Lunchmeat, Josh Schafer’s independently made horror VHS magazine, is keeping cult flicks alive with a brand new issue, and it’s packed with 64 pages of pure VHS-obsessed content!
Lunchmeat Magazine #12 is available now!
Josh tells Bloody Disgusting, “For 15 years, Lunchmeat has been celebrating cult films from the VHS era. Our flagship magazine features interviews with the actors and filmmakers who made the home video market what it was, along with feature articles that explore home video history and culture, and reviews of movies that are only available on VHS.
“Our latest issue features writing from Co-Editors Josh Schafer and Ted Gilbert, along with Chris Poggiali (These Fists Break Bricks), John Campopiano (Pennywise: The Story of It), Robert Freese (Videoscope), and Grace Lovera (Horror Fashion Review), among others!”
Lunchmeat #12 features interviews with…
Brett McCormick, The creator of the VHS grail, The Abomination, discusses his splatter gem, quantum mechanics, and aliens!
Lunchmeat Magazine #12 is available now!
Josh tells Bloody Disgusting, “For 15 years, Lunchmeat has been celebrating cult films from the VHS era. Our flagship magazine features interviews with the actors and filmmakers who made the home video market what it was, along with feature articles that explore home video history and culture, and reviews of movies that are only available on VHS.
“Our latest issue features writing from Co-Editors Josh Schafer and Ted Gilbert, along with Chris Poggiali (These Fists Break Bricks), John Campopiano (Pennywise: The Story of It), Robert Freese (Videoscope), and Grace Lovera (Horror Fashion Review), among others!”
Lunchmeat #12 features interviews with…
Brett McCormick, The creator of the VHS grail, The Abomination, discusses his splatter gem, quantum mechanics, and aliens!
- 6/1/2023
- by John Squires
- bloody-disgusting.com
by Jason Lees, MoreHorror.com
I love being surprised, and I also love being proven wrong. Maybe it's part of my sick and twisted mind that just loves being slapped in the face once in a while, or maybe it's just that I really love when a movie comes out of left field and just wins me over, but I love when for no good reason I watch something and just get lost in it, especially when I was so damned sure that it was going to be trash.
Let's face it, those of us that are addicted to our genre have been around long enough to know that even a bright and shiny turd is still a turd, but we all still hope that it'll clean up and be a gem. We get so jaded calling things crap before we give them a chance that it's all we can...
I love being surprised, and I also love being proven wrong. Maybe it's part of my sick and twisted mind that just loves being slapped in the face once in a while, or maybe it's just that I really love when a movie comes out of left field and just wins me over, but I love when for no good reason I watch something and just get lost in it, especially when I was so damned sure that it was going to be trash.
Let's face it, those of us that are addicted to our genre have been around long enough to know that even a bright and shiny turd is still a turd, but we all still hope that it'll clean up and be a gem. We get so jaded calling things crap before we give them a chance that it's all we can...
- 1/8/2012
- by admin
- MoreHorror
by Jason Lees, MoreHorror.com
When you make a movie on a budget, a really small budget, you tend to write not only what you know, but with an eye for what you can afford. If your budget is huge, yes, write giant production moves with a cast of thousands. If your budget isn’t quite so grand, keep it real. I don’t mean keep it boring and small, but keep it to what you can get your hungry little hands on. And even more important than that, don’t forget that ideas are free. It’s everything else that racks up the bill.
Sometimes this holds the production back, while other times it pushes the filmmakers to make something special. Give me the magic of the original Texas Chainsaw Massacre and its $1.98 budget over any flick that answers its problems with post-production CGI. I like to see the seams.
When you make a movie on a budget, a really small budget, you tend to write not only what you know, but with an eye for what you can afford. If your budget is huge, yes, write giant production moves with a cast of thousands. If your budget isn’t quite so grand, keep it real. I don’t mean keep it boring and small, but keep it to what you can get your hungry little hands on. And even more important than that, don’t forget that ideas are free. It’s everything else that racks up the bill.
Sometimes this holds the production back, while other times it pushes the filmmakers to make something special. Give me the magic of the original Texas Chainsaw Massacre and its $1.98 budget over any flick that answers its problems with post-production CGI. I like to see the seams.
- 9/23/2011
- by admin
- MoreHorror
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