 1997’s “Knockin’ on Heaven’s Door,” 2010’s “Friendship!” and 2014’s “Head Full of Honey.”
In 2017 he teamed up with Christoph Fisser, vice president and COO of Studio Babelsberg, to launch a new shingle, Traumfabrik. Zickler most recently produced a movie of the same title, “Traumfabrik,” a period-piece love letter to East Germany’s famed Defa film studios, in Potsdam, which became Studio Babelsberg.
The new shingle marked a return to his professional roots. Zickler began his film career at Defa, in what was then East Germany, in 1986, three years before German reunification led to the privatization of the studio.
Zickler worked with actor-director Til Schweiger on some of Germany’s most successful films of the past two decades. Overseeing production at Barefoot Films and Mr. Brown Entertainment, companies he ran with Schweiger, Zickler produced such hits as 1997’s “Knockin’ on Heaven’s Door,” 2010’s “Friendship!” and 2014’s “Head Full of Honey.”
In 2017 he teamed up with Christoph Fisser, vice president and COO of Studio Babelsberg, to launch a new shingle, Traumfabrik. Zickler most recently produced a movie of the same title, “Traumfabrik,” a period-piece love letter to East Germany’s famed Defa film studios, in Potsdam, which became Studio Babelsberg.
The new shingle marked a return to his professional roots. Zickler began his film career at Defa, in what was then East Germany, in 1986, three years before German reunification led to the privatization of the studio.
- 9/4/2019
- by Ed Meza
- Variety Film + TV
Zickler best known for collaborations with actor Til Schweiger, including box office hits ’Knockin’ On Heaven’s Door’ and ’Barefoot’.
The German film community is mourning producer Tom Zickler, who died aged 55 on Monday (September 2) after a brief, but very severe illness.
“We are stunned, devastated and deeply sad,” Christoph Fisser, board member of Studio Babelsberg and co-managing director with Zickler of Traumfabrik Babelsberg, said. ”The German film landscape loses one of the greatest film producers and most passionate storytellers, who knew like no other how to enthral the audience. Cinema was his life. Far too early We have to...
The German film community is mourning producer Tom Zickler, who died aged 55 on Monday (September 2) after a brief, but very severe illness.
“We are stunned, devastated and deeply sad,” Christoph Fisser, board member of Studio Babelsberg and co-managing director with Zickler of Traumfabrik Babelsberg, said. ”The German film landscape loses one of the greatest film producers and most passionate storytellers, who knew like no other how to enthral the audience. Cinema was his life. Far too early We have to...
- 9/4/2019
- by Martin Blaney
- ScreenDaily
The recipients were the producers of films nominated for best film, best doc and best children’s film.
More than €2m ($3.2m) in nomination premiums has been awarded to the producers of the films nominated for best film, best documentary and best children’s film at the 2019 German Film Awards, aka the Lolas, in Berlin today (March 20).
The best film nominees are Andreas Dresen’s Gunderman, Markus Goller’s 25 km/h, Caroline Link’s The Boy Needs Fresh Air, Aron Lehmann’s The Most Beautiful Girl In The World, Wolfgang Fischer’s Styx and Christian Petzold’s Transit. Each of...
More than €2m ($3.2m) in nomination premiums has been awarded to the producers of the films nominated for best film, best documentary and best children’s film at the 2019 German Film Awards, aka the Lolas, in Berlin today (March 20).
The best film nominees are Andreas Dresen’s Gunderman, Markus Goller’s 25 km/h, Caroline Link’s The Boy Needs Fresh Air, Aron Lehmann’s The Most Beautiful Girl In The World, Wolfgang Fischer’s Styx and Christian Petzold’s Transit. Each of...
- 3/20/2019
- by Martin Blaney
- ScreenDaily
German films have continued to perform strongly at the box office this year despite record high temperatures over the summer, usually a death knell for local cinemas, and not to mention World Cup soccer, which kept many potential moviegoers at home or in sports bars across the country.
