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Frank Galati was born on 29 November 1943 in Highland Park, Illinois, USA. He was a writer and actor, known for The Accidental Tourist (1988), American Playhouse (1980) and The Party Animal (1984). He was married to Peter Amster . He died on 2 January 2023 in Sarasota, Florida, USA.- Fay Weldon was born on 22 September 1931 in Worcester, England, UK. She was a writer, known for She-Devil (1989), Puffball: The Devil's Eyeball (2007) and Flood Warning (2020). She was married to Nicolas P Fox, Ronald Weldon and Ronald G. Bateman. She died on 4 January 2023 in Northampton, Northamptonshire, England, UK.
- Actress
- Soundtrack
Miiko Taka came into the world as Betty Miiko Shikata in Seattle, Washington, a Nisei born of Japanese immigrant parentage. She spent much of her upbringing in Los Angeles. In 1942, Betty and her family were removed from their homes and interned in the Gila River War Relocation Centre in Arizona, a concentration camp which had been set up following Japan's attack on Pearl Harbour. One of her fellow detainees was the actor Pat Morita. Betty's internee file described her as a semi-skilled dressmaker and seamstress and suggested stenographer or typist as 'potential occupations'. Little is known of Betty's life prior to her debut in Joshua Logan's Sayonara (1957) , except that she had no prior acting experience and was employed as a clerk at a travel agency in L.A..
The role of Hana-Ogi, the celebrated Matsubayashi dancer who defies tradition by having a secret affair with an American pilot (Marlon Brando), had originally been earmarked for Audrey Hepburn. When Hepburn turned it down, Logan cast the unknown Miiko Taka in the part. Sayonara ultimately grossed $ 10.5 million and won four Oscars, including one for co-star Miyoshi Umeki as Best Supporting Actress. Miiko's performance was lauded by Variety and by Bosley Crowther of the New York Times who described her as "a flute-like beauty - a really lovely, serene and soothing impulse".
In the wake of Sayonara, Miiko was cast as a geisha opposite Glenn Ford in Cry for Happy (1961), a predictable comedy about the assorted romantic affairs of four G.I.'s on leave in Japan during the Korean War. She had further high profile roles in Operation Bottleneck (1961) (as a girl guerrilla), A Global Affair (1964) (with Bob Hope), The Art of Love (1965) (with James Garner) and Walk Don't Run (1966) (with Cary Grant in his last film appearance). On television, she was mostly typecast amid exotic backgrounds in such escapist entertainments as Hawaiian Eye (1959), Adventures in Paradise (1959), I Spy (1965) and The Man from U.N.C.L.E. (1964). Her penultimate screen appearance was as a Japanese noblewoman in James Clavell's miniseries Shogun (1980).
Miiko Taka was thrice married. Her first husband was the actor Dale Ishimoto with whom she had a son and a daughter.- Actor
- Soundtrack
Veteran character actor Earl Boen is probably best known for his role as criminal psychologist Dr. Peter Silberman in the Terminator series. Other films which he appeared include Battle Beyond the Stars (1980), The Man with Two Brains (1983), Alien Nation (1988), Naked Gun 33 1/3: The Final Insult (1994) and Nutty Professor II: The Klumps (2000). Boen retired from screen acting in 2003, but continues his work as a voice actor in radio, animated series and video games.- Actor
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- Producer
Gianluca Vialli was born on 9 July 1964 in Cremona, Italy. He was an actor and writer, known for Lords of Football (2013), Dumar (2013) and Ramud Volume 2 (2018). He was married to Cathryn White-Cooper. He died on 6 January 2023 in London, England, UK.- Cinematographer
- Actor
- Camera and Electrical Department
Ace cinematographer Owen Roizman was born September 22, 1936, in Brooklyn, New York. His father Sol was a cinematographer for Fox Movietone News and his uncle Morrie Roizman was a film editor. Owen studied math and physics at Gettysburg College in Pennsylvania. He began his career shooting TV commercials, and made his feature debut as a director of photography with the obscure and little seen 1970 movie Stop! (1970). Owen brought a strong and compelling sense of raw, gritty, documentary-style realism to William Friedkin's harsh and hard-hitting police action thriller classic The French Connection (1971). Roizman received a well-deserved Academy Award nomination for his outstanding visual contributions to this picture; he went on to garner four additional Oscar nominations, for The Exorcist (1973), Tootsie (1982), Network (1976) and Wyatt Earp (1994). Owen gave a similar rough and grainy look to the edgy urban thrillers The Taking of Pelham One Two Three (1974) and Straight Time (1978). His other films encompass an impressively diverse array of different genres which include horror ("The Exorcist"), science fiction (The Stepford Wives (1975)), comedy (The Heartbreak Kid (1972) "Tootsie"), musicals (Sgt. Pepper's Lonely Hearts Club Band (1978)), drama (True Confessions (1981), Absence of Malice (1981)) and even Westerns (The Return of a Man Called Horse (1976), "Wyatt Earp"). His last feature to date was French Kiss (1995). In the early 1980s Owen took a hiatus from shooting films and formed the commercial production company Roizman and Associates. He has directed and/or photographed hundreds of TV commercials. In 1997 he was the recipient of a Lifetime Achievement Award from the American Society of Cinematographers.- Actor
- Soundtrack
Adam Rich was born on 12 October 1968 in Brooklyn, New York City, New York, USA. He was an actor, known for Code Red (1981), Eight Is Enough (1977) and Dungeons & Dragons (1983). He died on 8 January 2023 in Brentwood, Los Angeles, California, USA.- Actress
- Writer
Dorothy Tristan was born on 9 May 1934 in Yorkville Heights, New York City, New York, USA. She was an actress and writer, known for Klute (1971), The Looking Glass (2015) and Scarecrow (1973). She was married to John D. Hancock and Aram Avakian. She died on 7 January 2023 in LaPorte, Indiana, USA.- Writer
- Producer
- Actor
Russell Banks was born on 28 March 1940 in Newton, Massachusetts, USA. He was a writer and producer, known for The Sweet Hereafter (1997), Affliction (1997) and American Darling. He was married to Chase Twichell, Kathy Walton, Mary Gunst and Darlene Bennett. He died on 7 January 2023 in Saratoga Springs, New York, USA.- Actress
- Soundtrack
Melinda Dillon came to prominence with the role of Jillian Guiler, a mother whose child is abducted by aliens in Steven Spielberg's Close Encounters of the Third Kind (1977). Dillon's performance in the film earned an Academy Award nomination for Best Supporting Actress. A few years later, Dillon received another Academy Award nomination for Best Supporting Actress for her performance as a devout Catholic woman in Absence of Malice (1981). The performance won the actress a KCFCC Award.- King Constantine II was born on 2 June 1940 in Villa Psychiko, Athens, Greece. He was married to Queen Anne-Marie. He died on 10 January 2023 in Athens, Greece.
- Actress
- Additional Crew
- Soundtrack
Actress Carole Cook showed a knack for comic timing from early on, so much so that the legendary Lucille Ball took her on as a protégée. Cook would make many appearances on Ball's TV shows The Lucy Show (1962) and Here's Lucy (1968), as well as other shows like Magnum, P.I. (1980), Dynasty (1981), and Grey's Anatomy (2005). She would also appear in several movies, like Sixteen Candles (1984) and Home on the Range (2004), while maintaining an active stage career and supporting many AIDS charities.- Ben Masters was born on 6 May 1947 in Corvallis, Oregon, USA. He was an actor, known for Passions (1999), All That Jazz (1979) and Mandingo (1975). He died on 11 January 2023 in Palm Springs, California, USA.
- Director
- Writer
- Additional Crew
Piers Haggard was born on 18 March 1939 in London, England, UK. He was a director and writer, known for Blow-Up (1966), Conquest (1998) and Pennies from Heaven (1978). He was married to Anna Sklovsky and Christiane Stokes. He died on 11 January 2023 in the UK.- Music Artist
- Actress
- Composer
Lisa Marie Presley was born on 1 February 1968 in Memphis, Tennessee, USA. She was a music artist and actress, known for Lisa Marie Presley: Idiot (2005), Michael Jackson: You Are Not Alone (1995) and Lisa Marie Presley: Dirty Laundry (2005). She was married to Michael Lockwood, Nicolas Cage, Michael Jackson and Danny Keough. She died on 12 January 2023 in West Hills, California, USA.- Actor
- Second Unit Director or Assistant Director
- Soundtrack
Tall, gaunt, and particularly effective in horror and drama films, British actor Julian Sands was born in Otley, Leeds, West Yorkshire, to Brenda and William Sands. He came to the attention of NBC when the network cast him in the TV miniseries The Sun Also Rises (1984) and then with Anthony Hopkins in the television film A Married Man (1983). Sands also got noticed for his very small roles in Privates on Parade (1983) and The Killing Fields (1984). It wasn't until his funny and romantic role opposite Denholm Elliott in A Room with a View (1985) and then his unusual role in Gothic (1986) that he garnered audience acclaim.
He continued work on screen in Vibes (1988), Impromptu (1991) and Steven Spielberg's Arachnophobia (1990), until his most remembered role as Warlock (1989), directed by Steve Miner. The film was a major success and he returned for the sequel, Warlock: The Armageddon (1993). Other credits include Naked Lunch (1991), Tale of a Vampire (1992) and the title role in Dario Argento's The Phantom of the Opera (1998). Sands has more recently been in Stephen King's Rose Red (2002) and was occasionally seen on the English stage.
Sands disappeared on January 13, 2023 after going for a hike near the Mount Baldy area of California's San Bernardino Mountains. Local authorities and search and rescue teams conducted over six weeks of multiple ground and aerial searches, which were unsuccessful. On June 24, 2023, hikers near Mount Baldy discovered human remains. On June 27, 2023, local authorities confirmed the remains to be those of Sands. He was 65 years old.- Actress
- Writer
- Soundtrack
Inna Mikhailovna Churikova was born on October 5, 1943, in Belebey, near Ufa, Bashkiria Republic, Russia (at that time USSR). Her parents were from peasant families. Her father, Mikhail Kuzmich Churikov, was a veteran of the Second World War, he worked at Academy of Agriculture. Her mother, Elisaveta Zakharovna (nee Mantrova), was a Ph.D in Biochemistry. Young Inna Churikova was brought up in Moscow by her mother. During her school years she was fond of theatre and attended an acting class at Stanislavsky Theatre in Moscow. From 1960 - 1965 she attended Schepkin Theatrical School at Maly Theatre, graduating in 1965 as an actress.
In 1961 Churikova made her big screen debut in 'Tuchi nad Borskom', then she played bit parts in 'Ya shagayu po Moskve' and in several other films. She shot to fame with the leading role as Tanya Tetkina in _V ogne broda net (1968)_ by director Gleb Panfilov. Churikova's next role in The Beginning (1970), as Pasha Stroganova, a provincial amateur actress who is invited to play Joan of Arc in a big film, was arguably her best work in film. After having a big success with 'Nachalo', Churikova and her husband, director Gleb Panfilov, worked on development of an epic film about Joan of Arc, but their work on the project was obstructed by the Soviet officials. However, Churikova continued her successful film career. In 1984 she won the Silver Bear for Best Actress at the Berlin Film Festival for the leading role as Vera in 'Voenno-polevoy roman', by director Petr Todorovsky. She starred as Vera in 'God Sobaki', and as Asya in Ryaba, My Chicken (1994), among her other film works.
Since 1974 Inna Churikova has been a member of the troupe at Lenkom Theatre in Moscow under directorship of Mark Zakharov. There her stage partners were such actors as Nikolay Karachentsov, Gennadi Khazanov, Oleg Yankovskiy, Leonid Bronevoy, Aleksandr Abdulov, Armen Dzhigarkhanian, Aleksandr Zbruev, and other notable Russian actors. Among Churikova's most memorable stage performances were such roles as Sara in 'Ivanov' and as Arkadina in 'Seagull', both plays by Anton Chekhov. She also appeared as Ophelia in Shakespeare's 'Hamlet', and as Commissar in Vishnevsky's 'Optimisticheskaya tragedia', among her other stage works.
Inna Churikova has been loved by the public and earned critical acclaim for her range and effortless style. Churikova was designated Peoples Artist of the USSR (1991) and People's Artist of Russia. She was awarded the Golden Mask, and also received the State Prize of Russia (1985) and the Stanislavsky Prize for her contribution to theatre and film. She is residing in Moscow, Russia.- Actor
- Director
Wally Campo was born on 23 April 1923 in Alameda, California, USA. He was an actor and director, known for The Little Shop of Horrors (1960), Shock Corridor (1963) and Master of the World (1961). He was married to Geraldine Matthews. He died on 14 January 2023 in Studio City, Los Angeles, California, USA.- Actress
- Director
- Writer
Gina Lollobrigida was born on July 4, 1927 in Subiaco, Italy. Destined to be called "The Most Beautiful Woman in the World", Gina possibly had St. Brigid as part of her surname. She was the daughter of a furniture manufacturer, and grew up in the pictorial mountain village. The young Gina did some modeling and, from there, went on to participate successfully in several beauty contests. In 1947, she entered a beauty competition for Miss Italy, but came in third. The winner was Lucia Bosè (born 1931), who would go on to appear in over 50 movies, and the first runner-up was Gianna Maria Canale (born 1927), who would appear in almost 50 films. After appearing in a half-dozen films in Italy, it was rumored that, in 1947, film tycoon Howard Hughes had her flown to Hollywood; however, this did not result in her staying in America, and she returned to Italy (her Hollywood breakout movie would not come until six years later in the John Huston film Beat the Devil (1953)).
Back in Italy, in 1949, Gina married Milko Skofic, a Slovenian (at the time, "Yugoslavian") doctor, by whom she had a son, Milko Skofic Jr. They would be married for 22 years, until their divorce in 1971. As her film roles and national popularity increased, Gina was tagged "The Most Beautiful Woman in the World", after her signature movie Beautiful But Dangerous (1955). Gina was nicknamed "La Lollo", as she embodied the prototype of Italian beauty. Her earthy looks and short "tossed salad" hairdo were especially influential and, in fact, there's a type of curly lettuce named "Lollo" in honor of her cute hairdo. Her film Come September (1961), co-starring Rock Hudson, won the Golden Globe Award as the World's Film Favorite. In the 1970s, Gina was seen in only a few films, as she took a break from acting and concentrated on another career: photography. Among her subjects were Paul Newman, Salvador Dalí and the German national soccer team.
