Stars: Canada Lee, Charles Carson, Sidney Poitier, Joyce Carey, Geoffrey Keen, Vivien Clinton, Michael Goodliffe, Albertina Temba, Edric Connor, Lionel Ngakane, Charles McRae | Written by John Howard Lawson | Directed by Zoltan Korda
Released in celebration of Black History Month, Studio Canal reveal this 4k Restoration of the seminal British classic from 1951, Cry, The Beloved Country. Not only do you get the 4k restoration of the movie from director Zoltan Korda, but there’s also new extras, and archive footage including a documentary on cinema under apartheid and a 16-page booklet.
So, why is the movie so important? Now over 70 years old, it features a moving, and emotional story, played out by some fabulous actors and, it feels very much ahead of its time covering the racial injustices of the period.
Cry, The Beloved Country was shot on location in South Africa (with interior shots in the U.K.), which was...
Released in celebration of Black History Month, Studio Canal reveal this 4k Restoration of the seminal British classic from 1951, Cry, The Beloved Country. Not only do you get the 4k restoration of the movie from director Zoltan Korda, but there’s also new extras, and archive footage including a documentary on cinema under apartheid and a 16-page booklet.
So, why is the movie so important? Now over 70 years old, it features a moving, and emotional story, played out by some fabulous actors and, it feels very much ahead of its time covering the racial injustices of the period.
Cry, The Beloved Country was shot on location in South Africa (with interior shots in the U.K.), which was...
- 10/12/2023
- by Alain Elliott
- Nerdly
The October Man
Written by Eric Ambler
Directed by Roy Ward Baker
U.K., 1947
Jim Ackland (John Mills) is riding the bus with his niece one dark and stormy night. The vehicle is filled to the brim with passengers, some fast asleep, others enjoying time with their loved ones. Fate sees that Jim’s life is turned upside down however, as a mechanical failure sends the bus off track, crashing into a wall. The last thing Jim recalls before blacking out is the harrowing horn of an oncoming train. Months later, Jim is finally relieved from his hospital stay, although warned by the doctor that his recovery from the fracture in his skull will require time, and that he may even experience difficult episodes of relapse. Confident that things are on the mend, Jim rents a hotel room as his new living quarters and finds employment at a nearby chemical lab.
Written by Eric Ambler
Directed by Roy Ward Baker
U.K., 1947
Jim Ackland (John Mills) is riding the bus with his niece one dark and stormy night. The vehicle is filled to the brim with passengers, some fast asleep, others enjoying time with their loved ones. Fate sees that Jim’s life is turned upside down however, as a mechanical failure sends the bus off track, crashing into a wall. The last thing Jim recalls before blacking out is the harrowing horn of an oncoming train. Months later, Jim is finally relieved from his hospital stay, although warned by the doctor that his recovery from the fracture in his skull will require time, and that he may even experience difficult episodes of relapse. Confident that things are on the mend, Jim rents a hotel room as his new living quarters and finds employment at a nearby chemical lab.
- 7/10/2015
- by Edgar Chaput
- SoundOnSight
Jean Kent: ‘The Browning Version’ 1951, Gainsborough folds (photo: Jean Kent in ‘The Browning Version,’ with Michael Redgrave) (See previous post: “Jean Kent: Gainsborough Pictures Film Star Dead at 92.”) Seemingly stuck in Britain, Jean Kent’s other important leads of the period came out in 1948: John Paddy Carstairs’ Alfred Hitchcock-esque thriller Sleeping Car to Trieste (1948), with spies on board the Orient Express, and Gordon Parry’s ensemble piece Bond Street. Following two minor 1950 comedies, Her Favorite Husband / The Taming of Dorothy and The Reluctant Widow / The Inheritance, Kent’s movie stardom was virtually over, though she would still have one major film role in store. In what is probably her best remembered and most prestigious effort, Jean Kent played Millie Crocker-Harris, the unsympathetic, adulterous wife of unfulfilled teacher Michael Redgrave, in Anthony Asquith’s 1951 film version of Terence Rattigan’s The Browning Version — a Javelin Films production...
- 12/4/2013
- by Andre Soares
- Alt Film Guide
Brief Encounter has beaten Casablanca to the title of 'Best Romantic Film' in a new list for Time Out London.
The list was compiled with input from 101 industry experts, including actor Richard Gere, directors Judd Apatow and Edgar Wright, and Miss Piggy of The Muppets.
> Read the full top 100 on the 'Time Out' website
Time Out London's film editor Dave Calhoun said: "What makes the Time Out list so exciting and unusual is that it's not just the opinion of three sun-starved film critics sitting in a darkened room and writing a list.
"Instead, we got off our sofas and asked 101 real experts in movies and romance for their personal take on the matter - and our top 100 romantic films reflects their very personal choices."