Local pics have benefitted from a strong mix of comedy, children’s fare and drama. German productions accounted for some 11.3 million admissions in the first half of the year, compared with 10.6 million in the first six months of 2017, resulting in a 22.4% market share, up from 18.2%.
“German films have been able to increase both their revenue and market share in a difficult market environment, which is already a special achievement,” Peter Dinges, CEO of the German Federal Film Board (Ffa), tells Variety. “And with some high-profile movie launches in the second half of the year, I am extremely confident that this trend will...
Local pics have benefitted from a strong mix of comedy, children’s fare and drama. German productions accounted for some 11.3 million admissions in the first half of the year, compared with 10.6 million in the first six months of 2017, resulting in a 22.4% market share, up from 18.2%.
“German films have been able to increase both their revenue and market share in a difficult market environment, which is already a special achievement,” Peter Dinges, CEO of the German Federal Film Board (Ffa), tells Variety. “And with some high-profile movie launches in the second half of the year, I am extremely confident that this trend will...
- 11/2/2018
- by Ed Meza
- Variety Film + TV
Germany has selected Florian Henckel von Donnersmarck’s Venice-premiere title “Never Look Away” as its entry for best foreign language film at this year’s 91st Academy Awards. German Films, the local body for the promotion of German cinema worldwide, announced the choice Thursday.
It is the second time the director has had a film chosen as German’s Oscar submission following his Oscar-winning 2006 film “The Lives of Others.” “Never Look Away” has its world premiere in competition at the Venice Film Festival on Sept. 4 and will see its North American premiere in the special presentations section of the Toronto Intl. Film Festival on Sept. 8.
“My actors, producers and I asked ourselves in the making of ‘Never Look Away’: What movie would we like to see on the screen? The result is a love story, a family drama, a biography of Germany in the 20th century, and a stroll through modern art,...
It is the second time the director has had a film chosen as German’s Oscar submission following his Oscar-winning 2006 film “The Lives of Others.” “Never Look Away” has its world premiere in competition at the Venice Film Festival on Sept. 4 and will see its North American premiere in the special presentations section of the Toronto Intl. Film Festival on Sept. 8.
“My actors, producers and I asked ourselves in the making of ‘Never Look Away’: What movie would we like to see on the screen? The result is a love story, a family drama, a biography of Germany in the 20th century, and a stroll through modern art,...
- 8/30/2018
- by Robert Mitchell
- Variety Film + TV
Toni Erdmann star Sandra Hüller features in latest project from the director of Friendship!.
Sony’s Deutsche Columbia Pictures Filmproduktion and Studio Babelsberg’s in-house production arm Traumfabrik Babelsberg are co-producing Friendship! director Markus Goller’s latest feature project 25 Km/H, which began shooting in Baden-Württemberg this week.
The road movie stars Lars Eidinger (The Bloom of Yesterday), Bjarne Mädel (Tatortreiniger), Sandra Hüller (Toni Erdmann), Alexandra Maria Lara (Rush) and Jella Haase (Fack Ju Göhte).
The project is the first to go into production for Goller and screenwriter Oliver Ziegenbalg’s recently formed production company Sunny Side Up, and is also in co-production with Deutsche Columbia, Pictures in a Frame, Mythos Film, Traumfabrik Babelsberg and the single-purpose company 26th Babelsberg Film.
25 Km/H is Goller and Ziegenbalg’s first collaboration since their 2010 film Friendship! which was the most successful German film of that year with more than 1.5 million admissions.
That film was produced by The Live Of...
Sony’s Deutsche Columbia Pictures Filmproduktion and Studio Babelsberg’s in-house production arm Traumfabrik Babelsberg are co-producing Friendship! director Markus Goller’s latest feature project 25 Km/H, which began shooting in Baden-Württemberg this week.
The road movie stars Lars Eidinger (The Bloom of Yesterday), Bjarne Mädel (Tatortreiniger), Sandra Hüller (Toni Erdmann), Alexandra Maria Lara (Rush) and Jella Haase (Fack Ju Göhte).
