Rupert Coulson
- Music Department
- Sound Department
- Soundtrack
Rupert is one of the few engineers to have experienced all three incarnations of AIR Studios, having started at AIR's legendary Oxford Street studio in 1987, having a brief stint at AIR Montserrat and ultimately moving with us to AIR Studios Lyndhurst where he joined the AIR Management roster.
Over the years he has worked with many of the world's finest producers, composers and artists including Sir George Martin, The Rolling Stones, Max Richter, Craig Armstrong and Danny Elfman. His experience spans from full orchestral recordings to film scores to less traditional scores such as Ex-Machina for Geoff Barrow & Ben Salisbury, and Dredd for Paul Leonard Morgan.
Significant projects include recording and mixing Max Richter's scores for the films Ad Astra, Hostiles, White Boy Rick, and Mary Queen of Scots and legendary French composer Michel Legrand's album Between Yesterday and Tomorrow. Mixing projects include Max Richter's highly acclaimed project Sleep and Neil Davidge's scores for series 1 & 2 of TV epic Britannia.
Over the years he has worked with many of the world's finest producers, composers and artists including Sir George Martin, The Rolling Stones, Max Richter, Craig Armstrong and Danny Elfman. His experience spans from full orchestral recordings to film scores to less traditional scores such as Ex-Machina for Geoff Barrow & Ben Salisbury, and Dredd for Paul Leonard Morgan.
Significant projects include recording and mixing Max Richter's scores for the films Ad Astra, Hostiles, White Boy Rick, and Mary Queen of Scots and legendary French composer Michel Legrand's album Between Yesterday and Tomorrow. Mixing projects include Max Richter's highly acclaimed project Sleep and Neil Davidge's scores for series 1 & 2 of TV epic Britannia.