My Favourite Performances in Film
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John Christopher "Johnny" Depp II was born on June 9, 1963 in Owensboro, Kentucky, to Betty Sue Palmer (née Wells), a waitress, and John Christopher Depp, a civil engineer. He was raised in Florida. He dropped out of school when he was 15, and fronted a series of music-garage bands, including one named 'The Kids'. When he married Lori A. Depp, he took a job as a ballpoint-pen salesman to support himself and his wife. A visit to Los Angeles, California, with his wife, however, happened to be a blessing in disguise, when he met up with actor Nicolas Cage, who advised him to turn to acting, which culminated in Depp's film debut in the low-budget horror film, A Nightmare on Elm Street (1984), where he played a teenager who falls prey to dream-stalking demon Freddy Krueger.
In 1987 he shot to stardom when he replaced Jeff Yagher in the role of undercover cop Tommy Hanson in the popular TV series 21 Jump Street (1987). In 1990, after numerous roles in teen-oriented films, his first of a handful of great collaborations with director Tim Burton came about when Depp played the title role in Edward Scissorhands (1990). Following the film's success, Depp carved a niche for himself as a serious, somewhat dark, idiosyncratic performer, consistently selecting roles that surprised critics and audiences alike. He continued to gain critical acclaim and increasing popularity by appearing in many features before re-joining with Burton in the lead role of Ed Wood (1994). In 1997 he played an undercover FBI agent in the fact-based film Donnie Brasco (1997), opposite Al Pacino; in 1998 he appeared in Fear and Loathing in Las Vegas (1998), directed by Terry Gilliam; and then, in 1999, he appeared in the sci-fi/horror film The Astronaut's Wife (1999). The same year he teamed up again with Burton in Sleepy Hollow (1999), brilliantly portraying Ichabod Crane.
Depp has played many characters in his career, including another fact-based one, Insp. Fred Abberline in From Hell (2001). He stole the show from screen greats such as Antonio Banderas in the finale to Robert Rodriguez's "mariachi" trilogy, Once Upon a Time in Mexico (2003). In that same year he starred in the marvelous family blockbuster Pirates of the Caribbean: The Curse of the Black Pearl (2003), playing a character that only the likes of Depp could pull off: the charming, conniving and roguish Capt. Jack Sparrow. The film's enormous success has opened several doors for his career and included an Oscar nomination. He appeared as the central character in the Stephen King-based movie, Secret Window (2004); as the kind-hearted novelist James Barrie in the factually-based Finding Neverland (2004), where he co-starred with Kate Winslet; and Rochester in the British film, The Libertine (2004). Depp collaborated again with Burton in a screen adaptation of Roald Dahl's novel, Charlie and the Chocolate Factory (2005), and later in Alice in Wonderland (2010) and Dark Shadows (2012).
Off-screen, Depp has dated several female celebrities, and has been engaged to Sherilyn Fenn, Jennifer Grey, Winona Ryder and Kate Moss. He was married to Lori Anne Allison in 1983, but divorced her in 1985. Depp has two children with his former long-time partner, French singer/actress Vanessa Paradis: Lily-Rose Melody, born in 1999 and John Christopher "Jack" III, born in 2002. He married actress/producer Amber Heard in 2015, divorcing a few years later.- Actor
- Producer
- Director
John Christopher "Johnny" Depp II was born on June 9, 1963 in Owensboro, Kentucky, to Betty Sue Palmer (née Wells), a waitress, and John Christopher Depp, a civil engineer. He was raised in Florida. He dropped out of school when he was 15, and fronted a series of music-garage bands, including one named 'The Kids'. When he married Lori A. Depp, he took a job as a ballpoint-pen salesman to support himself and his wife. A visit to Los Angeles, California, with his wife, however, happened to be a blessing in disguise, when he met up with actor Nicolas Cage, who advised him to turn to acting, which culminated in Depp's film debut in the low-budget horror film, A Nightmare on Elm Street (1984), where he played a teenager who falls prey to dream-stalking demon Freddy Krueger.
In 1987 he shot to stardom when he replaced Jeff Yagher in the role of undercover cop Tommy Hanson in the popular TV series 21 Jump Street (1987). In 1990, after numerous roles in teen-oriented films, his first of a handful of great collaborations with director Tim Burton came about when Depp played the title role in Edward Scissorhands (1990). Following the film's success, Depp carved a niche for himself as a serious, somewhat dark, idiosyncratic performer, consistently selecting roles that surprised critics and audiences alike. He continued to gain critical acclaim and increasing popularity by appearing in many features before re-joining with Burton in the lead role of Ed Wood (1994). In 1997 he played an undercover FBI agent in the fact-based film Donnie Brasco (1997), opposite Al Pacino; in 1998 he appeared in Fear and Loathing in Las Vegas (1998), directed by Terry Gilliam; and then, in 1999, he appeared in the sci-fi/horror film The Astronaut's Wife (1999). The same year he teamed up again with Burton in Sleepy Hollow (1999), brilliantly portraying Ichabod Crane.