The project is the first to go into production for Goller and screenwriter Oliver Ziegenbalg’s recently formed production company Sunny Side Up, and is also in co-production with Deutsche Columbia, Pictures in a Frame, Mythos Film, Traumfabrik Babelsberg and the single-purpose company 26th Babelsberg Film.
25 Km/H is Goller and Ziegenbalg’s first collaboration since their 2010 film Friendship! which was the most successful German film of that year with more than 1.5 million admissions.
That film was produced by The Live Of...
- 8/4/2017
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
A young man takes his mentally handicapped brother to Hamburg to search for their father in the comedy-drama My Brother Simple (Simpel). Directed with mainstream efficiency but not a lot of originality by Munich-born Markus Goller, whose Friendship! (2010) and Frau Ella (2013) were big hits locally, this German adaptation of French scribe Marie-Aude Murail’s novel casts Frederick Lau, the protagonist from one-take art house hit Victoria, as the lead and The Reader breakout David Kross as his titular sibling. The duo’s touching, fully inhabited performances elevate the otherwise rather conventional material, though its familiarity might actually be...
- 6/19/2017
- by Boyd van Hoeij
- The Hollywood Reporter - Movie News
No reason has been given for the change in opening film.
Danish director Bille August’s The Chinese Widow will open this year’s Shanghai International Film Festival (Siff, June 17-26), replacing Ann Hui’s Our Time Will Come, which was previously announced as the opening film.
However, Our Time Will Come will still play in the Golden Goblet competition at Siff. No reason was given for the change by either the festival or the film’s producer Bona Film Group.
Both films are set in China during the Second World War. Starring Emile Hirsch and Yu Nan, The Chinese Widow tells the story of an American pilot who is shot down and saved by Chinese villagers. It remains unclear if the film has been made under the recently signed Danish-Chinese co-production treaty. August recently served as jury president at the Beijing International Film Festival.
Our Time Will Come, which stars Zhou Xun and Eddie Peng, revolves...
Danish director Bille August’s The Chinese Widow will open this year’s Shanghai International Film Festival (Siff, June 17-26), replacing Ann Hui’s Our Time Will Come, which was previously announced as the opening film.
However, Our Time Will Come will still play in the Golden Goblet competition at Siff. No reason was given for the change by either the festival or the film’s producer Bona Film Group.
Both films are set in China during the Second World War. Starring Emile Hirsch and Yu Nan, The Chinese Widow tells the story of an American pilot who is shot down and saved by Chinese villagers. It remains unclear if the film has been made under the recently signed Danish-Chinese co-production treaty. August recently served as jury president at the Beijing International Film Festival.
Our Time Will Come, which stars Zhou Xun and Eddie Peng, revolves...
- 6/12/2017
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
Historical drama is one of eight titles announced for Siff’s Golden Goblets competition.
Ann Hui’s Our Time Will Come will open this year’s Shanghai International Film Festival (Siff, June 17-26), which is celebrating its 20th anniversary in 2017.
The historical drama, starring Eddie Peng and Zhou Xun, will also compete in the festival’s main competition section, the Golden Goblet Awards.
At a Cannes reception yesterday (May 18), Siff also announced seven other competition titles: Yasuo Furuhat’s Reminiscence (Japan), Dave McCary’s Brigsby Bear (Us), Cătălin Saizescu’s Fault Condition (Romania), Maciej Pieprzyca’s I’m A Killer (Poland), Ivan Bolotnikov’s Kharms (Russia), Robert Mullan’s Mad To Be Normal (UK) and Markus Goller’s My Brother Simple (Germany).
As previously announced, Romanian director Christian Mungiu will head the Golden Goblet Awards jury, which also includes Chinese director Cao Baoping, Chinese screenwriter Li Qiang, Us/Macedonian filmmaker Milcho Manchevski, Japanese director...
