Watch On Spec (David Phelps, 2012, 23') online:
http://vimeo.com/55713368
Notes
Notas (traducidas)
On Spec is being distributed by Lumière and is available to watch online December 19, 2012 - January 2, 2012
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All audio recorded 12/13/12 at approximately 1am
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Credits (approx 60-90 seconds)
Credits are written out by hand on a blank notepad. “Specters of the Age (Myths/Comedies): On Spec,” “August 17, 2011,” “Credit,” (with names) “Thank you,” (with names). Quote: “Owe a bank a thousand dollars, the bank owns you. Owe a bank one hundred million dollars, you own the bank.” — American proverb
—Outline for On Spec, 8/16/11
"...But, as my first (film) film, it’s a start, even if trying to extract some trace of something redeemingly real from this speculative world seems as dubious a venture, in 2012, as not trying at all. "
—Notes to On Spec, August 20, 2012
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"Went to Ma today to color-correct [film], and good thing too: guy would have naturalized it all,...
http://vimeo.com/55713368
Notes
Notas (traducidas)
On Spec is being distributed by Lumière and is available to watch online December 19, 2012 - January 2, 2012
______
All audio recorded 12/13/12 at approximately 1am
_____
***
***
Credits (approx 60-90 seconds)
Credits are written out by hand on a blank notepad. “Specters of the Age (Myths/Comedies): On Spec,” “August 17, 2011,” “Credit,” (with names) “Thank you,” (with names). Quote: “Owe a bank a thousand dollars, the bank owns you. Owe a bank one hundred million dollars, you own the bank.” — American proverb
—Outline for On Spec, 8/16/11
"...But, as my first (film) film, it’s a start, even if trying to extract some trace of something redeemingly real from this speculative world seems as dubious a venture, in 2012, as not trying at all. "
—Notes to On Spec, August 20, 2012
***
***
"Went to Ma today to color-correct [film], and good thing too: guy would have naturalized it all,...
- 12/20/2012
- by gina telaroli
- MUBI
Three notes on Wings and William Wellman’s home movies.
I.
In the non-genre of the aviation romance—a boy and his plane—Howard Hawks gets to keep up as specter of cinema incarnate, granting and granted movies as an all-American ideal: a studio built by man, a world closed-off, remade and renewed in his actions as barkeep, strummer, errant lover. But against the attraction of pure cinema, American Idyll, there’s American history, not quite so pure, teetering chassis of botched escapades, scores wounded, fast-money men who kill kids because it’s a living. Each man in his time, Raoul Walsh labeled his autobiography, and as the kid says in Walsh's The Bowery (1933), get the buck, give the breeze. The ethos comes out the same as Hawks that nobility’s worth it only for itself, but against Hawks’ cinema of action plays this cinema of reaction, William Wellman’s movies that show,...
I.
In the non-genre of the aviation romance—a boy and his plane—Howard Hawks gets to keep up as specter of cinema incarnate, granting and granted movies as an all-American ideal: a studio built by man, a world closed-off, remade and renewed in his actions as barkeep, strummer, errant lover. But against the attraction of pure cinema, American Idyll, there’s American history, not quite so pure, teetering chassis of botched escapades, scores wounded, fast-money men who kill kids because it’s a living. Each man in his time, Raoul Walsh labeled his autobiography, and as the kid says in Walsh's The Bowery (1933), get the buck, give the breeze. The ethos comes out the same as Hawks that nobility’s worth it only for itself, but against Hawks’ cinema of action plays this cinema of reaction, William Wellman’s movies that show,...
- 2/9/2012
- MUBI
Looking back at 2011 on what films moved and impressed us it becomes more and more clear—to me at least—that watching old films is a crucial part of making new films meaningful. Thus, our end of year poll, now an annual tradition, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2011—in theaters or at a festival—and creatively pair it with an old film they also saw in 2011 to create a unique double feature. Many contributors chose their favorites of 2011, some picked out-of-the-way gems, others made some pretty strange connections—and some frankly just want to create a kerfuffle. All the contributors were asked to write a paragraph explaining their 2011 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative...
- 1/5/2012
- MUBI
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