Agnès Jaoui in This Life Of Mine to be screened as the opening film in the Cannes Directors’ Fortnight Photo: The Party Film Sales Sophie Fillières who died last year at the age of 58, left behind a 'very intimate self-portrait, to which Agnès Jaoui lends body and soul' Photo: Photo Unifrance A respected French female filmmaker who died last year, will have her final film This Life of Mine screened in the opening slot on May 15 of the 77th edition of the Cannes Directors’ Fortnight.
Sophie Fillières managed to shoot the film last summer before her untimely death at the age of 58. The film titled in French Ma Vie, Ma Gueule, was finished by members of her family who include her partner, the filmmaker Pascal Bonitzer.
The film follows a middle-aged woman who travels to the Scottish Highlands to escape the harsh realities of her life and stars Agnès Jaoui,...
Sophie Fillières managed to shoot the film last summer before her untimely death at the age of 58. The film titled in French Ma Vie, Ma Gueule, was finished by members of her family who include her partner, the filmmaker Pascal Bonitzer.
The film follows a middle-aged woman who travels to the Scottish Highlands to escape the harsh realities of her life and stars Agnès Jaoui,...
- 4/16/2024
- by Richard Mowe
- eyeforfilm.co.uk
Veteran French distributor Rezo Films is closing its doors after more than 32 years and nearly 400 films after struggling to stay afloat in an increasingly competitive distribution landscape.
Founded in 1992 by Jean-Michel Rey and Nadia Lassoujade, Rezo Films helped to launch the careers of several French auteurs including Abdellatif Kechiche, Pascal Bonitzer, Catherine Corsini, Xavier Dolan, Gaspar Noé, Stéphane Brizé and Jeremy Clapin.
Several of those films performed well for arthouse titles in the territory including Clapin’s debut feature I Lost My Body in 2019, Brizé’s Mademoiselle Chambon in 2009, and Kechiche’s Games Of Love And Chance (L’Esquive) with 373,618 tickets...
Founded in 1992 by Jean-Michel Rey and Nadia Lassoujade, Rezo Films helped to launch the careers of several French auteurs including Abdellatif Kechiche, Pascal Bonitzer, Catherine Corsini, Xavier Dolan, Gaspar Noé, Stéphane Brizé and Jeremy Clapin.
Several of those films performed well for arthouse titles in the territory including Clapin’s debut feature I Lost My Body in 2019, Brizé’s Mademoiselle Chambon in 2009, and Kechiche’s Games Of Love And Chance (L’Esquive) with 373,618 tickets...
- 3/19/2024
- ScreenDaily
Auction director/screenwriter Pascal Bonitzer at The Metropolitan Museum of Art in New York exhibition Look Again: European Paintings 1300–1800 Photo: Anne Katrin Titze
On the afternoon of the Rendez-Vous with French Cinema première in New York of Auction, starring Alex Lutz and Louise Chevillotte with Léa Drucker and Olivier Rabourdin of Catherine Breillat’s incomparably daring Last Summer, the director/screenwriter joined me at The Metropolitan Museum of Art to check out Women Dressing Women at the Anna Wintour Costume Institute, before we strolled through the visionary exhibition Look Again: European Paintings 1300–1800.
Inês de Medeiros with Laurence Côte in Jacques Rivette’s La Bande Des Quatre, co-written with Pascal Bonitzer and Christine Laurent
In the second installment with the prolific and acclaimed director, screenwriter, actor, and former film critic for Cahiers du Cinéma, we discuss working again with Laurence Côte (seen as Ginette Kolinka in Olivier Dahan’s all-embracing portrait [film id=41673]Simone: Woman Of.
On the afternoon of the Rendez-Vous with French Cinema première in New York of Auction, starring Alex Lutz and Louise Chevillotte with Léa Drucker and Olivier Rabourdin of Catherine Breillat’s incomparably daring Last Summer, the director/screenwriter joined me at The Metropolitan Museum of Art to check out Women Dressing Women at the Anna Wintour Costume Institute, before we strolled through the visionary exhibition Look Again: European Paintings 1300–1800.
Inês de Medeiros with Laurence Côte in Jacques Rivette’s La Bande Des Quatre, co-written with Pascal Bonitzer and Christine Laurent
In the second installment with the prolific and acclaimed director, screenwriter, actor, and former film critic for Cahiers du Cinéma, we discuss working again with Laurence Côte (seen as Ginette Kolinka in Olivier Dahan’s all-embracing portrait [film id=41673]Simone: Woman Of.
- 3/7/2024
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Aurore (Louise Chevillotte) with André Masson (Alex Lutz) at Scottie’s in Pascal Bonitzer’s mysterious and witty Auction (Le Tableau Volé)
Catherine Breillat’s incomparably daring Last Summer starring Léa Drucker, Samuel Kircher, and Olivier Rabourdin has received four César nominations: Best Director and Adapted Screenplay, Actress (Léa Drucker), Male Revelation (Samuel Kircher in competition with his brother Paul Kircher for Thomas Cailley’s The Animal Kingdom). In the first installment with Pascal Bonitzer, we start out discussing his work on Last Summer which is based on May el-Toukhy’s 2019 film Queen of Hearts and then delve into his latest film, Auction (Le Tableau Volé).
Pascal Bonitzer with Anne-Katrin Titze on Scottie’s in Auction: “It’s an allusion to Vertigo because it’s a great movie. Scottie’s, yes, it’s Sotheby’s, it’s Christie’s, it’s a big auction house.”
Pascal Bonitzer, who put a...
Catherine Breillat’s incomparably daring Last Summer starring Léa Drucker, Samuel Kircher, and Olivier Rabourdin has received four César nominations: Best Director and Adapted Screenplay, Actress (Léa Drucker), Male Revelation (Samuel Kircher in competition with his brother Paul Kircher for Thomas Cailley’s The Animal Kingdom). In the first installment with Pascal Bonitzer, we start out discussing his work on Last Summer which is based on May el-Toukhy’s 2019 film Queen of Hearts and then delve into his latest film, Auction (Le Tableau Volé).
Pascal Bonitzer with Anne-Katrin Titze on Scottie’s in Auction: “It’s an allusion to Vertigo because it’s a great movie. Scottie’s, yes, it’s Sotheby’s, it’s Christie’s, it’s a big auction house.”
Pascal Bonitzer, who put a...
- 2/23/2024
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Unifrance and Film at Lincoln Center have unveiled the lineup for the 29th Rendez-Vous with French Cinema, a festival celebrating contemporary French film running from Feb. 29-March 10.
Thomas Cailley’s “The Animal Kingdom” will screen as the 2024 Opening Night Selection in its New York premiere. The film, which was nominated for 12 Cesar Awards, tells the story of an infection that mutates humans into animal hybrids.
“It is a great honor to open this year’s edition with the French critical and box-office hit ‘The Animal Kingdom’ with director Thomas Cailley in attendance,” said Daniela Elstner, executive director of Unifrance.
Elstner continued, “This remarkable film along with this year’s selection is a great example of the vitality and diversity of French cinema today. A mix of new and established filmmakers together with the stellar presence of actress Marion Cotillard indeed make for a rich 29th edition of this year’s Rendez-Vous With French Cinema.
Thomas Cailley’s “The Animal Kingdom” will screen as the 2024 Opening Night Selection in its New York premiere. The film, which was nominated for 12 Cesar Awards, tells the story of an infection that mutates humans into animal hybrids.
“It is a great honor to open this year’s edition with the French critical and box-office hit ‘The Animal Kingdom’ with director Thomas Cailley in attendance,” said Daniela Elstner, executive director of Unifrance.
Elstner continued, “This remarkable film along with this year’s selection is a great example of the vitality and diversity of French cinema today. A mix of new and established filmmakers together with the stellar presence of actress Marion Cotillard indeed make for a rich 29th edition of this year’s Rendez-Vous With French Cinema.
- 1/25/2024
- by Jaden Thompson
- Variety Film + TV
This week’s Unifrance Rendez-Vous in Paris will kick off with the Tuesday night world premiere of Pascal Bonitzer’s “Auction” – a ripped-from-the-headlines ensemble drama set in the crosshairs of high art and high finance.
Produced by Sbs Productions and sold by Pyramide International, the art-world saga follows – among others – a hotshot auctioneer, his less-than-reliable assistant, and the working class bloke who sets the narrative in motion upon realizing that his erstwhile innocuous wall art bears the signature of Egon Schiele.
Writer-director Pascal Bonitzer originally thought to explore this world of high-verve auctioneers as a series, but keyed into the story’s singular, cinematic potential thanks to the real-life discovery of Schiele masterworks thought lost during World War II.
“I was fascinated by this collision of two worlds,” Bonitzer tells Variety. “On the one hand, these auctioneers need to play a game – they must seduce potential sellers, wresting artifacts from...