Ann Hui’s Our Time Will Come will open this year’s Shanghai International Film Festival (Siff, June 17-26), which is celebrating its 20th anniversary in 2017.
The historical drama, starring Eddie Peng and Zhou Xun, will also compete in the festival’s main competition section, the Golden Goblet Awards.
At a Cannes reception yesterday (May 18), Siff also announced seven other competition titles: Yasuo Furuhat’s Reminiscence (Japan), Dave McCary’s Brigsby Bear (Us), Cătălin Saizescu’s Fault Condition (Romania), Maciej Pieprzyca’s I’m A Killer (Poland), Ivan Bolotnikov’s Kharms (Russia), Robert Mullan’s Mad To Be Normal (UK) and Markus Goller’s My Brother Simple (Germany).
As previously announced, Romanian director Christian Mungiu will head the Golden Goblet Awards jury, which also includes Chinese director Cao Baoping, Chinese screenwriter Li Qiang, Us/Macedonian filmmaker Milcho Manchevski, Japanese director...
- 5/19/2017
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
Exclusive: UK film and TV outfit to be led by Vivien Muller-Rommel.
The Studio Hamburg Production Group has launched a UK production arm, which will be overseen by former BFI executive Vivien Muller-Rommel.
The German production and services centre is now looking to develop and produce a slate of English-language film and TV projects for the international market out of the UK with the former BFI executive in place as its local MD.
Muller-Rommel, a former Universal Pictures International and TWC int’l production and acquisitions assistant, spent five years at the BFI working in the Film Fund and the international department.
She will be building a team out of the company’s Soho office to produce around two features and two-three TV projects per year and will report to chairman of the Studio Hamburg management board, Michael Lehmann.
“We want to make high quality commercially viable English-language film and TV content,” Muller-Rommel told Screen...
The Studio Hamburg Production Group has launched a UK production arm, which will be overseen by former BFI executive Vivien Muller-Rommel.
The German production and services centre is now looking to develop and produce a slate of English-language film and TV projects for the international market out of the UK with the former BFI executive in place as its local MD.
Muller-Rommel, a former Universal Pictures International and TWC int’l production and acquisitions assistant, spent five years at the BFI working in the Film Fund and the international department.
She will be building a team out of the company’s Soho office to produce around two features and two-three TV projects per year and will report to chairman of the Studio Hamburg management board, Michael Lehmann.
“We want to make high quality commercially viable English-language film and TV content,” Muller-Rommel told Screen...
- 7/6/2016
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Rome -- "Dalla Vita in Poi" (From the Waste On), a debut film from Italian Gianfrancesco Lazotti, won best film in the Taormina Film Festival's main competition limited to films from the Mediterranean region Friday, while its stars won the film's two main actor prizes.
Also on Friday, "Friendship!," a comedy from German director Markus Goller, won the prize as the best film from beyond the Mediterranean, while Emir Kusturica, the Serbian director, was honored for the Mediterranean prize for Dialogue Between Cultures co-sponsored by The Hollywood Reporter. Late Thursday, actor Colin Firth received the fifth and final Taormina Arte honor.
The main jury, headed by Berlin International Film Festival artistic director Dieter Kosslick, gave most of its honors to "Dalla Vita in Poi," the only Italian film in the prestigious Mediterranean competition, an intellectual love story centered on the letters of Katia, a woman with muscular dystrophy.
Cristiana Capotondi,...
Also on Friday, "Friendship!," a comedy from German director Markus Goller, won the prize as the best film from beyond the Mediterranean, while Emir Kusturica, the Serbian director, was honored for the Mediterranean prize for Dialogue Between Cultures co-sponsored by The Hollywood Reporter. Late Thursday, actor Colin Firth received the fifth and final Taormina Arte honor.
The main jury, headed by Berlin International Film Festival artistic director Dieter Kosslick, gave most of its honors to "Dalla Vita in Poi," the only Italian film in the prestigious Mediterranean competition, an intellectual love story centered on the letters of Katia, a woman with muscular dystrophy.
Cristiana Capotondi,...