Depp has played many characters in his career, including another fact-based one, Insp. Fred Abberline in From Hell (2001). He stole the show from screen greats such as Antonio Banderas in the finale to Robert Rodriguez's "mariachi" trilogy, Once Upon a Time in Mexico (2003). In that same year he starred in the marvelous family blockbuster Pirates of the Caribbean: The Curse of the Black Pearl (2003), playing a character that only the likes of Depp could pull off: the charming, conniving and roguish Capt. Jack Sparrow. The film's enormous success has opened several doors for his career and included an Oscar nomination. He appeared as the central character in the Stephen King-based movie, Secret Window (2004); as the kind-hearted novelist James Barrie in the factually-based Finding Neverland (2004), where he co-starred with Kate Winslet; and Rochester in the British film, The Libertine (2004). Depp collaborated again with Burton in a screen adaptation of Roald Dahl's novel, Charlie and the Chocolate Factory (2005), and later in Alice in Wonderland (2010) and Dark Shadows (2012).
Off-screen, Depp has dated several female celebrities, and has been engaged to Sherilyn Fenn, Jennifer Grey, Winona Ryder and Kate Moss. He was married to Lori Anne Allison in 1983, but divorced her in 1985. Depp has two children with his former long-time partner, French singer/actress Vanessa Paradis: Lily-Rose Melody, born in 1999 and John Christopher "Jack" III, born in 2002. He married actress/producer Amber Heard in 2015, divorcing a few years later.- Actor
- Producer
- Director
John Christopher "Johnny" Depp II was born on June 9, 1963 in Owensboro, Kentucky, to Betty Sue Palmer (née Wells), a waitress, and John Christopher Depp, a civil engineer. He was raised in Florida. He dropped out of school when he was 15, and fronted a series of music-garage bands, including one named 'The Kids'. When he married Lori A. Depp, he took a job as a ballpoint-pen salesman to support himself and his wife. A visit to Los Angeles, California, with his wife, however, happened to be a blessing in disguise, when he met up with actor Nicolas Cage, who advised him to turn to acting, which culminated in Depp's film debut in the low-budget horror film, A Nightmare on Elm Street (1984), where he played a teenager who falls prey to dream-stalking demon Freddy Krueger.
In 1987 he shot to stardom when he replaced Jeff Yagher in the role of undercover cop Tommy Hanson in the popular TV series 21 Jump Street (1987). In 1990, after numerous roles in teen-oriented films, his first of a handful of great collaborations with director Tim Burton came about when Depp played the title role in Edward Scissorhands (1990). Following the film's success, Depp carved a niche for himself as a serious, somewhat dark, idiosyncratic performer, consistently selecting roles that surprised critics and audiences alike. He continued to gain critical acclaim and increasing popularity by appearing in many features before re-joining with Burton in the lead role of Ed Wood (1994). In 1997 he played an undercover FBI agent in the fact-based film Donnie Brasco (1997), opposite Al Pacino; in 1998 he appeared in Fear and Loathing in Las Vegas (1998), directed by Terry Gilliam; and then, in 1999, he appeared in the sci-fi/horror film The Astronaut's Wife (1999). The same year he teamed up again with Burton in Sleepy Hollow (1999), brilliantly portraying Ichabod Crane.
Depp has played many characters in his career, including another fact-based one, Insp. Fred Abberline in From Hell (2001). He stole the show from screen greats such as Antonio Banderas in the finale to Robert Rodriguez's "mariachi" trilogy, Once Upon a Time in Mexico (2003). In that same year he starred in the marvelous family blockbuster Pirates of the Caribbean: The Curse of the Black Pearl (2003), playing a character that only the likes of Depp could pull off: the charming, conniving and roguish Capt. Jack Sparrow. The film's enormous success has opened several doors for his career and included an Oscar nomination. He appeared as the central character in the Stephen King-based movie, Secret Window (2004); as the kind-hearted novelist James Barrie in the factually-based Finding Neverland (2004), where he co-starred with Kate Winslet; and Rochester in the British film, The Libertine (2004). Depp collaborated again with Burton in a screen adaptation of Roald Dahl's novel, Charlie and the Chocolate Factory (2005), and later in Alice in Wonderland (2010) and Dark Shadows (2012).