Produced by Sbs Productions and sold by Pyramide International, the art-world saga follows – among others – a hotshot auctioneer, his less-than-reliable assistant, and the working class bloke who sets the narrative in motion upon realizing that his erstwhile innocuous wall art bears the signature of Egon Schiele.
Writer-director Pascal Bonitzer originally thought to explore this world of high-verve auctioneers as a series, but keyed into the story’s singular, cinematic potential thanks to the real-life discovery of Schiele masterworks thought lost during World War II.
“I was fascinated by this collision of two worlds,” Bonitzer tells Variety. “On the one hand, these auctioneers need to play a game – they must seduce potential sellers, wresting artifacts from...
- 1/15/2024
- by Ben Croll
- Variety Film + TV
Pyramide is also handling the directorial debut of Johanna Pyykkö, former assistant to Joachim Trier.
Paris-based Pyramide International has acquired Emmanuel Mouret’s comedy drama Une Honnête Femme, starring Camille Cottin, Sara Forestier and India Hair.
It will launch the film at next week’s Rendez-Vous in Paris, along with Thierry de Peretti’s drama A Son Image and Johanna Pyykkö’s My Wonderful Stranger.
Une Honnête Femme zooms in on three friends with different views on love – one who has just left a relationship, one who advocates for a relationship without love, and one who sees love as an adventure.
Paris-based Pyramide International has acquired Emmanuel Mouret’s comedy drama Une Honnête Femme, starring Camille Cottin, Sara Forestier and India Hair.
It will launch the film at next week’s Rendez-Vous in Paris, along with Thierry de Peretti’s drama A Son Image and Johanna Pyykkö’s My Wonderful Stranger.
Une Honnête Femme zooms in on three friends with different views on love – one who has just left a relationship, one who advocates for a relationship without love, and one who sees love as an adventure.
- 1/12/2024
- by Rebecca Leffler
- ScreenDaily
Pyramide is also handling the directorial debut of Johanna Pyykkö, former assistant to Joachim Trier.
Paris-based Pyramide International has acquired Emmanuel Mouret’s comedy drama Une Honnete Femme, starring Camille Cottin, Sara Forestier and India Hair.
It will launch the film at next week’s Rendez-Vous in Paris, along with Thierry de Peretti’s drama A Son Image and Johanna Pyykkö’s My Wonderful Stranger.
Une Honnête Femme zooms in on three friends with different views on love – one who has just left a relationship, one who advocates for a relationship without love, and one who sees love as an adventure.
Paris-based Pyramide International has acquired Emmanuel Mouret’s comedy drama Une Honnete Femme, starring Camille Cottin, Sara Forestier and India Hair.
It will launch the film at next week’s Rendez-Vous in Paris, along with Thierry de Peretti’s drama A Son Image and Johanna Pyykkö’s My Wonderful Stranger.
Une Honnête Femme zooms in on three friends with different views on love – one who has just left a relationship, one who advocates for a relationship without love, and one who sees love as an adventure.
- 1/12/2024
- by Rebecca Leffler
- ScreenDaily
Pyramide is also handling the directorial debut of Johanna Pyykkö, former assistant to Joachim Trier.
Paris-based Pyramide International has acquired Emmanuel Mouret’s comedy drama Une Honnete Femme, starring Camille Cottin, Sara Forestier and India Hair.
It will launch the film at next week’s Rendez-Vous in Paris, along with Thierry de Peretti’s feature documentary A Son Image and Johanna Pyykkö’s My Wonderful Stranger.
Une Honnête Femme zooms in on three friends with different views on love – one who has just left a relationship, one who advocates for a relationship without love, and one who sees love as an adventure.
Paris-based Pyramide International has acquired Emmanuel Mouret’s comedy drama Une Honnete Femme, starring Camille Cottin, Sara Forestier and India Hair.
It will launch the film at next week’s Rendez-Vous in Paris, along with Thierry de Peretti’s feature documentary A Son Image and Johanna Pyykkö’s My Wonderful Stranger.
Une Honnête Femme zooms in on three friends with different views on love – one who has just left a relationship, one who advocates for a relationship without love, and one who sees love as an adventure.
- 1/12/2024
- by Rebecca Leffler
- ScreenDaily
A record 54 market premieres will be hosted at the Rendez-Vous showcase held by the French film promotion org Unifrance in Paris which will kick off Jan. 16 with the world premiere of Pascal Bonitzer’s “Auction.”
The biggest film market dedicated exclusively to French movies, the Rendez-Vous in Paris will welcome 420 buyers from 50 countries and 47 sales companies. As many as 1,000 professionals have registered for the week-long event. Since Unifrance has now merged with TV France International, the event will also gather 100 TV buyers from 27 countries.
“After returning last year with a post-pandemic edition, we’re back to normal with over 400 buyers — and we even have new buyers from Quebec and Africa, along with about 15 Latin American distributors,” said Gilles Renouard, Unifrance’s co-managing director.
More than 80 completed movies will screen at the Rendez-Vous, 54 of which have never been shown at an international festival or market. Renouard says the large roster of...
The biggest film market dedicated exclusively to French movies, the Rendez-Vous in Paris will welcome 420 buyers from 50 countries and 47 sales companies. As many as 1,000 professionals have registered for the week-long event. Since Unifrance has now merged with TV France International, the event will also gather 100 TV buyers from 27 countries.
“After returning last year with a post-pandemic edition, we’re back to normal with over 400 buyers — and we even have new buyers from Quebec and Africa, along with about 15 Latin American distributors,” said Gilles Renouard, Unifrance’s co-managing director.
More than 80 completed movies will screen at the Rendez-Vous, 54 of which have never been shown at an international festival or market. Renouard says the large roster of...
- 1/9/2024
- by Elsa Keslassy
- Variety Film + TV
Catherine Breillat on Léa Drucker in Last Summer (L’Été Dernier) and Alfred Hitchcock’s heroine wardrobe: “I said to Léa, think about Vertigo and Kim Novak! But then I think she is more Tippi Hedren.”
Catherine Breillat’s Last Summer stars Léa Drucker and Samuel Kircher with Olivier Rabourdin, Clotilde Courau, Serena Hu, and Angela Chen. The film is based on May el-Toukhy’s 2019 Queen of Hearts, starring Trine Dyrholm, Gustav Lindh, and Magnus Krepper. Last Summer shares a theme with the NYFF Opening Night Gala selection, Todd Haynes’s May December, where a reversal of age also takes central stage.
Catherine Breillat, with Anne-Katrin Titze, reveals the Christophe Honoré, Winter Boy, Paul Kircher and Samuel Kircher connection for Last Summer
Breillat, incomparably daring as ever, tells the story of Anne (Drucker), a successful lawyer, who lives with her businessman husband Pierre (Rabourdin) and their two headstrong, adopted daughters,...
Catherine Breillat’s Last Summer stars Léa Drucker and Samuel Kircher with Olivier Rabourdin, Clotilde Courau, Serena Hu, and Angela Chen. The film is based on May el-Toukhy’s 2019 Queen of Hearts, starring Trine Dyrholm, Gustav Lindh, and Magnus Krepper. Last Summer shares a theme with the NYFF Opening Night Gala selection, Todd Haynes’s May December, where a reversal of age also takes central stage.
Catherine Breillat, with Anne-Katrin Titze, reveals the Christophe Honoré, Winter Boy, Paul Kircher and Samuel Kircher connection for Last Summer
Breillat, incomparably daring as ever, tells the story of Anne (Drucker), a successful lawyer, who lives with her businessman husband Pierre (Rabourdin) and their two headstrong, adopted daughters,...
- 12/14/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Alex Lutz stars in Pascal Bontizer’s Auction slated to open the 26th Rendez-Vous with French Cinema in Paris next month Photo: UniFrance If it’s January in the world of le cinéma français it must be the Unifrance Rendez-Vous with French Cinema which will open in Paris on 16 January with Pascal Bonitzer’s new film Auction (Le Tableau Volé) featuring a cast of Alex Lutz (whose Strangers By Night closed Un Certain Regard section of the Cannes Film Festival earlier in the year).
The cast also features Léa Drucker, Louise Chevillotte and Nora Hamzawi. Lutz plays an auctioneer who is alerted to a rare canvas by Egon Schiele, found in Mulhouse, near the Swiss-German borders - but he becomes suspicious about its authenticity and decides to investigate further.
Pascal Bonitzer presents his ninth feature as a director at the Uni-France Rendez-Vous with French Cinema in Paris Photo: UniFrance Bonitzer...
The cast also features Léa Drucker, Louise Chevillotte and Nora Hamzawi. Lutz plays an auctioneer who is alerted to a rare canvas by Egon Schiele, found in Mulhouse, near the Swiss-German borders - but he becomes suspicious about its authenticity and decides to investigate further.
Pascal Bonitzer presents his ninth feature as a director at the Uni-France Rendez-Vous with French Cinema in Paris Photo: UniFrance Bonitzer...
