Wilford Brimley, best known for his roles in “The Natural,” the 1982 remake of “The Thing,” “The Firm” and “Cocoon,” died on Saturday. He was 85.
His agent, Lynda Bensky, told The New York Times that he had been sick with a kidney problem for two months.
Brimley was also famous for the series of commercials for Quaker Oats in which he appeared.
Pauline Kael ably summed up his appeal in a few words. Reviewing “Cocoon” for the New Yorker in 1985, she said, “Wilford Brimley, with his walrus mustache and friendly belly, brings an ornery impudence to his role.”
Brimley, who seemed to enter old age several decades ago, appeared perfectly at home in the Ron Howard-directed movie about senior citizens unintentionally rejuvenated by an alien life force in the pool where they do water aerobics even though he was only 51 at the time. Brimley’s Ben Luckett doing cannonballs in...
His agent, Lynda Bensky, told The New York Times that he had been sick with a kidney problem for two months.
Brimley was also famous for the series of commercials for Quaker Oats in which he appeared.
Pauline Kael ably summed up his appeal in a few words. Reviewing “Cocoon” for the New Yorker in 1985, she said, “Wilford Brimley, with his walrus mustache and friendly belly, brings an ornery impudence to his role.”
Brimley, who seemed to enter old age several decades ago, appeared perfectly at home in the Ron Howard-directed movie about senior citizens unintentionally rejuvenated by an alien life force in the pool where they do water aerobics even though he was only 51 at the time. Brimley’s Ben Luckett doing cannonballs in...
- 8/2/2020
- by Carmel Dagan
- Variety Film + TV
As spy films need gadgets and Swiss bank accounts, and Irish mob movies require bad Boston accents and crooked cops, the genre of films about freelance news videographers share a unifying concept: “If it bleeds, it leads.”
That was the finding of a federal judge Monday when he decided to throw out a four-year-old lawsuit brought against Universal, Bold Films, and Open Road Films, the producers and distributors of “Nightcrawler” starring Jake Gyllenhaal. It received an Oscar-nomination for its screenplay.
From the 1992’s “The Public Eye,” to 2014’s “Nightcrawler,” there’s a collection of movies focused on so-called stringers, the people paid to record late-night police chases, freeway wrecks, and fires for the gawking eyes of TV-news viewers the next morning — and the films, as a necessity, share certain un-copyrightable elements, a legal doctrine known as scènes à faire.
The suit was filed by Richard Dutcher, the director, writer, and...
That was the finding of a federal judge Monday when he decided to throw out a four-year-old lawsuit brought against Universal, Bold Films, and Open Road Films, the producers and distributors of “Nightcrawler” starring Jake Gyllenhaal. It received an Oscar-nomination for its screenplay.
From the 1992’s “The Public Eye,” to 2014’s “Nightcrawler,” there’s a collection of movies focused on so-called stringers, the people paid to record late-night police chases, freeway wrecks, and fires for the gawking eyes of TV-news viewers the next morning — and the films, as a necessity, share certain un-copyrightable elements, a legal doctrine known as scènes à faire.
The suit was filed by Richard Dutcher, the director, writer, and...
- 8/20/2019
- by Chris Lindahl
- Thompson on Hollywood
As spy films need gadgets and Swiss bank accounts, and Irish mob movies require bad Boston accents and crooked cops, the genre of films about freelance news videographers share a unifying concept: “If it bleeds, it leads.”
That was the finding of a federal judge Monday when he decided to throw out a four-year-old lawsuit brought against Universal, Bold Films, and Open Road Films, the producers and distributors of “Nightcrawler” starring Jake Gyllenhaal. It received an Oscar-nomination for its screenplay.
From the 1992’s “The Public Eye,” to 2014’s “Nightcrawler,” there’s a collection of movies focused on so-called stringers, the people paid to record late-night police chases, freeway wrecks, and fires for the gawking eyes of TV-news viewers the next morning — and the films, as a necessity, share certain un-copyrightable elements, a legal doctrine known as scènes à faire.
The suit was filed by Richard Dutcher, the director, writer, and...
That was the finding of a federal judge Monday when he decided to throw out a four-year-old lawsuit brought against Universal, Bold Films, and Open Road Films, the producers and distributors of “Nightcrawler” starring Jake Gyllenhaal. It received an Oscar-nomination for its screenplay.