A skilled photographer, Gina had a collection of her work "Italia Mia", published in 1973. Immersed in her other passions (sculpting and photography), it would be 1984 before Gina would grace American television on Falcon Crest (1981). Although Gina was always active, she only appeared in a few films in the 1990s. She retired from acting in 1997 after 50 years in the motion picture industry. In June 1999, she turned to politics and ran, unsuccessfully, for one of Italy's 87 European Parliament seats, from her hometown of Subiaco. Gina was also a corporate executive for fashion and cosmetics companies. As she told Parade magazine in April 2000: "I studied painting and sculpting at school and became an actress by mistake". (We're glad she made that mistake). Gina went on to say: "I've had many lovers and still have romances. I am very spoiled. All my life, I've had too many admirers."- Cinematographer
- Camera and Electrical Department
- Director
British cinematographer Brian Tufano began his career at the BBC, working with such directors as Stephen Frears and Alan Parker. In 1992 he was assigned to the series Mr. Wroe's Virgins (1993) and worked with director Danny Boyle. Boyle took him along on his feature debut, Shallow Grave (1994), and continued to work with Tufano on such films as Trainspotting (1996) and A Life Less Ordinary (1997). In 2001 Tufano won the BAFTA Award for Outstanding Contribution to Film and Television.- Writer
- Second Unit Director or Assistant Director
- Director
Giorgio Mariuzzo was born on 7 July 1939 in Venice, Veneto, Italy. He was a writer and assistant director, known for Apache Woman (1976), Quelli belli... siamo noi (1971) and Contraband (1980). He was married to Paola Pascolini. He died on 16 January 2023 in Rome, Lazio, Italy.- Additional Crew
- Director
- Writer
Gino Landi was born on 2 August 1933 in Milan, Lombardy, Italy. He was a director and writer, known for Bárbara (1980), Waterloo (1970) and Roma (1972). He died on 17 January 2023 in Rome, Lazio, Italy.- Producer
- Actor
- Music Department
With over 80 diverse motion pictures and more than 30 years of experience to his credit, native New Yorker and film producer Edward R. Pressman has forged a career of international renown, marked by originality and eclecticism. Throughout his maverick career, he has brought numerous emerging filmmakers together with projects that have put them firmly on the map. Pressman's reputation as a daring filmmaker was cemented with the international recognition of the French Cinematheque, which presented a 1989 retrospective of his films and awarded him the esteemed Chevalier des Arts et Letters medal. He's also received tributes from The National Film Theatre in London, New York's Museum of Modern Art, the Pacific Film Archives and Brooklyn Academy of Music's Cinematék. In 2003, Pressman was honored with the IFP Gotham Award for lifetime achievement.
Pressman's specialty is discovering new talent. He is known for fostering the careers of young and inspired filmmakers including Brian De Palma, Terrence Malick, Oliver Stone, Kathryn Bigelow, David Byrne, Charles Burnett, David Gordon Green, James Marsh, Wayne Kramer, and Jason Reitman. He is responsible for giving Alex Proyas his directorial debut with their breakout hit, The Crow (1994).
Over the years, Pressman has produced many director-driven, high profile projects, bringing new experiences to audiences with directors John Milius, David Mamet, Mary Harron, Abel Ferrara, and Barbet Schroeder. He has also established a reputation as an international producer, working with directors Wolfgang Petersen, the Taviani brothers, Fred Schepisi, Rainer Werner Fassbinder, David Hare, Bo Widerberg, Yimou Zhang, Michael Apted, and Werner Herzog.
The recent Pressman production Wall Street: Money Never Sleeps (2010), the sequel to the Oscar®-winning Wall Street (1987) starring Michael Douglas, Shia LaBeouf, Josh Brolin, Carey Mulligan, and Frank Langella, marked his fourth collaboration with director Oliver Stone. Pressman's three-time collaboration with Abel Ferrara began with the cult classic Bad Lieutenant (1992) He has re-teamed with American Psycho (2000) director Mary Harron on The Moth Diaries (2011). Pressman also enjoys a unique collaboration in Sunflower Productions with long-time friend Terrence Malick.
Pressman is the son of the son of Lynn and Jack Pressman, who founded the Pressman Toy Corporation. He attended New York's Fieldston School, went on to graduate with honors from Stanford University with a B.A. in Philosophy, and pursued graduate studies at the London School of Economics. Pressman is married to Annie McEnroe, whom he met while she was starring in Oliver Stone's movie The Hand (1981). Their son Sam Pressman is an aspiring filmmaker.- Director
- Writer
- Editor
Paul Vecchiali was born on 28 April 1930 in Ajaccio, Corsica, France. He was a director and writer, known for Once More (1988), At the Top of the Stairs (1983) and Les sept déserteurs ou La guerre en vrac (2017). He died on 18 January 2023 in Gassin, Var, France.- Actress
- Additional Crew
- Director
From the mid-1970s on, Sandra Seacat has been one of America's more sought-after and influential acting teachers/coaches. A method-based actor and teacher, closely associated with the Method's originator, her mentor Lee Strasberg, Seacat gradually became recognized as well for her groundbreaking work in the early eighties involving the application of Carl Gustav Jung's theories to acting technique and pedagogy, thus introducing the practice now known as dream work (also known as "The Way," much as Strasberg's Stanislavski-based system eventually came to be known as "The Method").
Born on October 2, 1936, Sandra Diane Seacat (whose first name, despite the spelling, is pronounced somewhere between 'Sondra' and 'Saundra') was the first of three daughters born to Lois Marion Seacat (née Cronic) and Russell Henry Seacat of Greensburg, Kansas.
After attending Northwestern University, Seacat made her way to New York, eventually being admitted to The Actors Studio, where she would become well versed in the method school of acting espoused by the Studio's director, Lee Strasberg. During the 1960s, Seacat began to get acting work in the city, appearing under her married name, Sandra Kaufman. In 1962, she earned plaudits from Village Voice critic Jerry Tallmer, making her New York stage debut in the American premiere of Leonid Andreyev's "Waltz of the Dogs," an Off-Off-Broadway production mounted by noted acting teacher - and Actors Studio member - Michael Howard.
While the next two years would be taken up with the birth and early rearing of her daughter Greta B. Kaufman (eventually also known as Greta Seacat), she returned to action in 1964 on Broadway with a small role in the Actors Studio production of Anton Chekhov's "Three Sisters," starring Kim Stanley, Geraldine Page, and Shirley Knight (though neither she nor Knight would appear in the version eventually preserved on videotape).
For the remainder of the decade, as she continued to hone her craft at the Studio, doing scene work with future stage co-stars Ben Piazza and Will Hare, as well as Robert Walden and Robert Viharo, each of whom would remain longtime friends, Seacat (aka Kaufman) quickly became one of Strasberg's prize pupils, and one of the Method's most articulate exponents. Thus, at just about the time her first marriage was coming to an end, a new career path beckoned, when, in 1969, the Lee Strasberg Theatre Institute was born.
By the early 1970s, Seacat was leading classes, not only at the Institute, but also at the City College of New York's Leonard Davis Center for the Performing Arts, as well as teaching privately. By 1980, she would also teach at John Strasberg's The Real Stage.
In the meantime, though, both Seacat's acting career - which, from this point forward, along with all other facets of her career, would be conducted under her maiden name - and her matrimonial status (in conjunction with fellow actor Michael Ebert) showed renewed signs of life, as the couple appeared together in a 1969 production of Brendan Behan's 'The Hostage," followed by the New Orleans Repertory Theater's June 1970 revival of Tennessee Williams' "A Streetcar Named Desire," directed by June Havoc, featuring Ebert as Harold "Mitch" Mitchell and E. Katherine Kerr as Blanche DuBois, as well as Seacat and Ben Piazza, respectively, as Stella and Stanley Kowalski.
Returning to New York, Seacat began to build her teaching practice. Among her early students were Treat Williams and Steve Railsback (the latter preparing for his film debut in Elia Kazan's The Visitors (1972)), and later, Lance Henriksen, Jessica Lange, and Mickey Rourke. Rourke would study with Seacat for several years in New York before departing for the west coast, and then, only at his mentor's behest.
Rourke has repeatedly cited his time with Seacat as the turning point in his career. "That's when everything started to click," he told Newsday in 1984, making a point - as he had in a New York Magazine profile the previous year - to contrast this with his disappointing Actors Studio stint ("I sat there a year, waiting for the teacup to develop in my hand"), saying of the Studio's director, "All I saw Lee do was tear people down." By contrast, speaking with the Los Angeles Times in 1984, Rourke credited Seacat with "channeling all it was that was messing me up into something creative and challenging."
Moreover, notwithstanding his subsequent disillusionment with the Studio, it was Seacat's counsel (as Rourke himself has mentioned more than once) - i.e. that, in order to bring some semblance of conviction to the scene Rourkee himself had chosen for his Actors Studio audition, he must immediately find his biological father (whom he hadn't seen in 20 years) - that enabled Rourke to realize his dream of membership in the alma mater of Brando, Clift and Dean. During Rourke's 2009 appearance on Inside the Actors Studio (1994), after describing his first affective memory, executed under Seacat's guidance more than thirty years before, the 56-year-old Rourke was asked whether he still used what Seacat had taught him. "Very much," he replied. (13 years earlier, a previous generation of ITAS viewers had witnessed Jessica Lange call Seacat "a powerful influence on my acting," and two years before that, Lance Henriksen had offered Film Comment readers an unsolicited 20-year-old recollection of "a great teacher named Sandra Seacat.")
During the 1970s, Seacat continued to juggle her teaching and acting careers, portraying the female leads in a number of Off and Off-Off-Broadway productions, as well as minor roles in three Broadway and Off Broadway shows, receiving particularly favorable notices in the 1973 revival of William Inge's "Natural Affection," co-starring Nathan George, and the American premiere of John Hopkins's "Economic Necessity" in 1976. Halfway between the two came a much-anticipated but ultimately disappointing Actors Studio revival of Harold Pinter's "Old Times." Presented in the fall of 1974 (and followed by a particularly disastrous January 1975 Actors Studio West reprise) with the nominal participation of 'supervising director' Arthur Penn, the production was, in essence, self-directed by its three actors, Seacat, Hildy Brooks, and Will Hare, a fact much lamented by reviewers.
In February 1975, upon Seacat's less than triumphant return to New York following the "Old Times" debacle, Seacat's CCNY employment afforded her a welcome distraction, in the form of an upcoming four-day, Davis Center event featuring playwrights Peter Shaffer, Edward Albee and Arthur Miller, moderated by director Alan Schneider. Starting on May 12 with a symposium entitled "Theatre in the University," and concluding with one day apiece devoted to the works of each of the three guests, with student performances followed by discussions with the respective playwrights, the final day would be devoted to Arthur Miller's work, with each grade level in the Davis Center's acting program performing a scene from a different Miller opus.
The play assigned to Seacat's freshman class was "A View from the Bridge." After choosing as their showcase the final scene from Act One, she cast four of her regular students, but reserved the central role of Eddie Carbone for one of her private students who had just started auditing the class. And thus did Seacat, in this somewhat obscure setting, come to direct the stage debut of the as-yet unknown Mickey Rourke.
Starting in 1978 (after minor roles in two TV specials, NBC's Bicentennial tribute, First Ladies Diaries: Edith Wilson (1976), and Hallmark Hall of Fame's premiere presentation of Arthur Miller's Fame (1978), Seacat's stage career concluded on a decidedly anticlimactic note: a pair of smaller roles, albeit within the context of two somewhat notable productions - one being the first work to be staged in the new Harold Clurman Theatre, Eugene Ionesco''s "The Lesson;" the other, a rare directorial credit for Ellen Burstyn, in the 1979 Actors Studio production of Norman Krasna's rarely revived "Bunny."
In fact, 1978 provided a number of punctuation points for Seacat. Early that year, two significant eras had come to an end - first, on January 26, the end of her marriage to Michael Ebert, and next, just two days later, the death of her father, Russell. This was also the year Seacat persuaded her prize pupil Rourke that there was nothing further to be gained by staying in New York, that it was time to go west and test his fortunes in Hollywood.
Certainly, given her circumstances at that moment, one could see such advice applying equally to Seacat herself, and, indeed, by the early 1980s, Seacat had expanded her base of operations, teaching in both New York and Los Angeles (as she has continued to do ever since), helping actors like Lange, Rachel Ward, and Marlo Thomas give career-changing performances. On March 29, 1983, just weeks after the announcement of Lange's dual Oscar nominations, Seacat was acknowledged by the Associated Press as the one who "helped turn Jessica Lange from King Kong's consort into the soulful actress in Frances (1982) and Tootsie (1982)." A few years later, Liz Smith would acknowledge Seacat for "helping Jessica Lange to her Oscar and Marlo Thomas to her Emmy." Lange herself later told both James Lipton and Vanity Fair just how pivotal Seacat's contribution had been, both for her career in general and, in particular, her portrayal of Frances Farmer.
Regarding the latter, and the intensive nature of that collaboration, J.T. Jeffries writes in his 1986 biography of Lange: "In the spring of 1981, while still breast-feeding her newborn daughter by Baryshnikov, she worked on each scene with her coach, Sandra Seacat... Seacat had expanded her theatrical repertoire in recent years to include techniques from Eastern meditation. Lange regularly used those deep relaxation techniques on the set to improve her concentration in the grueling role." (For screen novice Baryshnikov, the Seacat connection - and those relaxation techniques in particular - would prove a welcome legacy of his relationship with Lange, long since ended by 1985, when the legendary dancer was coached by Seacat on the set of White Nights (1985).)
Regarding the Emmy-winning performance that would help transform the image of Marlo Thomas (at least within the industry), from the indefatigable, relentlessly upbeat protagonist of That Girl (1966) to an actor who could take on any role and be taken seriously doing it, Thomas writes in her 2010 autobiography: "I only wish Lee [Strasberg] could have lived to see me portray a schizophrenic in Nobody's Child (1986). I never could have gotten near playing that kind of part without Lee's exercises, and the subsequent work I did and continue to do with his primary disciple, the brilliant Sandra Seacat."
Of the three career turning points mentioned above, Rachel Ward's transformation - culminating in her Golden Globe-nominated lead performance in The Thorn Birds (1983) - stands out. In the fall of 1982 and continuing on through the following winter, even as Lange's two Oscar-nominated performances were receiving applause, acclaim, and, eventually, awards, the then inexperienced Ward was undergoing a rigorous makeover program under Seacat's guidance. But simply in order to get to that point, Ward first had to get the part. As the Associated Press reports: "Ward's first reading before producers David L. Wolper and Stan Margulies was disastrous. So she hired drama coach Sondra [sic] Seacat." "I studied exhaustively for two weeks," recalled Ward, "went back and did a screen test with Richard." According to Margulies, Ward's second reading "was so breathtaking that she got the part right there. But our questions were whether she could do it over the five-month shooting period."
Seacat had no problem answering those questions, but her prescription was radical, and required Ward's active participation and unwavering commitment. To her credit, Ward did not disappoint; under Seacat's direction, she gave up cigarettes and meat, started a daily exercise regimen, and - utilizing those same meditation techniques used by Lange to such great effect just months before - learned to calm her mind and focus on the task at hand. "You can almost see her develop as an actress in 'Thorn Birds,'" reported the Chicago Tribune. "By the finish, her Meggie is much stronger, more worldly, compassionate. The changes were in character, but they were taking place in Ward too. Thanks, in large part, to Seacat."
"She's extraordinary," Ward said of her new mentor. "She made me work in a totally different way than I'd ever worked before. For the first time, I really worked on technique... It was definitely not an easy five months. It was a lot of tying things together and understanding and confusion and frustration and anger. I asked a lot of questions about acting and about me and stuff, and Sandra just had these answers, and they were just like, of course, oh my God, of course!"
It was during this same period, as reported by The New York Times more than 25 years later, that Seacat's Jung-inspired experiments ushered in the now widespread practice known as dream work, wherein actors interpret and sometimes influence their own dreams, often casting and staging those dreams in the process, all in the interests of achieving the richest, most genuine characterization possible. A number of the younger dream work practitioners, such as Elizabeth Kemp, Kim Gillingham, Dana Wheeler-Nicholson, and actor/directors John Markland and Jamie Wollrab, as well as Sandra's daughter and fellow acting coach, Greta, all claim Seacat as their mentor. Moreover, longtime Seacat clients Melanie Griffith and Gina Gershon, as well as onetime student, Diane Salinger, have long been on record regarding the impact this innovation has had on their own careers.