- 6/18/2010
- by By Eric J. Lyman
- The Hollywood Reporter - Movie News
Showing modest boxoffice fatigue after more than two months dominating the foreign circuit, 20th Century Fox's "Avatar" landed in its 10th consecutive round the No. 1 film overseas, generating $48.5 million -- down 18% from the prior weekend -- from 7,247 screens in 71 markets.
Overseas gross total for director James Cameron's record-setting blockbuster was $1.780 billion with its worldwide tally weighing in at $2.468 billion. In addition to its worldwide record in current dollars, "Avatar" has now beaten 1997's "Titanic's" global boxoffice milestone on an inflation-adjusted basis as well.
Top market remains France where "Avatar" claimed $5.1 million on the weekend from 529 locations, raising its market cume to $164 million. It became on the weekend the biggest-grossing title ever to play Mexico, where the market cume stands at $42.5 million.
Director Martin Scorsese's "Shutter Island," which opened No. 1 in the U.S. and Canada, premiered in nine overseas markets via Paramount and other distributors for an opening boxoffice gross of $9.1 million.
Overseas gross total for director James Cameron's record-setting blockbuster was $1.780 billion with its worldwide tally weighing in at $2.468 billion. In addition to its worldwide record in current dollars, "Avatar" has now beaten 1997's "Titanic's" global boxoffice milestone on an inflation-adjusted basis as well.
Top market remains France where "Avatar" claimed $5.1 million on the weekend from 529 locations, raising its market cume to $164 million. It became on the weekend the biggest-grossing title ever to play Mexico, where the market cume stands at $42.5 million.
Director Martin Scorsese's "Shutter Island," which opened No. 1 in the U.S. and Canada, premiered in nine overseas markets via Paramount and other distributors for an opening boxoffice gross of $9.1 million.
- 2/21/2010
- by By Frank Segers
- The Hollywood Reporter - Movie News
"Avatar" is the winner and new worldwide boxoffice champion.
After six rounds on the foreign circuit, "Avatar" is now the biggest-grossing film of all time, as earlier predicted.
Distributor 20th Century Fox said the James Cameron mega-budget blockbuster's worldwide cume -- excluding Puerto Rico -- was through the weekend just $2 million shy of "Titanic's" global boxoffice record of $1.843 billion. (Boxoffice in Puerto Rico, although generated offshore, is considered by Fox as part of its domestic total.)
The distributor confirmed that "Titanic's" historic benchmark fell as of early Monday.
"Avatar" rolled up an overseas cume through Sunday of $1.292 billion, exceeding by $50.1 million "Titanic's" 13-year international boxoffice record of $1.242 billion. The foreign record actually fell Saturday, as earlier predicted.
Avatar's domestic cume through the weekend stood at $551.7 million, still $49 million shy of "Titanic's" record $600.8 million.
The latest No. 1 weekend overseas tally was $108.3 million grossed from 11,925 screens in 111 markets.
After six rounds on the foreign circuit, "Avatar" is now the biggest-grossing film of all time, as earlier predicted.
Distributor 20th Century Fox said the James Cameron mega-budget blockbuster's worldwide cume -- excluding Puerto Rico -- was through the weekend just $2 million shy of "Titanic's" global boxoffice record of $1.843 billion. (Boxoffice in Puerto Rico, although generated offshore, is considered by Fox as part of its domestic total.)
The distributor confirmed that "Titanic's" historic benchmark fell as of early Monday.
"Avatar" rolled up an overseas cume through Sunday of $1.292 billion, exceeding by $50.1 million "Titanic's" 13-year international boxoffice record of $1.242 billion. The foreign record actually fell Saturday, as earlier predicted.
Avatar's domestic cume through the weekend stood at $551.7 million, still $49 million shy of "Titanic's" record $600.8 million.
The latest No. 1 weekend overseas tally was $108.3 million grossed from 11,925 screens in 111 markets.
