Cinema Guild has acquired North American rights to Hong Sangsoo’s Berlin Silver Bear winner A Traveler’s Needs starring Isabelle Huppert.
‘A Traveler’s Needs’: Berlin Review
Cinema Guild will release the comedy theatrically following its North American festival premiere later this year.
A Traveler’s Needs marks the third collaboration between Hong and Huppert following 2012’s In Another Country and 2017’s Claire’s Camera.
Huppert plays Iris, a woman who finds herself adrift in Seoul and, without any means to make ends meet, turns to teaching French through a peculiar method. Through a series of encounters the mysteries of her circumstances deepen.
‘A Traveler’s Needs’: Berlin Review
Cinema Guild will release the comedy theatrically following its North American festival premiere later this year.
A Traveler’s Needs marks the third collaboration between Hong and Huppert following 2012’s In Another Country and 2017’s Claire’s Camera.
Huppert plays Iris, a woman who finds herself adrift in Seoul and, without any means to make ends meet, turns to teaching French through a peculiar method. Through a series of encounters the mysteries of her circumstances deepen.
- 5/1/2024
- ScreenDaily
More than 100 men working in the French film world have written an open letter in support of the #MeToo movement.
Signatories include filmmakers Jacques Audiard, Abderrahmane Sissako, Cyril Dion, Eric Lartigau, and Emmanuel Mouret, alongside actors such as Mathieu Amalric, Anatomy Of A Fall’s Swann Arlaud, and Reda Kateb.
France Televisions’ head of cinema Manuel Alduy, producer Marc Missonnier, and designer Christian Lacroix have also added ther names.
The letter, spearheaded by actress Anouk Grinberg’s husband and mathematician Michel Broué and published on Elle magazine’s website, stated “it is revolting that theatre and cinema should be used...
Signatories include filmmakers Jacques Audiard, Abderrahmane Sissako, Cyril Dion, Eric Lartigau, and Emmanuel Mouret, alongside actors such as Mathieu Amalric, Anatomy Of A Fall’s Swann Arlaud, and Reda Kateb.
France Televisions’ head of cinema Manuel Alduy, producer Marc Missonnier, and designer Christian Lacroix have also added ther names.
The letter, spearheaded by actress Anouk Grinberg’s husband and mathematician Michel Broué and published on Elle magazine’s website, stated “it is revolting that theatre and cinema should be used...
- 5/1/2024
- ScreenDaily
More than 100 men working in the French film world have written an open letter in support of the #MeToo movement.
Signatories include filmmakers Jacques Audiard, Abderrahmane Sissako, Cyril Dion, Eric Lartigau, and Emmanuel Mouret, alongside actors such as Mathieu Amalric, Anatomy Of A Fall’s Swann Arlaud, and Reda Kateb.
France Televisions’ head of cinema Manuel Alduy, producer Marc Missonnier, and designer Christian Lacroix have also added ther names.
The letter, spearheaded by actress Anouk Grinberg’s husband and mathematician Michel Broué and published on Elle magazine’s website, stated “it is revolting that theatre and cinema should be used...
Signatories include filmmakers Jacques Audiard, Abderrahmane Sissako, Cyril Dion, Eric Lartigau, and Emmanuel Mouret, alongside actors such as Mathieu Amalric, Anatomy Of A Fall’s Swann Arlaud, and Reda Kateb.
France Televisions’ head of cinema Manuel Alduy, producer Marc Missonnier, and designer Christian Lacroix have also added ther names.
The letter, spearheaded by actress Anouk Grinberg’s husband and mathematician Michel Broué and published on Elle magazine’s website, stated “it is revolting that theatre and cinema should be used...
- 5/1/2024
- ScreenDaily
Canadian actor and filmmaker Xavier Dolan will be joined on this year’s Un Certain Regard Jury by French-Senegalese filmmaker Maïmouna Doucouré, Moroccan director Asmae El Moudir, German-Luxembourg actress Vicky Krieps, and American film critic and writer Todd McCarthy.
The jury will be in charge of awarding prizes for the Un Certain Regard sidebar. This year, 18 films have been selected, including eight first features. The 2023 Un Certain Regard top prize went to director Molly Manning Walker’s debut feature How to Have Sex. When the light breaks by Rúnar Rúnarsson will open the Un Certain Regard section on May 15.
A self-taught filmmaker, Dolan made his feature directorial debut at 19 with I Killed My Mother, an adaptation of his own short story, which was chosen to represent Canada at the Academy Awards. He followed up that film with the 2010 romantic drama Heartbeats, which brought him into the Un Certain Regard section...
The jury will be in charge of awarding prizes for the Un Certain Regard sidebar. This year, 18 films have been selected, including eight first features. The 2023 Un Certain Regard top prize went to director Molly Manning Walker’s debut feature How to Have Sex. When the light breaks by Rúnar Rúnarsson will open the Un Certain Regard section on May 15.
A self-taught filmmaker, Dolan made his feature directorial debut at 19 with I Killed My Mother, an adaptation of his own short story, which was chosen to represent Canada at the Academy Awards. He followed up that film with the 2010 romantic drama Heartbeats, which brought him into the Un Certain Regard section...
- 4/24/2024
- by Zac Ntim
- Deadline Film + TV
Actress Vicky Krieps and filmmaker Maimouna Doucoure are among the jury members for the Un Certain Regard section of the 2024 Cannes Film Festival.
Also joining are Moroccan filmmaker Asmae El Moudir, and American film critic and writer Todd McCarthy.
Xavier Dolan was announced as jury president earlier this year.
The quintet will watch 18 films as part of the Un Certain Regard selection, including eight debut films.
Last year’s Un Certain Regard jury, headed by John C. Reilly, awarded six prizes including the main award to Molly Manning Walker’s How To Have Sex.
This year’s Un Certain Regard...
Also joining are Moroccan filmmaker Asmae El Moudir, and American film critic and writer Todd McCarthy.
Xavier Dolan was announced as jury president earlier this year.
The quintet will watch 18 films as part of the Un Certain Regard selection, including eight debut films.
Last year’s Un Certain Regard jury, headed by John C. Reilly, awarded six prizes including the main award to Molly Manning Walker’s How To Have Sex.
This year’s Un Certain Regard...
- 4/24/2024
- ScreenDaily
Films from Oliver Stone, Michel Hazanavicius and Arnaud Desplechin have been added to the Official Selection of the 77th Cannes Film Festival. They join previously announced titles from David Cronenberg, Yorgos Lanthimos, Francis Ford Coppola and Paul Schrader. Greta Gerwig is the president of this year’s jury.
Stone’s film, “Lula” is a documentary about Brazilian president Luiz Inácio Lula da Silva and will have its world premiere as part of the Special Screenings section, which also features “Spectators,” from Arnaud Desplechin. His latest stars “Anatomy of a Fall” child actor Milo Machado Graner as well as Mathieu Amalric (“The Diving Bell and the Butterfly”).
Hazanavicius, a Best Director Oscar winner for “The Artist,” joins the Competition lineup with “La Plus Précieuse des Marchandises” (“The Most Precious of Cargoes”), an animated film about a Jewish child during World War II whose father, in a desperate attempt to save his son’s life,...
Stone’s film, “Lula” is a documentary about Brazilian president Luiz Inácio Lula da Silva and will have its world premiere as part of the Special Screenings section, which also features “Spectators,” from Arnaud Desplechin. His latest stars “Anatomy of a Fall” child actor Milo Machado Graner as well as Mathieu Amalric (“The Diving Bell and the Butterfly”).
Hazanavicius, a Best Director Oscar winner for “The Artist,” joins the Competition lineup with “La Plus Précieuse des Marchandises” (“The Most Precious of Cargoes”), an animated film about a Jewish child during World War II whose father, in a desperate attempt to save his son’s life,...
- 4/22/2024
- by Missy Schwartz
- The Wrap
After announcing a whopping number of English-language films in competition, Cannes Film Festival has added some international titles: Michel Hazanavicius’ animated feature “The Most Precious of Cargoes” and Iranian filmmaker Mohammad Rasoulof’s “The Seed of the Sacred Fig,” Variety has learned.
An auteur-driven allegorical feature, “The Most Precious of Cargoes” (first-look still below) is adapted from Jean-Claude Grumberg’s bestselling novel of the same name, set during World War II against the backdrop of the Holocaust. It will be the first animated feature to compete in more than a decade, since Ari Folman’s “Waltz With Bashir” in 2008.
The film is co-produced and represented internationally by Studiocanal, which also has Gilles Lellouche’s “Beating Hearts” in competition. “The Most Precious of Cargoes” is a passion project for Hazanavicius, the Oscar-winning filmmaker behind “The Artist,” who has been developing the project for years. Hazanavicius penned the script with Grumberg and created the drawings,...