"In Sandra's class," recalled Salinger in 1987, "we had dream assignments where, before you went to sleep, you'd write out an assignment to yourself, and dream dreams that had connections to the work you were doing. I've done that with this play." "It's a great way to open yourself up," insisted Griffith in a 1986 interview. "It's been very healthy for me, because I think our interior soul knows a lot more about ourselves than our conscious intellect ever allows you to think about." More recently, Hélène Cardona, a Paris-born poet, translator and actor who studied at the American Academy of Dramatic Arts and the Actors Studio in the early 1990s, recalled: "When I trained with Sandra Seacat at the Actors Studio in New York, she introduced me to a particular form of dream work. You could call it Jungian. I have kept doing this work for many years now. It's very therapeutic, a more holistic approach to [sic] medicine. And it can also be used to develop a character in a play or movie. You dig into yourself to find the answers. In the dream you are connected to your inner self and to the divine."
Gershon is particularly passionate on the subject, speaking in a 1998 interview: "Sandra totally changed my acting. Instinctively, I was always in love with psychology and my dream life had always been very important to me... What's really exciting to me about Sandra's work is that it changes your life, almost on a psychic level. Now I'll get parts and in working on them, she'll say, 'Well, let's see how you're developing, as a human being.' Because the parts you're doing, it's no accident. Those parts affect your life and they kind of illustrate the map that your life is following." As recently as August 26, 2012, speaking with The Lab Magazine, Gershon reaffirmed the importance of Seacat and dream work to her career.
In a 2001 interview with Back Stage West, another longtime Seacat client of mid-eighties vintage, Laura Dern, went public. While not specifically referencing dream work, Dern echoes both Gershon, Cardona and Rachel Ward in her portrayal of Seacat's holistic, almost therapeutic approach, a characteristic previously noted in 1994 by erstwhile Wonder Woman, Lynda Carter ("better than any therapist," Carter told USA Today, regarding the time spent studying with Seacat: "you strip yourself of ego, and the whole experience unearths all your analytical feelings and self-discovery"), and one which brings to mind another Jungian archetype central to Seacat's career from at least the 1980s onward; as Seacat would tell the New York Times in 2009, "I believe that the artist is a wounded healer, that they are healing wounds of their own, and when they do that truthfully, they heal the audience." Dern recalled:
"Through studying and through being raised on movie sets, I was surrounded by a lot of people who believed that the more tortured the person, the greater the artist. I always had a hard time understanding that, but thought, 'I guess that's the way it is'... Luckily through life and the gift of the acting teacher who's changed my life in so many ways since 1984 (her name is Sandra Seacat), I learned there's another opinion, which is: the better the person, the better the artist. The more true you are to who you are and the more honest you are as an individual, the more honest you can be as an actor, and I'm really liking that." Asked if she still studied, Dern replied, "I still study with Sandra and I love studying."
Speaking again with BSW in 2004, Dern elaborated: "All of a sudden, this new idea that the parts I play help me discover myself and I could maybe be kinder to the ambiguous places and the flaws - I was so lifted by that. Since then, I feel like it's an extraordinary experience of therapy and learning about being in the moment and honoring that. All of a sudden, acting wasn't this torment where you're supposed to be a screwed-up artist, but it's an opportunity for self-growth. And I think I've had fun ever since." Finally, in January 2012, at the [error], Dern reaffirmed the connection, thanking Seacat in her acceptance speech for Best Actress in HBO's Enlightened (2011), the first two episodes of which had each featured Seacat in a small role.
In 1988, with her dream work innovations now well underway, and some well-publicized individual success stories under her belt, a unique opportunity came Seacat's way - that being the chance to direct a feature film. This would eventually become In the Spirit (1990), the first, and as yet, only film Seacat has directed, "a low-budget pic," as Variety would note, featuring "big-name talent."
The over-qualified/underpaid cast included no less than three of Seacat's regular clients, Marlo Thomas, Melanie Griffith and Peter Falk, as well as Olympia Dukakis at the height of her popularity, having just collected her Best Supporting Actress Oscar for Moonstruck (1987). Arguably the film's casting coup, however (and probably the positive element most frequently cited by reviewers), was landing the celebrated writer/performer Elaine May to co-star opposite Thomas (with May's daughter, Jeannie Berlin, who co-authored the screenplay, also appearing).
Very much a homegrown New York product (a passing reference to The Robin Byrd Show (1977) being just one of several inside jokes contained therein), the supporting cast featured an assortment of local luminaries, some of them professional actors, some not. The former group included both indie icons - e.g. Michael Emil, Mark Boone Junior and Rockets Redglare - and 'legit' stage and TV actors such as Hope Cameron and Gary Swanson (both fellow Actor Studio members); the latter, such miscellaneous notables as Fox TV anchor/reporter Steve Powers, musicians Roy Nathanson and Nora York, and playwright Christopher Durang. Of the remaining bit players, at least two were Seacat students, Phil Harper and Emidio La Vella (the latter of whom would be Seacat's first post-ITS coaching client in 1990). Moreover, making his film debut here was Seacat's current husband, Thurn Hoffman.
Notwithstanding numerous press references to Seacat's screen directing debut, both before and after the film's release (almost all citing her storied coaching career), Seacat herself maintained a characteristically low profile throughout, surfacing only long enough to contribute one sentence to an article on the film's producer, Julian Schlossberg: "There are two main things about Julian -- he has a big heart and he goes the distance." Speaking of Schlossberg, co-star Elaine May got into the act as well, providing her own characteristically tongue-in-cheek teaser, a mock-interview with the producer on the making and marketing of ITS, published in the New York Times just days before the film's release.
Regarding May, Liz Smith would report (circa December 1988, shortly after the film had wrapped): "Recent remarks here about the genius that is Elaine May brought forth the encouraging news that we'll soon see this gifted actress in a new suspense movie written by her daughter Jeannie Berlin (with co-writer Laurie Jones). In the Spirit had all its money raised independently by producers Julian Schlossberg and Beverly Irby. They're now editing the film and seeking a distributor for release next spring. The cast is a staggering one -- Elaine and daughter, as well as Peter Falk, Melanie Griffith, Marlo Thomas, Olympia Dukakis and Louise Lasser. The director was an interesting choice: Sandra Seacat, acting coach and guru to many stars..."
In retrospect, given both the fact that Louise Lasser - barely visible in the finished film and nowhere to be seen in its credits - was still being announced as one of the film's featured players even after the film had wrapped, and that the film itself would not make it to theaters until more than a year past its estimated release date, one becomes better prepared for the reality of ITS's narrative disarray - a reality made obvious by the titles themselves in this broad sample of reviews: "Grand and Goofy Comedy," "'In the Spirit' - An Endearing Mess," "Screwball Comedy Holds Up Even When Plot Sags," "Spirit Loses Its Comic Flair Halfway Through," "'Spirit' Amusing, But Unpolished," "'In the Spirit' Needs a Bit More Body," "'In The Spirit' Needs To Be More Perky, Less Poky," and "A Few Screws Are Loose But 'In The Spirit' Offers A Rare Glimpse Of Elaine May In A Feminist Comedy."
As one can see, critical reaction among the nation's dailies was mixed at best. Two reactions were almost universal: appreciation for the film's performances, especially those of the two leads, as well as disdain for its technical shortcomings - seen primarily in the areas of camera placement and pacing, as well as the aforementioned matter of narrative construction. What distinguished the favorable from the unfavorable review in these cases was largely a matter of emphasis. Unfortunately for Seacat, when it came to evaluating her impact on the finished film, the emphasis was placed almost exclusively on the shortcomings. And while reviewers had, almost without exception, made the obligatory mention of Seacat's storied coaching career, in practice, it appears, few felt compelled to credit her with even contributing to her actors' success.
Two of the more sympathetic reviews, by Dave Kehr of the Chicago Tribune and ex-Village Voice critic Carrie Rickey, writing for the Philadelphia Inquirer, tended however to bypass both Seacat and the film's screenwriter, Jeannie Berlin, and instead credit Elaine May as the film's true auteur.
Two of the film's most merciless drubbings were administered, respectively, by the Washington Times ("New Age 'Spirit' Gets Old and Boring Quickly") and by the Chicago Sun-Times ("The Mystery of 'Spirit' is Finding Film's Funny Parts"); however, given the film's target audience (even the Los Angeles Daily News called it "a flat-out New York comedy, with all of the pluses and minuses"), the most damaging blow of all was almost certainly delivered by the New York Times' Janet Maslin, with her considerably more polite, yet thoroughly condescending dismissal:
"The beneficial power of crystals has done nothing for In the Spirit, a nervous new-age comedy much more notable for good intentions than good luck. A rare appearance by Elaine May, who co-stars with Marlo Thomas in what proves to be an unexpectedly mundane caper story, and a directing credit for the respected acting coach Sandra Seacat give In the Spirit a lot more curiosity value than it would otherwise have... Ms. Seacat's direction is especially strange, since it is so thoroughly unaccommodating to the actors. The camera is treated as if it were radioactive, never being allowed to linger where a performer might be heard clearly or shown off to good advantage." Even the generally lauded female leads do not escape unscathed: "The actors, especially Ms. May and Ms. Thomas, spend a lot of time yammering simultaneously in time-honored sitcom style."
If America's original paper of record had delivered one of Spirit's most resounding pans, it would fall to the entertainment industry's trade 'paper of record' to supply arguably its most simpatico critique (though it did little to help the movie's less than middling box office returns). Not merely echoing the critical consensus regarding Thomas' and May's "memorable screen odd couple," Variety embraced the film itself, portraying its limitations as strengths: "an unusual case of big-name talent gathering with friends to make a low-budget pic freed of mainstream good taste and gloss." While not oblivious of the film's structural issues ("weakest element being a stupid framing device of a mystical narrator... midway shift in tone may put off some viewers, but others will likely relish the intensity of the May and Thomas segment"), it was Variety, virtually alone among reviewers, that cited Seacat for something beyond merely her ability to handle actors: "First-time director Sandra Seacat emphasizes slapstick but also female bonding as the gals on the lam reach beyond their wacky survivalist tactics to address feminist issues."
After Seacat's extended directorial excursion, the transition back to her customary regimen was eased considerably by the fact that the clients for her next few coaching projects were all ITS cast members. First, as previously mentioned, was Emidio La Vella in Un metro all'alba (1990). Next in line was Thomas herself, on Held Hostage: The Sis and Jerry Levin Story (1991); in addition, Seacat would work with Melanie Griffith on Born Yesterday (1993), and with Thomas again on Reunion (1994). Back on the east coast, Seacat would join the faculty of the recently formed Actors Studio Drama School at the New School for Social Research in the fall of 1996.
Starting in 1999, Seacat embarked on an unprecedented binge of media exposure, becoming the 'talking head' on three TV documentaries in the space of two years, and, even more uncharacteristically, speaking at length about three of her clients in the process. Despite this seeming incongruity, given Seacat's customary regard for client confidentiality (witness the Sandra Seacat entry at TakeHollywood.com), the fact is that, whenever a given actor has had no qualms about revealing their working relationship, or has already done so, Seacat has always been happy to grant interviews on the subject, as she did at length in 1983 for New York Magazine's Mickey Rourke profile. Speaking of whom, Rourke is the subject of the first of these three documentaries (as well as one in 2008, in which Seacat also participated), followed, respectively, by two very vocal Seacat champions, Laura Dern and Jessica Lange.
Another Seacat outburst, addressed not merely to the press, but to one of her longstanding client's potential employers, would occur in 2003, part of an image makeover much like that of Seacat's oft-recounted early success stories, Jessica Lange and Marlo Thomas, especially the latter, another era's perpetually perky, seemingly ubiquitous paragon of 'cute.' This time, however, instead of a sixties sitcom princess, it was the nineties romcom queen, Meg Ryan, who was chomping at the bit for some more challenging roles. While working with Seacat on her upcoming Jackie Kallen biopic, Against the Ropes (2004), Ryan saw the opportunity for an even more radical departure with Nicole Kidman's early exit from Jane Campion's In the Cut (2003).
Interviewed shortly before the film's release, Campion recounted Seacat's surprising phone intervention: "Sandra said, 'Look, I'm working with Meg Ryan. I've never done this before, but she's doing amazing work. You should audition her.' And I said, 'Audition Meg? Do you think she'd audition?' She said, 'Sure, she would.'"
Ryan would indeed audition, and for helping Campion get beyond her preconceptions, the grateful director likened Seacat to "a fairy godmother who takes the mists away." As it happens, Campion's preconceptions were not unlike those of the many reviewers who would find Ryan's performance a revelation, as well as the most interesting and accomplished element within a not so successful film. Speaking for public consumption, Seacat reiterated: "Meg has great courage and discipline and commitment. Her talent is large, and her potential is vast."
The following year, speaking with Newsday on the set of We Don't Live Here Anymore (2004), exactly one week after the film's co-star, Laura Dern, had expanded upon her own 2001 tribute to Seacat, her longtime teacher returned the favor: "'Laura is a free spirit,' says Sandra Seacat, the celebrated acting coach and a longtime associate of Dern's. 'She's also a great student and a dedicated artist - and there aren't very many people I call artists. But the entire cast of this film [including also Mark Ruffalo, Naomi Watts, and Peter Krause], they're all true artists, dedicated to their own inner truth, and they have the courage to share that. You don't find that very often.'"
As the decade wore on, perhaps fueled by dream work's increasing popularity, Seacat's name began to be seen in print more frequently, some of the mentions dreamwork-related, others - like those by Dern, Marlo Thomas, or Mickey Rourke - simply satisfied customers reaffirming their indebtedness.
Speaking with Back Stage in 2010, acting teacher Alex Cole Taylor called Seacat "a beautiful woman and a beautiful artist'," as well as the primary model for Taylor's compassionate and nurturing stance towards his own students. Speaking with CNN in 2012, acting coach and dream work practitioner Elizabeth Kemp paired Seacat with Lee Strasberg as two of the teachers to whom she was most deeply indebted. Moreover, two of Seacat's students, actor/directors Jamie Wollrab and John Markland, have each been putting Seacat's teachings into practice, one play at a time - Wollrab, with his Triptych Theatre; Markland, with the Moth Theatre Company, itself composed largely, if not entirely, of fellow Seacat alumni (including Scoot McNairy, Pamela Guest, Dov Tiefenbach, Anna Rose Hopkins, and Kris Lemche), recently incorporating Wollrab as well. The latter's words -- quoted in Steve Julian's 2010 Moth Theatre profile -- echo those of his mentor, just one year before: "'More than anything,' Wollrab says, 'we're wounded healers. Each of us. I think that's why audiences keep taking to our work.' Work he describes as fragile and beautiful."
As it happens, Wollrab had hitherto collaborated with his teacher on just such work, when, in August 2007, more than four decades and a quarter of a century, respectively, after Seacat's previous notable forays into directing, she would oversee Wollrab's direction of Elizabeth Meriwether's play, "The Mistakes Madeline Made," staged at Boulder, Colorado's Dairy Center for the Arts.
As in her previous directorial assignments, Seacat was again supervising a number of current and/or former students, including, along with the director, her daughter Greta Seacat, Justin Chatwin, Shannon Woodward, and the late Johnny Lewis. The younger Ms. Seacat's performance garnered particularly favorable notices, dubbed "steady and grounded" by Mark Collins of the Boulder Daily Camera, and "a marvel" by Lisa Bornstein of the Rocky Mountain News: "Simplistic (she frequently shuts her laptop to avoid news of Iraq) and authoritarian, but awkwardly kind as well, Beth is annoying, but she knows it; in Seacat's hands, she's funny and real."