- 12/4/2023
- by Richard Mowe
- eyeforfilm.co.uk
Sideshow & Janus Films Take North American Rights To Catherine Breillat’s Cannes Title ‘Last Summer’
Sideshow and Janus Films have acquired all North American rights for Catherine Breillat’s drama Last Summer (L’été dernier) following its well-received premiere in competition in the final days of the Cannes Film Festival (May 16-27).
Breillat’s first feature in a decade, the drama continues the director’s career-long penchant for breaking taboos.
Lea Drucker stars as a successful family lawyer specializing in child protection, living a seemingly perfect life with her husband and their two young daughters in a well-heeled Paris suburb.
She jeopardizes everything when she embarks on a forbidden affair with her dissolute 17-year-old stepson, played by (Samuel Kircher) in a move that will have explosive consequences for all involved.
Saïd Ben Saïd lead produced the film under the banner of his Paris-based company Sbs Production.
The film is adapted from Danish director May El-Thoukhy’s award-winning 2019 drama Queen Of Hearts, by Breillat in collaboration with Pascal Bonitzer.
Breillat’s first feature in a decade, the drama continues the director’s career-long penchant for breaking taboos.
Lea Drucker stars as a successful family lawyer specializing in child protection, living a seemingly perfect life with her husband and their two young daughters in a well-heeled Paris suburb.
She jeopardizes everything when she embarks on a forbidden affair with her dissolute 17-year-old stepson, played by (Samuel Kircher) in a move that will have explosive consequences for all involved.
Saïd Ben Saïd lead produced the film under the banner of his Paris-based company Sbs Production.
The film is adapted from Danish director May El-Thoukhy’s award-winning 2019 drama Queen Of Hearts, by Breillat in collaboration with Pascal Bonitzer.
- 6/2/2023
- by Melanie Goodfellow
- Deadline Film + TV
Sideshow and Janus Films have acquired all North American rights for Catherine Breillat’s explosive drama “Last Summer” which competed at the Cannes Film Festival.
Produced by Said Ben Said at Sbs, the film stars Léa Drucker as Anne, a brilliant lawyer who lives in perfect harmony with her husband Pierre and their six and eight‐year‐old daughters in the suburbs of Paris. One day, Theo, 17, Pierre’s son from a previous marriage, moves in with them. Anne is troubled by Theo and gradually engages in a passionate relationship with him, putting her career and family life in danger.
Drucker stars opposite Samuel Kircher and Olivier Rabourdin. Breillat wrote the film with the collaboration of Pascal Bonitzer. It’s an adaptation of May el-Toukhy’s “Queen of Hearts” which won the Audience Award at Sundance in 2019. Sideshow and Janus Films are planning a theatrical release following fall festivals.
“Catherine...
Produced by Said Ben Said at Sbs, the film stars Léa Drucker as Anne, a brilliant lawyer who lives in perfect harmony with her husband Pierre and their six and eight‐year‐old daughters in the suburbs of Paris. One day, Theo, 17, Pierre’s son from a previous marriage, moves in with them. Anne is troubled by Theo and gradually engages in a passionate relationship with him, putting her career and family life in danger.
Drucker stars opposite Samuel Kircher and Olivier Rabourdin. Breillat wrote the film with the collaboration of Pascal Bonitzer. It’s an adaptation of May el-Toukhy’s “Queen of Hearts” which won the Audience Award at Sundance in 2019. Sideshow and Janus Films are planning a theatrical release following fall festivals.
“Catherine...
- 6/2/2023
- by Elsa Keslassy
- Variety Film + TV
Deal follows acquisition of Nuri Bilge Ceylan’s About Dry Grasses.
Sideshow and Janus Films have acquired all North American rights from Pyramide International to Catherine Breillat’s Cannes Competition selection Last Summer (L’été Dernier).
‘Last Summer’: Cannes Review
Breillat’s first film in a decade since 2013 TIFF entry Abuse Of Weakness tells of Anne, a brilliant lawyer whose harmonious Paris life with husband Pierre and their daughters is thrown into disarray when she has an affair with her stepson.
Léa Drucker, Samuel Kircher and Olivier Rabourdin star in the Sbs production produced by Saïd Ben Saïd. Breillat and...
Sideshow and Janus Films have acquired all North American rights from Pyramide International to Catherine Breillat’s Cannes Competition selection Last Summer (L’été Dernier).
‘Last Summer’: Cannes Review
Breillat’s first film in a decade since 2013 TIFF entry Abuse Of Weakness tells of Anne, a brilliant lawyer whose harmonious Paris life with husband Pierre and their daughters is thrown into disarray when she has an affair with her stepson.
Léa Drucker, Samuel Kircher and Olivier Rabourdin star in the Sbs production produced by Saïd Ben Saïd. Breillat and...
- 6/2/2023
- by Jeremy Kay
- ScreenDaily
Sideshow and Janus Films have acquired all North American rights for “Last Summer,” directed by Catherine Breillat, her first film in a decade, the companies announced on Friday.
The film, which just screened In Competition at the Cannes Film Festival to rave reviews, tells the story of Anne, a brilliant lawyer who lives in perfect harmony with her husband Pierre and their six and eight‐year‐old daughters in the suburbs of Paris. One day, Theo, 17, Pierre’s son from a previous marriage, moves in with them. Anne is troubled by Theo and gradually engages in a passionate relationship with him, putting her career and family life in danger. It stars Léa Drucker, Samuel Kircher and Olivier Rabourdin.
“Last Summer” is an Sbs production and is produced by Saïd Ben Saïd. It’s written by Breillat with the collaboration of Pascal Bonitzer and adapted from the film “Queen of Hearts...
The film, which just screened In Competition at the Cannes Film Festival to rave reviews, tells the story of Anne, a brilliant lawyer who lives in perfect harmony with her husband Pierre and their six and eight‐year‐old daughters in the suburbs of Paris. One day, Theo, 17, Pierre’s son from a previous marriage, moves in with them. Anne is troubled by Theo and gradually engages in a passionate relationship with him, putting her career and family life in danger. It stars Léa Drucker, Samuel Kircher and Olivier Rabourdin.
“Last Summer” is an Sbs production and is produced by Saïd Ben Saïd. It’s written by Breillat with the collaboration of Pascal Bonitzer and adapted from the film “Queen of Hearts...
- 6/2/2023
- by Umberto Gonzalez
- The Wrap
’Jim’s Story’ is an adaptation of the novel of the same name by Pierric Bailly.
French filmmaking duo the Larrieu brothers, known for their eccentric comedies are turning to melodrama with Jim’s Story for which Pyramide International has rights and is kicking off sales at the Cannes Market.
Jim’s Story is an adaptation of the novel of the same name by Pierric Bailly and stars Sara Forestier, Sara Giraudeau, Karim Leklou, and Valérie Donzelli, director of Cannes Premiere title Just The Two of Us, alongside Noé Abita.
The film is about a family living in the Jura...
French filmmaking duo the Larrieu brothers, known for their eccentric comedies are turning to melodrama with Jim’s Story for which Pyramide International has rights and is kicking off sales at the Cannes Market.
Jim’s Story is an adaptation of the novel of the same name by Pierric Bailly and stars Sara Forestier, Sara Giraudeau, Karim Leklou, and Valérie Donzelli, director of Cannes Premiere title Just The Two of Us, alongside Noé Abita.
The film is about a family living in the Jura...
- 5/16/2023
- by Rebecca Leffler
- ScreenDaily
Are fairy tales nothing more than tired tropes? It’s an intriguing concept that guides “White As Snow.” The film offers a blunt inspection of the standard fairy tale while skillfully updating typical constructs. Centered around the strained stepmother/stepdaughter dynamic, screenwriters Pascal Bonitzer and Anne Fontaine give the latter character a sense of freedom as well as choice. This is prevalent especially when it comes to instilling sexuality not as a device, but as a natural part of life itself.
Read More: ‘White As Snow’ With Isabelle Huppert & Lou De Laâge Is A Female Empowerment Fairy Tale [Tribeca Review]
Fontaine also serves as the director of the project; ‘Snow’ presents another chance for her to explore female characters with depth and perspective.
Continue reading ‘White As Snow’ Trailer: Anne Fontaine Tells A Female-Empowerment Fable With Isabelle Huppert As The Evil Step-Mom at The Playlist.
Read More: ‘White As Snow’ With Isabelle Huppert & Lou De Laâge Is A Female Empowerment Fairy Tale [Tribeca Review]
Fontaine also serves as the director of the project; ‘Snow’ presents another chance for her to explore female characters with depth and perspective.
Continue reading ‘White As Snow’ Trailer: Anne Fontaine Tells A Female-Empowerment Fable With Isabelle Huppert As The Evil Step-Mom at The Playlist.