An auteur-driven allegorical feature, “The Most Precious of Cargoes” (first-look still below) is adapted from Jean-Claude Grumberg’s bestselling novel of the same name, set during World War II against the backdrop of the Holocaust. It will be the first animated feature to compete in more than a decade, since Ari Folman’s “Waltz With Bashir” in 2008.
The film is co-produced and represented internationally by Studiocanal, which also has Gilles Lellouche’s “Beating Hearts” in competition. “The Most Precious of Cargoes” is a passion project for Hazanavicius, the Oscar-winning filmmaker behind “The Artist,” who has been developing the project for years. Hazanavicius penned the script with Grumberg and created the drawings,...
- 4/22/2024
- by Elsa Keslassy
- Variety Film + TV
Safe to say few movies this year engender more excitement than Kiyoshi Kurosawa’s Serpent’s Path, a remake of his superb, bad-vibes 1998 thriller. Though an expected Cannes debut didn’t come to pass, the film releases in France on June 14; we now have a trailer that shows the known cast members with the pleasant surprise of Drive My Car‘s Hidetoshi Nishijima, and though enthusiasts of the original will spot bare bones of its revenge plot, quick shots imply scenes and scenarios not in Kurosawa’s original. News of U.S. acquisition already feels overdue.
Here’s the synopsis: “An intense desire for revenge fills Albert Bacheret: his daughter Marie. This father, exalted by violence, joins forces with Sayoko, to find and kill the culprits one by one. But at the same time, Sayoko leads her own mission of revenge which risks turning against Albert at any moment… Sayoko Mijima,...
Here’s the synopsis: “An intense desire for revenge fills Albert Bacheret: his daughter Marie. This father, exalted by violence, joins forces with Sayoko, to find and kill the culprits one by one. But at the same time, Sayoko leads her own mission of revenge which risks turning against Albert at any moment… Sayoko Mijima,...
- 4/19/2024
- by Nick Newman
- The Film Stage
"Humans have always deceived us." GKids has finally revealed the full US trailer for the awesome animated sci-fi film Mars Express from France. It's now set to open in theaters this May - check your local listings. A must watch on the big screen! I've been raving about this film ever since its world premiere at the 2023 Cannes Film Festival last year - thrilling sci-fi that is kind of an update on Ghost in the Shell. In the future, private detective Aline Ruby and her android partner are hired by a wealthy businessman to track down a notorious hacker. On Mars, they descend deep into the underbelly of the planet's capital city where they uncover a much darker story of brain farms, corruption, and a missing girl who holds a secret about the robots that threaten to change the face of the universe. "Combining 2D & 3D animation, this stylish, smart,...
- 3/28/2024
- by Alex Billington
- firstshowing.net
"Humans have always deceived us." GKids has uploaded a new 30-sec US teaser trailer for the acclaimed, incredible animated sci-fi film Mars Express from France. They're gearing up to give this a full theatrical release this summer. I've been raving about this film ever since its world premiere at the 2023 Cannes Film Festival last year - it's an awesome sci-fi sensation that is kind of a 2023 update on Ghost in the Shell. In the future, private detective Aline Ruby and her android partner are hired by a wealthy businessman to track down a notorious hacker. On Mars, they descend deep into the underbelly of the planet's capital city where they uncover a much darker story of brain farms, corruption, and a missing girl who holds a secret about the robots that threaten to change the face of the universe. "Combining 2D & 3D animation, this stylish, smart, futuristic film noir is an adrenaline-fueled,...
- 3/24/2024
- by Alex Billington
- firstshowing.net
How do you even start to write about Chime, a film that keeps secrets guarded and lives off the shocks of its knife-edge turns? It’s safe to say the director is Kiyoshi Kurosawa. It’s also safe to say Chime is 45 minutes long, making it feel more like the pilot for a TV series we’ll never see––only adding to the intrigue. Like much of the director’s work, it’s the kind of thing you could have seen late night on television when you were much too young. It would have also left a mark.
The story follows Matsuoka (Mutsuo Yoshioka), a strick-ish teacher at a culinary school, where the story begins. We’re in a classroom where nothing seems out-of-the-ordinary, the usual washing and slicing, then Kurosawa draws your attention to one student at the back, Tashiro, who seems to be working erratically, chopping onions in...
The story follows Matsuoka (Mutsuo Yoshioka), a strick-ish teacher at a culinary school, where the story begins. We’re in a classroom where nothing seems out-of-the-ordinary, the usual washing and slicing, then Kurosawa draws your attention to one student at the back, Tashiro, who seems to be working erratically, chopping onions in...
- 3/21/2024
- by Rory O'Connor
- The Film Stage
Update: the first poster for and a new image from Serpent’s Path are below, courtesy Cinefil, which lists the French release date as June 14. Sounds like a Cannes premiere to us!
Few directors loom over 2024 like Kiyoshi Kurosawa, who’s expected to debut two films these next twelve months. We just learned of Chime, a genre-bending Japanese feature, and for some time have anticipated Serpent’s Path, a remake of his (fantastic) 1998 horror thriller that’s set to star Damien Bonnard and Ko Shibasaki (The Boy and the Heron). Today brings a major update courtesy the financier Tax Shelter, who’ve shared three stills featuring Mathieu Amalric (previously of Kurosawa’s Daguerrotype) and Claire Denis regular Grégoire Colin, while further digging has revealed the involvement of Michaël Vander-Meiren.
Though it had been reported this new Serpent’s Path (perhaps officially subtitled La vengeance du serpent) would be female-led, Tax Shelter’s synopsis...
Few directors loom over 2024 like Kiyoshi Kurosawa, who’s expected to debut two films these next twelve months. We just learned of Chime, a genre-bending Japanese feature, and for some time have anticipated Serpent’s Path, a remake of his (fantastic) 1998 horror thriller that’s set to star Damien Bonnard and Ko Shibasaki (The Boy and the Heron). Today brings a major update courtesy the financier Tax Shelter, who’ve shared three stills featuring Mathieu Amalric (previously of Kurosawa’s Daguerrotype) and Claire Denis regular Grégoire Colin, while further digging has revealed the involvement of Michaël Vander-Meiren.
Though it had been reported this new Serpent’s Path (perhaps officially subtitled La vengeance du serpent) would be female-led, Tax Shelter’s synopsis...
- 3/20/2024
- by Nick Newman
- The Film Stage
Look out, Hong Sangsoo. Your distinction as the most prolific director working today is being challenged. It’s been nearly four years since Kiyoshi Kurosawa last released a film with 2020’s Wife of a Spy, but in 2024, the Japanese director will make up for lost time, premiering a trio of new films.
As featured in our 2024 preview, he remade his own film with Serpent’s Path, starring Damien Bonnard, Mathieu Amalric, Grégoire Colin, and Ko Shibasaki. Before that feature sets its premiere, his 45-minute thriller Chime will debut at Berlinale this month. Now, a third 2024 film has been unveiled with Cloud.
Screen Daily reports he’s already finished shooting the project, with the first still featured above, and is in the editing process with a Japanese release planned for this September. Backed by Nikkatsu Corporation and Tokyo Theatres Company Inc., the Kurosawa-scripted project stars The Boy and the Heron‘s Masaki Suda as Ryosuke Yoshii,...
As featured in our 2024 preview, he remade his own film with Serpent’s Path, starring Damien Bonnard, Mathieu Amalric, Grégoire Colin, and Ko Shibasaki. Before that feature sets its premiere, his 45-minute thriller Chime will debut at Berlinale this month. Now, a third 2024 film has been unveiled with Cloud.
Screen Daily reports he’s already finished shooting the project, with the first still featured above, and is in the editing process with a Japanese release planned for this September. Backed by Nikkatsu Corporation and Tokyo Theatres Company Inc., the Kurosawa-scripted project stars The Boy and the Heron‘s Masaki Suda as Ryosuke Yoshii,...
- 2/13/2024
- by Jordan Raup
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
2024 Sundance Film Festival
Through Sunday, one can experience the 2024 Sundance Film Festival from the comfort of their own home, if it’s in the United States. Having seen over 50 titles in the lineup, in terms of films with tickets still available I can highly recommend Good One, Between the Temples, Tendaberry, Black Box Diaries, Ibelin, Kneecap, Didi, Brief History of a Family, Porcelain War, Sugarcane, Sujo, Seeking Mavis Beacon, Skywalkers: A Love Story, Union, Soundtrack to a Coup d’Etat, and Realm of Satan. – Jordan R.
Where to Stream: Official Site (through Sunday only)
Amanda (Carolina Cavalli)
Sofia Coppola’s eighth feature doesn’t hit theaters for another few months, but you’d be forgiven if you thought it was actually Amanda, writer-director Carolina Cavalli’s darkly humorous,...