Regarding Seacat Sr., one happy addendum: roughly coinciding with the millennial media spike in Seacat sightings was a corresponding increase in the size and substance of her film roles. Seacat's screen resumé had long seemed little more than a collection of discreetly camouflaged acting coach credits, typically a small part contained in one or two scenes within a film which itself featured one or more of Seacat's coaching clients - well-acted, in and of itself, but, as conceived, simply too perfunctory and/or peripheral to the film's narrative to register strongly. (For a perfect case in point, witness Seacat's 5½-minute one-and-done appearance in The Golden Seal (1983) with Steve Railsback, starting at the '01:23:14 remaining' mark; IMDb provides free access to the film in its entirety.)
This began to change in 1999 with a series of three consecutive films, each one featuring Seacat as the protagonist's mother. In the first two, Crazy in Alabama (1999) and Daddy and Them (2001) (portraying, respectively, 'Crazy' Melanie Griffith's concerned mom, and 'Daddy' Andy Griffith's oft seen, but rarely heard wife), the upgrades were subtle, to be sure; nonetheless, Seacat was onscreen far more - and at more crucial points in the narrative - than in any of her previous films.
It was 2003, however, that brought the most dramatic change, not just from a subsidiary to a starring role, but from the almost mute matriarch of D&T's constantly bickering clan (blocking out the most intense or awkward moments with her trusty Macarena monkey) to the vigorously - and vocally - proactive 'normalizer' of the equally - if less loudly - dysfunctional family in A Little Crazy (2003).
Co-starring Seacat students Jack Kerrigan, Kim Gillingham, and Kirk Baltz, "A Little Crazy" debuted at the 2003 Method Fest, earning Kerrigan a nomination for the festival's John Garfield Award, and, for the film itself, a rave review from Variety's Robert Koehler, praising, in particular, "the superb Seacat," as the "overreaching but never strident" matriarch of the film's "unhinged American family." Sadly, despite the review and subsequent awards from the Berkeley Video & Film Festival, the Hollywood MiniDV Festival, and the Los Angeles Silver Lake Film Festival, the independently produced film found neither a theatrical nor a DVD release (though it has, as of 2010, become available online via IndieFlix); as a result, what is almost certainly Seacat's most sizable and fleshed-out film performance to date has gone largely unseen.
Her next assignment, another independently made feature that would not see a theatrical release (again co-starring Kim Gillingham), In the Land of Milk and Money (2004), features Seacat in a much smaller role, but again a pivotal one, in a film which, none too skillfully, harkens back to the cautionary sci-fi tales of the fifties, as well as the neo-zombie variations of the seventies and beyond, in its tale of genetically modified cow's milk generating an epidemic of mothers killing their offspring. As one of the affected mothers, Seacat, in a handful of scenes, with a minimum of screen time and dialogue, gives an acting clinic, shifting from unreadable rage to transparent delight, from grief-stricken, guilt-ridden parent to righteous avenger.
Seacat's next few post-millennial assignments included a number of independently made films that remain, for better or worse, even harder to get a hold of than the previous two. More recently, however, have come brief but high-impact performances in a pair of relatively high-profile projects, HBO's You Don't Know Jack (2010), starring Al Pacino as Jack Kevorkian, aka 'Dr. Death' (and featuring Seacat as his first 'patient,' the Alzheimers-afflicted Janet Adkins), as well as actor Mark Ruffalo's feature film directing debut, Sympathy for Delicious (2010), wherein Seacat has an even smaller, but equally pivotal, role.
The former, in particular, caught the eye of Columbia University MFA candidate Jed Cowley in the fall of 2011, then casting his thesis film, a short subject set - and shot - in a shale pit in the filmmaker's home town of Medford, Oregon. As he would later recall, it took no more than one viewing of Seacat's brief but telling appearance in the Kevorkian biopic before Cowley and his producer "knew she should be Sheila," Shale (2012)'s long-suffering but "newly empowered" protagonist, the "once dutiful wife" now confronting her intractable ex-spouse against the shale pit's stark backdrop.
With Seacat in attendance, "Shale" had its premiere on May 5, 2012, at Lincoln Center's Walter Reade Theater, as part of the Columbia University Film Festival, where the film would earn the IFC Audience Choice Award. The film is also an official selection at the 2013 Slamdance Festival in Park City, Utah, screening with the South-African-set feature, Fynbos (2012), on Friday, January 18th, at 7 PM, and again on Tuesday the 22nd, at 12 noon.
As already mentioned, Seacat also appeared recently in the first two episodes of Laura Dern's HBO series "Enlightened," as well as the feature film, The Time Being (2012), representing the directing and screenwriting debuts, respectively, of Nenad Cicin-Sain and producer Richard N. Gladstein.
Seacat's next scheduled appearance is in Gia Coppola's feature film directing debut, still in pre-production, entitled Palo Alto (2013), based on short stories by James Franco.
In the meantime, Seacat has not neglected her educational mission; in fact, while remaining active on both coasts, she also recently made inroads into the heartland, when, on March 8, 2012, together with longtime friend and colleague, Robert Walden, and several others, she became a founding faculty member of the newly instituted Winthrop Rockefeller Institute Film Forum, a three-day, multi-disciplinary seminar to be hosted annually by the University of Arkansas.- Music Artist
- Actor
- Music Department
David Crosby was born on 14 August 1941 in Los Angeles, California, USA. He was a music artist and actor, known for Backdraft (1991), Hook (1991) and The Limey (1999). He was married to Jan Dance. He died on 18 January 2023 in Santa Ynez, California, USA.- Mario Pupella was an Italian actor, theatre director and art director who was born Castelvetrano, Sicily, in 1945. He debuted at a very young age in "Henry the fifth" by Luigi Pirandello, and then became main actor and director in many theater plays by Plauto, Terenzio, Ben Jonson, Molière and several big authors from the 1900s. In cinema, he debuted as the protagonist of the film "Angela" by Roberta Torre. He also took part in two seasons of the tv series "L'onore e il rispetto" by Salvatore Samperi, playing the role of don Patrono. In "La siciliana ribelle" by Marco Amenta he was the antagonist of the judge Borsellino. He also played the role of Don Mimì in the film "La matassa" with Ficarra and Picone. In 2012, he was co-star in Carlo Fusco's film "Vento di Sicilia".
- Writer
- Director
- Producer
Eugenio Martín was born on 15 May 1925 in Ceuta, Spain. He was a writer and director, known for Horror Express (1972), The Ugly Ones (1966) and Viaje romántico a Granada (1955). He was married to Lone Fleming. He died on 23 January 2023 in Spain.- Lance Kerwin was born on 6 November 1960 in Newport Beach, California, USA. He was an actor, known for Outbreak (1995), Enemy Mine (1985) and Salem's Lot (1979). He was married to Yvonne Kerwin and Kristen Lansdale. He died on 24 January 2023 in San Clemente, California, USA.
- Actress
- Producer
- Director
Cindy Williams was born Cynthia Jane Williams in Van Nuys, California on August 22, 1947. The Leo was 5'4" and, during her first years on Laverne & Shirley (1976), weighed a dainty 105 lbs. The brown haired, blue-eyed female was born the daughter of Francesca Bellini and Beachard Williams. Her father was an electronic technician, and Cindy grew up in reduced circumstances. She had one sister, Carol Ann Williams, and an older half-brother, Jim from her mother's first marriage.
As a child, she dreamed of being an actress. She used to create and perform her own plays and, as she grew, she wished that one day, Debbie Reynolds would see her in one of those amateur shows and whisk her away and put her in a film. Another thing that brought show business into her life was her alcoholic father's imitations of comics like Jackie Gleason and Milton Berle. She worked as a waitress, while she auditioned for commercials, television guest spots, and feature films. Her first step to fame was a movie in which she tap danced with Gene Kelly. She stepped on Kelly's foot, leaving her "really embarrassed". She landed important film roles early in her career.
Famed director George Cukor cast her in Travels with My Aunt (1972). Her next big role was for George Lucas in American Graffiti (1973), as Ron Howard's girlfriend, for which she earned a BAFTA nomination as Best Supporting Actress. That led to Francis Ford Coppola casting her in The Conversation (1974). The three instant-classic films should have propelled her into movie stardom, but her career inexplicably hit a lull. She couldn't go back to working as a waitress, because she was too well-known.
She was set up in a writing team with Penny Marshall and the girls were called by Penny's brother, Garry Marshall, to do a stint as two fast girls on Happy Days (1974). The public received them so warmly that Cindy and Penny soon got their own show and was referred to everywhere as "Shirley Feeney".
She earned a Golden Globe nomination as Best Actress in 1978. She left the show in 1982, pregnant with daughter Emily. She was married to Bill Hudson, who had previously been married to actress Goldie Hawn. Williams later gave birth to a son, Zachary, in 1986. She went on to make a few movies and co-produced "The Father Of The Bride" movies with Hudson. They divorced in 2000.
She did Jenny Craig commercials and acted on guest spots on the TV show For Your Love (1998) and reunited with Penny Marshall several times on television. In 2015, her memoir, Shirley, I Jest! (co-written with Dave Smitherman), was published.
Cindy Williams died, aged 75, following a brief, undisclosed illness, in 2023.- Actress
- Soundtrack
London-born Sylvia May Laura Syms hit major film appeal at a relatively young age. Born on January 6, 1934, she was educated at convent schools before receiving dramatic training at the Royal Academy of Dramatic Art. She made her stage debut in a production of "The Apple Cart" in 1954.
A repertory player by the time she was discovered for films by the British star Anna Neagle and her director/husband Herbert Wilcox, the lovely demure blonde started out auspiciously enough in the delinquent film Teenage Bad Girl (1956) in which she played Neagle's troubled daughter. This was followed by a second Neagle/Wilcox collaboration with No Time for Tears (1957).
Excelling whether cast in stark melodrama, spirited adventure or harmless comedy fluff, Syms' film list grew impressive in the late 1950s and early 1960s working alongside the likes of John Mills and Anthony Quayle in Ice Cold in Alex (1958), Curd Jürgens and Orson Welles in Ferry to Hong Kong (1959), Lilli Palmer and Yvonne Mitchell in Conspiracy of Hearts (1960), Laurence Harvey in Expresso Bongo (1959), William Holden in The World of Suzie Wong (1960), and Dirk Bogarde in the landmark gay-themed Victim (1961), playing the unsuspecting wife of Bogarde's closeted male. After nearly a decade's absence, Sylvia returned briefly to the London theatre lights in 1964 to play the title role in "Peter Pan."
Ably portraying innocent love interests throughout the years, she graced a number of pictures without ever nabbing that one role that would truly put her over the top. She was nominated, however, three times for British Film Academy Awards--twice for best actress in Woman in a Dressing Gown (1957) and No Trees in the Street (1959) and once for supporting actress in The Tamarind Seed (1974) that starred Julie Andrews and Omar Sharif.
The 1970s saw quite a bit of TV series work and she played British prime minister Margaret Thatcher at one point on both stage and TV. She grew plumper with middle age and found herself immersed in character roles, offering support in such films as Absolute Beginners (1986), Shirley Valentine (1989) and Shining Through (1992).
The stage once again beckoned in the mid-to-late 1980's with touring performances, among many others, in "The Heiress," "The Beaux Stratagem," "The Ideal Husband," "A Doll's House," "Ghosts," "The Vortex," "Hamlet," "Anthony and Cleopatra" and "Who's Afraid of Virginia Woolf?" She portrayed the Queen and Margaret Thatcher in a production of "Ugly Rumours" and was among the cast in a musical presentation of "On the Town" in 2005.
Into the millennium, Sylvia has continued to have remarkable agility. American audiences have recently seen her as the dog-doting "Princess Charlotte" in the light teen comedy What a Girl Wants (2003) with Amanda Bynes and Colin Firth, and treading water as the Shelley Winters character in the TV-remake of The Poseidon Adventure (2005). Other movies have included the role of the Queen Mum in The Queen (2006) starring Oscar-winning Helen Mirren as Queen Elizabeth II, as well as featured roles in Is Anybody There? (2008) starring Michael Caine and Booked Out (2012). She also co-starred opposite Peter Bowles in the heart-warming senior character study Together (2018).
Married once and divorced in the 1980s from Alvin Edney, daughter Beatie Edney (aka Beatrice) is a highly prolific actress in her own right, and her son, Benjamin Edney, was briefly an actor while young and appeared with his mother as her son in the western The Desperados (1969). Ms. Syms is sometimes confused with Brooklyn-born jazz/cabaret performer and recording artist Sylvia Syms (1917-1992) (née Sylvia Blagman).- Actress
- Additional Crew
Gianna Piaz was born on 9 December 1923 in Bologna, Emilia-Romagna, Italy. She was an actress, known for Il mulino del Po (1971), Il crogiuolo (1971) and Atom Age Vampire (1960). She died on 27 January 2023 in Rome, Lazio, Italy.- Cinematographer
- Editor
- Camera and Electrical Department
Robert Dalva was born on 14 April 1942 in New York City, New York, USA. He was a cinematographer and editor, known for Star Wars: Episode IV - A New Hope (1977), Captain America: The First Avenger (2011) and Jurassic Park III (2001). He was married to Marcia Smith. He died on 27 January 2023 in Marin County, California, USA.- Director
- Writer
- Animation Department
Luigi Turolla is known for La mano sul fucile (1963), Il continente di ghiaccio (1975) and L'Italia viva (1983).- Actress
- Make-Up Department
- Writer
Lisa Loring was an American actress and former child model. She is primarily known for having played Wednesday Addams in the comedy-horror sitcom "The Addams Family" (1964-1966). The sitcom was the first screen adaptation of the comic strip "The Addams Family" (1938-1988) by Charles Addams, which featured a wealthy aristocratic clan who took delight in the macabre. Wednesday was the perpetually gloomy daughter of the family in the comic strip. Loring's version of the character was sweet-natured, but eccentric. This version of Wednesday owned a collection of decapitated dolls, and named her favorite doll after Marie Antoinette, the executed Queen of France. Wednesday raised spiders as a hobby.
In 1958, Loring was born on the Kwajalein Atoll, the southernmost of the Marshall Islands. The island is located about 2,100 nautical miles (3,900 kilometers; 2,400 miles) southwest of Honolulu, Hawaii. It has hosted an American naval base since World War II. Her parents were both personnel of the United States Navy. Loring's parents separated shortly after her birth, and Judith Loring (Loring's mother) received custody of Loring. Lisa Loring was initially raised in Hawaii, before moving with her mother to Los Angeles.
In 1961, Loring started working as a child model. She eventually took a few acting roles, and reportedly guest starred in a 1964 episode of the medical drama "Dr. Kildare". When cast to play Wednesday in "The Addams Family", Loring was only 6-years-old. It was her first regular role in television. The series lasted for 2 seasons and 64 episodes, ending in 1966.
Loring was cast in the role of Susan "Suzy" Pruitt in the short-lived sitcom "The Pruitts of Southampton" (1966-1967). The sitcom was the brainchild of David Levy, who had previously produced "The Addams Family". The series used much of the former cast of "The Addams Family". The premise of this sitcom was that the Pruitts were a formerly wealthy family who still lived in an aristocratic mansion in the Hamptons. The Internal Revenue Service (IRS) had found out about their loss of wealth, but instructed them to maintain their pretensions of great wealth in order to avoid a potential loss of confidence in the financial system. Episodes revolved about the family's efforts to raise money while maintaining secrecy.