From the 1992’s “The Public Eye,” to 2014’s “Nightcrawler,” there’s a collection of movies focused on so-called stringers, the people paid to record late-night police chases, freeway wrecks, and fires for the gawking eyes of TV-news viewers the next morning — and the films, as a necessity, share certain un-copyrightable elements, a legal doctrine known as scènes à faire.
The suit was filed by Richard Dutcher, the director, writer, and...
- 8/20/2019
- by Chris Lindahl
- Indiewire
On Monday, a Utah federal judge delivered a summary judgment victory for Universal Studios, Open Road Films and Bold Films in a four-year-old copyright case targeting Nightcrawler, the 2014 motion picture starring Jake Gyllenhaal.
Richard Dutcher brought the complaint with the allegation that Nightcrawler, which earned writer-director Dan Gilroy an Oscar nomination, ripped off his own work titled Falling. Both screenplays depict a freelance news videographer driving the streets in Los Angeles while listening to police band radio for crimes to record and sell.
This case very nearly went to trial.
Last August, Utah federal judge Dee Benson rejected the defendants' summary ...
Richard Dutcher brought the complaint with the allegation that Nightcrawler, which earned writer-director Dan Gilroy an Oscar nomination, ripped off his own work titled Falling. Both screenplays depict a freelance news videographer driving the streets in Los Angeles while listening to police band radio for crimes to record and sell.
This case very nearly went to trial.
Last August, Utah federal judge Dee Benson rejected the defendants' summary ...
- 8/19/2019
- The Hollywood Reporter - Movie News
On Monday, a Utah federal judge delivered a summary judgment victory for Universal Studios, Open Road Films and Bold Films in a four-year-old copyright case targeting Nightcrawler, the 2014 motion picture starring Jake Gyllenhaal.
Richard Dutcher brought the complaint with the allegation that Nightcrawler, which earned writer-director Dan Gilroy an Oscar nomination, ripped off his own work titled Falling. Both screenplays depict a freelance news videographer driving the streets in Los Angeles while listening to police band radio for crimes to record and sell.
This case very nearly went to trial.
Last August, Utah federal judge Dee Benson rejected the defendants' summary ...
Richard Dutcher brought the complaint with the allegation that Nightcrawler, which earned writer-director Dan Gilroy an Oscar nomination, ripped off his own work titled Falling. Both screenplays depict a freelance news videographer driving the streets in Los Angeles while listening to police band radio for crimes to record and sell.
This case very nearly went to trial.
Last August, Utah federal judge Dee Benson rejected the defendants' summary ...
- 8/19/2019
- The Hollywood Reporter - Film + TV
A Utah-based indie filmmaker doesn't think Open Road's bankruptcy should delay the trial in his copyright infringement lawsuit over Nightcrawler, according to a Friday filing.
Richard Dutcher in 2015 sued Bold Films, Open Road, NBCUniversal and others, claiming Nightcrawler infringes on his 2007 film called Falling. His film centers on a man who drives around the streets of Los Angeles listening to police scanners so he can record them and sell the tapes, which ultimately leads to him recording a murder in progress.
Dutcher had planned to recast the story and adapt the film for a mass-market release, but he claims ...
Richard Dutcher in 2015 sued Bold Films, Open Road, NBCUniversal and others, claiming Nightcrawler infringes on his 2007 film called Falling. His film centers on a man who drives around the streets of Los Angeles listening to police scanners so he can record them and sell the tapes, which ultimately leads to him recording a murder in progress.
Dutcher had planned to recast the story and adapt the film for a mass-market release, but he claims ...
- 10/19/2018
- The Hollywood Reporter - Film + TV
A Utah-based indie filmmaker doesn't think Open Road's bankruptcy should delay the trial in his copyright infringement lawsuit over Nightcrawler, according to a Friday filing.
Richard Dutcher in 2015 sued Bold Films, Open Road, NBCUniversal and others, claiming Nightcrawler infringes on his 2007 film called Falling. His film centers on a man who drives around the streets of Los Angeles listening to police scanners so he can record them and sell the tapes, which ultimately leads to him recording a murder in progress.
Dutcher had planned to recast the story and adapt the film for a mass-market release, but he claims ...
Richard Dutcher in 2015 sued Bold Films, Open Road, NBCUniversal and others, claiming Nightcrawler infringes on his 2007 film called Falling. His film centers on a man who drives around the streets of Los Angeles listening to police scanners so he can record them and sell the tapes, which ultimately leads to him recording a murder in progress.