2024 Sundance Film Festival
Through Sunday, one can experience the 2024 Sundance Film Festival from the comfort of their own home, if it’s in the United States. Having seen over 50 titles in the lineup, in terms of films with tickets still available I can highly recommend Good One, Between the Temples, Tendaberry, Black Box Diaries, Ibelin, Kneecap, Didi, Brief History of a Family, Porcelain War, Sugarcane, Sujo, Seeking Mavis Beacon, Skywalkers: A Love Story, Union, Soundtrack to a Coup d’Etat, and Realm of Satan. – Jordan R.
Where to Stream: Official Site (through Sunday only)
Amanda (Carolina Cavalli)
Sofia Coppola’s eighth feature doesn’t hit theaters for another few months, but you’d be forgiven if you thought it was actually Amanda, writer-director Carolina Cavalli’s darkly humorous,...
- 1/26/2024
- by Jordan Raup
- The Film Stage
The film is directed by five rising female directors.
Six rising female directors from around the world have joined forces for the animation anthology Animal Tales Of Christmas Magic which is being launched by The Bureau Sales at this week’s Rendez -Vous With French Cinema in Paris this week.
Caroline Attia, Ceylan Beyoglu, Olesya Shchukina, Haruna Kishi, Camille Almeras and Natalia Chernysheva have used uses poetry and humour to tell five Christmas stories that take place across the globe from Japan to the Far North and the Northern Lights.
The stories are all told in 2D digital animation, and...
Six rising female directors from around the world have joined forces for the animation anthology Animal Tales Of Christmas Magic which is being launched by The Bureau Sales at this week’s Rendez -Vous With French Cinema in Paris this week.
Caroline Attia, Ceylan Beyoglu, Olesya Shchukina, Haruna Kishi, Camille Almeras and Natalia Chernysheva have used uses poetry and humour to tell five Christmas stories that take place across the globe from Japan to the Far North and the Northern Lights.
The stories are all told in 2D digital animation, and...
- 1/15/2024
- by Rebecca Leffler
- ScreenDaily
The film is about the friendship that develops between two women whose husbands are imprisoned together.
Les Films du Losange has acquired Patricia Mazuy’s drama Les Prisonnières, starring Isabelle Huppert and Hafsia Herzi, and has revealed a first-look picture (above) ahead of the Rendez-Vous with French Cinema taking place next week in Paris.
Huppert and Herzi play two women who develop an unlikely friendship when their husbands are inmates in the same prison.
Les Films du Losange will release the film in France later this year. Les Prisonnières reteams Mazuy with Huppert following The King’s Daughters that premiered...
Les Films du Losange has acquired Patricia Mazuy’s drama Les Prisonnières, starring Isabelle Huppert and Hafsia Herzi, and has revealed a first-look picture (above) ahead of the Rendez-Vous with French Cinema taking place next week in Paris.
Huppert and Herzi play two women who develop an unlikely friendship when their husbands are inmates in the same prison.
Les Films du Losange will release the film in France later this year. Les Prisonnières reteams Mazuy with Huppert following The King’s Daughters that premiered...
- 1/12/2024
- by Rebecca Leffler
- ScreenDaily
Renowned French auteur Arnaud Desplechin, whose latest film “Brother and Sister” competed at Cannes Film Festival in 2022, is currently wrapping his next directorial effort, “Spectateurs!”
Les Films du Losange, which handles French distribution and international sales rights to the title, has unveiled a first still (above) in the run-up to the Unifrance Rendez-Vous With French Cinema market, where it will introduce the film to buyers.
The hybrid project weaves documentary and fiction with a cast including Milo Machado Graner, the young breakthrough actor of Justine Triet’s “Anatomy of a Fall,” and well-known French actors Mathieu Amalric (“The Diving Bell and the Butterfly”) and Françoise Lebrun (“The Book of Solutions”).
Now in post, the docufiction is described by Les Films du Losange as “a love letter to cinema, freely inspired by the director’s own discovery and passion for cinema.”
A Croisette regular, Desplechin previously directed “Deception,” an adaptation of...
Les Films du Losange, which handles French distribution and international sales rights to the title, has unveiled a first still (above) in the run-up to the Unifrance Rendez-Vous With French Cinema market, where it will introduce the film to buyers.
The hybrid project weaves documentary and fiction with a cast including Milo Machado Graner, the young breakthrough actor of Justine Triet’s “Anatomy of a Fall,” and well-known French actors Mathieu Amalric (“The Diving Bell and the Butterfly”) and Françoise Lebrun (“The Book of Solutions”).
Now in post, the docufiction is described by Les Films du Losange as “a love letter to cinema, freely inspired by the director’s own discovery and passion for cinema.”
A Croisette regular, Desplechin previously directed “Deception,” an adaptation of...
- 1/4/2024
- by Elsa Keslassy
- Variety Film + TV
Ridley Scott’s Napoleon and Michael Mann’s Ferrari are facing allegations — surprising for two films focused on straight white male protagonists — of cultural appropriation.
French and Italian critics have taken offense at the directors’ decisions to cast American actors to play national icons — Joaquin Phoenix as Napoleon Bonaparte, the general who became French emperor, and Adam Driver as visionary Italian carmaker Enzo Ferrari — and, adding insult to injury, having them speak in English.
“It’s original sin,” wrote a Ferrari reviewer for Italy’s Movieplayer magazine on the casting of Driver, alongside Spanish actor Penélope Cruz as Ferrari’s wife, Laura, and American Shailene Woodley as his mistress. “Not just to have them speak English, but with a dodgy Italian accent.”
“Deeply clumsy, unnatural and unintentionally funny” was French GQ’s assessment of the very French characters of Napoleon and his lover Josephine (played by Brit Vanessa Kirby) speaking en anglais.
French and Italian critics have taken offense at the directors’ decisions to cast American actors to play national icons — Joaquin Phoenix as Napoleon Bonaparte, the general who became French emperor, and Adam Driver as visionary Italian carmaker Enzo Ferrari — and, adding insult to injury, having them speak in English.
“It’s original sin,” wrote a Ferrari reviewer for Italy’s Movieplayer magazine on the casting of Driver, alongside Spanish actor Penélope Cruz as Ferrari’s wife, Laura, and American Shailene Woodley as his mistress. “Not just to have them speak English, but with a dodgy Italian accent.”
“Deeply clumsy, unnatural and unintentionally funny” was French GQ’s assessment of the very French characters of Napoleon and his lover Josephine (played by Brit Vanessa Kirby) speaking en anglais.
- 12/12/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Former French President François Hollande has found a new gig. The Socialist Party leader, who served as the leader of France before current President Emmanuel Macron, has joined the voice cast of Silex & the City – The Movie, a feature-film spinoff of a popular, Simpsons-style short-format animated series.
Hollande will lend his famous voice to the new film, which is currently in production, joining more established French talent including Bruno Solo, Julie Gayet, Stéphane Bern, Léa Drucker, Frédéric Beigbeder, Guillaume Gallienne, Léa Salamé and Amélie Nothomb.
Silex & the City follows a Stone Age family, the Dotcoms who embark on a time-travel adventure into the future. Father Blog, voiced by Franck Ekinci, mother Spam (Noémie De Lattre) and their rebellious children Url (Fabien Limousin) and Web (Camille Serceau) are familiar to French audiences. A short-form series based on the comic of the same name by French cartoonist Jul has been a...
Hollande will lend his famous voice to the new film, which is currently in production, joining more established French talent including Bruno Solo, Julie Gayet, Stéphane Bern, Léa Drucker, Frédéric Beigbeder, Guillaume Gallienne, Léa Salamé and Amélie Nothomb.
Silex & the City follows a Stone Age family, the Dotcoms who embark on a time-travel adventure into the future. Father Blog, voiced by Franck Ekinci, mother Spam (Noémie De Lattre) and their rebellious children Url (Fabien Limousin) and Web (Camille Serceau) are familiar to French audiences. A short-form series based on the comic of the same name by French cartoonist Jul has been a...
- 12/8/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
"What did Jun do to the android?" Unifrance has debuted the official French trailer with English subtitles for the acclaimed, incredible animated sci-fi film Mars Express. I've been raving about this film ever since its premiere at the 2023 Cannes Film Festival earlier this year, and insanely awesome sci-fi spectacular that is kind of a 2023 update on Ghost in the Shell. In the future, private detective Aline Ruby and her android partner are hired by a wealthy businessman to track down a notorious hacker. On Mars, they descend deep into the underbelly of the planet's capital city where they uncover a darker story of brain farms, corruption, and a missing girl who holds a secret about the robots that threaten to change the face of the universe. "Combining 2D & 3D animation, this stylish, smart, futuristic film noir is an adrenaline-fuelled, cinematic adventure, packed with humor and exhilarating action sequences." Featuring the voices of Léa Drucker,...