In 1973, aged 15, Loring married her boyfriend Farrell Foumberg. She gave birth to her daughter Vanessa that year. The couple divorced in 1974. Judith Loring died in 1974 from alcoholism. Lisa Loring had to provide for herself. She appeared infrequently in television films during the late 1970s. Loring was cast as Wednesday Sr. in the television film "Halloween with the New Addams Family" (1977). Wednesday was depicted in the film as having a look-alike younger sister, known as Wednesday junior (played by Jennifer Surprenant). In 1980, Loring joined the cast of the soap opera "As the World Turns". She portrayed Cricket Montgomery, a half-sister of the regular character Margo Montgomery Hughes. Loring continued appearing in the series until 1984.
In 1981, Loring married the soap opera actor Doug Stevenson. They had daughter Marianne early in their marriage, but received a divorce in 1983. Loring's acting career was in hiatus until she agreed to play in the slasher film "Blood Frenzy" (1987). Its premise was that a killer stalked the patients of psychiatrist Dr. Barbara Shelley (played by Wendy MacDonald) during their trip through a desert. The film's plot reportedly combined plot elements from the earlier films "Ten Little Indians" (1974) and "Friday the 13th" (1980). The film was an early attempt by pornographic film producer Hal Freeman to create his own horror films.
Loring was an uncredited co-writer in the pornographic film "Traci's Big Trick" (1987). She was introduced to porn actor Jerry Butler (born Paul David Siederman; 1959-2018), and they started dating. They were married within 1987, but their relationship was tumultuous. They divorced each other in 1992, following failed a number of failed attempts in reconciliation.
In 1988, Loring co-starred in the slasher film "Iced". Its premise was that a group of old friends has received invitations to a new ski resort. They reunite there, but are stalked by a killer who has mysterious ties to their past. Loring's performance and humorous dialogue were reportedly among the highlight of the film. But the film has a relatively poor reputation among horror fans, due to soap opera-like plot elements and an inconclusive ending to its mystery. It was her last notable role for several years.
By the early 1990s, Loring was feeling depressed due to the decline of her career and her poor relationship with her husband. She tried to self-medicate her condition, leading to a drug addiction. In 1991, Loring was the first person to discover the corpse of her friend Kelly Van Dyke, who had committed suicide by hanging. Loring was in a fragile state of mind. She made a suicide attempt not long after. In 1992, she went to rehab and beat her addiction. She gave a few interviews in the mid-1990s, but semi-retired from acting. She resumed her acting career in the mid-2010s, with appearances in two different horror films. In 2023, Lisa Loring died, aged 64.- This talented actress was born Anne Marie Wersching and grew up in St. Louis, Missouri. She opted early on for a life in the entertainment industry, performing in community theatre and later as a dancer for some fourteen years with a troupe called the St. Louis Celtic Stepdancers. After moving to Chicago, she acted in several touring plays and at the Utah Shakespearean Festival. In 1999, Wersching graduated with a Bachelor of Fine Arts degree in Musical Theatre from the Millikin University School of Theater and Dance in Decatur, Illinois. Moving to Los Angeles, two years later, she appeared in a revival of the Stephen Sondheim-Richard Rodgers-Arthur Laurents musical "Do I Hear a Waltz?" at the Pasadena Playhouse, as well as making her screen debut in an episode of Star Trek: Enterprise (2001).
Testament to her acting skill have been lengthy stints on popular prime time series like 24 (2001) (as the valiant but ill-fated FBI Special Agent Renee Walker), The Vampire Diaries (2009) (Lily Salvatore), Timeless (2016) (as time traveler Emma Whitmore) and Marvel's Runaways (2017) (as charismatic villain turned ally Leslie Dean). She also gave a thoroughly convincing performance as extrovert rookie police officer Julia Brasher, involved with (Harry) Bosch (2014) at LAPD's Hollywood Division on both a professional and a personal level. Their relationship eventually soured in season two, although Brasher returned briefly for two episodes in season 7. Wersching became the third actress to play the dreaded Borg Queen (following in the footsteps of Alice Krige and Susanna Thompson) and did so to chilling effect in season two of Star Trek: Picard (2020). Her steady volume of television work has included guest appearances on Charmed (1998), Supernatural (2005), NCIS (2003), Hawaii Five-0 (2010) and Castle (2009).
Very much at the peak of her career, Annie Wersching was diagnosed with cancer in the summer of 2020, but kept her illness private and continued to work afterwards. She passed away at her home in Los Angeles, California on January 29, 2023, at age 45. - George R. Robertson was a Canadian actor best known as Chief Hurst in the first 6 Police Academy films. He was also featured in JFK, Murder At 1600 (Mack Falls), as Dick Cheney in The Path To 9/11 and, most recently as Chester Jones in Still Mine. He appeared as Barry Goldwater in The Reagans, as Sen. Fulbright in The Pentagon Papers and as Adm. William Leahy in Hiroshima.
- Monica Comegna was an actress, known for Ascolta la canzone del vento (2003), Quello che cerchi (2001) and South Kensington (2001). She died on 2 February 2023 in Lanciano, Italy.
- Solomon Perel was born on 21 April 1925 in Peine, Germany. He was a writer, known for Europa Europa (1990), Marina, Mabuse und Morituri - 70 Jahre Deutscher Nachkriegsfilm im Spiegel der CCC (2017) and NDR Talk Show (1979). He was married to Dvora Morezky. . He died on 2 February 2023 in Givatayim, Israel.
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Louis Velle was born on 29 May 1926 in Paris, France. He was an actor and writer, known for Code Name: Jaguar (1965), 1... 2... 3... Rideau! (1965) and The Impossible Mr. Pipelet (1955). He was married to Frédérique Hébrard. He died on 3 February 2023 in Morainvilliers, Yvelines, France.- Sergio Solli was born on 19 November 1944 in Naples, Campania, Italy. He was an actor, known for The Postman (1994), To Rome with Love (2012) and Piazza Fontana: The Italian Conspiracy (2012). He died on 3 February 2023 in Naples, Italy.
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Paco Rabanne was born on 18 February 1934 in Pasaia, Gipuzkoa, Pais Vasco, Spain. He was a costume designer and actor, known for Barbarella (1968), Two for the Road (1967) and The Last Adventure (1967). He died on 3 February 2023 in Portsall, Ploudalmézeau, Brittany, France.- Actress
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Nada Urbánková was born on 30 June 1939 in Nová Paka, Czechoslovakia. She was an actress, known for Closely Watched Trains (1966), Larks on a String (1969) and Kdyby tisíc klarinetu (1965). She was married to Josef Havlík, Karel Urbánek and Jan Nemejovský. She died on 3 February 2023 in Prague, Czech Republic.- Writer
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Arnold Schulman was born on 11 August 1925 in Philadelphia, Pennsylvania, USA. He was a writer and producer, known for Goodbye, Columbus (1969), Love with the Proper Stranger (1963) and And the Band Played On (1993). He was married to Diana Solomon. He died on 4 February 2023 in Santa Monica, California, USA.- Dieter Schaad was born on 2 April 1926 in Wiesbaden, Hesse, Germany. He was an actor, known for Die Denunziantin (1993), Victor and the Secret of Crocodile Mansion (2012) and Club der roten Bänder (2015). He was married to Dagmar Hessenland. He died on 4 February 2023 in Wiesbaden, Hesse, Germany.
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Burt Bacharach was a well known and multi award winning singer and song writer.
Over 1,000 different artists have recorded Bacharach's songs. From 1961 to 1972, most of Bacharach and David's hits were written specifically for and performed by Dionne Warwick, but earlier associations (from 1957 to 1963) saw the composing duo work with Marty Robbins, Perry Como, Gene McDaniels, and Jerry Butler. Following the initial success of these collaborations, Bacharach wrote hits for singers such as Gene Pitney, Cilla Black, Dusty Springfield, Tom Jones, and B.J. Thomas. Bacharach wrote 73 U.S. and 52 UK Top 40 hits. He worked on many sound tracks including the smash hit, "Beware of the Blob" for the version of The Blob (1958) starring Steve McQueen.
He was married four times, lastly to Jane Hansen from 1993 until his death. They had two children. He also had two other children.- Writer
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Spanish director, writer, producer (2 films) and actor (2 films). His interest in cinema started when he was very young. His mother, who was a pianist, instilled in him the liking for music, and his brother, Antonio, who was a painter, the passion for art. When he was an teenager he started to practice photography, and in 1950 he made his first illustrated feature films with a 16 mm camera. Carlos Saura is an excellent photographer, an activity that he shares in a sporadic way with the making of films.
He then moved to Madrid to continue his Industrial Engineering career, but his vocation for photography, cinema and journalism made him leave his studies and matriculate at the Instituto de Investigaciones y Estudios Cinematográficos (Cinematographic Study and Research Institute). Sporadically, he combined his cinematographic studies with the courses at the Escuela de Periodismo (Journalism School). In 1957 he finished studying and got the director diploma. At the same time, he finished his end-of-career short film La tarde del domingo (1957). He continued as a professor until 1963. In that year he was removed from the school for strictly political reasons (Franco's censorship).
In 1959 he filmed The Delinquents (1960). In this film he tried to create a sort of Spanish Neo-Realism by tackling the juvenile delinquency in the Madrid's poor quarters from a sociological point of view. In his first stage as director he tried to take a position in favour of outcast people, and he got to make a both lyric and documentary-style cinema.
Saura is a well accepted director both nationally and internationally, and in proof of it he won many awards among which there are the following ones: Silver Bear in the Berlin Festival for The Hunt (1966), in 1965, and for Peppermint Frappé (1967), in 1967. Special Jury Awards in Cannes for Cousin Angelica (1974), in 1973, and for Cría Cuervos (1976), in 1975. Also, the film Mama Turns 100 (1979) got an Oscar nomination in 1979 as the best foreign film, and it also won the Special Jury Award at the San Sebastian Festival. In 1990, he won two Goya awards as best adapted screenplay writer and best director.- Director
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The old Etonian, after National Service in the British Army, wanted to get into films but found the doors were closed to him, so he worked on commercials for about 20 years. David Putnam gave him a chance to direct Chariots of Fire which was a hit, and he never looked back.
He met his second wife, actress Maryam d'Abo, when she came to see him about wanting to play the leading role of Jane in his film Greystoke: The Legend of Tarzan, Lord of the Apes (1984). They reconnected 15 years later at a dinner party. They wed four years later in 2003.- Actor
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Anglo-Pakistani actor Zia Mohyeddin was born June 20, 1931 in Faisalabad, British India but lived his early life in Karachi, Pakistan. His father, Khadim Mohyeddin, was a mathematician and musicologist, and also a playwright and lyricist associated with various theatre groups.
Zia trained at the Royal Academy of Dramatic Arts in London from 1953-1956. Following important stage roles in "Long Day's Journey Into Night" and "Julius Caesar" in 1957, he made his West End bow as Dr. Aziz in "A Passage to India" in 1960.
After making his 1960 film debut in Pakistan, Mohyeddin made an impression as Tafas, Lawrence's ill-fated Arab guide, in the British classic film Lawrence of Arabia (1962). He continued with work on the BBC on several TV series including "Danger Man," "Sir Francis Drake" and "The Doctors and the Nurses." Other British films followed with supporting roles in A Boy Ten Feet Tall (1963), Behold a Pale Horse (1964), Deadlier Than the Male (1967), The Sailor from Gibraltar (1967), They Came from Beyond Space (1967) and Bombay Talkie (1970).
Zia returned to Pakistan at the request of the Bhutto regime in the late 60s and set up the PIA Arts and Dance Academy, which received critical merit for its classical as well as folk dances and music. He met the noted Kathak classical dancer Naheed Siddiqui and showcased her frequently in the company. They had a son, Hassan Mohyeddin, but later divorced. Zia also became a noted talk show figure on Pakistani TV (1969-1973).
Highly critical of the political regime, he left Pakistan in the late 1970's and returned to England, resuming his career there. Among his later films were Ashanti (1979), The Assam Garden (1985), and Immaculate Conception (1992), as well as the highly touted miniseries The Jewel in the Crown (1984), Masterpiece Theatre: Lord Mountbatten - The Last Viceroy (1986) and Shalom Salaam (1989), among other guest appearances on such TV programs as "Z Cars," "Minder" and "King of the Ghetto" (recurring).
Of his three marriages, Zia has four children. After divorcing second wife Sarwar Zamani, he married Azra Mohyeddin in the middle 1990's with whom he has a daughter, Aaliya Mohyeddin (born in 2002 when Zia was nearly 70). His other two children are sons Risha and Minos. In later years, he traveled the world promoting his Urdu poetry and prose recitations to international acclaim. His memoir, "A Carrot is a Carrot: Memories and Reflection," was published in 2012.
In February, the then President of Pakistan invited Mohyeddin to form the National Academy of Performing Arts in Karachi and thereafter became its president. The octogenarian has continued to appear as a lecturer/speaker, hosts occasional TV programs and narrates short films and commercials.- Writer
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Leiji Matsumoto was born on 25 January 1938 in Fukuoka, Japan. He was a writer and director, known for Captain Harlock and the Queen of a Thousand Years (1985), Space Battleship Yamato (1974) and Farewell to Space Battleship Yamato: Warriors of Love (1978). He was married to Miyako Maki. He died on 13 February 2023 in Tokyo, Japan.- Additional Crew
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Dario Penne was born on 17 February 1938 in Trieste, Italy. He was an actor, known for Interstellar (2014), Sotto il placido Don (1974) and The Butterfly's Dream (1994). He died on 15 February 2023 in Rome, Lazio, Italy.- Actress
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A new reigning 1960s international sex symbol took to the cinematic throne as soon as Raquel Welch emerged from the sea in her purposely depleted, furry prehistoric bikini. Tantalizingly wet with her garb clinging to all the right amazonian places, One Million Years B.C. (1966), if nothing else, captured the hearts and libidos of modern men (not to mention their teenage sons) while producing THE most definitive and best-selling pin-up poster of that time.
She was born Jo Raquel Tejada on September 5, 1940 in Chicago, Illinois, the first of three children of Bolivian-born Armando Carlos Tejada, an aerospace engineer, and his wife, Josephine Sarah (Hall). The family moved to San Diego, California (her father was transferred) when Raquel was only two. Taking dance lessons as a youngster, she grew up to be quite a knockout and nailed a number of teen beauty titles ("Miss Photogenic," "Miss La Jolla," "Miss Contour," "Miss Fairest of the Fair" and "Miss San Diego").
With her sights set on theater arts, she studied at San Diego State College on a scholarship starting in 1958 and married her first husband, high school sweetheart James Welch, the following year. They had two children: Damon Welch (born 1959), who later became an actor/production assistant, and actress Tahnee Welch (born 1961). Tahnee went on to take advantage of her own stunning looks as an actress, most notably with her prime role in Cocoon (1985).
Off campus, she became a local TV weather girl in San Diego and eventually quit college. Following the end of her marriage in 1962 (although Raquel and James Welch didn't divorce until 1964), she packed up her two children and moved to Dallas, Texas, where she modeled for Neiman-Marcus and worked as a barmaid for a time.
Regrouping, she returned to California and made the rounds of film/TV auditions. She found work providing minor but sexy set decoration on the small screen (Bewitched (1964), McHale's Navy (1962) and The Virginian (1962)) as well as the large screen (Elvis Presley's Roustabout (1964) and Doris Day's Do Not Disturb (1965)). Caught in the midst of the "beach party" craze, it's not surprising to find out that her first major film role was A Swingin' Summer (1965), which concentrated more on musical guests The Righteous Brothers and Gary Lewis & The Playboys than on Welch's outstanding assets. But 20th Century-Fox certainly took notice and signed her up.