Dutcher had planned to recast the story and adapt the film for a mass-market release, but he claims ...
- 10/19/2018
- The Hollywood Reporter - Movie News
Richard Dutcher is one of the most important and accomplished directors that nobody’s heard of. Like many independent filmmakers, Dutcher is a multihyphenate: writer, director, actor, producer, editor. In the process he’s created eight feature films that span genres and styles, including romantic comedy (Girl Crazy), intense emotional drama (States of Grace), gritty gut-wrenching naturalism (Falling), supernatural horror (Evil Angel), elegant formalism (Tryptich), and even a passionate period piece with only one actress (Eliza and I). And since his 2000 film God’s Army he’s become something like the Robert Rodriguez of Utah: the most important filmmaker in a region with …...
- 5/14/2013
- by Randy Astle
- Filmmaker Magazine-Director Interviews
Directed BYSteve ShimekSTARRINGShalaina Castle - Jordan Brandon Sean Pearson - Cole Clare Niederpruem - AlisonKyle Paul - Will Tye Nelson - Collin Luke Drake - Officer Eric Schroeder Richard Dutcher - Sheriff BenAllan Groves - Officer Marcus LarsenGenre - Horror/Thriller/Slasher/IndieRunning Time - 90 MinutesI remember that internet meme a couple of years back where you had to guide your mouse...
- 12/29/2010
- by Fred [The Wolf]
Cornfields are always a terrible place to be in a horror film. Once the sun goes down, it goes from a fixture of American agriculture to a scene of horror haunted by deranged pagan children, murderous scarecrows come to life, or, as in the case of the October DVD release The Maze, a corn maze becomes the perfect stalking grounds for a psychopathic slasher.
Monarch Entertainment will release The Maze to DVD on October 19th just in time for Halloween. Steve Shimek, maker of the 2008 low budget fantasy flick Dragon Hunter, directs The Maze starring Shalaina Castle, Brandon Pearson, Clare Niederpruem, Kyle Paul, Tye Nelson, Luke Drake, Richard Dutcher, Sarah Kent, Adam Johnson, and Marty Steinberg from a script by first-time writers Katy Baldwin and Timothy Gutierrez.
Five friends break into a corn maze in the middle of the night and decide to play a harmless game of tag. Little...
Monarch Entertainment will release The Maze to DVD on October 19th just in time for Halloween. Steve Shimek, maker of the 2008 low budget fantasy flick Dragon Hunter, directs The Maze starring Shalaina Castle, Brandon Pearson, Clare Niederpruem, Kyle Paul, Tye Nelson, Luke Drake, Richard Dutcher, Sarah Kent, Adam Johnson, and Marty Steinberg from a script by first-time writers Katy Baldwin and Timothy Gutierrez.
Five friends break into a corn maze in the middle of the night and decide to play a harmless game of tag. Little...
- 8/11/2010
- by Foywonder
- DreadCentral.com
Evil Angel was shown at the Nevermore Film Festival in February and currently the film is moving around on the film festival circuit. The film has its own website listed below and Evil Angel gets a rare review here. This review will argue the benefits of explaining supernatural elements early. Making the villain's powers, modus operandi, and motivations known to the viewer at the beginning of a film makes movie watching more enjoyable. Evil Angel skips Lilith's (villain) reasons for causing so much chaos, but the film really starts to become enjoyable halfway in, or through a second viewing.
Lilith is already killing in the first few frames of the film and viewers will be wondering how she is changing from body to body. Lilith is the first wife of Adam from the Garden of Eve. Adam rejected Lilith in favour of Eve and ever since this event Lilith has been hell bent on revenge.
Lilith is already killing in the first few frames of the film and viewers will be wondering how she is changing from body to body. Lilith is the first wife of Adam from the Garden of Eve. Adam rejected Lilith in favour of Eve and ever since this event Lilith has been hell bent on revenge.
- 3/14/2010
- by Michael Ross Allen
- 28 Days Later Analysis
Evil Angel is one of a few films that this reviewer is looking forward to watching in 2010 (wink, wink - producer send me a screener). The film plays at the Nevermore Film Festival in a few days, and more importantly a trailer, that is action packed is available now. Very graphic, bloody, and sexy, the first trailer for Evil Angel shows what a horror movie is supposed to be, brutal and well-written. The story focuses on the mythical character Lilith, who was Adam's first bride. Rejected by Adam, Lilith goes on a rampage and takes out her frustrations on Adam's children, or the many characters in the film. Although the trailer is off-site, at the sales agency, it is worth checking out (very not safe for work)!