- 11/27/2023
- by Alex Billington
- firstshowing.net
Graphic: IMDb
This material is based on data powered by IMDb, not The A.V. Club grades.
Loki (2021)
The mercurial villain Loki resumes his role as the God of Mischief in a new series that takes place after the events of “Avengers: Endgame.”
Rating: 8.2/10
Stars: Tom Hiddleston (Loki), Owen Wilson (Mobius), Sophia Di Martino,...
This material is based on data powered by IMDb, not The A.V. Club grades.
Loki (2021)
The mercurial villain Loki resumes his role as the God of Mischief in a new series that takes place after the events of “Avengers: Endgame.”
Rating: 8.2/10
Stars: Tom Hiddleston (Loki), Owen Wilson (Mobius), Sophia Di Martino,...
- 10/30/2023
- avclub.com
GKids has North American rights to the Cannes and Annecy title.
GKids has scooped North American rights to stylish space-set French animation feature Mars Express from mk2 Films, which has also sold the film to other key territories worldwide.
Jérémie Périn’s debut feature, which premiered in Cannes and played in competition at Annecy, is an action-driven futuristic film noir that blends 2D and 3D animation and poses questions about humanity’s relationship with AI.
GKids will release the film in theatres in its original French language in addition to a new English-dubbed version in 2024 following a November 22 release in France via Gebeka Films.
GKids has scooped North American rights to stylish space-set French animation feature Mars Express from mk2 Films, which has also sold the film to other key territories worldwide.
Jérémie Périn’s debut feature, which premiered in Cannes and played in competition at Annecy, is an action-driven futuristic film noir that blends 2D and 3D animation and poses questions about humanity’s relationship with AI.
GKids will release the film in theatres in its original French language in addition to a new English-dubbed version in 2024 following a November 22 release in France via Gebeka Films.
- 10/26/2023
- by Rebecca Leffler
- ScreenDaily
Exclusive: Shooting has wrapped on Went Up the Hill, the psychological ghost story starring Cannes award winner Vicky Krieps and Stranger Things actor Dacre Montgomery.
Above is a first look at the Samuel Van Grinsven flick, which is headed for next week’s AFM via Bankside Films. Buyers in LA will be presented with a promo reel, with Bankside repping international sales and co-repping North American rights with CAA Media Finance.
The film was shot on location in New Zealand and was the latest collaboration between London-based Bankside and Causeway Films following their partnership on Danny & Michael Philippou’s Talk to Me, which is nearing $100M at the global box office. We first told you about it last year.
Went Up the Hill stars Montgomery as Jack and Krieps as Jill. Abandoned as a child, Jack ventures to remote New Zealand to attend the funeral of his estranged mother and there meets her grieving widow,...
Above is a first look at the Samuel Van Grinsven flick, which is headed for next week’s AFM via Bankside Films. Buyers in LA will be presented with a promo reel, with Bankside repping international sales and co-repping North American rights with CAA Media Finance.
The film was shot on location in New Zealand and was the latest collaboration between London-based Bankside and Causeway Films following their partnership on Danny & Michael Philippou’s Talk to Me, which is nearing $100M at the global box office. We first told you about it last year.
Went Up the Hill stars Montgomery as Jack and Krieps as Jill. Abandoned as a child, Jack ventures to remote New Zealand to attend the funeral of his estranged mother and there meets her grieving widow,...
- 10/24/2023
- by Jesse Whittock
- Deadline Film + TV
Vicky Krieps is no ordinary actress. Paul Thomas Anderson knew that when he hired her to stand up to Daniel Day-Lewis in 2017’s “Phantom Thread.” After that breakout role, the Luxembourg-born actress was inundated with Hollywood offers. She chose to keep herself grounded with her German husband and two children (now 8 and 12) in Berlin, turning down the studio films — and a lot of potential paydays — that came her way. She never took on a Hollywood agent. Casting agents got the message, and she has been sent more quality fare ever since.
“I remember people saying I was stupid,” she told IndieWire during a recent interview, sitting on the lobby stairs in a quiet corner of the Fairmont Royal York in Toronto. Her indie Western, directed by and co-starring Viggo Mortensen, “The Dead Don’t Hurt,” was on offer at the annual festival.
“It was like a poison. I could feel people going,...
“I remember people saying I was stupid,” she told IndieWire during a recent interview, sitting on the lobby stairs in a quiet corner of the Fairmont Royal York in Toronto. Her indie Western, directed by and co-starring Viggo Mortensen, “The Dead Don’t Hurt,” was on offer at the annual festival.
“It was like a poison. I could feel people going,...
- 9/21/2023
- by Anne Thompson
- Indiewire
There’s plenty to look forward to in Hulu’s incoming slate, including the latest “American Horror Story” installment, BAFTA winner “The Banshees of Inisherin,” and new “The Kardashians.” But unfortunately, the streamer has to lose to gain, and new content means a library cleanout.
Throughout the month, Hulu will lose nearly 100 movies and series to make room, including multiple entries in “The Lord of the Rings” and “The Hobbit” franchises, Wes Anderson’s “The Grand Budapest Hotel,” and many others.
Find out below The Streamable’s top 5 picks for what you should prioritize to watch before they leave this month!
30-Day Free Trial $7.99+ / month hulu.com What are the 5 Best Shows and Movies Leaving Hulu in September 2023? “The Full Monty” | Friday, Sept. 15
Hat’s off and farewell to the hit British comedy and Oscar Best Picture nominee as it departs the streamer this month. 1997’s “The Full Monty” follows the unemployed Gaz,...
Throughout the month, Hulu will lose nearly 100 movies and series to make room, including multiple entries in “The Lord of the Rings” and “The Hobbit” franchises, Wes Anderson’s “The Grand Budapest Hotel,” and many others.
Find out below The Streamable’s top 5 picks for what you should prioritize to watch before they leave this month!
30-Day Free Trial $7.99+ / month hulu.com What are the 5 Best Shows and Movies Leaving Hulu in September 2023? “The Full Monty” | Friday, Sept. 15
Hat’s off and farewell to the hit British comedy and Oscar Best Picture nominee as it departs the streamer this month. 1997’s “The Full Monty” follows the unemployed Gaz,...
- 8/28/2023
- by Ashley Steves
- The Streamable
The 27th edition of the Fantasia International Film Festival is set to commence from July 20 through August 9, 2023, and this year’s Frontières Market lineup has been announced.
The genre-themed line up has been revealed by Variety this afternoon, and it includes films about everything from Krampus to pregnancy, deadly novels, and a blood transfusion app.
Here’s the full Fantasia 2023 Frontières Market lineup…
Official Selection: Market Projects
“Alice”
The Netherlands
Director: Jan Verdijk
Genre: Psychological Horror
Vincent van der Valk stars in this horror, now in pre-production, about parents who, faced with their unborn daughter’s dire complications, turn to a mysterious midwife. What begins as harmless alternative therapies soon descends into life-threatening rituals. “It delves into the profound desires and fears of every aspiring parent,” says producer Daniel Dow of Dpplr. “It is a deeply personal narrative for the filmmakers, inspired by their own challenging journeys towards parenthood. The...
The genre-themed line up has been revealed by Variety this afternoon, and it includes films about everything from Krampus to pregnancy, deadly novels, and a blood transfusion app.
Here’s the full Fantasia 2023 Frontières Market lineup…
Official Selection: Market Projects
“Alice”
The Netherlands
Director: Jan Verdijk
Genre: Psychological Horror
Vincent van der Valk stars in this horror, now in pre-production, about parents who, faced with their unborn daughter’s dire complications, turn to a mysterious midwife. What begins as harmless alternative therapies soon descends into life-threatening rituals. “It delves into the profound desires and fears of every aspiring parent,” says producer Daniel Dow of Dpplr. “It is a deeply personal narrative for the filmmakers, inspired by their own challenging journeys towards parenthood. The...
- 7/17/2023
- by John Squires
- bloody-disgusting.com
Filming begins today on Spectateurs – a docu-fiction film that will see Cannes darling Arnaud Desplechin‘s complete his Paul Dédalus films which began with 1996’s My Sex Life… or How I Got into an Argument and was continued with 2016’s My Golden Days. Naturally we find Desplechin’s muse Mathieu Amalric return as Paul and we also have Françoise Lebrun toplining. Look for more casting news other the next couple of weeks as production takes over the Hauts de France region. CG Cinéma’s Charles Gillibert produces the film which will be likely invited to Cannes next May. This centers on a movie theatre from the 1960s to the present day.…...