- 1/25/2010
- by By Frank Segers
- The Hollywood Reporter - Movie News
One boxoffice record down. Two to go.
After six rounds on the foreign circuit, "Avatar" on the weekend became the biggest-grossing offshore title in movie history.
The James Cameron mega-budget blockbuster rolled up an overseas cume through Sunday of $1.288 billion, exceeding by $46 million "Titanic's" 13-year international boxoffice record of $1.242 billion. The record actually fell Saturday, as predicted.
The latest No. 1 weekend tally was $107 million grossed from 11,800 screens in 111 markets. It was the sixth consecutive weekend that "Avatar" grossed more than $100 million on the foreign circuit.
Among the key territories on the weekend were: France (cume $123.3 million), Germany ($95.7 million), the U.K. ($92.9 million), South Korea ($79.5 million), Japan ($77.7 million), Australia ($77.1 million) and Spain ($76 million). "Avatar" is now the biggest grossing film of all time in China, Spain, Russia, Hong Kong and Chile. It is the biggest Hollywood film ever to play in India.
Still to be broken are "Titanic's" domestic...
After six rounds on the foreign circuit, "Avatar" on the weekend became the biggest-grossing offshore title in movie history.
The James Cameron mega-budget blockbuster rolled up an overseas cume through Sunday of $1.288 billion, exceeding by $46 million "Titanic's" 13-year international boxoffice record of $1.242 billion. The record actually fell Saturday, as predicted.
The latest No. 1 weekend tally was $107 million grossed from 11,800 screens in 111 markets. It was the sixth consecutive weekend that "Avatar" grossed more than $100 million on the foreign circuit.
Among the key territories on the weekend were: France (cume $123.3 million), Germany ($95.7 million), the U.K. ($92.9 million), South Korea ($79.5 million), Japan ($77.7 million), Australia ($77.1 million) and Spain ($76 million). "Avatar" is now the biggest grossing film of all time in China, Spain, Russia, Hong Kong and Chile. It is the biggest Hollywood film ever to play in India.
Still to be broken are "Titanic's" domestic...
- 1/24/2010
- by By Frank Segers
- The Hollywood Reporter - Movie News
Vying to overtake "Titanic" this week as the biggest-grossing title in motion picture history, "Avatar" earned another $166.3 million on the weekend, with foreign boxoffice accounting for $125 million of the total derived from 14,640 offshore screens in 112 markets.
Overseas cume for director James Cameron's mega-budget 3D adventure stands at $1.115 billion, just $127 million shy of the $1.242 billion record foreign gross set 13 years ago by Cameron's "Titanic."
Since "Avatar" is grossing an average of at least $20 million overseas daily, it should surpass "Titanic's" foreign record by the end of this week.
"Avatar's" gross worldwide is $1.607 billion, $236 million behind "Titanic's" global record of $1.843 billion.
In its fifth round overseas, "Avatar" remained dominant just about everywhere, dropping a relatively benign 17% from the prior weekend's foreign tally. A record Italy opening generated $14.5 million from 925 locations. China weighed in with an $18.9 million weekend from 2,509 screens for an industry record market cume of $76.6 million rolled up in just 13 days.
Overseas cume for director James Cameron's mega-budget 3D adventure stands at $1.115 billion, just $127 million shy of the $1.242 billion record foreign gross set 13 years ago by Cameron's "Titanic."
Since "Avatar" is grossing an average of at least $20 million overseas daily, it should surpass "Titanic's" foreign record by the end of this week.
"Avatar's" gross worldwide is $1.607 billion, $236 million behind "Titanic's" global record of $1.843 billion.
In its fifth round overseas, "Avatar" remained dominant just about everywhere, dropping a relatively benign 17% from the prior weekend's foreign tally. A record Italy opening generated $14.5 million from 925 locations. China weighed in with an $18.9 million weekend from 2,509 screens for an industry record market cume of $76.6 million rolled up in just 13 days.
- 1/17/2010
- by By Frank Segers
- The Hollywood Reporter - Movie News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.