The synopsis for Evil Angel here:
"Evil Angel takes the ancient myth of Lilith into the 21st century with a murderously sexy and seductive villainess who,...
The synopsis for Evil Angel here:
"Evil Angel takes the ancient myth of Lilith into the 21st century with a murderously sexy and seductive villainess who,...
- 2/12/2010
- by Michael Ross Allen
- 28 Days Later Analysis
Evil Angel will be at the Nevermore Film Festival beginning Saturday, February 20th at 7:00pm. This film festival has been going strong for 10 years now and 2010 will be even more dynamic and better for this movie market that begins February 19. Evil Angel will be in the North Carolina region throughout the festival and Evil Angel stars Ving Rhames (Dawn of the Dead) "as a tough detective in pursuit of an ancient evil (Nevermore)." Truly gothic, horrific and animated, the early promotional material for Evil Angel looks exceptional and further details on the film can be found inside.
The synopsis for Evil Angel:
"Evil angels takes the ancient myth of Lilith into the 21st century with a murderously sexy and seductive villainess who, as the earth's first woman, proudly lays claim to being the world's first serial killer (Evil Angel)"
Release Date: (February 20th - Limited Release).
Director/writer: Richard Dutcher.
The synopsis for Evil Angel:
"Evil angels takes the ancient myth of Lilith into the 21st century with a murderously sexy and seductive villainess who, as the earth's first woman, proudly lays claim to being the world's first serial killer (Evil Angel)"
Release Date: (February 20th - Limited Release).
Director/writer: Richard Dutcher.
- 1/30/2010
- by Michael Ross Allen
- 28 Days Later Analysis
On October 24th, The Terror Film Festival Claw Awards took place at the Ethical Society Building on the famous Rittenhouse Square of Philadelphia.
The 4th season brought in the most astounding talent from all over the USA, as well as, the world. The assemblage of fans, filmmakers, screenwriters, and industry professionals, waited in anticipation, and all bets were on, as the illustrious Claw and the beautiful Princess Horror stood onstage, envelopes in hand, to present the coveted awards.
And the winners are...
Evil Angel - A steamy and heart-pounding story based on the ancient myth of Lilith, the first wife of Adam, who has roamed the Earth for centuries as a sexy and seductive villainous, and proudly holds the title of the world’s first serial killer. Written and directed by the iconoclastic Richard Dutcher of Utah, the film garnered several awards, such as, Best Feature Film, Best Original Music...
The 4th season brought in the most astounding talent from all over the USA, as well as, the world. The assemblage of fans, filmmakers, screenwriters, and industry professionals, waited in anticipation, and all bets were on, as the illustrious Claw and the beautiful Princess Horror stood onstage, envelopes in hand, to present the coveted awards.
And the winners are...
Evil Angel - A steamy and heart-pounding story based on the ancient myth of Lilith, the first wife of Adam, who has roamed the Earth for centuries as a sexy and seductive villainous, and proudly holds the title of the world’s first serial killer. Written and directed by the iconoclastic Richard Dutcher of Utah, the film garnered several awards, such as, Best Feature Film, Best Original Music...
- 12/13/2009
- by no-reply@fangoria.com (Source: TERROR FILM FESTIVAL)
- Fangoria
It's time to see if your shorts and features made the cut - Shriekfest 2009, which runs October 1st-4th, 2009, has released the titles of those films that have made its 2009 Finalists list.
The judges must be busy with the long list of titles that have made it thus far. Included among them is a short film from some of our very own, "Thirsty", directed by Andrew Kasch, written by Joe Knetter, screenplay by David Rosiak, shot by Buz Wallick, and starring Joe Lynch and Tiffany Shepis. I've seen the film and it's a riot; let's hope the judges agree!
Here's the rundown of the features that are Finalists:
"Dark House"
directed by Darin Scott
"Dawning"
directed by Gregg Holtgrewe
"Evil Angel"
directed by Richard Dutcher
"Evilution"
directed by Chris Conlee
"How to be a Serial Killer"
directed by Luke Ricci
"Hurt"
directed by Barbara Stepansky
"Lo"
directed by Travis Betz...