- 7/17/2023
- by Eric Lavallée
- IONCINEMA.com
Strand Releasing has acquired the North American rights to Pierre Creton’s “A Prince,” a French film which world premiered at Cannes Directors’ Fortnight.
“A Prince” won the Sacd Prize from France’s Writers’ Guild for the best French-language film at Directors’ Fortnight.
Represented in international markets by Andolfi, “A Prince” follows a horticultural student, Pierre-Joseph, whose sexual encounters with his botany teacher and mentors lead to a unique hybrid tale of science, sex and meditation.
“We’re thrilled to be handling ‘A Prince,’ Creton’s work is such a rarified vision that fits so well with the Strand Releasing brand, we look forward to taking this out to some of the top festivals across North America,” said Marcus Hu at Strand Releasing.
The deal was done between Jon Gerrans and producer Arnaud Dommerc on behalf of production company Andolfi. Strand previously worked on Dommerc’s previous film, “Felicité,” directed by Alain Gomis,...
“A Prince” won the Sacd Prize from France’s Writers’ Guild for the best French-language film at Directors’ Fortnight.
Represented in international markets by Andolfi, “A Prince” follows a horticultural student, Pierre-Joseph, whose sexual encounters with his botany teacher and mentors lead to a unique hybrid tale of science, sex and meditation.
“We’re thrilled to be handling ‘A Prince,’ Creton’s work is such a rarified vision that fits so well with the Strand Releasing brand, we look forward to taking this out to some of the top festivals across North America,” said Marcus Hu at Strand Releasing.
The deal was done between Jon Gerrans and producer Arnaud Dommerc on behalf of production company Andolfi. Strand previously worked on Dommerc’s previous film, “Felicité,” directed by Alain Gomis,...
- 7/12/2023
- by Elsa Keslassy
- Variety Film + TV
The Hummingbird (Il Colibrì) director Francesca Archibugi with Anne-Katrin Titze on Dancing Barefoot: “That Patti Smith song is very important to me.” And The Clash’s London Calling: “It does belong to Marco’s (Pierfrancesco Favino) story as a boy …”
Francesca Archibugi’s The Hummingbird with songs from Patti Smith, Billie Holiday, and The Clash, stars Pierfrancesco Favino (in Andrea Di Stefano's The Last Night With Amore at this year’s Tribeca Film Festival), Nanni Moretti, Bérénice Bejo, Laura Morante, Kasia Smutniak, Benedetta Porcaroli, Fotinì Peluso, Azzurra Di Marco, Francesco Centorame, and Sergio Albelli Is the opening night selection of Film at Lincoln Center and Cinecittà’s 22nd edition of Open Roads: New Italian Cinema.
Luisa Lattes (Bérénice Bejo) with Marco Carrera (Pierfrancesco Favino)
Other highlights include Roberto Andò’s Strangeness with Toni Sevillo (Paolo Sorrentino’s Oscar-winning The Great Beauty), as Nobel Prize-winning playwright Luigi Pirandello, Salvo Ficarra,...
Francesca Archibugi’s The Hummingbird with songs from Patti Smith, Billie Holiday, and The Clash, stars Pierfrancesco Favino (in Andrea Di Stefano's The Last Night With Amore at this year’s Tribeca Film Festival), Nanni Moretti, Bérénice Bejo, Laura Morante, Kasia Smutniak, Benedetta Porcaroli, Fotinì Peluso, Azzurra Di Marco, Francesco Centorame, and Sergio Albelli Is the opening night selection of Film at Lincoln Center and Cinecittà’s 22nd edition of Open Roads: New Italian Cinema.
Luisa Lattes (Bérénice Bejo) with Marco Carrera (Pierfrancesco Favino)
Other highlights include Roberto Andò’s Strangeness with Toni Sevillo (Paolo Sorrentino’s Oscar-winning The Great Beauty), as Nobel Prize-winning playwright Luigi Pirandello, Salvo Ficarra,...
- 5/29/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Creton also features in the cast, with Mathieu Amalric providing the inner voice for one of the characters.
Pierre Creton’s A Prince has won the Sacd prize for best French-language feature, which is awarded to a title selected for Cannes’ Directors’ Fortnight sidebar.
The film is inspired by Creton’s own time spent as an apprentice when he was a teenager, and follows a 16-year-old gardening trainee exploring his sexuality. Creton also features in the cast, with Mathieu Amalric providing the inner voice for one of the characters.
The prize was awarded by the film commission of French writers guild Sacd.
Pierre Creton’s A Prince has won the Sacd prize for best French-language feature, which is awarded to a title selected for Cannes’ Directors’ Fortnight sidebar.
The film is inspired by Creton’s own time spent as an apprentice when he was a teenager, and follows a 16-year-old gardening trainee exploring his sexuality. Creton also features in the cast, with Mathieu Amalric providing the inner voice for one of the characters.
The prize was awarded by the film commission of French writers guild Sacd.
- 5/25/2023
- by Orlando Parfitt
- ScreenDaily
In the second prize announcement by a Directors’ Fortnight partner, “A Prince,” the fifth feature from singular French auteur Pierre Creton, has won the Sacd Prize, awarded by France’s Writers’ Guild for the best French-language movie in the section.
Written by Mathilde Girard, Cyril Neyrat and Vincent Barré, and directed by Creton, who combines his film career with work as an agricultural labourer, “A Prince” has weighed in at this year’s Directors Fortnight as one of the most singular of titles, whose central narrative turns on a horticultural student, Pierre-Joseph. His mentors, botany teacher Alberto and plant nursery owner Adrien, soon become his lovers.
A left-of-field ode to nature and horticulture, sporting narrative voice-overs by celebrated actors – Mathieu Amalric, Françoise Lebrun and Grégory Gadebois – the film is shot in 16:9 ratio, featuring scenes of nudity, and a spirited soundtrack – part Baroque, part instrumental – by Dutch composer Jozef van Wissem...
Written by Mathilde Girard, Cyril Neyrat and Vincent Barré, and directed by Creton, who combines his film career with work as an agricultural labourer, “A Prince” has weighed in at this year’s Directors Fortnight as one of the most singular of titles, whose central narrative turns on a horticultural student, Pierre-Joseph. His mentors, botany teacher Alberto and plant nursery owner Adrien, soon become his lovers.
A left-of-field ode to nature and horticulture, sporting narrative voice-overs by celebrated actors – Mathieu Amalric, Françoise Lebrun and Grégory Gadebois – the film is shot in 16:9 ratio, featuring scenes of nudity, and a spirited soundtrack – part Baroque, part instrumental – by Dutch composer Jozef van Wissem...
- 5/25/2023
- by John Hopewell and Elsa Keslassy
- Variety Film + TV
New films by Tran Anh Hung and Nanni Moretti take their place on the grid.
Tran Anh Hung’s The Pot-Au-Feu posted a 2.8 average on Screen International’s 2023 Cannes jury grid, whilst Nanni Moretti’s A Brighter Tomorrow landed joint-bottom with 1.3.
Vietnam-born Hung’s seventh feature, his first since 2016’s French family saga Eternity, is a food-themed period romance starring Juliette Binoche and Benoit Magimel as a cook and a gourmet who fall in love.
Click on the jury grid above for the most up-to-date version.
The Pot-Au-Feu scored fours (excellent) from Meduza International’s Anton Dolan, Time Magazine’s Stehanie Zacharek and rogerebert.
Tran Anh Hung’s The Pot-Au-Feu posted a 2.8 average on Screen International’s 2023 Cannes jury grid, whilst Nanni Moretti’s A Brighter Tomorrow landed joint-bottom with 1.3.
Vietnam-born Hung’s seventh feature, his first since 2016’s French family saga Eternity, is a food-themed period romance starring Juliette Binoche and Benoit Magimel as a cook and a gourmet who fall in love.
Click on the jury grid above for the most up-to-date version.
The Pot-Au-Feu scored fours (excellent) from Meduza International’s Anton Dolan, Time Magazine’s Stehanie Zacharek and rogerebert.
- 5/25/2023
- by Orlando Parfitt
- ScreenDaily
Nanni Moretti returns to the film-within-a-film format with a fitfully funny new comedy that, this time, offers two films-within-a-film (plus a surreal dream sequence). It is, frankly, a relief after 2021’s terrible, soapy melodrama Three Floors, and, at a crisp 96 minutes, so much easier to swallow. In some ways a companion piece to 2015’s Mia Madre, it finds the director putting all his neuroses back on show, pontificating on everything from movie violence to streaming platforms and why wearing slippers onscreen is a fashion no-no that can only be pulled off by Aretha Franklin in The Blues Brothers.