- 7/20/2021
- by Valerie Thompson
- The Playlist
The jury ruled in favour of the film by Brandon Cronenberg, as well as awarding trophies to Sleep and Teddy, while the audience and critics honoured The Swarm by Just Philippot. Organised online, the 28th Gérardmer International Fantasy Film Festival has crowned as its winner the British co-production Possessor (unveiled in last year’s Sundance) by Canadian director Brandon Cronenberg. Presided over by Bertrand Bonello, the jury awarded the film its Grand Prize, as well as the trophy for Best Original Score (for Jim Williams). Two additional prizes were won by Sleep by Germany’s Michael Venus and Teddy by French directors Ludovic and Zoran Boukherma. Significantly, French director Just...
Each year it is a pleasure to introduce the ten actors who make up the European Film Promotion‘s Shooting Stars, and this year is no different. The initiative, to celebrate and promote the best in European acting talent, is dear to the heart of HeyUGuys, and we’ll be continuing our partnership this year with in-depth interviews with each of the 2021 cohort.
This year will, as expected, be slightly different from previous years. The ten emerging actors will be presented as part of a three-day online programme, a week before the 71st Berlinale commences. The digital event, held on the 23rd to the 25th of February, will be an online experience where we’ll be able to sit down and learn a little more about what makes these ten people the ones to watch.
Each of the actors were chosen by a carefully selected jury from a list of...
This year will, as expected, be slightly different from previous years. The ten emerging actors will be presented as part of a three-day online programme, a week before the 71st Berlinale commences. The digital event, held on the 23rd to the 25th of February, will be an online experience where we’ll be able to sit down and learn a little more about what makes these ten people the ones to watch.
Each of the actors were chosen by a carefully selected jury from a list of...
- 1/12/2021
- by Jon Lyus
- HeyUGuys.co.uk
Mubi's retrospective Spotlight on Barbet Schroeder is showing summer 2020 - spring 2021.Above: Barbet SchroederTrying to situate Barbet Schroeder on the film world-trend-map of the past six decades can be a tricky task. Coming on the scene as part of the MacMahonist group1, writing for Cahiers du cinéma mostly about American cinema in the late 1950s, Schroeder should be correctly considered a direct descendant of the politique des auteur. However, unlike other acknowledged “sons” of the New Wave, such as Jean Eustache and Philippe Garrel, this inheritance was not directly passed on to Schroeder when he began producing-directing his own stories, following the steps of his much admired Otto Preminger—in fact, his affective bonds with Cahiers didn’t protect him from the occasional scolding from the magazine’s “third-generation” critics: Serge Daney accused Schroeder of turning the subject of his documentary General Idi Amin Dada: A Self Portrait (1974) into a stereotype,...
- 8/20/2020
- MUBI
A tale of missed connections both earthly and ethereal, Pascal Bonitzer’s haunting “Spellbound” starts underground before it creeps upward to the atmosphere and beyond. Clad in a chic trench coat and styled with a noticeably old-fashioned, side-swept up-do, freelance writer Coline (Sara Giraudeau) is about to hear that ever-unpleasant delay announcement in the Paris metro. Once her train gets stalled, Coline exits, though almost shockingly unfazed, strolling through the streets until a chance encounter taps her on the shoulder. The man that’s appeared out of thin air is none other than Simon (Nicolas Duvauchelle), who evidently stepped out of the same shuttered subway line.
Through this brief foggy encounter and a few minutes of polite yet uncomfortable small talk, we grasp that there is some thorny history there, which Bonitzer’s intriguing yarn unpacks with otherworldly grace, but not always earthbound wisdom or authority. And that’s not necessarily a bad thing,...
Through this brief foggy encounter and a few minutes of polite yet uncomfortable small talk, we grasp that there is some thorny history there, which Bonitzer’s intriguing yarn unpacks with otherworldly grace, but not always earthbound wisdom or authority. And that’s not necessarily a bad thing,...
- 3/8/2020
- by Tomris Laffly
- Variety Film + TV
Hirokazu Kore-eda’s The Truth (La Vérité) star Ethan Hawke: "If you guys could be with these remarkable women, as I was, Catherine Deneuve and Juliette Binoche. They think differently and they speak differently and approach our work differently.” Photo: Anne-Katrin Titze
On Wednesday, March 4, it was announced by UniFrance that the French delegation, including UniFrance President Serge Toubiana, Lucie Borleteau, Maïmouna Doucouré, Mehdi Idir, Claude Lelouch, Valérie Perrin, Chiara Mastroianni, Mounia Meddour, Nicolas Pariser, Bruno Dumont, Sarah Suco, Pascal Bonitzer, Cédric Klapisch, Alice Winocour, and Juliette Binoche would not be attending Rendez-Vous with French Cinema in New York. Who You Think I Am (Celle Que Vous Croyez) director Safy Nebbou and An Easy Girl (Une Fille Facile) director Rebecca Zlotowski are still scheduled to do a Q&a.
Juliette Binoche with sea turtle: “I can say that this film had been a dream. I had been nagging Kore-eda...
On Wednesday, March 4, it was announced by UniFrance that the French delegation, including UniFrance President Serge Toubiana, Lucie Borleteau, Maïmouna Doucouré, Mehdi Idir, Claude Lelouch, Valérie Perrin, Chiara Mastroianni, Mounia Meddour, Nicolas Pariser, Bruno Dumont, Sarah Suco, Pascal Bonitzer, Cédric Klapisch, Alice Winocour, and Juliette Binoche would not be attending Rendez-Vous with French Cinema in New York. Who You Think I Am (Celle Que Vous Croyez) director Safy Nebbou and An Easy Girl (Une Fille Facile) director Rebecca Zlotowski are still scheduled to do a Q&a.
Juliette Binoche with sea turtle: “I can say that this film had been a dream. I had been nagging Kore-eda...
- 3/6/2020
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Christophe Honoré’s On A Magical Night (Chambre 212), starring Chiara Mastroianni, Benjamin Biolay and Vincent Lacoste, traces memories with flesh and blood in light in the footsteps of Woody Allen and Ingmar Bergman Photo: Anne-Katrin Titze
Dream logic pervades many of the films selected in this year’s New York UniFrance and Film at Lincoln Center Rendez-Vous with French Cinema, including Pascal Bonitzer’s Spellbound (Les Envoûtés), based on Henry James’s ghost story The Way It Came, starring Sara Giraudeau, Anabel Lopez and Nicolas Duvauchelle; Quentin Dupieux’s Deerskin (Le Daim) with Adèle Haenel (César nominated for Céline Sciamma’s Portrait Of A Lady On Fire) opposite Jean Dujardin (César nominated Roman Polanski’s An Officer And A Spy); Safy Nebbou’s Who You Think I Am (Celle Que Vous Croyez), adapted from Camille Laurens’s book, with Juliette Binoche, François Civil (Antonin Baudry’s César nominated The Wolf's Call) and Nicole Garcia,...
Dream logic pervades many of the films selected in this year’s New York UniFrance and Film at Lincoln Center Rendez-Vous with French Cinema, including Pascal Bonitzer’s Spellbound (Les Envoûtés), based on Henry James’s ghost story The Way It Came, starring Sara Giraudeau, Anabel Lopez and Nicolas Duvauchelle; Quentin Dupieux’s Deerskin (Le Daim) with Adèle Haenel (César nominated for Céline Sciamma’s Portrait Of A Lady On Fire) opposite Jean Dujardin (César nominated Roman Polanski’s An Officer And A Spy); Safy Nebbou’s Who You Think I Am (Celle Que Vous Croyez), adapted from Camille Laurens’s book, with Juliette Binoche, François Civil (Antonin Baudry’s César nominated The Wolf's Call) and Nicole Garcia,...
- 3/1/2020
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Christophe Honoré’s On A Magical Night (Chambre 212) is to screen in New York’s Rendez-Vous with French Cinema Photo: Anne-Katrin Titze
UniFrance and Film at Lincoln Center announced the 25th Rendez-Vous with French Cinema lineup of 22 feature films and free Special Events. Opening the festival is Hirokazu Kore-eda’s The Truth (La Vérité), starring Catherine Deneuve (also in Cédric Kahn’s Happy Birthday - Fête De Famille), Juliette Binoche (Safy Nebbou’s Who You Think I Am - Celle Que Vous Croyez), and Ethan Hawke, who is currently at Sundance in Michael Almereyda’s Tesla opposite Kyle MacLachlan, and on the Us Dramatic Competition jury with Wash Westmorland, Dee Rees, and Isabella Rossellini.
Ethan Hawke stars with Catherine Deneuve and Juliette Binoche in Hirokazu Kore-eda’s The Truth Photo: Anne-Katrin Titze
Bruno Dumont’s Joan Of Arc (Jeanne), Rebecca Zlotowski’s An Easy Girl (Une Fille Facile), Claude Lelouch...
UniFrance and Film at Lincoln Center announced the 25th Rendez-Vous with French Cinema lineup of 22 feature films and free Special Events. Opening the festival is Hirokazu Kore-eda’s The Truth (La Vérité), starring Catherine Deneuve (also in Cédric Kahn’s Happy Birthday - Fête De Famille), Juliette Binoche (Safy Nebbou’s Who You Think I Am - Celle Que Vous Croyez), and Ethan Hawke, who is currently at Sundance in Michael Almereyda’s Tesla opposite Kyle MacLachlan, and on the Us Dramatic Competition jury with Wash Westmorland, Dee Rees, and Isabella Rossellini.
