One of 1994’s heaviest albums was also one of its strangest. Released on June 21st of that year, Betty, the third full-length from NYC four-piece Helmet, retained the huge staccato riffs, free-form solos and supple vocal hooks that had helped make their prior album, 1992’s Meantime, into a period classic and unlikely MTV hit. But this time around, the band dialed up the weirdness, adding sly funk elements, surrealistic lyrics, a deconstructed jazz standard and unsettlingly wholesome cover art into the mix.
“I think I adopted a stance from the...
“I think I adopted a stance from the...
- 6/21/2019
- by Hank Shteamer
- Rollingstone.com
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