As is usual in Moretti’s self-reflexive pieces, the main film being made within the film is the kind of film that no director would ever make and that no modern audience would ever pay to see. Set in 1956, it sees Hungary’s Budavari Circus arriving in Rome’s Quarticciolo area, escaping the Soviet invasion of Budapest.
As is usual in Moretti’s self-reflexive pieces, the main film being made within the film is the kind of film that no director would ever make and that no modern audience would ever pay to see. Set in 1956, it sees Hungary’s Budavari Circus arriving in Rome’s Quarticciolo area, escaping the Soviet invasion of Budapest.
- 5/25/2023
- by Damon Wise
- Deadline Film + TV
Sooner or later, the lead actor of the movie-within-a-movie being made in “A Brighter Tomorrow” jokes, disgruntled director Giovanni (self-referential cornball Nanni Moretti’s latest on-screen avatar) was bound to make a movie that ended with its protagonist’s suicide — the implication being, the world wouldn’t be so surprised to find the helmer putting a noose around his own neck.
Well, he does and he doesn’t go that far in a high-concept meta-comedy that presents its director’s personal disillusion with art, love and the state of the world, before becoming a “just kidding” group hug for his fans. That’s a sizable public in Moretti’s native Italy, where this welcome return-to-form has already been a commercial success. The director’s not nearly as big a deal abroad, however, to the extent that few may care whether the Cannes regular (who won the Palme d’Or for...
Well, he does and he doesn’t go that far in a high-concept meta-comedy that presents its director’s personal disillusion with art, love and the state of the world, before becoming a “just kidding” group hug for his fans. That’s a sizable public in Moretti’s native Italy, where this welcome return-to-form has already been a commercial success. The director’s not nearly as big a deal abroad, however, to the extent that few may care whether the Cannes regular (who won the Palme d’Or for...
- 5/24/2023
- by Peter Debruge
- Variety Film + TV
‘A Brighter Tomorrow’ Review: Nanni Moretti Returns to Cannes With His Tics and Obsessions Laid Bare
Two years after his previous effort, “Three Floors” opened with a high-profile belly flop, festival-stalwart Nanni Moretti returns to Cannes with “A Brighter Tomorrow,” a comeback of sorts that also airs a list of grievances and could serve – should need arise – as a closing statement.
Not that it likely will. Funny and endearing in some places, and typically grumpy and old-fashioned in others, “A Brighter Tomorrow” should, at very least, keep Moretti far from director’s jail for years to come. And if the sheer existence of this title proves he wasn’t detained for very long, Moretti was very clearly shook by the experience, and very clearly used this follow-up to work through those anxieties.
As in his earlier beloved films “Dear Diary” and “April,” Moretti plays a version of himself, holding the screen as Giovanni (guess what Nanni’s short for), a Roman director about to shoot an...
Not that it likely will. Funny and endearing in some places, and typically grumpy and old-fashioned in others, “A Brighter Tomorrow” should, at very least, keep Moretti far from director’s jail for years to come. And if the sheer existence of this title proves he wasn’t detained for very long, Moretti was very clearly shook by the experience, and very clearly used this follow-up to work through those anxieties.
As in his earlier beloved films “Dear Diary” and “April,” Moretti plays a version of himself, holding the screen as Giovanni (guess what Nanni’s short for), a Roman director about to shoot an...
- 5/24/2023
- by Ben Croll
- The Wrap
The captivating opening sequence of Nanni Moretti’s A Brighter Tomorrow (Il Sol dell’Avvenire) watches as a dusty old Fiat passes Castel Sant’Angelo in Rome and pulls up next to the Tiber. A man with a can of red paint and a rope steps out and scoots halfway down the stone wall that hugs the riverbank, neatly painting the words of the title. The whimsical music instantly alludes to Fellini, an homage confirmed soon after by the arrival in town of a Hungarian circus, and for all intents and purposes, the film is Moretti’s Otto e mezzo. Or at least it wants to be.
More than 20 years after winning the Palme d’Or with his shattering grief drama The Son’s Room, Moretti is back with his 14th feature for his regular appointment with Cannes. But after decades of wildly varying success attempting to stretch beyond his signature auto-fictions,...
More than 20 years after winning the Palme d’Or with his shattering grief drama The Son’s Room, Moretti is back with his 14th feature for his regular appointment with Cannes. But after decades of wildly varying success attempting to stretch beyond his signature auto-fictions,...
- 5/24/2023
- by David Rooney
- The Hollywood Reporter - Movie News
In competition at Cannes, the Italian director’s comedy-drama about a failing film-maker is full of non-comedy and anti-drama – a complete waste of time
Nanni Moretti is the Italian director who will always have a place in our hearts, not least for his masterly The Son’s Room (2001), in my view the greatest Cannes Palme d’Or winner of the century so far. And more recently his cinephile comedy Mia Madre (2015) was tremendous.
But his new film in competition is bafflingly awful: muddled, mediocre and metatextual – a complete waste of time, at once strident and listless. Everything about it is heavy-handed and dull: the non-comedy, the ersatz-pathos, the anti-drama.
It is effectively a film within a film, both as dull as each other. Moretti himself plays Giovanni, a high-minded film director with a failing marriage who is struggling to shoot his passion project about the Italian Communist party standing up to...
Nanni Moretti is the Italian director who will always have a place in our hearts, not least for his masterly The Son’s Room (2001), in my view the greatest Cannes Palme d’Or winner of the century so far. And more recently his cinephile comedy Mia Madre (2015) was tremendous.
But his new film in competition is bafflingly awful: muddled, mediocre and metatextual – a complete waste of time, at once strident and listless. Everything about it is heavy-handed and dull: the non-comedy, the ersatz-pathos, the anti-drama.
It is effectively a film within a film, both as dull as each other. Moretti himself plays Giovanni, a high-minded film director with a failing marriage who is struggling to shoot his passion project about the Italian Communist party standing up to...
- 5/24/2023
- by Peter Bradshaw
- The Guardian - Film News
Maxime Rappaz’s debut film “Let Me Go,” which plays in the Cannes Acid sidebar, has been sold to Brazil and Taiwan. The film stars Cannes regular Jeanne Balibar in the lead role as a fiftysomething woman torn between her family commitments and pursuing her own desires.
Every Tuesday, a neighbor takes care of Claudine’s son while she goes to a mountain hotel to meet men passing through. When one of them decides to extend his stay for her, Claudine is confused and finds herself dreaming of another life.
Imovision has acquired all rights for Brazil, and will release the film in cinemas after a Brazilian festival premiere. “The mise en scène is excellent and Jeanne Balibar is extraordinary,” Jean-Thomas Bernardini, president of Imovision, commented.
Andrews Film has acquired all rights for Taiwan, where the film joins a distribution slate including “Aftersun,” “One Fine Morning’ and “Drive My Car.
Every Tuesday, a neighbor takes care of Claudine’s son while she goes to a mountain hotel to meet men passing through. When one of them decides to extend his stay for her, Claudine is confused and finds herself dreaming of another life.
Imovision has acquired all rights for Brazil, and will release the film in cinemas after a Brazilian festival premiere. “The mise en scène is excellent and Jeanne Balibar is extraordinary,” Jean-Thomas Bernardini, president of Imovision, commented.
Andrews Film has acquired all rights for Taiwan, where the film joins a distribution slate including “Aftersun,” “One Fine Morning’ and “Drive My Car.
- 5/21/2023
- by Leo Barraclough
- Variety Film + TV
Nanni Moretti’s “Il sol dell’avvenire” (“A Brighter Tomorrow”), a multi-layered love letter to filmmaking in the age of streaming giants, has scored a slew of sales ahead of it’s Cannes bow.
French sales company Kinology has sealed deals to Moretti’s latest work with a slew of territories including Germany (Prokino); Spain (Caramel Films); Benelux (Cineart) and Switzerland (Xenix Filmdistribution).
Additional countries that have taken a shine to “Brighter Tomorrow” are Portugal (Midas Filmes); Austria (Filmladen); Ex-Yugoslavia (McF Megacom Film) Greece (Feelgood Entertainment); Hungary (Circo Film); Israel (Lev Films and Cinemas); Latin America (Providences Films); Romania (Independent Film); and Turkey (Filmarti).
In “Brighter Tomorrow,” Moretti, who often acts in his movies, stars as a Roman director who is shooting a period piece set in Rome in 1956, the year of the Hungarian Revolution when millions of citizens rebelled against Soviet domination. In this film-within-a-film, a Fellini-esque Hungarian...
French sales company Kinology has sealed deals to Moretti’s latest work with a slew of territories including Germany (Prokino); Spain (Caramel Films); Benelux (Cineart) and Switzerland (Xenix Filmdistribution).