With her very first film under contract (actually, she was on loan out to Britain's Hammer Studios at the time), she took on One Million Years B.C. (1966) (the remake of One Million B.C. (1940), in the role originated by Carole Landis), and the rest is history. Welch remained an international celebrity in her first few years of stardom. In England, she was quite revealing as the deadly sin representing "lust" for the comedy team of Peter Cook and Dudley Moore in their vehicle Bedazzled (1967), and as the title secret agent in the spy spoof Fathom (1967). In Italy, she gained some exposure in primarily mediocre vehicles opposite such heartthrobs as Marcello Mastroianni.
Back in the U.S., however, she caused quite a stir in her groundbreaking sex scenes with black athlete Jim Brown in the "spaghetti western" 100 Rifles (1969), and as the transgender title role in the unfathomable Myra Breckinridge (1970). Adapted from Gore Vidal's novel, she created some unwelcome notoriety by locking horns with septuagenarian diva Mae West on the set. The instant cult movie certainly didn't help Welch's attempt at being taking seriously as an actress.
Box office bombs abounded. Try as she might in such films as Kansas City Bomber (1972) and The Wild Party (1975), which drew some good reviews for her, her sexy typecast gave her little room to breathe. With determination, however, she partly offset this with modest supporting roles in larger ensemble pieces. She showed definite spark and won a Golden Globe for the swashbuckler The Three Musketeers (1973), and appeared in the mystery thriller The Last of Sheila (1973). She planned on making a comeback in Cannery Row (1982), even agreeing to appear topless (which she had never done before), but was suddenly fired during production without notice. She sued MGM for breach of contract and ultimately won a $15 million settlement, but it didn't help her film career and only helped to label her as trouble on a set.
TV movies became a positive milieu for Welch as she developed sound vehicles for herself such as The Legend of Walks Far Woman (1980) and Right to Die (1987), earning a Golden Globe nomination for the latter project. She also found a lucrative avenue pitching beauty products in infomercials and developing exercise videos (such as Jane Fonda).
Welch took advantage of her modest singing and dancing abilities by performing in splashy Las Vegas showroom acts and starring in such plausible stage vehicles as "Woman of the Year" and "Victor/Victoria". She spoofed her own image on occasion, most memorably on Seinfeld (1989). Into the millennium, she co-starred in the Hispanic-oriented TV series American Family (2002) and the short-lived comedies Welcome to the Captain (2008) and Date My Dad (2017), along with the movies Tortilla Soup (2001), Legally Blonde (2001), Forget About It (2006) and How to Be a Latin Lover (2017).
Her three subsequent marriages were to producer/agent Patrick Curtis (who produced her TV special, Raquel (1970)), director André Weinfeld (who directed her in several fitness videos), and pizza parlor owner Richie Palmer, who was 14 years her junior. All these unions ended in divorce.
She died at 2:25 a.m. on February 15, 2023, aged 82, at her Los Angeles home after suffering a cardiac arrest. She had been suffering from Alzheimer's disease.- Composer
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Alberto Radius was born on 1 June 1942 in Rome, Lazio, Italy. He was a composer and actor, known for Vado a riprendermi il gatto (1989), L'assistente sociale tutto pepe (1981) and Sweat (2020). He died on 16 February 2023 in San Colombano al Lambro, Lombardy, Italy.- Director
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Michel Deville, a singular talent in French cinema. For, except during a short period where he made two or three standard commercial films (but that was to repay the debts of his own film company, due to the defection of a business partner), Deville made pictures which, without being too elitist, show a distinctive talent and personality. The French director-writer-producer managed, all through a career that spanned four decades and a half (from 1958 to 2005), to play a little music of his own, never resting on his laurels but always trying something new. And even if not all of his works are perfect, Deville's taste for research makes the bulk of them at least interesting or challenging. Born on 13 April 1931 in Boulogne-Billancourt, Michel Deville graduated from high school and started studying literature but soon branched out into movies. From 1951 to 1958, he learned the tricks of his future trade by being assistant-director, mainly to Henri Decoin, with whom he collaborated thirteen times, notably on two important films, The Truth About Bebe Donge (1952) in 1951 and Razzia (1955) in 1952. After a false start in 1958 (A Bullet in the Gun Barrel (1958), a run-of-the-mill crime flick, co-directed by Charles Gérard), Deville succeeded in making a name for himself two years later with his first true film Ce soir ou jamais (1961). Film critics did not miss out on the already gray-haired thirty-year-old director as they immediately identified what made his specificity : telling about love, seduction and feelings with subtle casualness and quizzing cruelty. For the ten years that followed, working in tandem with screenwriter Nina Companeez, Deville made a series of allegedly "light-hearted" comedies, surely full of charm and elegance but whose froth soon evaporates to reveal unexpected gravity. The result can range from slightly superficial (Girl's Apartment (1963), The Bear and the Doll (1970)) to genuinely moving (Adorable Liar (1962)) to profoundly tragic (The Diary of an Innocent Boy (1968), a cruel tale about desire, love and the difficulty to love; Raphaël ou le débauché (1971), one of the most beautiful romantic films ever made). After ceasing his collaboration with Companeez, Deville's films became darker and darker, the director choosing to explore new forms of expression (narrative deconstruction in La femme en bleu (1973)); the use of subjective camera and long sequence shots in Dossier 51 (1978), etc.) as well as new themes such as disillusionment, impossible dreams and imagination as a way of survival. In the nineteen eighties Deville is at the top of his art. A Sweet Journey (1980), Deep Water (1981), Les capricieux (1984) (TV movie) and Death in a French Garden (1985) examine the forms and variations of the loving feeling with consummate mastery while Le paltoquet (1986) and The Reader (1988) are two fascinating forays into the territory of sheer imagination. As of 1990, the director's art somewhat declined. Films like Sweetheart (1992), The Gods Must Be Daring (1997) and The Art of Breaking Up (2005), his final effort in 2005, more or less run on empty. But there are two magnificent exceptions to that rule: Aux petits bonheurs (1994) (1993), the elegant bittersweet chronicle of love being threatened by the coming of old age, and La maladie de Sachs (1999) (1999), a brilliant adaptation of Martin Winckler's novel, consisting of brief loosely related scenes, considered impossible to move onto the screens. An excellent technician and theoretician, Deville also established himself as a great actors director. All noticed how good he was - not unlike George Cukor - at directing women. Indeed Anna Karina, Marina Vlady, Michèle Morgan, Brigitte Bardot, Françoise Fabian, Lea Massari, Anémone, Miou-Miou, Fanny Ardant, Zabou Breitman and several others, did shine before his loving camera. But this does not mean that their male counterparts had anything to complain about when directed by him. Thanks to Michel Deville Claude Rich, Michel Piccoli, Jean-Pierre Cassel, Maurice Ronet, Jean-Louis Trintignant, Christophe Malavoy, Richard Bohringer, Claude Piéplu, Jean Yanne, Daniel Auteuil and many others naturally, also found gratifying and memorable roles. When Michel Deville decided to retire in 2005, he could do it with a clear conscience: he sure left his mark on the seventh art and even if his name is a little forgotten today, film historians will no doubt recognize his true worth some day in the future.- Director
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Maurizio Scaparro was born on 2 September 1932 in Rome, Lazio, Italy. He was a director and writer, known for L'ultimo Pulcinella (2008), Don Chisciotte (1984) and Amerika (2004). He died on 17 February 2023 in Rome, Lazio, Italy.- Actress
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The early film career of Stella Stevens could be said to mirror that of Marilyn Monroe. She began by playing a succession of sensuous, blond glamour girls, from naïve virgins and funny coquettes to precocious or briny-tongued floozies. Her early maturity on screen may have reflected her own turbulent private life: she was married at 15, had a child (Andrew Stevens) at 16 and was divorced a year later. At 21, having a child to support and no money, she posed for a celebrated Playboy centerfold. She was Playmate of the Month for January 1960 which did her subsequent movie career no harm whatever. She was voted by Playboy as one of the 100 Sexiest Women of the 20th century and became one of the most photographed stars of the 1960s.
The voluptuous, blue-eyed Stella was born Estelle Caro Eggleston to one of the oldest families in Yazoo City, Mississippi. A myth which had her hailing from the quaintly named area of Hot Coffee was purely an invention by Hollywood publicists. Her father, Thomas Ellet Eggleston, was an insurance salesman, her mother, Estelle (nee Caro), a nurse. The family moved to Memphis when she was four.
During her early childhood, Stella was nicknamed "Bootsie". Precocious and impatient to grow up, she took to watching movies at every opportunity. It became her main passion. Graduating from high school in 1955, she spent two years attending Memphis State University where she was 'discovered' during a production of Bus Stop in the role of aspiring nightclub singer Chérie (famously played by Marilyn in the film version). Borrowing some money, Stella made her way to the bright lights of Los Angeles and was signed by 20th Century Fox in 1959. She made only three films for the studio during a six months spell before her contract was dropped, her debut being a bit part in Frank Tashlin's saccharine comedy-drama Say One for Me (1959).
Her role won her a Golden Globe Award as Most Promising Newcomer. That same year, she was picked up by Paramount and made her first breakthrough on the screen as the vampish Apassionata von Climax in the film version of the hit Broadway musical Li'l Abner (1959), based on Al Capp's comic strip.
She alternated motion pictures with television appearances, displaying a perhaps unexpectedly wide range as an actress in both dramatic and comedic roles. She stood out in films like Too Late Blues (1961) and The Courtship of Eddie's Father (1963), both under greatly contrasting directorial styles.
Above all, she saw herself not as a sex icon but as a comedienne. She once said "I want to be remembered for whatever made people laugh the most." Unafraid to do physical comedy in the manner of Lucille Ball she was also often lauded for her comic timing in films like The Silencers (1966) (a James Bond-style spoof, co-starring a sleepy-eyed Dean Martin) and Where Angels Go Trouble Follows! (1968). In the 1970s, her best role was as a warmhearted prostitute in Sam Peckinpah's seminal western The Ballad of Cable Hogue (1970). Writer and critic Roger Ebert wrote of her performance "There are few enough actresses who can be funny and feminine at the same time, but she is certainly one of them." Conversely, in the classic disaster epic The Poseidon Adventure (1972), she played a former hooker with a heart closer to tin.
Like many film careers, hers too experienced a fair share of hiccups along the way, often due to typecasting: duds like Slaughter (1972), Stand Up and Be Counted (1972), Las Vegas Lady (1975), The Manitou (1978), and others. However, Stella proved resourceful enough to diversify and go behind the camera, both as producer and director of a feature-length documentary, The American Heroine (1979). She co-authored a novel entitled 'Razzle, Dazzle' (published in 1999), about the rise and fall of a glamorous rock star. She unveiled her own range of women's and men's fragrances, called 'Sexy'.
During the 1980s and 1990s, she concentrated primarily on television and enjoyed lengthy tenures on the glossy soaps Flamingo Road (1980) and Santa Barbara (1984), in addition to many guest appearances in shows as diverse as Police Story (1973), Hotel (1983), Alfred Hitchcock Presents (1985) and In the Heat of the Night (1988). In 1976, she briefly forsook the glamour of Beverly Hills and set up home on a 27-acre ranch on the edge of the Cascade Mountains in Washington State and then proceeded to operate an art gallery and bakery in a nearby town.
By 1983, she had returned to her Beverly Hills home where she lived with her partner (rock guitarist Bob Kulick), until the home was sold in 2016. Afflicted by Alzheimer's disease, Stella Stevens spent her remaining years in an assisted living home in California and passed away in Los Angeles on February 17 2023 at the age of 84.- Composer
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Composer, author and oboist, educated at Juilliard (BS). He was first oboist for the Dallas Symphony and the New York Little Orchestra between 1948 and 1956. Then he joined Revue Studios in California, lasting until 1960, thereafter working freelance. Joining ASCAP in 1956, his chief musical collaborators included Johnny Mercer and Jack Brooks.- Jenny Clève was born on 3 April 1930 in Roubaix, Nord, France. She was an actress, known for Welcome to the Sticks (2008), IP5: The Island of Pachyderms (1992) and Temporale Rosy (1980). She was married to Claude Talpaert. She died on 17 February 2023 in Tourcoing, Nord, France.
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- Producer
- Second Unit Director or Assistant Director
George Miller was born on 28 November 1943 in Edinburgh, Scotland, UK. He was a director and producer, known for The Man from Snowy River (1982), Matlock Police (1971) and The NeverEnding Story II: The Next Chapter (1990). He died on 17 February 2023 in Melbourne, Victoria, Australia.- Actress
- Writer
- Producer
Barbara Bosson, who earned an Emmy Award nomination for her performance on Murder One (1995), was raised in Belle Vernon, Pennsylvania, a small coal-mining town about 30 miles south of Pittsburgh. When she was a teenager, she and her family moved to Florida, where she attended Boca Ciega High School in Gulfport. After graduation, she was accepted into the Drama Department of Carnegie Tech in Pittsburgh (now Carnegie Mellon). When Bosson learned the tuition would be too great a burden on her parents, she instead moved to New York. She supported herself in a variety of jobs -- secretary, television production assistant, Playboy Bunny, etc. -- while studying acting with Milton Katselas and Herbert Berghof, and musical comedy with Word Baker. Six years later, Bosson reevaluated her prospects while working as a secretary for ACT (the American Conservatory Theater). She spoke frequently with various drama department heads, including Earl Gister, head of Carnegie Tech's Drama Department. Deciding it wasn't too late to pursue her dream, she asked Gister for an audition. He agreed. Bosson can't remember her audition, but it convinced Gister to place her in the school and to assist her in finding scholarship money. So, at 26, she became Carnegie Tech's oldest freshman. While attending Carnegie Tech, Bosson met her future husband, Steven Bochco (whom she would not marry until years later), and fellow Hill Street Blues (1981) stars Bruce Weitz and Charles Haid. On a summer break from Carnegie Tech, she landed a job in San Francisco with the improvisational group, "The Committee". With Gister's blessing, she stayed with the group and performed with them for three years. Bosson is a five-time Emmy Award nominee for Best Supporting Actress in a Dramatic Series for her portrayal of "Fay Furillo" in the Emmy Award-winning series, Hill Street Blues (1981). An innovative cook, Bosson raises her own herbs and vegetables. She enjoys skiing, doing crossword puzzles and dancing. Bosson also hates dieting, which she has done unsuccessfully for 25 years. Bosson and Steven Bochco have two children and reside in Los Angeles.- Composer
- Music Department
- Writer
Academy Award winner, Tom Whitlock '76, did not have a typical college experience. Student by day, rock n roll artist by night, Whitlock spread out his college career over several decades, allowing him to build a solo career as a songwriter. Whitlock's music has been featured in movies such as Beverly Hills Cop, Ten Things I Hate About You, and most notably, Top Gun. His love song, "Take My Breath Away," won an Academy Award and a Golden Globe Award for Best Original Song in 1986. Whitlock grew up in Springfield, Missouri, spending his high school days attending class during the day and playing with his rock bands on the weekends throughout the Midwest. He continued this lifestyle throughout college. Between several contracts with Columbia Pictures and other movie production companies, Whitlock managed to complete most of his credits at Drury University to complete a degree in music from 1971 - '81. But his successful music career prevented him from graduating. Though lacking a bachelor's degree, Whitlock found great value in the knowledge gained from his classes at Drury. He credits Dr. Richard Mears and Dr. James Livingston with exposing him to literature that positively influenced his music. In 1999, Drury finally awarded Whitlock a degree- an honorary doctorate in music. When asked which musical accomplishment was most important to him, Whitlock did not have an answer. "The reason for it is always the next song. My mind is always on the next project, the job of the day." Whitlock works with artists across the globe, creating music for movies in America to rock bands in Australia. Among his many accomplishments, including several gold and platinum records, Drury honored Whitlock with a Distinguished Alumni award in 1998.- Actor
- Writer
- Producer
A social misfit, Belzer was kicked out of every school he ever attended, due to his uncontrollable wit. His mother (Frances) died of breast cancer when Richard was 18. Four years later, his father (Charles) committed suicide. A dedication is written to Charles Belzer in Richard Belzer's "UFOs, JFK, and Elvis: Conspiracies You Don't Have To Be Crazy To Believe" (Ballantine Books, 1999).- Actress
- Costume and Wardrobe Department
- Costume Designer
Austrian leading lady Nadja Tiller reached the height of her popularity during the 1950s and 60s. She was the daughter of stage actor and director Anton Tiller and his wife, the opera singer Erika Körner (1902-1979). It seemed that Nadja's career had been marked out for her early on: she was to take over a hairdressing establishment run by her grandparents in Danzig (now Gdansk). However, the war put paid to this. In 1945, having found a new calling, she enrolled at the Max-Reinhardt Seminar to take dance, ballet and drama classes while working part time as a mannequin in a hat salon. She completed her studies four years later at the University of Music and Performing Arts. That same year, Tiller was voted Miss Austria (she won again in 1951) which helped to secure her first theatrical engagement in the Theater in der Josefstadt. Her screen debut, a small part in the Beethoven biopic Eroica (1949) was cut, but she soon after made her first appearance in Märchen vom Glück (1949), a romantic musical comedy starring matinee idol O.W. Fischer. Tiller then played a rival to Hildegard Knef for the affections of Hardy Krüger in the melodrama Illusion in Moll (1952) and proceeded with leading roles in several undemanding lightweight farces like Einmal keine Sorgen haben (1953), Die Kaiserin von China (1953) and Mädchen mit Zukunft (1954). At his point in her career, Tiller's stock-in-trade heroines were most often worldly flirts or fashionable sophisticates.