Ethan Hawke stars with Catherine Deneuve and Juliette Binoche in Hirokazu Kore-eda’s The Truth Photo: Anne-Katrin Titze
Bruno Dumont’s Joan Of Arc (Jeanne), Rebecca Zlotowski’s An Easy Girl (Une Fille Facile), Claude Lelouch...
- 1/23/2020
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Exclusive: UniFrance and Film at Lincoln Center have set the lineup for the 25th edition of Rendez-Vous with French Cinema (March 5–15), the annual New York mini-festival dedicated to French filmmaking. The event will open with Hirokazu Kore-eda’s drama The Truth, starring Juliette Binoche, Catherine Deneuve and Ethan Hawke.
For the first time, the festival is introducing an Audience Award. Additionally, the festival is expanding its industry-facing events with a day-long networking event to bring together French sales agents, French producers, and American industry on Friday, March 6.
Highlights of the 22-film lineup include Christophe Honoré’s On a Magical Night, for which Chiara Mastroianni won an award in Cannes’ Un Certain Regard section; Quentin Dupieux’s satire Deerskin, starring Oscar winner Jean Dujardin and Adèle Haenel; Bruno Dumont’s Joan of Arc, which received a Cannes Special Jury Mention; Mounia Meddour’s Papicha, the story of young women’s resistance...
For the first time, the festival is introducing an Audience Award. Additionally, the festival is expanding its industry-facing events with a day-long networking event to bring together French sales agents, French producers, and American industry on Friday, March 6.
Highlights of the 22-film lineup include Christophe Honoré’s On a Magical Night, for which Chiara Mastroianni won an award in Cannes’ Un Certain Regard section; Quentin Dupieux’s satire Deerskin, starring Oscar winner Jean Dujardin and Adèle Haenel; Bruno Dumont’s Joan of Arc, which received a Cannes Special Jury Mention; Mounia Meddour’s Papicha, the story of young women’s resistance...
- 1/23/2020
- by Andreas Wiseman
- Deadline Film + TV
Isabelle Huppert stars opposite Lou de Laâge and Benoît Poelvoorde in Anne Fontaine's White As Snow (Blanche Comme Neige aka Blanche-Neige) Photo: Anne-Katrin Titze
The feature film line-up for the 18th edition of the Tribeca Film Festival has been announced.
Films of note include the documentaries The Projectionist by Abel Ferrara, Jeanie Finlay's Seahorse, executive produced by Virunga director Orlando Von Einsiedel, and Frédéric Tcheng's Halston; the directorial débuts from Dolly Wells with Good Posture, starring Emily Mortimer, and Christoph Waltz's Georgetown with Annette Bening, Vanessa Redgrave, and Waltz; Roads with Fionn Whitehead, Stéphane Bak, and Moritz Bleibtreu, directed by Maren Ade's Toni Erdmann producer, Sebastian Schipper; the Oren Moverman and Trudie Styler produced Skin, directed by Guy Nattiv, Michela Occhipinti's Flesh Out, produced by Marta Donzelli, and Anne Fontaine's White As Snow with Lou de Laâge, Isabelle Huppert, Damien Bonnard, Vincent Macaigne, Charles Berling,...
The feature film line-up for the 18th edition of the Tribeca Film Festival has been announced.
Films of note include the documentaries The Projectionist by Abel Ferrara, Jeanie Finlay's Seahorse, executive produced by Virunga director Orlando Von Einsiedel, and Frédéric Tcheng's Halston; the directorial débuts from Dolly Wells with Good Posture, starring Emily Mortimer, and Christoph Waltz's Georgetown with Annette Bening, Vanessa Redgrave, and Waltz; Roads with Fionn Whitehead, Stéphane Bak, and Moritz Bleibtreu, directed by Maren Ade's Toni Erdmann producer, Sebastian Schipper; the Oren Moverman and Trudie Styler produced Skin, directed by Guy Nattiv, Michela Occhipinti's Flesh Out, produced by Marta Donzelli, and Anne Fontaine's White As Snow with Lou de Laâge, Isabelle Huppert, Damien Bonnard, Vincent Macaigne, Charles Berling,...
- 3/7/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Les amis des amis
French writer and director Pascal Bonitzer commences on his eighth feature, Les envoûtés (formerly titled Les amis des amis), which features a cast of notables including Nicolas Duvauchelle, Nicolas Maury, Josiane Balasko, Anable Lopez, Iliana Lolic and the lead Sara Giraudeau (2018 Cesar winner for Best Supporting Actress in Bloody Milk). It is the fourth film in a row from Bonitzer to be produced by Said Ben Said and Michel Merkt of Sbs Productions (their last venture together being 2016’s Right Here Right Now). Belgium’s Diana Elbaum of Beluga Tree is also co-producing. Dp Julien Hirsch lensed the feature.…...
French writer and director Pascal Bonitzer commences on his eighth feature, Les envoûtés (formerly titled Les amis des amis), which features a cast of notables including Nicolas Duvauchelle, Nicolas Maury, Josiane Balasko, Anable Lopez, Iliana Lolic and the lead Sara Giraudeau (2018 Cesar winner for Best Supporting Actress in Bloody Milk). It is the fourth film in a row from Bonitzer to be produced by Said Ben Said and Michel Merkt of Sbs Productions (their last venture together being 2016’s Right Here Right Now). Belgium’s Diana Elbaum of Beluga Tree is also co-producing. Dp Julien Hirsch lensed the feature.…...
- 1/4/2019
- by Nicholas Bell
- IONCINEMA.com
The late Jacques Rivette knocks us silly with a breathtaking meditation on what it means to be an artist, and what art demands of those that believe in it. A woman roped into posing nude for a famed but insecure painter, undergoes several intense days of compliant collaboration. Rivette’s unforced style gives the impression of life as it is being lived; his commitment is matched by that of actors Michel Piccoli, Jane Birkin and Emmanuelle Béart.
La belle noiseuse
Blu-ray
Cohen Media Group
1991 / Color / 1:37 flat full frame / 238 min. / The Beautiful Troublemaker / Street Date May 8, 2018 / 30.99
Starring: Michel Piccoli, Jane Birkin, Emmanuelle Béart, Marianne Denicourt, David Bursztein, Gilles Arbona, Marie Belluc.
Cinematography: William Lubtchansky
Film Editor: Nicole Lubtchansky
Paintings by (and ‘as the hands of the painter’): Bernard Dufour
Production design: Emmanuel de Chauvigny
Written by Pascal Bonitzer, Christine Laurent, Jacques Rivette from a story by Balzac
Produced by Martine Marignac,...
La belle noiseuse
Blu-ray
Cohen Media Group
1991 / Color / 1:37 flat full frame / 238 min. / The Beautiful Troublemaker / Street Date May 8, 2018 / 30.99
Starring: Michel Piccoli, Jane Birkin, Emmanuelle Béart, Marianne Denicourt, David Bursztein, Gilles Arbona, Marie Belluc.
Cinematography: William Lubtchansky
Film Editor: Nicole Lubtchansky
Paintings by (and ‘as the hands of the painter’): Bernard Dufour
Production design: Emmanuel de Chauvigny
Written by Pascal Bonitzer, Christine Laurent, Jacques Rivette from a story by Balzac
Produced by Martine Marignac,...
- 5/12/2018
- by Glenn Erickson
- Trailers from Hell
The Young Karl Marx The Orchard Reviewed by: Harvey Karten Director: Raoul Peck Screenwriter: Pascal Bonitzer, Raoul Peck Cast: August Diehl, Stefan Konarske, Vicky Krieps, Olivier Gourmet, Michael Brander Screened at: Review 2, NYC, 2/13/18 Opens: February 23, 2018 What four people influenced our present world more than any others? The classic answer: Freud, Moses, […]
The post The Young Karl Marx Movie Review appeared first on Shockya.com.
The post The Young Karl Marx Movie Review appeared first on Shockya.com.
- 2/18/2018
- by Harvey Karten
- ShockYa
Workplace thrillers have become a specialty of French cinema in recent years, with films like Laurent Cantet’s Human Resources, Jacques Audiard’s Read My Lips, Pascal Bonitzer’s Right Here Right Now and the Vincent Lindon starrer The Measure of a Man turning regular day jobs into situations of high anxiety, whether of the legal or criminal kind.
The latest addition to the lineup is the intense executive drama Corporate, which stars the tightly wound Celine Sallette as an Hr manager who finds herself on the company firing line when one of her employees commits suicide. Inspired by events and practices abundant...
The latest addition to the lineup is the intense executive drama Corporate, which stars the tightly wound Celine Sallette as an Hr manager who finds herself on the company firing line when one of her employees commits suicide. Inspired by events and practices abundant...