Additional countries that have taken a shine to “Brighter Tomorrow” are Portugal (Midas Filmes); Austria (Filmladen); Ex-Yugoslavia (McF Megacom Film) Greece (Feelgood Entertainment); Hungary (Circo Film); Israel (Lev Films and Cinemas); Latin America (Providences Films); Romania (Independent Film); and Turkey (Filmarti).
In “Brighter Tomorrow,” Moretti, who often acts in his movies, stars as a Roman director who is shooting a period piece set in Rome in 1956, the year of the Hungarian Revolution when millions of citizens rebelled against Soviet domination. In this film-within-a-film, a Fellini-esque Hungarian...
- 5/19/2023
- by Nick Vivarelli
- Variety Film + TV
Berlin-based sales agency M-Appeal has released the trailer (below) for Swiss director Maxime Rappaz’s debut feature “Let Me Go,” which will open the Cannes Acid sidebar on Wednesday.
Set in a remote town in the Swiss mountains, the film features French actress Jeanne Balibar in the lead role. She plays the character of Claudine, a mother who has devoted her life to taking care of her son, sacrificing her own needs and desires. An unexpected love affair causes Claudine’s carefully controlled world to unravel, “reviving in her an intense thirst for freedom and, at the same time, a painful questioning about her future,” Rappaz says.
M-Appeal, who are celebrating their 15th birthday this year, are representing a Cannes Acid title for the second year in a row, following the success of “99 Moons” last year.
Maren Kroymann, managing director of M-Appeal, says: “Both films, although very different, center on female desire,...
Set in a remote town in the Swiss mountains, the film features French actress Jeanne Balibar in the lead role. She plays the character of Claudine, a mother who has devoted her life to taking care of her son, sacrificing her own needs and desires. An unexpected love affair causes Claudine’s carefully controlled world to unravel, “reviving in her an intense thirst for freedom and, at the same time, a painful questioning about her future,” Rappaz says.
M-Appeal, who are celebrating their 15th birthday this year, are representing a Cannes Acid title for the second year in a row, following the success of “99 Moons” last year.
Maren Kroymann, managing director of M-Appeal, says: “Both films, although very different, center on female desire,...
- 5/16/2023
- by Leo Barraclough
- Variety Film + TV
Lucas Bernard’s romantic comedy ’In The Sub For Love’ is another new acquisition for French studio.
French studio Gaumont has unveiled a hefty genre-hopping Cannes slate complete with all new acquisitions Gilles de Maistre’s family adventure Moon The Panda, Stéphane Brizé’s romance drama Out Of Season and Lucas Bernard’s romantic comedy In The Sub For Love in addition to a slew of market premieres and official selection festival titles.
New acquisitions
Moon The Panda is the latest film from the master of the human-animal adventure tale Gilles de Maistre following Mia And The White Lion and The Wolf And The Lion.
French studio Gaumont has unveiled a hefty genre-hopping Cannes slate complete with all new acquisitions Gilles de Maistre’s family adventure Moon The Panda, Stéphane Brizé’s romance drama Out Of Season and Lucas Bernard’s romantic comedy In The Sub For Love in addition to a slew of market premieres and official selection festival titles.
New acquisitions
Moon The Panda is the latest film from the master of the human-animal adventure tale Gilles de Maistre following Mia And The White Lion and The Wolf And The Lion.
- 5/10/2023
- by Rebecca Leffler
- ScreenDaily
Italian director Nanni Moretti’s new film “Il sol dell’avvenire” (“A Brighter Tomorrow”), a multi-layered love letter to filmmaking in the age of streaming giants, is doing brisk biz at the home box office ahead of its Cannes Film Festival international premiere.
The latest by Moretti — who customarily gets special permission from Cannes to release his works locally before launching them from the Croisette — has already scored close to €3 million ($3.3 million) from 500 screens in Italy via 01 Distribution since its April 20 release. “Brighter Tomorrow” came in second only to “The Super Mario Bros. Movie” last weekend, which was a long frame due to the International Workers’ Day holiday on May 1.
Moretti’s box office result with “Brighter Tomorrow” is being hailed as a major success at a time when Italy lags behind much of Europe in terms of post-pandemic box office recovery. In 2022, the country tallied a measly 44.5 million admissions,...
The latest by Moretti — who customarily gets special permission from Cannes to release his works locally before launching them from the Croisette — has already scored close to €3 million ($3.3 million) from 500 screens in Italy via 01 Distribution since its April 20 release. “Brighter Tomorrow” came in second only to “The Super Mario Bros. Movie” last weekend, which was a long frame due to the International Workers’ Day holiday on May 1.
Moretti’s box office result with “Brighter Tomorrow” is being hailed as a major success at a time when Italy lags behind much of Europe in terms of post-pandemic box office recovery. In 2022, the country tallied a measly 44.5 million admissions,...
- 5/3/2023
- by Nick Vivarelli
- Variety Film + TV
Martin Scorsese has re-voiced his support for Paris’s La Clef community cinema, following news that activists fighting to save the venue have secured the right to buy the site.
The battle to keep the 50-year-old cinema up and running has been supported by a raft of local cineastes, such as Céline Sciamma, Mathieu Amalric, Léos Carax and Agnès Jaoui, and also captured the attention of filmmakers and cinephiles worldwide.
“La Clef must remain a cinema,” wrote Scorsese in an open letter posted on the site of France’s Libération newspaper.
“Why should we be moved by the disappearance of one more cinema? Because it matters,” he continued.
“Every room counts; each room bears the traces of all the people who have gathered there to watch a silent film by Lubitsch, a classic by Souleymane Cissé, or the latest film by Paul Thomas Anderson or Alice Rohrwacher, among countless other films and retrospectives.
The battle to keep the 50-year-old cinema up and running has been supported by a raft of local cineastes, such as Céline Sciamma, Mathieu Amalric, Léos Carax and Agnès Jaoui, and also captured the attention of filmmakers and cinephiles worldwide.
“La Clef must remain a cinema,” wrote Scorsese in an open letter posted on the site of France’s Libération newspaper.
“Why should we be moved by the disappearance of one more cinema? Because it matters,” he continued.
“Every room counts; each room bears the traces of all the people who have gathered there to watch a silent film by Lubitsch, a classic by Souleymane Cissé, or the latest film by Paul Thomas Anderson or Alice Rohrwacher, among countless other films and retrospectives.
- 4/26/2023
- by Melanie Goodfellow
- Deadline Film + TV
Berlin sales agency M-Appeal has come on board to handle world sales for “Let Me Go” (“Laissez-Moi”), the debut feature by Swiss director Maxime Rappaz, which will world premiere as the opening film of the Cannes Acid sidebar.
Set in a Swiss mountain village, “Let Me Go” follows Claudine, a dedicated mother whose life revolves around her son. Every Tuesday, according to her careful schedule, she goes to a nearby mountain hotel to meet men who are passing through. When she meets Michael and he decides to extend his stay for her, Claudine is confused and finds herself dreaming of another life.
French actress Jeanne Balibar stars in the lead role of Claudine, an elegant woman in her early 50s, who, although living a traditional life, pursues her desires in an unconventional way. She unexpectedly finds a romantic connection with Michael (Thomas Sarbacher).
A regular on the Croisette and...
Set in a Swiss mountain village, “Let Me Go” follows Claudine, a dedicated mother whose life revolves around her son. Every Tuesday, according to her careful schedule, she goes to a nearby mountain hotel to meet men who are passing through. When she meets Michael and he decides to extend his stay for her, Claudine is confused and finds herself dreaming of another life.
French actress Jeanne Balibar stars in the lead role of Claudine, an elegant woman in her early 50s, who, although living a traditional life, pursues her desires in an unconventional way. She unexpectedly finds a romantic connection with Michael (Thomas Sarbacher).
A regular on the Croisette and...
- 4/26/2023
- by Leo Barraclough
- Variety Film + TV
The lineup for the 76th installment of the Cannes Film Festival has finally been announced. Nineteen films will be competing to take home the prestigious Palme d’Or, including a record six films helmed by women. The festival will be taking place in the French Riviera from May 16 to May 27. This year’s jury will be headed by Ruben Östlund, who won his second Palme d’Or last year for “Triangle of Sadness.”
Knowing a filmmaker’s previous track record at Cannes can sometimes help give an idea as to who might be in the best position to claim the Palme. For instance, five of this year’s entries come from directors who have previously won the Palme. Another five are from auteurs who have had previous films win a prize in the main competition other than the Palme. Another five are from directors having their first film screen in the main competition.
Knowing a filmmaker’s previous track record at Cannes can sometimes help give an idea as to who might be in the best position to claim the Palme. For instance, five of this year’s entries come from directors who have previously won the Palme. Another five are from auteurs who have had previous films win a prize in the main competition other than the Palme. Another five are from directors having their first film screen in the main competition.