Her fortunes took an upswing under the director Rolf Thiele who provided her with more challenging material in dramas like Friederike von Barring (1956), Lulu (1962) (both title roles) and, as an Egyptian dancer, in El Hakim (1957). In the repressed and conservative 50s, her breakout role as the titular prostitute in Thiele's socially conscious masterpiece Rosemary (1958) was viewed by some as scandalous and others as sensational, as it exposed the hypocrisy of people and institutions. Rosemary won not only the German Film Critics Award but also a Golden Globe in the U.S. for Best Foreign Language Film. Nadja Tiller emerged from this venture as an international star.
By the late 50s, Tiller featured prominently in many French, Italian, English and American productions, opposite stars like Jean Marais (King on Horseback (1958) and Killer Spy (1965)), Jean Gabin (The Night Affair (1958)), Jean-Paul Belmondo (Tender Scoundrel (1966)), Rod Steiger (The World in My Pocket (1961)) and Yul Brynner (The Poppy Is Also a Flower (1966)). From the mid-70s, having transitioned to character roles, she alternated appearances on television with theatrical engagements in Lübeck, Berlin, Hamburg and Vienna, often in boulevard dramas.
From 1956 until his death in 2011, Tiller was married to the actor Walter Giller. Dubbed the 'Traumpaar' (dream couple), they appeared in several films together, their last as two feisty pensioners in the comedy Dinosaurier (2009). Tiller passed away in a Hamburg retirement home on February 21 2023 at the age of 93.- Writer
- Actor
- Director
Maurizio Costanzo was born on 28 August 1938 in Rome, Lazio, Italy. He was a writer and actor, known for A Special Day (1977), The Vatican Affair (1968) and Melodrammore (1978). He was married to Maria De Filippi, Marta Flavi, Flaminia Morandi and Lori Sammartino. He died on 24 February 2023 in Rome, Italy.- Director
- Writer
- Cinematographer
Juraj Jakubisko was born on 30 April 1938 in Kojsov, Czechoslovakia [now Slovakia]. He was a director and writer, known for Kristove roky (1967), Bathory: Countess of Blood (2008) and Perinbaba (1985). He was married to Deana Horváthová. He died on 24 February 2023 in Prague, Czech Republic.- Walter Mirisch and brothers Marvin Mirisch and Harold Mirisch were one of the most successful producing teams in Hollywood history. Their Mirisch Company produced such diverse hits as Some Like It Hot (1959), The Magnificent Seven (1960), West Side Story (1961), The Great Escape (1963), The Pink Panther (1963) and many others. Most of their films were financed and released by United Artists, and through a stock swap in 1963 the brothers acquired the company. They stayed on with UA and their production relationships with producer/directors like Billy Wilder, Blake Edwards and John Sturges became the model by which Hollywood makes movies today.
Starting out as a producer on such low-budget "B" fare at Monogram Pictures as Bomba: The Jungle Boy (1949), Mirisch rose to become one of Hollywood's leading industry statesman. He was a visionary who, in the declining years of the Hollywood studio system, could see that the future lay with the independent producers. Operating out of rented office space at the old Samuel Goldwyn lot in Hollywood, the Mirisches kept their overhead low by such tactics as renting studio stages and facilities only when needed. Whereas the major studios were still burdened by high overhead and salaries, the brothers were in a position to attract top talent and offer high fees and flexible control to up-and-coming directors like Norman Jewison, who responded with three hits in a row for them - The Russians Are Coming the Russians Are Coming (1966), In the Heat of the Night (1967) and The Thomas Crown Affair (1968). - Ed Fury was born on 6 June 1928 in Long Island, New York, USA. He was an actor, known for Valley of the Lions (1961), Ursus in the Land of Fire (1963) and Ursus (1961). He was married to Marceline Yvette Dubois. He died on 24 February 2023 in Woodland Hills, Los Angeles, California, USA.
- Actor
- Writer
- Director
Gordon Edward Pinsent was born on July 12, 1930 in Grand Falls, Newfoundland and Labrador, Canada, to Florence (Cooper) and Stephen Arthur Pinsent. Gordon was known as "Porky" as a child, and dreamed of performing as early as he can remember. He served with the Royal Canadian Regiment from 1948-51. Gordon received an L.L.D. from the University P.E.I. in 1975, an Honorary doctorate from Queen's University in 1988, as well as from the Memorial University of Newfoundland and the University of Prince Edward Island.
Gordon left Newfoundland at the age of 17 and began his career on stage. His first theatrical experiences were in Winnipeg, Manitoba. While there, he was involved in the first live radio drama out of Winnipeg. He eventually moved east, working in Toronto and Stratford, Ontario. He has since won numerous credits and awards, and is one of Canada's most well-respected artists.
In addition to acting, he directs and produces, and has written a number of novels and screenplays, as well as plays for the stage, including 'Corner Green' for the Newfoundland amateur drama festival. The play was staged in St. John's, Newfoundland in April of 1997, and was was based upon life his hometown of Grand Falls, Newfoundland.
He is a member of the Honorary Advisory Board for the Newfoundland Symphony Youth Orchestra, and is very active in various charities. His humorous and poignant autobiography, "By the Way", was published.
His wife until her death was actress Charmion King, whom he met during his early theater days. He has a daughter, actress Leah Pinsent, from that union, as well as a son and daughter from an earlier marriage (Barry and Beverly Kennedy). He has two brothers, Harry and Haig, and three sisters: Nita, Hazel, and Lil, who passed away in 1998.- Curzio Maltese was born on 30 March 1959 in Milan, Lombardy, Italy. He was a writer, known for RaiOt (2003), A Beautiful Vacation (2006) and 11 Metri (2011). He died on 26 February 2023 in Milan, Lombardy, Italy.
- Writer
- Animation Department
- Art Department
Burny Mattinson's helmed the Academy Award-nominated 1983 animated featurette "Mickey's Christmas Carol." In 1986, wrote, produced and directed "The Great Mouse Detective." Mattinson's worked on"Sleeping Beauty," "101 Dalmatians," "The Sword in the Stone," "The Jungle Book," "The Aristocats" and "The Rescuers." He was a key story team member on Disney's contemporary classics: "Aladdin," "Beauty & the Beast," "The Lion King, "Pocahontas," "Mulan," "The Hunchback of Notre Dame" and "Tarzan." Mattinson joined Disney in 1953 at age 18 without formal art training, and started work as an in-betweener for "Lady and the Tramp" less than 6 months later.- Writer
- Director
- Camera and Electrical Department
Born in Fort Pierce, Florida, Ricou Browning grew up in nearby Jensen Beach and went on to study physical education at Florida State university. He got a career start diving and springboard diving in local water shows. By the time he was in his early 20s, he was producing underwater shows at Weeki Wachee Springs and topside water shows at Rainbow Springs and other locations. After playing the Gill Men in the underwater scenes of Universal's Creature from the Black Lagoon (1954) and its sequels (Revenge of the Creature (1955) and The Creature Walks Among Us (1956)), he got into the swim of film and TV production as a result of an encounter with producer Ivan Tors; Browning ended up president of Tors' Florida studios (he was involved on Tors' Sea Hunt (1958), The Aquanauts (1960) and Flipper (1963) movies and TV series, etc.) He has also worked as a second unit director (above and below water), producer, writer, stunt man and stunt coordinator.- Yvonne Constant was born on 15 June 1930 in Paris, France. She was an actress, known for The Favour, the Watch and the Very Big Fish (1991), Gigot (1962) and Maxime (1958). She was married to Nyron A. Lanin and Jean Pinguet. She died on 28 February 2023 in Larmor-Plage, Morbihan, France.
- Music Department
- Actor
- Composer
Wayne Shorter was born on August 25, 1933 in Newark, New Jersey, USA. He is known for his work on Wayne Shorter: Zero Gravity (2023), Miles Ahead (2015), Finding Forrester (2000), and The Fugitive (1993). He has also appeared in the recent documentaries Jaco (2015) and Marcus (2015).
Considered the greatest living jazz composer, he is a recipient of 13 total Grammy Awards (12 plus one with Weather Report), a Lifetime Achievement Grammy, six honorary doctorate degrees, the Kennedy Center Honor and many other awards and honors for his contributions to music.
Wayne served as a professor of music at the Herb Alpert School of Music at UCLA.- Music Department
- Actor
- Producer
Steve Mackey was born on 10 November 1966 in Sheffield, South Yorkshire, England. He was an actor and producer, known for Harry Potter and the Goblet of Fire (2005), The World's End (2013) and The Full Monty (1997). He was married to Katie Grand. He died on 2 March 2023 in England, UK.- Actor
- Producer
- Writer
Tom Sizemore rose in prominence throughout the 1990s, establishing himself as a memorable tough-guy actor, sought by the most respected directors in the business.
Thomas Edward Sizemore, Jr. was born in Detroit, Michigan, to Judith (Schannault), an ombudsman staff member, and Thomas Edward Sizemore, Sr., a lawyer and professor. Sizemore grew up idolizing the tough-guy characters of the movies he watched. After attending Wayne State University, he got his master's degree in theatre from Temple University in 1986.
Like many, he moved to New York City and struggled, waiting tables and performing in plays. His first break came when Oliver Stone cast him in a bit part in Born on the Fourth of July (1989). Bigger roles soon followed throughout the early 1990s, such as Guilty by Suspicion (1991), True Romance (1993), and Striking Distance (1993). 1994 proved to be an even bigger year for Sizemore, as he won the role of "Bat Masterson" in Kevin Costner's star-studded biopic Wyatt Earp (1994), as well as one of his first truly memorable roles as "Detective Jack Scagnetti" in Oliver Stone's controversial Natural Born Killers (1994). In 1995 he appeared in Devil in a Blue Dress (1995), Strange Days (1995), as well as the acclaimed crime epic Heat (1995), directed by Michael Mann. Sizemore's first big leading role is in The Relic (1997), the big-budget effects thriller directed by Peter Hyams.
According to a 2001 interview in The Calgary Sun, Sizemore entered a drug rehabilitation program in 1998 after his mother and his friend Robert De Niro appeared on his door-step during the filming of Witness to the Mob (1998). Telling him they were there to drive him to jail or to rehabilitation, Sizemore chose the latter. After completing rehabilitation, he counseled adolescents involved in substance abuse.
Offered roles in W.W.II films directed by both Terrence Malick and Steven Spielberg, Sizemore chose the role of "Sergeant Horvath" in Saving Private Ryan (1998). The role and film received wide acclaim and introduced Sizemore's talents to a much broader audience in a more human and well-rounded role than he had previously been given. Sizemore also credits this shoot and Steven Spielberg for helping him with his recovery from addiction, with Steven Spielberg threatening to re-shoot the entire film if Sizemore failed a drug test even once.
After a flamboyant and uncredited mobster role in Enemy of the State (1998), Sizemore then portrayed a psychotic paramedic in Bringing Out the Dead (1999) directed by Martin Scorsese. Seemingly taking it easy, he then turned in fine but stereotypical performances in Play It to the Bone (1999), Red Planet (2000), and Pearl Harbor (2001). Sizemore then received another leading role in the high-profile military drama Black Hawk Down (2001) directed by yet another legendary director, Ridley Scott.
Specializing in the sort of ultimate tough-guy/manly man roles that hearken back to a different era in film, Sizemore continued to be a favorite of Hollywood's greatest directors. Never afraid to speak his mind about anyone and anything, his sense of blunt honesty and lack of pretension was refreshing. A commanding voice and presence on film, Sizemore looked to continue as one of Hollywood's greatest actors, until his untimely death from a brain aneurysm on March 3, 2023.- Sara Lane's relatively brief fling with show biz began in 1966 when she was cast as the orphaned Wyoming frontier girl Elizabeth Grainger in the long-running NBC western series The Virginian (1962). Opposite her co-stars James Drury and Doug McClure, she went on to feature in some 105 episodes until the penultimate season concluded in 1970.
Blonde and blue-eyed, she was born Susan Russell Lane in New York, the oldest of three siblings, to Broadway and screen actors Rusty Lane and Sara Anderson. As a nine months-old toddler, she appeared in an advertisement for a brand of soap and in an educational film about 'bathing babies'. The family later relocated to California where Sara attended Santa Monica High School, and, aged 12, made a TV commercial for vitamin pills. Producer/director William Castle noticed her picture in a newspaper covering her participation as a semi-finalist in a Miss Los Angeles Teen beauty contest. This led to a successful audition and a featured role (as one of two teenage telephone pranksters who get more than they bargained for) in the Joan Crawford thriller I Saw What You Did (1965).
Sara's approach to acting as a profession was reticent. She persisted in order to, in her own words, earn enough money to keep "making clothes, making jewelry, and raising quarter horses" (she owned two). In 1966, she was signed by the future head of Universal TV, Frank Price, to play the female lead in season five of The Virginian. Her casting for the role was aided by her skills as an equestrian. In fact, her experience on horseback allowed her to perform many of her own stunts.
In the mid-70s, Sara appeared (now billed as Russell Lane) in several low budget productions that are best forgotten. After retiring from film work in 1977, Sara and her husband were co-founders seven years later of the Havens Winery in Napa Valley, which, over time, acquired a solid reputation for producing red wine blends. In 2010, the business was acquired by the Smith-Anderson Wine Group.