- 4/12/2017
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
Keep up with the wild and wooly world of indie film acquisitions with our weekly Rundown of everything that’s been picked up around the globe. Check out last week’s Rundown here.
– Fox Searchlight has bought the rights to “The Spy With No Name,” an ebook written by Jeff Maysh and published by Amazon Kindle Single, Deadline reports. Alexandra Milchan and Scott Lambert of Emjag Productions will produce alongside “Argo” executive producer David Klawans.
Read More: Film Acquisition Rundown: Grasshopper Film Gets ‘Escapes,’ Amazon and IFC Films Date ‘City of Ghosts’ and More
The true story centers on Erwin van Haarlem, a Cold War secret agent who stole the identity of a Dutch man whose mother had given him up for adoption. The Communist spy pretended to be Johanna van Haarlem’s long lost son for 11 years before being caught.
– FilmRise has acquired the U.S. rights to Michael Almereyda’s “Marjorie Prime,...
– Fox Searchlight has bought the rights to “The Spy With No Name,” an ebook written by Jeff Maysh and published by Amazon Kindle Single, Deadline reports. Alexandra Milchan and Scott Lambert of Emjag Productions will produce alongside “Argo” executive producer David Klawans.
Read More: Film Acquisition Rundown: Grasshopper Film Gets ‘Escapes,’ Amazon and IFC Films Date ‘City of Ghosts’ and More
The true story centers on Erwin van Haarlem, a Cold War secret agent who stole the identity of a Dutch man whose mother had given him up for adoption. The Communist spy pretended to be Johanna van Haarlem’s long lost son for 11 years before being caught.
– FilmRise has acquired the U.S. rights to Michael Almereyda’s “Marjorie Prime,...
- 3/31/2017
- by Graham Winfrey
- Indiewire
Distributor plots theatrical release for autumn. Separately, FilmRise acquires Marjorie Prime, Gravitas Ventures takes California Typewriter, Oscilloscope picks up Polina and Summer 1993, and Paladin and Electric Entertainment acquire The Drowning.
The Orchard has acquired all Us distribution rights to Oscar-nominee Raoul Peck’sThe Young Karl Marx.
Peck’s latest film premiered at the Berlinale in February on the heels of his Oscar nomination for the documentary I Am Not Your Negro.
Directed, produced and co-written by Peck with Pascal Bonitzer, The Young Karl Marx explores the origins of the international socialist movement, the emergence of the Communist League and its founding document,The Communist Manifesto written by Marx and Friedrich Engels.
The film paints a portrait of the two young men who, with the support of Marx’s wife Jenny, passionately believed in the vision of a humane society and the revolutionary power of the abused and oppressed. The film stars August Diehl, Stefan Konarske and [link...
The Orchard has acquired all Us distribution rights to Oscar-nominee Raoul Peck’sThe Young Karl Marx.
Peck’s latest film premiered at the Berlinale in February on the heels of his Oscar nomination for the documentary I Am Not Your Negro.
Directed, produced and co-written by Peck with Pascal Bonitzer, The Young Karl Marx explores the origins of the international socialist movement, the emergence of the Communist League and its founding document,The Communist Manifesto written by Marx and Friedrich Engels.
The film paints a portrait of the two young men who, with the support of Marx’s wife Jenny, passionately believed in the vision of a humane society and the revolutionary power of the abused and oppressed. The film stars August Diehl, Stefan Konarske and [link...
- 3/28/2017
- ScreenDaily
It goes without saying that few nations have contributed to the forward progression of cinema throughout the art’s history more than France. Home to not only some of cinema’s greatest achievements but artists whose impact will be felt until the time ends, France is one of the few true titans of world cinema. And that’s not changing anytime soon.
Starting Wednesday, Film Society Of Lincoln Center and UniFrance are teaming up yet again for the 22nd edition of the beloved film series Rendez-Vous With French CInema. An “annual series showcasing the variety and vitality of contemporary French filmmaking,” Rendez-Vous is a yearly collection of screenings and panels that take a rather intriguing cross-section view of modern French filmmaking.
I’ve already written at length about the lineup as a whole, and some of the highlights that sparked much discussion upon this lineup’s reveal (Nocturama is apparently a Netflix release,...
Starting Wednesday, Film Society Of Lincoln Center and UniFrance are teaming up yet again for the 22nd edition of the beloved film series Rendez-Vous With French CInema. An “annual series showcasing the variety and vitality of contemporary French filmmaking,” Rendez-Vous is a yearly collection of screenings and panels that take a rather intriguing cross-section view of modern French filmmaking.
I’ve already written at length about the lineup as a whole, and some of the highlights that sparked much discussion upon this lineup’s reveal (Nocturama is apparently a Netflix release,...
- 3/3/2017
- by Joshua Brunsting
- CriterionCast
Before Hollywood takes the spotlight this weekend, the film world turns its eyes to France for the annual Cesar Awards. Presented by the French Academy, this year’s nominees represent a distinct blend of international favorites, festival standouts and homegrown hits.
Paul Verhoeven’s “Elle” led this year’s nominees, scoring 11 nominations for Verhoeven as Best Director, lead actress Isabelle Huppert, Best Adapted Screenplay and a trio of other acting awards.
Read More: ‘Elle,’ Isabelle Huppert, Xavier Dolan Nominated in France’s Cesar Awards
The evening’s winners at Paris’ Salle Pleyel featured a variety of upsets and sure things. Huppert, going into a busy weekend in the States, won her category. In a pair of surprises, Xavier Dolan and Gaspard Ulliel both won their respective categories for Dolan’s “It’s Only the End of the World.” Houda Benyamina’s debut feature “Divines” also won big, taking home prizes for Best First Film,...
Paul Verhoeven’s “Elle” led this year’s nominees, scoring 11 nominations for Verhoeven as Best Director, lead actress Isabelle Huppert, Best Adapted Screenplay and a trio of other acting awards.
Read More: ‘Elle,’ Isabelle Huppert, Xavier Dolan Nominated in France’s Cesar Awards
The evening’s winners at Paris’ Salle Pleyel featured a variety of upsets and sure things. Huppert, going into a busy weekend in the States, won her category. In a pair of surprises, Xavier Dolan and Gaspard Ulliel both won their respective categories for Dolan’s “It’s Only the End of the World.” Houda Benyamina’s debut feature “Divines” also won big, taking home prizes for Best First Film,...
- 2/24/2017
- by Steve Greene
- Indiewire
In cooperation with Berlinale Panorama, Berlinale Special and dffb: A conversation between Raoul Peck and Ben Gibson.Raoul Peck and Ben Gibson
Acclaimed Haitian filmmaker Raoul Peck has created a body of work in documentary and fiction distinguished by its critical engagement and intellectual courage. Taking on such specters of postcolonial injustice as underdevelopment, racism and communal violence, Peck’s films illuminate the personal stories and contradictory experiences of those individuals often treated by history and cinema as faceless, invisible, silent. This year’s Berlinale features two new Peck films: the fictional “The Young Karl Marx” in Berlinale Special and the Academy Award-nominated “I Am Not Your Negro,” a documentary based on an unfinished manuscript by James Baldwin in Panorama. In the 50th year of the dffb, Peck, a graduate of the Berlin film school, reflects on his cinematic journey with Ben Gibson dffb’s first non-German director of the school.
Acclaimed Haitian filmmaker Raoul Peck has created a body of work in documentary and fiction distinguished by its critical engagement and intellectual courage. Taking on such specters of postcolonial injustice as underdevelopment, racism and communal violence, Peck’s films illuminate the personal stories and contradictory experiences of those individuals often treated by history and cinema as faceless, invisible, silent. This year’s Berlinale features two new Peck films: the fictional “The Young Karl Marx” in Berlinale Special and the Academy Award-nominated “I Am Not Your Negro,” a documentary based on an unfinished manuscript by James Baldwin in Panorama. In the 50th year of the dffb, Peck, a graduate of the Berlin film school, reflects on his cinematic journey with Ben Gibson dffb’s first non-German director of the school.
- 2/22/2017
- by Sydney Levine
- Sydney's Buzz
There’s a specter haunting Europe — the specter of mediocre biopics. A straightforward period piece about the life and times of a radical man, Raoul Peck’s “The Young Karl Marx” is well-furnished and fitfully gripping stuff, but it desperately lacks the full-bodied fervor that crackles throughout his Oscar-nominated documentary “I Am Not Your Negro.”
Snagged between the hard-nosed history of “Lumumba” (Peck’s sobering 2000 docudrama about the first prime minister of the Congo) and the jocular gusto of “Shakespeare in Love,” this immaculately furnished film sacrifices too much drama in order to expound upon its characters’ ideals, and sacrifices too much exploration of those ideals in order to accommodate for a healthy degree of drama. “I’m done fighting with needles,” Marx says, “I want a sledgehammer.” Peck opts for a safety net, ensuring that even the most electric moments never feel like they’re risking a challenge to...