- 4/17/2023
- by Charles Bright
- Gold Derby
Guy Maddin: “I’m just always shuffling around timelines in my head to make sense of time’s great flow.”
Guy Maddin on hacking my dreams, elevators and escalators, Franz Wright’s Kindertotenwald, Lois Weber, Haruki Murakami, Mathieu Amalric and Arnaud Desplechin’s dreamwork, thinking of numbers, Federico Fellini’s dream journal, A Director’s Notebooks, I Vitelloni and Rimini, Michael Haneke’s Funny Games, and an enchanted place called Riminipeg were all discussed in the second instalment on The Rabbit Hunters, co-directed with Evan Johnson and Galen Johnson, and starring Isabella Rossellini as a “merged version” of Fellini and Giulietta Masina.
Guy Maddin with Anne-Katrin Titze on his hometown and Federico Fellini’s: “Fellini is from the city of Rimini in Italy, which is really just the Winnipeg of Italy.”
From Winnipeg, Guy Maddin joined me on Zoom for an in-depth conversation on The Rabbit Hunters.
Anne-Katrin Titze:...
Guy Maddin on hacking my dreams, elevators and escalators, Franz Wright’s Kindertotenwald, Lois Weber, Haruki Murakami, Mathieu Amalric and Arnaud Desplechin’s dreamwork, thinking of numbers, Federico Fellini’s dream journal, A Director’s Notebooks, I Vitelloni and Rimini, Michael Haneke’s Funny Games, and an enchanted place called Riminipeg were all discussed in the second instalment on The Rabbit Hunters, co-directed with Evan Johnson and Galen Johnson, and starring Isabella Rossellini as a “merged version” of Fellini and Giulietta Masina.
Guy Maddin with Anne-Katrin Titze on his hometown and Federico Fellini’s: “Fellini is from the city of Rimini in Italy, which is really just the Winnipeg of Italy.”
From Winnipeg, Guy Maddin joined me on Zoom for an in-depth conversation on The Rabbit Hunters.
Anne-Katrin Titze:...
- 3/24/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Melvil Poupaud: "They are doing a little retrospective of my work at the Fi:af, French Institute, and I have a masterclass at NYU." Photo: Anne-Katrin Titze
Nicolas Pariser’s The Great Game (Le Grand Jeu); Éric Rohmer’s A Tale Of Summer (Conte d'été); François Ozon’s By The Grace Of God (Grâce à Dieu); Charles de Meaux’s The Lady In The Portrait (Le Portrait Interdit); two from Raúl Ruiz, Genealogies Of A Crime (Généalogies d'Un Crime) and Treasure Island (L'Île Au Trésor); Zoe R Cassavetes’ Broken English, and Xavier Dolan’s Laurence Anyways will all be screened in Magnetic Melvil Poupaud.
François Ozon's By the Grace of God in Magnetic Melvil Poupaud Photo: Anne-Katrin Titze
The CinéSalon series opens on Tuesday, March 7 with Carine Tardieu’s The Young Lovers (Les Jeunes Amants) at 7:30pm followed by a Q&a with Melvil Poupaud inside Florence Gould Hall...
Nicolas Pariser’s The Great Game (Le Grand Jeu); Éric Rohmer’s A Tale Of Summer (Conte d'été); François Ozon’s By The Grace Of God (Grâce à Dieu); Charles de Meaux’s The Lady In The Portrait (Le Portrait Interdit); two from Raúl Ruiz, Genealogies Of A Crime (Généalogies d'Un Crime) and Treasure Island (L'Île Au Trésor); Zoe R Cassavetes’ Broken English, and Xavier Dolan’s Laurence Anyways will all be screened in Magnetic Melvil Poupaud.
François Ozon's By the Grace of God in Magnetic Melvil Poupaud Photo: Anne-Katrin Titze
The CinéSalon series opens on Tuesday, March 7 with Carine Tardieu’s The Young Lovers (Les Jeunes Amants) at 7:30pm followed by a Q&a with Melvil Poupaud inside Florence Gould Hall...
- 3/4/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Melvil Poupaud and Marion Cotillard in Arnaud Desplechin’s Brother And Sister (Frère Et Sœur) screening in Unifrance and Film at Lincoln Center’s Rendez-Vous with French Cinema Photo: Shanna Besson/Why Not Productions
In the first instalment with Melvil Poupaud (who is being honoured at the French Institute in New York next month) we discuss the dark side of Arnaud Desplechin’s Brother And Sister (Frère Et Sœur), Mathieu Amalric in A Christmas Tale and Kings And Queens, Mia Hansen-Løve’s One Fine Morning, a touch of François Ozon’s By The Grace Of God, James Joyce’s The Dead, Eric Rohmer’s A Summer’s Tale, and Woody Allen’s Coup De Chance with Lou de Laâge, Niels Schneider and Valérie Lemercier.
Melvil Poupaud with Anne-Katrin Titze: “I always understood that the most gratifying thing when you’re an actor is when a great director such as Eric Rohmer...
In the first instalment with Melvil Poupaud (who is being honoured at the French Institute in New York next month) we discuss the dark side of Arnaud Desplechin’s Brother And Sister (Frère Et Sœur), Mathieu Amalric in A Christmas Tale and Kings And Queens, Mia Hansen-Løve’s One Fine Morning, a touch of François Ozon’s By The Grace Of God, James Joyce’s The Dead, Eric Rohmer’s A Summer’s Tale, and Woody Allen’s Coup De Chance with Lou de Laâge, Niels Schneider and Valérie Lemercier.
Melvil Poupaud with Anne-Katrin Titze: “I always understood that the most gratifying thing when you’re an actor is when a great director such as Eric Rohmer...
- 2/15/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Gaumont has enlisted distributors in major European markets and beyond for “A Difficult Year,” a topical comedy directed by Eric Toledano and Olivier Nakache, the French filmmaking duo behind the smash hit “Intouchables.”
Deals were scored on the heels at the Unifrance Rendez-Vous showcase in Paris, where Gaumont unveiled the film’s promo to buyers with Toledano and Nakache on hand.
“A Difficult Year” has now been sold to Spain (A Contracorriente), Belgium and Netherlands (Cineart), Italy (iWonder), Germany and Austria (Weltkino), Poland (Gutek), Switzerland (Ascot Elite), Greece (Feelgood), Hungary (Mozinet), Czech Republic, Slovakia (Aerofilms), Portugal (Nos), Scandinavia (Scanbox), Romania (Independenta) and Israel (Lev).
Gaumont will next present the promo at the Berlinale’s European Film Market where it will be closing further sales.
Toledano and Nakache’s eighth feature, “A Difficult Year” is bolstered by an ensemble cast including Jonathan Cohen, Pio Marmaï, Noémie Merlant and Mathieu Amalric. The...
Deals were scored on the heels at the Unifrance Rendez-Vous showcase in Paris, where Gaumont unveiled the film’s promo to buyers with Toledano and Nakache on hand.
“A Difficult Year” has now been sold to Spain (A Contracorriente), Belgium and Netherlands (Cineart), Italy (iWonder), Germany and Austria (Weltkino), Poland (Gutek), Switzerland (Ascot Elite), Greece (Feelgood), Hungary (Mozinet), Czech Republic, Slovakia (Aerofilms), Portugal (Nos), Scandinavia (Scanbox), Romania (Independenta) and Israel (Lev).
Gaumont will next present the promo at the Berlinale’s European Film Market where it will be closing further sales.
Toledano and Nakache’s eighth feature, “A Difficult Year” is bolstered by an ensemble cast including Jonathan Cohen, Pio Marmaï, Noémie Merlant and Mathieu Amalric. The...
- 1/25/2023
- by Elsa Keslassy
- Variety Film + TV
Pacifiction star Benoit Magimel wins best actor award for third time.
Dominik Moll’s investigative drama The Night Of The 12th (La Nuit Du 12) was named best film and also won the best screenplay prize at the 28th edition of France’s Lumiere Awards at a ceremony at Paris’ Forum des Images on Monday evening.
The film shared the spotlight with Albert Serra’s tropical thriller Pacifiction which earned Serra the best director award and a best actor prize for the film’s star Benoit Magimel.
It was a record win for Magimel who becomes the third actor in Lumière...
Dominik Moll’s investigative drama The Night Of The 12th (La Nuit Du 12) was named best film and also won the best screenplay prize at the 28th edition of France’s Lumiere Awards at a ceremony at Paris’ Forum des Images on Monday evening.
The film shared the spotlight with Albert Serra’s tropical thriller Pacifiction which earned Serra the best director award and a best actor prize for the film’s star Benoit Magimel.
It was a record win for Magimel who becomes the third actor in Lumière...
- 1/16/2023
- by Rebecca Leffler
- ScreenDaily
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