Dan Dalton/Getty Images
It’s the day after Christmas, which means it’s time to grab all the gift cards and cash you got for the holidays and take advantage of all the Boxing Day discounts you can’t resist. But if you’re still in the mood to cozy up with last night’s leftovers and not game to tackle the madness of the mall, fear not. Here, we compiled the best fashion and beauty sales all in one place, so you can get everything you want in the comfort of your holiday onesie.
7 For All Mankind: Extra 20% with code Yaysale; 7forallmankind.
It’s the day after Christmas, which means it’s time to grab all the gift cards and cash you got for the holidays and take advantage of all the Boxing Day discounts you can’t resist. But if you’re still in the mood to cozy up with last night’s leftovers and not game to tackle the madness of the mall, fear not. Here, we compiled the best fashion and beauty sales all in one place, so you can get everything you want in the comfort of your holiday onesie.
7 For All Mankind: Extra 20% with code Yaysale; 7forallmankind.
- 12/26/2016
- by kaitlynfrey
- PEOPLE.com
There may never be a “perfect movie,” but there can be perfect moments within movies. YouTuber Jim Casey has taken the time to collect and organize some fine examples of such moments, and he’s turned them into a stirring, inspirational two-part series called “The Most Beautiful Shots In Movie History.” This is an elegant tribute to the visual power of cinema. And, make no mistake, it’s strictly the visuals that Casey is focusing on here; he includes no dialogue from the films he’s excerpting. This is, at heart, a tribute to the work of cinematographers, costume designers, and art directors, not screenwriters. Casey says he took his inspiration from this 2015 BuzzFeed article by Dan Dalton.
For its soundtrack, the first installment uses Caro Emerald’s poignant cover of Lou Reed’s “Perfect Day.” The usual suspects are represented here: Akira Kurosawa, Alfred Hitchcock, Quentin Tarantino, Stanley ...
For its soundtrack, the first installment uses Caro Emerald’s poignant cover of Lou Reed’s “Perfect Day.” The usual suspects are represented here: Akira Kurosawa, Alfred Hitchcock, Quentin Tarantino, Stanley ...
- 12/14/2016
- by Joe Blevins
- avclub.com
Creative Europe’s Media sub-programme is to boost its funding for the online distribution of European films this year.
A total of €1.25m has been siphoned off from the Cinema Automatic Scheme supporting the distribution of non-national films to be transferred to Media’S Online Distribution scheme, which will now have $5.9m (€5.4m) at its disposal to support 20 projects during 2015.
The Cinema Automatic Scheme will consequently have funding totalling $23.2m (€ 21.2m) - the largest single item of the Media sub-programme’s $114.3m (€104.5m) budget for 2015 to date.
According to a Commission document, the Online Distribution scheme will aim to support:
¨European VoD services aiming at improving the presence, the visibility and the global audience of European audovisual works¨ ($3.55m/€ 3.25m);
¨the preparation of digital packages facilitating the commercialisation of European audiovisual works on VoD platforms¨ (€1.15m);
“innovative approaches for multiplatform releases of one or several European films in at least two countries participating in the Media sub-programme...
A total of €1.25m has been siphoned off from the Cinema Automatic Scheme supporting the distribution of non-national films to be transferred to Media’S Online Distribution scheme, which will now have $5.9m (€5.4m) at its disposal to support 20 projects during 2015.
The Cinema Automatic Scheme will consequently have funding totalling $23.2m (€ 21.2m) - the largest single item of the Media sub-programme’s $114.3m (€104.5m) budget for 2015 to date.
According to a Commission document, the Online Distribution scheme will aim to support:
¨European VoD services aiming at improving the presence, the visibility and the global audience of European audovisual works¨ ($3.55m/€ 3.25m);
¨the preparation of digital packages facilitating the commercialisation of European audiovisual works on VoD platforms¨ (€1.15m);
“innovative approaches for multiplatform releases of one or several European films in at least two countries participating in the Media sub-programme...
- 6/2/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.