The judges must be busy with the long list of titles that have made it thus far. Included among them is a short film from some of our very own, "Thirsty", directed by Andrew Kasch, written by Joe Knetter, screenplay by David Rosiak, shot by Buz Wallick, and starring Joe Lynch and Tiffany Shepis. I've seen the film and it's a riot; let's hope the judges agree!
Here's the rundown of the features that are Finalists:
"Dark House"
directed by Darin Scott
"Dawning"
directed by Gregg Holtgrewe
"Evil Angel"
directed by Richard Dutcher
"Evilution"
directed by Chris Conlee
"How to be a Serial Killer"
directed by Luke Ricci
"Hurt"
directed by Barbara Stepansky
"Lo"
directed by Travis Betz...
- 9/18/2009
- by Tristan Sinns
- DreadCentral.com
By Christopher Stipp
The Archives, Right Here
I was able to sit down for a couple of years and pump out a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right Here for free.
And now, you can follow me on Twitter under the name: Stipp
Adventures Of Power - Exclusive
Those who march to the beat a different drummer never met Power, air drummer savant.
I reviewed this film months ago and have been interested with the film’s goings on since then. I have an interview with Ari Gold that will be going up in the coming weeks and I’ve got lots more to share about this film. In the mean time, though, I am debuting a new comic strip that will be appearing on Adventures Of Power’s website next week but I’ve got the sneak peek. Thanks...
The Archives, Right Here
I was able to sit down for a couple of years and pump out a book. It’s got little to do with movies. Download and read “Thank You, Goodnight” right Here for free.
And now, you can follow me on Twitter under the name: Stipp
Adventures Of Power - Exclusive
Those who march to the beat a different drummer never met Power, air drummer savant.
I reviewed this film months ago and have been interested with the film’s goings on since then. I have an interview with Ari Gold that will be going up in the coming weeks and I’ve got lots more to share about this film. In the mean time, though, I am debuting a new comic strip that will be appearing on Adventures Of Power’s website next week but I’ve got the sneak peek. Thanks...
- 9/18/2009
- by Christopher Stipp
**Please Note: This will be at the top for a while; be sure to scroll down for updated news stories!** Horror may currently be in a slump, but the 2008 American Film Market has shown a huge light at the end of the tunnel. This year showcased a record number of horror titles and Dread Central was on hand to catch a great deal of them. Some were good, some were bad but all showed that this genre still has plenty of lifeblood left. Many exhibitors were also kind enough to show us movie promos, while others coldly showed us the door (Lesbian Vampire Killers, I’m looking at you). The most promising show previews were easily Night of the Demons and Clive Barker’s Dread, with plenty of new projects being announced. Check out our full Afm '08 coverage here.
So without further ado, we present you with our yearly...
So without further ado, we present you with our yearly...
- 11/12/2008
- by Andrew Kasch
- DreadCentral.com
Writer-director Richard Dutcher, who single-handedly advanced the notion of Mormon cinema with last year's independent success story "God's Army" (which went on to gross almost 10 times its $300,000 budget), builds on that promise with "Brigham City", an honest-to-goodness Mormon murder mystery.
Very much in the "Witness" mold, this involving, nicely crafted whodunit achieves the neat trick of remaining culturally and theologically true to its environment without being heavy-handed or preachy.
While it should be a respectable niche market performer for its Salt Lake City-based distributor, Excel Entertainment Group, the picture actually has some crossover potential. It would certainly be the perfect companion for something like A&E's "Murder in a Small Town".
Dutcher also steps in front of the camera to play the part of Wes Clayton, the soft-spoken sheriff of the compact, insulated town of Brigham who also serves as a Mormon bishop when not officially keeping the peace.
But the community's nominal tranquility is uprooted when a woman visiting from California is found murdered, and Clayton and his devout posse -- including young deputy Terry (Matthew A. Brown), retired sheriff Stu (Wilford Brimley, crusty as ever) and his spirited secretary, Peg (Carrie Morgan) -- find themselves having to answer to a big-city FBI agent (Tayva Patch) dispatched to solve the crime.
When it subsequently becomes apparent that the murder was the work of a serial killer, and suspicions shift from being cast upon outsiders to the disturbing likelihood of the perpetrator being one of their own, the once friendly town becomes engulfed in a sea of paranoia as doors are locked and windows are shuttered.