Susan Russell Lane died from breast cancer on March 3 2023 and was survived by her husband of 43 years Jon Scott and her two children. - Director
- Producer
- Writer
Bert I. Gordon, affectionately nicknamed "Mr. B.I.G." by Forrest J. Ackerman, produced, directed, and wrote more than twenty-five Sci/Fi and Horror features, such as The Magic Sword (1962), The Amazing Colossal Man (1957), Village of the Giants (1965), The Cyclops (1957), in addition to comedies such as How to Succeed with Sex (1970). His film, The Food of the Gods (1976), was awarded the Grand Prix du Festival International Du Paris Fantastique 1977.- Actor
- Producer
- Soundtrack
Topol was born on 9 September 1935 in Tel Aviv, Palestine [now Israel]. He was an actor and producer, known for Fiddler on the Roof (1971), Flash Gordon (1980) and For Your Eyes Only (1981). He was married to Galia Topol. He died on 8 March 2023 in Tel Aviv, Israel.- Actor
- Writer
- Producer
American actor who began as a child in Our Gang comedies and reappeared as a powerful adult performer of leading and character roles. Born in New Jersey, the young Mickey Gubitosi won a role in MGM's Our Gang series at the age of 5. As one of the more prominent children in the Gang, he gained attention for his cute good looks and his lovable, if somewhat melancholy, personality.
In 1940 he took on the stage name Bobby Blake (though he continued to use the name Mickey Gubitosi in the Our Gang series for another three years) and began playing child roles in a wide range of films. He gained a good deal of fame as the Indian sidekick Little Beaver in the Red Ryder series of Westerns. Though roles were sporadic as he grew to manhood, he was never long off the screen (except for a period of military service, 1954-56). But despite some fine work in films like Pork Chop Hill (1959) and Town Without Pity (1961), his career did not take off until his stunning portrayal of killer Perry Smith in In Cold Blood (1967). A number of telling performances in films of the next decade, stardom in a popular television series (Baretta (1975), and several ruefully comic appearances as a guest on The Tonight Show Starring Johnny Carson (1962) made him a popular figure even as his personal difficulties increased.
Consumed with anger over his treatment by his family and the studio as a child, he denigrated his early work, suffered bouts of difficulty with drugs, and became known as a difficult, perfectionist person to work with. He quit his successful TV series Hell Town (1985) when his personal demons became overwhelming. After a self-imposed exile of nearly eight years, during which he struggled to right his life, he successfully returned to films and television work, appearing renewed and more confident in himself and his work.
In 2001, though, the murder of his wife, Bonnie Bakley, thrust Blake into the limelight in a different way. Admittedly having married Bakley through the coercion of her pregnancy, a routine Bakley had apparently tried with various other celebrities, Blake made no denial of his distaste for the woman, but was by all accounts thrilled with the daughter born to them. Blake was arrested for his wife's murder, but the presumption of innocence trumped when jurors didn't believe what they thought was flimsy evidence, and Blake was acquitted in a trial that made worldwide headlines. Reportedly broke from legal costs, Blake indicated hopefulness that he might be allowed to return to acting work.- Ignacio López Tarso was born on 15 January 1925 in Mexico, Distrito Federal, Mexico. He was an actor, known for Macario (1960), El Pantera (2007) and Rosa blanca (1961). He was married to Clara Aranda. He died on 11 March 2023 in Mexico City, Mexico.
- Dick Fosbury was born on 6 March 1947 in Portland, Oregon, USA. He was married to Barbara Robins Tomasi, Karen Louise Spens and Janet Jarvis. He died on 12 March 2023 in Salt Lake City, Utah, USA.
- Isabel Colegate was born on 10 September 1931 in Paddington, London, England, UK. She was a writer, known for The Shooting Party (1984) and The Shooting Party - A Retrospective (2006). She was married to Michael Briggs. She died on 12 March 2023.
- Cinematographer
- Camera and Electrical Department
- Director
Mario Masini was born on 28 January 1938 in Savona, Liguria, Italy. He was a cinematographer and director, known for O Herói (2004), The 10th Victim (1965) and Virgin Margarida (2012). He died on 13 March 2023 in Stuttgart, Baden-Württemberg, Germany.- Bice Biagi was born on 5 May 1947 in Bologna, Emilia-Romagna, Italy. She died on 16 March 2023 in Milan, Lombardy, Italy.
- Writer
- Director
- Cinematographer
Claude Fournier was born on 23 July 1931 in Waterloo, Quebec, Canada. He was a writer and director, known for Bonheur d'occasion (1983), Les tisserands du pouvoir (1988) and Les chats bottés (1971). He died on 16 March 2023 in Montréal, Québec, Canada.- Actor
- Producer
- Soundtrack
Incisive, intense, multi-talented American actor Lance Solomon Reddick was born in Baltimore, Maryland, the younger of two sons, to Solomon Reddick and public schoolteacher Dorothy Gee. Having opted initially for a career in music, he attended first the Peabody Preparatory Institute and the Walden School before studying classical composition at the University of Rochester's Eastman School of Music, qualifying with a Bachelor's Degree. By the early '90s, however, Reddick was forced to re-evaluate his career plans because of a severe back injury suffered while pulling a double shift waiting on tables and delivering newspapers. A pressing need to make ends meet made him enroll at the Yale School of Drama, from where he went on to graduate in 1994 with a Master of Fine Arts Degree. He derived much inspiration from his classmate Paul Giamatti and came to regard Daniel Day-Lewis as his quintessential acting role model.
Possessed of an athletic build and a deep, resonant voice, Reddick also had a self-declared affinity for accents. Preparing himself for his roles, he immersed himself fully into his characters as a "transformational performer", often rehearsing his lines in front of a mirror. He made his television debut in an episode of New York Undercover (1994). Though he played a couple of drug addicts early on, he soon found himself much in demand-- and ultimately typecast -- as powerful authority figures, from police detectives (Johnny Basil in Oz (1997)) to FBI agents (Law & Order (1990)) to senior police officer (Cedric Daniels in The Wire (2002)). One of his best known roles on the big screen was as the mysterious Mr. Charon, concierge at the Continental Hotel, scene of much of the action in the John Wick (2014) franchise.
Arguably, his most memorable character was that of Phillip Broyles, special agent-in-charge with the Department of Homeland Security, heading a team of experts investigating paranormal events in the outstanding science fiction drama series Fringe (2008). Broyles was a no-nonsense tough guy, who, nevertheless, remained steadfastly loyal in defense of his team against insidious forces from within and without. Unlike Broyles, Reddick's other important recurring TV character, Chief Irving in Bosch (2014), was a morally ambiguous man motivated chiefly by political ambition. Both were flawless performances.
Prior to his sad and untimely passing in March 2023 at the age of 60, Reddick was much sought-after as a voice actor for animations and video games. He also never lost his lifelong passion for music, and, in 2007, released an album of his compositions entitled "Contemplations & Remembrances". In private life, the twice-married Reddick was said to have been very much devoted to his three dogs.- Writer
- Producer
Hal Dresner was born on 4 June 1937 in the USA. Hal was a writer and producer, known for The Harvey Korman Show (1977), The Eiger Sanction (1975) and CBS Summer Playhouse (1987). Hal died on 17 March 2023 in Medford, Oregon, USA.- Director
- Writer
- Actor
Francesco Maselli was born on 9 December 1930 in Rome, Lazio, Italy. He was a director and writer, known for Storia d'amore (1986), Codice privato (1988) and Time of Indifference (1964). He was married to Stefania Brai and Goliarda Sapienza. He died on 21 March 2023 in Rome, Italy.- Director
- Producer
- Actor
Peter Werner began his professional life as a teacher and documentary filmmaker; he has Master's degrees in both fields. After a year as a V.I.S.T.A. Volunteer in downtown Detroit, he co-founded a Quaker high school in Deerfield, MA. While teaching in Vermont, he met Frances Flaherty, widow of the great "father of documentaries" Robert. Frances became both his friend and mentor and allowed Peter to make a documentary portrait of her that aired on PBS. It was the first project produced by his younger brother, Tom, who went on to create The Cosby Show, Roseanne and many others under his company Carsey-Werner. Tom is currently co-owner of the Boston Red Sox and Liverpool Football Club.
Peter's American Film Institute student film, which he wrote and directed based on the short story "In the Region of Ice" by Joyce Carol Oates, was shown at the New York Film Festival and earned Peter an Academy Award for Best Live Action Short. Since then he has directed documentaries, pilots, including Nash Bridges, TV movies and a plethora of episodic television series. His credits include Ghost Whisperer, Medium, Law & Order: Criminal Intent, A Different World, The Wonder Years, Moonlighting, and Graham Yost's series Boomtown and Justified. In the span of his career, Werner has been nominated for multiple Emmy and D.G.A. Awards. He won an ACE cable Award for his HBO film, The Image, starring Albert Finney. He is married with three children (Lillie, Katharine and James) and has been a board member of his son's schools as well as the American Film Institute. He has taught and lectured extensively and has practiced Buddhism for 30 years.- Actor
- Soundtrack
Luca Bergia was born on 11 September 1968 in Cuneo, Piedmont, Italy. He was an actor, known for Tutta colpa di Giuda (2009), 1994 (2019) and Complimenti per la festa (2015). He died on 23 March 2023 in Cuneo, Piedmont, Italy.- Ivano Marescotti was born on 4 February 1946 in Villanova di Bagnacavallo, Italy. He was an actor, known for King Arthur (2004), The Talented Mr. Ripley (1999) and Hannibal (2001). He was married to Erika Leonelli, ??? and Iphigenia Kanarà. He died on 26 March 2023 in Lugo, Emilia-Romagna, Italy.
- Nikolai Dupak was born on 5 October 1921 in village Starobeshevo, Mariupol uyezd, Donetsk Governorate, Ukrainian SSR [now Starobesheve, Starobesheve Raion, Donetsk Oblast, Ukraine]. He was an actor, known for Captain Nemo (1975), Captain Nemo (1976) and Yaroslav Mudry (1982). He died on 26 March 2023 in Moscow, Russia.
- Writer
- Director
- Actor
One of the most esteemed RAI correspondents for over fifty years, Gianni paints the stories of North and South America's social realities and customs using moving pictures. He produced and directed a History of Jazz, History of Central and South American Music, as well as History of Boxing, all seminal anthologies. In 1981, Italy's President Pertini awarded Gianni the Saint Vincent Prize for the best TV journalist of the year. From 1981 to 1984 he was the author and host of Blitz, a very successful Italian TV show, which hosted one-thousand-four-hundred guests from all over the world. Gianni interviewed icons like Federico Fellini, Muhammad Ali, Robert De Niro, Jane Fonda, Gabriel García Márquez, Enzo Ferrari and Eduardo De Filippo to name a few. In 1987, Minà produced a historic documentary, interviewing Cuba's President Fidel Castro for 16 hours. Three years later, in 1990, he interviewed Fidel again for a report on the end of communism. He later published two books based on these reports. Minà also wrote for Sperling & Kupfer Ed.: Marcos e l'insurrezione zapatista (Marcos and the Zapatist Insurrection), Un continente desaparecido (A lost Continent), Il Papa e Fidel (The Pope and Fidel), Storie (Stories), Un mondo migliore è possibile (A better world is possible). Some of his best known documentary films: Muhammad Ali, una storia americana (Muhammad Ali, an American story); Marcos: aquí estamos (Marcos: Here we are), dealing with the long march of the Zapatists through Mexico; Rigoberta Menchù, una donna maya per la pace (Rigoberta Menchù, a Mayan woman for peace); Diego Maradona: non sarò mai un uomo comune (Diego Maradona: I'll never be a common man); and C'era una volta il cinema: Sergio Leone e i suoi film (Once upon a time there was cinema: Sergio Leone and his films), a unique production with the participation, among others, of Clint Eastwood, Robert De Niro, Claudia Cardinale and Ennio Morricone. Between 1996 and 1998 Minà produced and directed the TV program, Storie (Stories), in which he interviewed such luminaries as the Dalai-Lama, Jorge Amado, John John Kennedy, Martin Scorsese, Isabella Rossellini, Bernardo Bertolucci, and Luis Sepúlveda. In 2004, he produced and directed, with Surffilm, Traveling with Che Guevara, which won the Golden Zénith for Best Documentary at the Montreal World Film Festival and also won at the Festival of Valladolid. In 2007 he produced and directed, with Rai Trade and Gazzetta dello Sport, Maradona: I'll never be a common man, the history of the Argentinian soccer player in ten episodes. The series garnered record DVD sales in Italy. In the same year, Gianni Minà was awarded the Berlinale Kamera for the ensemble of his career at the 57th Berlin Festival, the prize honouring his series of six documentaries titled "Cuban Memories", which was also presented at the Seville film Festival. His latest feature length documentary: "Pope Francis, Cuba and Fidel" recounts how four of the most influential religious and political leaders of the world (Pope Francis, Obama, Fidel and Raul Castro) come to Cuba and brainstorm on ways to lift the senseless and antiquated American embargo. His most recent book, "Il Mio Ali" (My Ali) was published last year in Italy. It contains a collection of articles Gianni wrote about Muhammad Ali. They were closest friends.- Composer
- Music Department
- Actor
Ryuichi Sakamoto was born on 17 January 1952 in Tokyo, Japan. He was a composer and actor, known for The Last Emperor (1987), The Revenant (2015) and Merry Christmas Mr. Lawrence (1983). He was married to Akiko Yano. He died on 28 March 2023 in Tokyo, Japan.- Actor
- Additional Crew
Johan Leysen was born on 19 February 1950 in Hasselt, Limburg, Belgium. He was an actor, known for The American (2010), A Hidden Life (2019) and Brotherhood of the Wolf (2001). He was married to Rita Horst. He died on 30 March 2023 in France.- Cinematographer
- Actor
- Director
Elemér Ragályi was born on 18 April 1939 in Rákosliget, Hungary [now in Budapest, Hungary]. He was a cinematographer and actor, known for Nincs kegyelem (2006), Corn Island (2014) and Deliver Us from Evil (1979). He died on 30 March 2023 in Hungary.- Actor
- Producer
- Second Unit Director or Assistant Director
Christo Jivkov was born on 18 February 1975 in Sofia, Bulgaria. He was an actor and producer, known for The Passion of the Christ (2004), Otchuzhdenie (2013) and The Final Inquiry (2006). He died on 31 March 2023 in Los Angeles, California, USA.- Writer
- Actress
- Soundtrack
Judy Farrell was born on 11 May 1938 in Quapaw, Oklahoma, USA. She was a writer and actress, known for Fame (1982), Quincy M.E. (1976) and M*A*S*H (1972). She was married to Joe Bratcher and Mike Farrell. She died on 2 April 2023 in Los Angeles, California, USA.- Actor
- Writer
- Director
Nico Cirasola was born on 29 May 1951 in Gravina di Puglia, Italy. He was an actor and writer, known for Focaccia blues (2009), Odore di pioggia (1989) and Da Do Da (1994). He was married to Lucia Diroma. He died on 3 April 2023 in Rome, Italy.- Editor
- Second Unit Director or Assistant Director
- Editorial Department
David Finfer was born in 1942 in Brooklyn, New York, USA. He was an editor and assistant director, known for The Fugitive (1993), Bill & Ted's Bogus Journey (1991) and Romy and Michele's High School Reunion (1997). He was married to Cinnia. He died on 3 April 2023 in the USA.