Snagged between the hard-nosed history of “Lumumba” (Peck’s sobering 2000 docudrama about the first prime minister of the Congo) and the jocular gusto of “Shakespeare in Love,” this immaculately furnished film sacrifices too much drama in order to expound upon its characters’ ideals, and sacrifices too much exploration of those ideals in order to accommodate for a healthy degree of drama. “I’m done fighting with needles,” Marx says, “I want a sledgehammer.” Peck opts for a safety net, ensuring that even the most electric moments never feel like they’re risking a challenge to...
- 2/12/2017
- by David Ehrlich
- Indiewire
Marx and Engels meet cute in this intense, fervent film about the early development of communism from I Am Not Your Negro director Raoul Peck
Raoul Peck is the Haitian film-maker who has an Oscar nomination this year with his James Baldwin documentary I Am Not Your Negro. Now he comes to Berlin with this sinewy and intensely focused, uncompromisingly cerebral period drama, co-written with Pascal Bonitzer, about the birth of communism in the mid-19th century. It gives you a real sense of what radical politics was about: talk. There is talk, talk and more talk. It should be dull, but it isn’t. Somehow the spectacle of fiercely angry people talking about ideas becomes absorbing and even gripping.
Raoul Peck is the Haitian film-maker who has an Oscar nomination this year with his James Baldwin documentary I Am Not Your Negro. Now he comes to Berlin with this sinewy and intensely focused, uncompromisingly cerebral period drama, co-written with Pascal Bonitzer, about the birth of communism in the mid-19th century. It gives you a real sense of what radical politics was about: talk. There is talk, talk and more talk. It should be dull, but it isn’t. Somehow the spectacle of fiercely angry people talking about ideas becomes absorbing and even gripping.
- 2/12/2017
- by Peter Bradshaw
- The Guardian - Film News
France’s film community congratulated Isabelle Huppert on her Oscar nomination, adding yet another to her growing list of accolades for her performance in “Elle.” The French Academy announced its nominees for what Americans call the “French Oscars” on Wednesday morning. “Elle” received 11 nominations in total, including best film and best director for Paul Verhoeven.
Following in a close send was Francois Ozon’s “Frantz,” which garnered 10 nominations, and Bruno Dumont’s “Slack Bay,” which received nine. Xavier Dolan received a best director nomination for “It’s Only the End of the World.” Actors Vincent Cassel, Gaspard Ulliel, and Nathalie Baye were all nominated for their work in Dolan’s film as well.
Read More: Oscars 2017 Surprises and Snubs: Amy Adams and ‘Weiner’ Out, Mel Gibson and ‘Passengers’ In
The Cesars have little import on the Oscars, though there is often some crossover. The French Academy did recognize Kenneth Lonergan...
Following in a close send was Francois Ozon’s “Frantz,” which garnered 10 nominations, and Bruno Dumont’s “Slack Bay,” which received nine. Xavier Dolan received a best director nomination for “It’s Only the End of the World.” Actors Vincent Cassel, Gaspard Ulliel, and Nathalie Baye were all nominated for their work in Dolan’s film as well.
Read More: Oscars 2017 Surprises and Snubs: Amy Adams and ‘Weiner’ Out, Mel Gibson and ‘Passengers’ In
The Cesars have little import on the Oscars, though there is often some crossover. The French Academy did recognize Kenneth Lonergan...
- 1/25/2017
- by Jude Dry
- Indiewire
The Eyes of Karl Marx
Director: Raoul Peck
Writer: Pascal Bonitzer
Haitian director Raoul Peck, currently enjoying considerable awards buzz for his 2016 documentary on James Baldwin, I Am Not Your Negro, reunites with director/scribe Pascal Bonitzer for another international co-production, The Eyes of Karl Marx.
Continue reading...
Director: Raoul Peck
Writer: Pascal Bonitzer
Haitian director Raoul Peck, currently enjoying considerable awards buzz for his 2016 documentary on James Baldwin, I Am Not Your Negro, reunites with director/scribe Pascal Bonitzer for another international co-production, The Eyes of Karl Marx.
Continue reading...
- 1/3/2017
- by Nicholas Bell
- IONCINEMA.com
Anne Fontaine’s forceful, albeit uncomplicated, film about the rape of Polish Catholic nuns by Soviet soldiers at the end of the second world war
Anne Fontaine has directed a robust film inspired by a true story from the second world war: a tragic drama that veteran screenwriter Pascal Bonitzer has adapted from the eyewitness account of French nurse Madeleine Pauliac, who served with the French Red Cross in Poland in 1945. It has force, but less complexity and subtlety than I hoped, and is perhaps too obviously in search of palliative redemption.
Related: Film-maker tells story of Polish nuns’ secret pregnancies after mass rape by Stalin’s troops...
Anne Fontaine has directed a robust film inspired by a true story from the second world war: a tragic drama that veteran screenwriter Pascal Bonitzer has adapted from the eyewitness account of French nurse Madeleine Pauliac, who served with the French Red Cross in Poland in 1945. It has force, but less complexity and subtlety than I hoped, and is perhaps too obviously in search of palliative redemption.
Related: Film-maker tells story of Polish nuns’ secret pregnancies after mass rape by Stalin’s troops...
- 11/10/2016
- by Peter Bradshaw
- The Guardian - Film News
The Innocents (Les Innocentes) Music Box Films Reviewed by: Harvey Karten, Shockya Grade: B+ Director: Anne Fontaine Written by: Sandrina B. Karine, Alice Vial, story by Philippe Maynial, adaptation and dialogues by Anne Fontaine and Pascal Bonitzer. Cast: Lou de Laâge, Agata Kulesza, Agata Buzek Screened at: Review 2, NYC, 6/21/16 Opens: July 1, 2016 Maureen Dowd, a long-term columnist for the New York Times who is as liberal as her newspaper, wrote once about a debate she had with her more conservative sister. Her sister had criticized Senator John McCain for an alleged extra-marital affair, to which Dowd replied, “Any man who spent five years in a box can [ Read More ]
The post The Innocents Movie Review appeared first on Shockya.com.
The post The Innocents Movie Review appeared first on Shockya.com.
- 7/31/2016
- by Harvey Karten
- ShockYa
Exclusive: Mustang producer CG Cinema and Son Of Saul distributor Ad Vitam launch Alma Cinema.
Oscar-nominated producer Charles Gillibert (Mustang) is joining forces with French distributor Ad Vitam to launch independent sales company Alma Cinema.
The partners have brought in sales and acquisition executive Sara May, formerly of TF1 and Embankment Films, to head up the new structure, which aims to handle some dozen titles a year.
“It will be in the vein of what the Americans and Brits call a ‘one-stop shop’ company, seeking out, financing and selling films under the same roof,” said May.
“Our aim is to create a structure offering producers support from the financing stage right through to its delivery, even if we don’t necessarily end up being involved in every stage.”
May will also be free to acquire films and projects unrelated to either CG Cinema and Ad Vitam’s activities for world sales.
Her first world...
Oscar-nominated producer Charles Gillibert (Mustang) is joining forces with French distributor Ad Vitam to launch independent sales company Alma Cinema.
The partners have brought in sales and acquisition executive Sara May, formerly of TF1 and Embankment Films, to head up the new structure, which aims to handle some dozen titles a year.
“It will be in the vein of what the Americans and Brits call a ‘one-stop shop’ company, seeking out, financing and selling films under the same roof,” said May.
“Our aim is to create a structure offering producers support from the financing stage right through to its delivery, even if we don’t necessarily end up being involved in every stage.”
May will also be free to acquire films and projects unrelated to either CG Cinema and Ad Vitam’s activities for world sales.
Her first world...
- 5/4/2016
- ScreenDaily
Re-titled Anne Fontaine drama Agnus Dei premiered at Sundance.
Picturehouse has taken UK distribution rights to Anne Fontaine’s post-WW2 drama Agnus Dei and has retitled the film The Innocents for its theatrical run.
Starring Lou de Laâge (Respire) and Agata Kulesza (Ida), the French-Polish drama is set in Poland in 1945, following a young Red Cross doctor who is sent to help war survivors.
The Innocents premiered at the 2016 Sundance Film Festival where Screen’s review called it “heart-tugging”.
Produced by Eric and Nicolas Altmayer (In The House), Eliza Oczkowska and Klaudia Smieja are co-producers, while Sabrina B. Karine, Alice Vial, Pascal Bonitzer and Anne Fontaine combined on the screenplay.
The deal was negotiated between Picturehouse Entertainment’s Clare Binns and Sébastien Beffa of Films Distribution, who are handling international sales.
Picturehouse has taken UK distribution rights to Anne Fontaine’s post-WW2 drama Agnus Dei and has retitled the film The Innocents for its theatrical run.
Starring Lou de Laâge (Respire) and Agata Kulesza (Ida), the French-Polish drama is set in Poland in 1945, following a young Red Cross doctor who is sent to help war survivors.