Topping the list was David Lean's 1946 drama Brief Encounter, written by Noël Coward and starring Celia Johnson, Trevor Howard, Stanley Holloway and Joyce Carey.
The list was compiled with input from 101 industry experts, including actor Richard Gere, directors Judd Apatow and Edgar Wright, and Miss Piggy of The Muppets.
> Read the full top 100 on the 'Time Out' website
Time Out London's film editor Dave Calhoun said: "What makes the Time Out list so exciting and unusual is that it's not just the opinion of three sun-starved film critics sitting in a darkened room and writing a list.
"Instead, we got off our sofas and asked 101 real experts in movies and romance for their personal take on the matter - and our top 100 romantic films reflects their very personal choices."
Topping the list was David Lean's 1946 drama Brief Encounter, written by Noël Coward and starring Celia Johnson, Trevor Howard, Stanley Holloway and Joyce Carey.
- 4/24/2013
- Digital Spy
Brief Encounter (1945) Direction: David Lean Cast: Celia Johnson, Trevor Howard, Stanley Holloway, Joyce Carey, Cyril Raymond Screenplay: David Lean, Ronald Neame, Anthony Havelock-Allan; from Noel Coward's play Still Life Oscar Movies Highly Recommended Celia Johnson, Trevor Howard, Brief Encounter Synopsis: A married doctor (Trevor Howard) and a housewife (Celia Johnson) have an adulterous (and platonic) affair. The Pros: Shadow-bathed, smoke-enshrouded railway stations (cinematography by Robert Krasker) to the strains of Rachmaninov's Piano Concerto No. 2. Enough to turn the jadedest among us into a wide-eyed romantic. David Lean's delicate, compassionate direction; and Lean, Ronald Neame, and Anthony Havelock-Allan's sensitive adaptation of Noel Coward's play Still Life. No Hollywood ending here, and no syrupy, cutesy moments, either. Just as important, neither the director nor the screenwriters are ever either judgmental or condescending toward their characters. Best Actress Oscar nominee and New York Film Critics winner Celia Johnson's...
- 2/3/2011
- by Andre Soares
- Alt Film Guide
David Lean, 1945
In how many other countries would a poll pick Brief Encounter as the best movie romance of all time? Even in Britain, I wonder how many people born since, say, 1975 would rate it so highly. But for a generation that remembers when the trains ran on time and station buffets were as tidy and inviting as the one in this movie, Brief Encounter is etched in nostalgia for an era when trapped middle-class lives contemplated adultery but set the disturbing thought aside. On the face of it, it would seem that Britain has changed; but is it possible that the David Lean-Noël Coward film is still the model for repressed feelings as an English ideal? We are accustomed to attributing films to directors, but it's only proper to regard Coward as an equal author of this movie. He wrote the script, taking it from his own one-act play,...
In how many other countries would a poll pick Brief Encounter as the best movie romance of all time? Even in Britain, I wonder how many people born since, say, 1975 would rate it so highly. But for a generation that remembers when the trains ran on time and station buffets were as tidy and inviting as the one in this movie, Brief Encounter is etched in nostalgia for an era when trapped middle-class lives contemplated adultery but set the disturbing thought aside. On the face of it, it would seem that Britain has changed; but is it possible that the David Lean-Noël Coward film is still the model for repressed feelings as an English ideal? We are accustomed to attributing films to directors, but it's only proper to regard Coward as an equal author of this movie. He wrote the script, taking it from his own one-act play,...
- 10/16/2010
- by David Thomson
- The Guardian - Film News
David Lean, 1945
In how many other countries would a poll pick Brief Encounter as the best movie romance of all time? Even in Britain, I wonder how many people born since, say, 1975 would rate it so highly. But for a generation that remembers when the trains ran on time and station buffets were as tidy and inviting as the one in this movie, Brief Encounter is etched in nostalgia for an era when trapped middle-class lives contemplated adultery but set the disturbing thought aside. On the face of it, it would seem that Britain has changed; but is it possible that the David Lean-Noël Coward film is still the model for repressed feelings as an English ideal? We are accustomed to attributing films to directors, but it's only proper to regard Coward as an equal author of this movie. He wrote the script, taking it from his own one-act play,...
In how many other countries would a poll pick Brief Encounter as the best movie romance of all time? Even in Britain, I wonder how many people born since, say, 1975 would rate it so highly. But for a generation that remembers when the trains ran on time and station buffets were as tidy and inviting as the one in this movie, Brief Encounter is etched in nostalgia for an era when trapped middle-class lives contemplated adultery but set the disturbing thought aside. On the face of it, it would seem that Britain has changed; but is it possible that the David Lean-Noël Coward film is still the model for repressed feelings as an English ideal? We are accustomed to attributing films to directors, but it's only proper to regard Coward as an equal author of this movie. He wrote the script, taking it from his own one-act play,...
- 10/16/2010
- by David Thomson
- The Guardian - Film News
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