Off-screen, Depp has dated several female celebrities, and has been engaged to Sherilyn Fenn, Jennifer Grey, Winona Ryder and Kate Moss. He was married to Lori Anne Allison in 1983, but divorced her in 1985. Depp has two children with his former long-time partner, French singer/actress Vanessa Paradis: Lily-Rose Melody, born in 1999 and John Christopher "Jack" III, born in 2002. He married actress/producer Amber Heard in 2015, divorcing a few years later.- Actor
- Producer
- Director
John Christopher "Johnny" Depp II was born on June 9, 1963 in Owensboro, Kentucky, to Betty Sue Palmer (née Wells), a waitress, and John Christopher Depp, a civil engineer. He was raised in Florida. He dropped out of school when he was 15, and fronted a series of music-garage bands, including one named 'The Kids'. When he married Lori A. Depp, he took a job as a ballpoint-pen salesman to support himself and his wife. A visit to Los Angeles, California, with his wife, however, happened to be a blessing in disguise, when he met up with actor Nicolas Cage, who advised him to turn to acting, which culminated in Depp's film debut in the low-budget horror film, A Nightmare on Elm Street (1984), where he played a teenager who falls prey to dream-stalking demon Freddy Krueger.
In 1987 he shot to stardom when he replaced Jeff Yagher in the role of undercover cop Tommy Hanson in the popular TV series 21 Jump Street (1987). In 1990, after numerous roles in teen-oriented films, his first of a handful of great collaborations with director Tim Burton came about when Depp played the title role in Edward Scissorhands (1990). Following the film's success, Depp carved a niche for himself as a serious, somewhat dark, idiosyncratic performer, consistently selecting roles that surprised critics and audiences alike. He continued to gain critical acclaim and increasing popularity by appearing in many features before re-joining with Burton in the lead role of Ed Wood (1994). In 1997 he played an undercover FBI agent in the fact-based film Donnie Brasco (1997), opposite Al Pacino; in 1998 he appeared in Fear and Loathing in Las Vegas (1998), directed by Terry Gilliam; and then, in 1999, he appeared in the sci-fi/horror film The Astronaut's Wife (1999). The same year he teamed up again with Burton in Sleepy Hollow (1999), brilliantly portraying Ichabod Crane.
Depp has played many characters in his career, including another fact-based one, Insp. Fred Abberline in From Hell (2001). He stole the show from screen greats such as Antonio Banderas in the finale to Robert Rodriguez's "mariachi" trilogy, Once Upon a Time in Mexico (2003). In that same year he starred in the marvelous family blockbuster Pirates of the Caribbean: The Curse of the Black Pearl (2003), playing a character that only the likes of Depp could pull off: the charming, conniving and roguish Capt. Jack Sparrow. The film's enormous success has opened several doors for his career and included an Oscar nomination. He appeared as the central character in the Stephen King-based movie, Secret Window (2004); as the kind-hearted novelist James Barrie in the factually-based Finding Neverland (2004), where he co-starred with Kate Winslet; and Rochester in the British film, The Libertine (2004). Depp collaborated again with Burton in a screen adaptation of Roald Dahl's novel, Charlie and the Chocolate Factory (2005), and later in Alice in Wonderland (2010) and Dark Shadows (2012).
Off-screen, Depp has dated several female celebrities, and has been engaged to Sherilyn Fenn, Jennifer Grey, Winona Ryder and Kate Moss. He was married to Lori Anne Allison in 1983, but divorced her in 1985. Depp has two children with his former long-time partner, French singer/actress Vanessa Paradis: Lily-Rose Melody, born in 1999 and John Christopher "Jack" III, born in 2002. He married actress/producer Amber Heard in 2015, divorcing a few years later.- Actor
- Producer
- Director
One of the greatest actors of all time, Robert De Niro was born on August 17, 1943 in Manhattan, New York City, to artists Virginia (Admiral) and Robert De Niro Sr. His paternal grandfather was of Italian descent, and his other ancestry is Irish, English, Dutch, German, and French. He was trained at the Stella Adler Conservatory and the American Workshop. De Niro first gained fame for his role in Bang the Drum Slowly (1973), but he gained his reputation as a volatile actor in Mean Streets (1973), which was his first film with director Martin Scorsese. He received an Academy Award for Best Supporting Actor for his role in The Godfather Part II (1974) and received Academy Award nominations for best actor in Taxi Driver (1976), The Deer Hunter (1978) and Cape Fear (1991). He received the Academy Award for Best Actor for his role as Jake LaMotta in Raging Bull (1980).
De Niro has earned four Golden Globe Award nominations for Best Actor - Motion Picture Musical or Comedy, for his work in New York, New York (1977), opposite Liza Minnelli, Midnight Run (1988), Analyze This (1999) and Meet the Parents (2000). Other notable performances include Brazil (1985), The Untouchables (1987), Backdraft (1991), Frankenstein (1994), Heat (1995), Casino (1995) and Jackie Brown (1997). At the same time, he also directed and starred in such films as A Bronx Tale (1993) and The Good Shepherd (2006). De Niro has also received the AFI Lifetime Achievement Award in 2003 and the Golden Globe Cecil B. DeMille Award in 2010.