The Innocents premiered at the 2016 Sundance Film Festival where Screen’s review called it “heart-tugging”.
Produced by Eric and Nicolas Altmayer (In The House), Eliza Oczkowska and Klaudia Smieja are co-producers, while Sabrina B. Karine, Alice Vial, Pascal Bonitzer and Anne Fontaine combined on the screenplay.
The deal was negotiated between Picturehouse Entertainment’s Clare Binns and Sébastien Beffa of Films Distribution, who are handling international sales.
- 2/16/2016
- ScreenDaily
Captured on cinema since it commenced, if a filmmaker doesn’t find a new angle in which tell the horrors of World War II, then it can perhaps seem like a futile effort. Agnus Dei, the latest film from Coco Before Chanel director Anne Fontaine, digs up such an example of a compelling, true story from Philippe Maynial. Its title, translated as Lamb of God from its Latin origin, most commonly refers to the sacrificial giving that Jesus offers. However, specifically in the Old Testament, it can refer to a person who succumbs to the punishment of sins without willing to do so, which is clearly where Fontaine more specifically draws from.
We begin in December 1945, a few months after World War II ended, and its effects are perhaps being most felt in a secluded convent outside of Warsaw, Poland. It’s there where an outfit of Soviet soldiers raped the nuns during the war,...
We begin in December 1945, a few months after World War II ended, and its effects are perhaps being most felt in a secluded convent outside of Warsaw, Poland. It’s there where an outfit of Soviet soldiers raped the nuns during the war,...
- 1/30/2016
- by Jordan Raup
- The Film Stage
Tout de suite maintenant
Director: Pascal Bonitzer
Writers: Pascal Bonitzer, Agnes de Sacy
The multifaceted Cesar Award nominee Pascal Bonitzer is best known as a screenwriter, specifically on a number of multiple projects for directors such as Jacques Rivette, Anne Fontaine, and Andre Techine. On top of acting in a variety of films, he’s been directing his own films since his 1996 debut, Encore. Bonitzer is set to have a prolific 2016, having written Anne Fontaine’s (set to premiere at Sundance 2016) and Raoul Peck’s The Eyes of Karl Marx (Bonitzer also wrote Peck’s 2014 film, Murder in Pacot). But we’re very interested in his seventh stint as a director with Tout de suite maintenant (Now, and I Mean Now). Produced by Sbs, the film concerns a young woman hired by a mergers & acquisitions company only to find her boss and father share a significant animosity for mysterious reasons.
Director: Pascal Bonitzer
Writers: Pascal Bonitzer, Agnes de Sacy
The multifaceted Cesar Award nominee Pascal Bonitzer is best known as a screenwriter, specifically on a number of multiple projects for directors such as Jacques Rivette, Anne Fontaine, and Andre Techine. On top of acting in a variety of films, he’s been directing his own films since his 1996 debut, Encore. Bonitzer is set to have a prolific 2016, having written Anne Fontaine’s (set to premiere at Sundance 2016) and Raoul Peck’s The Eyes of Karl Marx (Bonitzer also wrote Peck’s 2014 film, Murder in Pacot). But we’re very interested in his seventh stint as a director with Tout de suite maintenant (Now, and I Mean Now). Produced by Sbs, the film concerns a young woman hired by a mergers & acquisitions company only to find her boss and father share a significant animosity for mysterious reasons.
- 1/7/2016
- by Nicholas Bell
- IONCINEMA.com
Agnes Dei
Director: Anne Fontaine
Writers: Anne Fontaine, Pascal Bonitzer, Sabrina B. Karine, Alice Vial
French director Anne Fontaine, who has been making features since 1997’s Dry Cleaning, has certainly been jumping around between genres over her past several features, skipping from the romantic comedy of My Worst Nightmare (2013) to her tawdry English language debut Adrift (2013) and a modern twist on Flaubert’s eternal text with 2014’s Gemma Bovary. Her latest is a French-Polish co-production period piece set in 1945, where a nurse working for a branch of the Red Cross caring for French survivors of the German camps is convinced into following a sickly Polish nun to her convent after the woman begs for assistance. The nurse discovers a clutch of nuns all in advanced state of pregnancy.
Cast: Lou de Laage, Agata Buzek, Joanna Kulig, Vincent Macaigne, Agata Kulesza
Production Co./Producers: Mandarin Films’ Eric & Nicolas Altmayer (Yves Saint Laurent)
U.
Director: Anne Fontaine
Writers: Anne Fontaine, Pascal Bonitzer, Sabrina B. Karine, Alice Vial
French director Anne Fontaine, who has been making features since 1997’s Dry Cleaning, has certainly been jumping around between genres over her past several features, skipping from the romantic comedy of My Worst Nightmare (2013) to her tawdry English language debut Adrift (2013) and a modern twist on Flaubert’s eternal text with 2014’s Gemma Bovary. Her latest is a French-Polish co-production period piece set in 1945, where a nurse working for a branch of the Red Cross caring for French survivors of the German camps is convinced into following a sickly Polish nun to her convent after the woman begs for assistance. The nurse discovers a clutch of nuns all in advanced state of pregnancy.
Cast: Lou de Laage, Agata Buzek, Joanna Kulig, Vincent Macaigne, Agata Kulesza
Production Co./Producers: Mandarin Films’ Eric & Nicolas Altmayer (Yves Saint Laurent)
U.
- 1/6/2016
- by Nicholas Bell
- IONCINEMA.com
Read More: Magnolia Pictures Acquires Terence Davies' Tiff Beauty 'Sunset Song' The Film Society of Lincoln Center has announced the 16th edition of the Film Comment Selects program, an eclectic group of films both current and classic. This year's program will open with the New York premiere of Terence Davies' "Sunset Song" on February 17, a romantic tale set on a Scottish farm on the cusp of World War II. It will end on February 24 with a screening of "Golden Eighties" in tribute to Chantal Akerman, who collaborated with an unusual group of individuals, including former "Cahiers du Cinema" critic Pascal Bonitzer and "Desperately Seeking Susan" screenwriter Leora Barish, for the film. Some other highlights are a two-film spotlight on Charles Bronson, with screenings of "Breakout" (1974) and "Rider on the Rain" (1969), and four films from Andrzej Żuławski, including the U.S. Premiere of his latest film...
- 12/21/2015
- by Wil Barlow
- Indiewire
Sundance 2016 is fast approaching. Last week we posted the movie lineup of Midnight and Competition film selections. We now have the complete lineup for the premieres in both the feature film and documentary categories. We also have their selections for the Spotlight and Kid films. I've also included a list of special events.
There are a lot of great films on this list that I'm excited about seeing because of the incredible talent involved. Viggo Mortensen and Frank Langella star in Captain Fantastic; Laura Dern, Kristen Stewart, Michelle Williams star in Certain Women; Rachel Weisz, Michael Shannon, Kathy Bates and Danny Glover star in Complete Unknown; Paul Rudd and Selena Gomez star in The Fundamentals of Caring; John Krasinski directed a film called The Hollars which he stars in with Anna Kendrick, Margo Martindale, Richard Jenkins, Sharlto Copley, and Charlie Day; Thor: Ragnarok director Taika Waititi has made a new...
There are a lot of great films on this list that I'm excited about seeing because of the incredible talent involved. Viggo Mortensen and Frank Langella star in Captain Fantastic; Laura Dern, Kristen Stewart, Michelle Williams star in Certain Women; Rachel Weisz, Michael Shannon, Kathy Bates and Danny Glover star in Complete Unknown; Paul Rudd and Selena Gomez star in The Fundamentals of Caring; John Krasinski directed a film called The Hollars which he stars in with Anna Kendrick, Margo Martindale, Richard Jenkins, Sharlto Copley, and Charlie Day; Thor: Ragnarok director Taika Waititi has made a new...
- 12/13/2015
- by Joey Paur
- GeekTyrant
Premieres A showcase of world premieres of some of the most highly anticipated narrative films of the coming year. "Agnus Dei" / France, Poland (Director: Anne Fontaine, Screenwriters: Sabrina N. Karine, Alice Vial, Pascal Bonitzer) — 1945 Poland: Mathilde, a young French doctor, is on a mission to help World War II survivors. When a nun seeks her assistance in helping several pregnant nuns in hiding, who are unable to reconcile their faith with their pregnancies, Mathilde becomes their only hope. Cast: Lou de Laâge, Agata Kulesza, Agata Buzek, Vincent Macaigne, Joanna Kulig, Katarzyna Dabrowska. World Premiere "Ali & Nino" / United Kingdom (Director: Asif Kapadia, Screenwriter: Christopher Hampton) — Muslim prince Ali and Georgian aristocrat Nino have grown up in the Russian province of Azerbaijan. Their tragic love story sees the outbreak of the First World War and the world’s struggle for Baku’s oil. Ultimately they must choose to...
- 12/8/2015
- by Kate Erbland
- Indiewire
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