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How much does a film’s director impact your work as a makeup and hairstylist? What were each of your Oscar-winning or Oscar-nominated directors like to work with? What made you want to get into the film and television business? Was there a film you saw that inspired you to go into this field?
These were some of the secrets revealed by seven of today’s top hair and makeup artists when they joined Gold Derby’s special “Meet the Experts” Q&a event with 2023/2024 awards contenders: Karen Hartley-Thomas (“Golda”), Thomas Nellen (“Killers of the Flower Moon”), Lori McCoy-Bell (“Maestro”), Jana Carboni and Francesco Pegoretti (“Napoleon”) and Luisa Abel and Jaime Leigh McIntosh (“Oppenheimer”). Watch our captivating group discussion above and click on each name to view their solo chat.
See Film editing roundtable: ‘Air,’ ‘American Fiction,’ ‘Saltburn,’ ‘Spider-Man: Across the Spider-Verse’ and ‘Still: A Michael J. Fox Movie’
“After...
These were some of the secrets revealed by seven of today’s top hair and makeup artists when they joined Gold Derby’s special “Meet the Experts” Q&a event with 2023/2024 awards contenders: Karen Hartley-Thomas (“Golda”), Thomas Nellen (“Killers of the Flower Moon”), Lori McCoy-Bell (“Maestro”), Jana Carboni and Francesco Pegoretti (“Napoleon”) and Luisa Abel and Jaime Leigh McIntosh (“Oppenheimer”). Watch our captivating group discussion above and click on each name to view their solo chat.
See Film editing roundtable: ‘Air,’ ‘American Fiction,’ ‘Saltburn,’ ‘Spider-Man: Across the Spider-Verse’ and ‘Still: A Michael J. Fox Movie’
“After...
- 12/10/2023
- by Denton Davidson
- Gold Derby
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“I was actually designing ‘House of Gucci’ when I was approached about ‘Napoleon,'” says Jana Carboni, the makeup designer for Ridley Scott‘s biographical film about the French emperor. “I loved the idea. It’s an incredible story, an incredible challenge. Then I read the script and I thought, ‘This is epic.’ In the script there are 132 cast members and then we had 500 extras a day so it was humongous.”
We talked with Carboni and hair designer Francesco Pegoretti as part of Gold Derby’s special “Meet the Experts” Q&a event with 2023/2024 awards contenders. Watch our exclusive video interview above.
See ‘Napoleon’ production designer Arthur Max: ‘This is the epic of all epics’ [Exclusive Video Interview]
“Napoleon” is an epic that details the checkered rise and fall of French Emperor Napoleon Bonaparte (Joaquin Phoenix) and his relentless journey to power through the prism of his addictive, volatile relationship with his wife,...
We talked with Carboni and hair designer Francesco Pegoretti as part of Gold Derby’s special “Meet the Experts” Q&a event with 2023/2024 awards contenders. Watch our exclusive video interview above.
See ‘Napoleon’ production designer Arthur Max: ‘This is the epic of all epics’ [Exclusive Video Interview]
“Napoleon” is an epic that details the checkered rise and fall of French Emperor Napoleon Bonaparte (Joaquin Phoenix) and his relentless journey to power through the prism of his addictive, volatile relationship with his wife,...
- 12/10/2023
- by Denton Davidson
- Gold Derby
![Image](https://m.media-amazon.com/images/M/MV5BOGQ3ODI0ZDYtMDMzNS00MDJhLWE4NmYtYjkzNDkxNzlhMmU0XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR0,0,500,281_.jpg)
Brazilian film editor, screenwriter and director Bruno Carboni tells a merged tale of human disconnection in “The Accident” (“O Acidente”), sharing an exclusive first-look trailer with Variety as the film begins to advance on the festival circuit.
Completed within the framework of the 2018 Torino Film Script Lab, Carboni’s reflective first feature has debuted in competition alongside seven other projects, including Eduardo Cassanova’s “La Piedad” and Carlos Lechuga’s “Vicenta B” at the 32nd Annual Cine Ceará in Fortaleza, Brazil, which wraps today. It is also screening at the Festival do Rio and has just been selected for the Tallinn Black Nights First Feature Competition.
Shot in his hometown of Porto Alegre and co-written by Marcela Ilhar Bordin, the film analyzes the microscopic ways trauma unfolds under the surface and calls into question the hopeless nature of an ego-fueled society that espouses distrust rather than championing grace and communication.
Completed within the framework of the 2018 Torino Film Script Lab, Carboni’s reflective first feature has debuted in competition alongside seven other projects, including Eduardo Cassanova’s “La Piedad” and Carlos Lechuga’s “Vicenta B” at the 32nd Annual Cine Ceará in Fortaleza, Brazil, which wraps today. It is also screening at the Festival do Rio and has just been selected for the Tallinn Black Nights First Feature Competition.
Shot in his hometown of Porto Alegre and co-written by Marcela Ilhar Bordin, the film analyzes the microscopic ways trauma unfolds under the surface and calls into question the hopeless nature of an ego-fueled society that espouses distrust rather than championing grace and communication.
- 10/13/2022
- by Holly Jones
- Variety Film + TV
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