Meanwhile, Clayton, who previously lost his wife and child to a tragic accident, suffers a crisis of faith through his inability to nab the murderer and quell the growing fears of his neighbors and congregation.
Working within the well-defined boundaries of the classic movie murder mystery, Dutcher manages to sneak in a couple of genuine surprises in this well-paced if slightly overlong production that benefits greatly from its carefully detailed Mormon backdrop.
Although Dutcher's earnest but mechanical performance proves he's no triple threat, the rest of his predominantly Mormon cast is solid, with effective work from the always reliable Brimley as well as from Patch, who, as the constantly observing but nonbelieving FBI agent, essentially takes the viewer on a guided tour through Dutcher's very personal universe.
Production values certainly go a long way in this $1.2 million production, specifically director of photography Ken Glassing's quietly evocative visuals and Kee L. Miller's convincingly homey production design.
BRIGHAM CITY
Excel Entertainment Group
A Zion Films presentation
Director-screenwriter: Richard Dutcher
Producer: Richard Dutcher
Director of photography: Ken Glassing
Production designer: Kee L. Miller
Editor: Michael Chaskes
Costume designer: Camile J. Morris
Music: Sam Cardon
Color/stereo
Cast:
Wes: Richard Dutcher
Terry: Matthew A. Brown
Stu: Wilford Brimley
Peg: Carrie Morgan
Ed: Jon Enos
Meredith: Tayva Patch
Garcia: Jeff Johnson
Glen: Sterling Brimley
Running time -- 120 minutes
MPAA rating: PG-13...
Very much in the "Witness" mold, this involving, nicely crafted whodunit achieves the neat trick of remaining culturally and theologically true to its environment without being heavy-handed or preachy.
While it should be a respectable niche market performer for its Salt Lake City-based distributor, Excel Entertainment Group, the picture actually has some crossover potential. It would certainly be the perfect companion for something like A&E's "Murder in a Small Town".
Dutcher also steps in front of the camera to play the part of Wes Clayton, the soft-spoken sheriff of the compact, insulated town of Brigham who also serves as a Mormon bishop when not officially keeping the peace.
But the community's nominal tranquility is uprooted when a woman visiting from California is found murdered, and Clayton and his devout posse -- including young deputy Terry (Matthew A. Brown), retired sheriff Stu (Wilford Brimley, crusty as ever) and his spirited secretary, Peg (Carrie Morgan) -- find themselves having to answer to a big-city FBI agent (Tayva Patch) dispatched to solve the crime.
When it subsequently becomes apparent that the murder was the work of a serial killer, and suspicions shift from being cast upon outsiders to the disturbing likelihood of the perpetrator being one of their own, the once friendly town becomes engulfed in a sea of paranoia as doors are locked and windows are shuttered.
Meanwhile, Clayton, who previously lost his wife and child to a tragic accident, suffers a crisis of faith through his inability to nab the murderer and quell the growing fears of his neighbors and congregation.
Working within the well-defined boundaries of the classic movie murder mystery, Dutcher manages to sneak in a couple of genuine surprises in this well-paced if slightly overlong production that benefits greatly from its carefully detailed Mormon backdrop.
Although Dutcher's earnest but mechanical performance proves he's no triple threat, the rest of his predominantly Mormon cast is solid, with effective work from the always reliable Brimley as well as from Patch, who, as the constantly observing but nonbelieving FBI agent, essentially takes the viewer on a guided tour through Dutcher's very personal universe.
Production values certainly go a long way in this $1.2 million production, specifically director of photography Ken Glassing's quietly evocative visuals and Kee L. Miller's convincingly homey production design.
BRIGHAM CITY
Excel Entertainment Group
A Zion Films presentation
Director-screenwriter: Richard Dutcher
Producer: Richard Dutcher
Director of photography: Ken Glassing
Production designer: Kee L. Miller
Editor: Michael Chaskes
Costume designer: Camile J. Morris
Music: Sam Cardon
Color/stereo
Cast:
Wes: Richard Dutcher
Terry: Matthew A. Brown
Stu: Wilford Brimley
Peg: Carrie Morgan
Ed: Jon Enos
Meredith: Tayva Patch
Garcia: Jeff Johnson
Glen: Sterling Brimley
Running time -- 120 minutes
MPAA rating: PG-13...
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