As of 2022, De Niro is 79-years-old. He has never retired from acting, and continues to work regularly in mostly film.- Actor
- Producer
- Director
One of the greatest actors of all time, Robert De Niro was born on August 17, 1943 in Manhattan, New York City, to artists Virginia (Admiral) and Robert De Niro Sr. His paternal grandfather was of Italian descent, and his other ancestry is Irish, English, Dutch, German, and French. He was trained at the Stella Adler Conservatory and the American Workshop. De Niro first gained fame for his role in Bang the Drum Slowly (1973), but he gained his reputation as a volatile actor in Mean Streets (1973), which was his first film with director Martin Scorsese. He received an Academy Award for Best Supporting Actor for his role in The Godfather Part II (1974) and received Academy Award nominations for best actor in Taxi Driver (1976), The Deer Hunter (1978) and Cape Fear (1991). He received the Academy Award for Best Actor for his role as Jake LaMotta in Raging Bull (1980).
De Niro has earned four Golden Globe Award nominations for Best Actor - Motion Picture Musical or Comedy, for his work in New York, New York (1977), opposite Liza Minnelli, Midnight Run (1988), Analyze This (1999) and Meet the Parents (2000). Other notable performances include Brazil (1985), The Untouchables (1987), Backdraft (1991), Frankenstein (1994), Heat (1995), Casino (1995) and Jackie Brown (1997). At the same time, he also directed and starred in such films as A Bronx Tale (1993) and The Good Shepherd (2006). De Niro has also received the AFI Lifetime Achievement Award in 2003 and the Golden Globe Cecil B. DeMille Award in 2010.
As of 2022, De Niro is 79-years-old. He has never retired from acting, and continues to work regularly in mostly film.- Actor
- Director
- Producer
Alfredo James "Al" 'Pacino established himself as a film actor during one of cinema's most vibrant decades, the 1970s, and has become an enduring and iconic figure in the world of American movies.
He was born April 25, 1940 in Manhattan, New York City, to Italian-American parents, Rose (nee Gerardi) and Sal Pacino. They divorced when he was young. His mother moved them into his grandparents' home in the South Bronx. Pacino found himself often repeating the plots and voices of characters he had seen in the movies. Bored and unmotivated in school, he found a haven in school plays, and his interest soon blossomed into a full-time career. Starting onstage, he went through a period of depression and poverty, sometimes having to borrow bus fare to succeed to auditions. He made it into the prestigious Actors Studio in 1966, studying under Lee Strasberg, creator of the Method Approach that would become the trademark of many 1970s-era actors.
After appearing in a string of plays in supporting roles, Pacino finally attained success off-Broadway with Israel Horovitz's "The Indian Wants the Bronx", winning an Obie Award for the 1966-67 season. That was followed by a Tony Award for "Does the Tiger Wear a Necktie?" His first feature films made little departure from the gritty realistic stage performances that earned him respect: he played a drug addict in The Panic in Needle Park (1971) after his film debut in Me, Natalie (1969). The role of Michael Corleone in The Godfather (1972) was one of the most sought-after of the time: Robert Redford, Warren Beatty, Jack Nicholson, Ryan O'Neal, Robert De Niro and a host of other actors either wanted it or were mentioned, but director Francis Ford Coppola wanted Pacino for the role.
Coppola was successful but Pacino was reportedly in constant fear of being fired during the very difficult shoot. The film was a monster hit that earned Pacino his first Academy Award nomination for Best Supporting Actor. However, instead of taking on easier projects for the big money he could now command, Pacino threw his support behind what he considered tough but important films, such as the true-life crime drama Serpico (1973) and the tragic real-life bank robbery film Dog Day Afternoon (1975). He was nominated three consecutive years for the "Best Actor" Academy Award. He faltered slightly with Bobby Deerfield (1977), but regained his stride with And Justice for All (1979), for which he received another Academy Award nomination for Best Actor. Unfortunately, this would signal the beginning of a decline in his career, which produced flops like Cruising (1980) and Author! Author! (1982).
Pacino took on another vicious gangster role and cemented his legendary status in the ultra-violent cult film Scarface (1983), but a monumental mistake was about to follow. Revolution (1985) endured an endless and seemingly cursed shoot in which equipment was destroyed, weather was terrible, and Pacino fell ill with pneumonia. Constant changes in the script further derailed the project. The Revolutionary War-themed film, considered among the worst films ever made, resulted in awful reviews and kept him off the screen for the next four years. Returning to the stage, Pacino did much to give back and contribute to the theatre, which he considers his first love. He directed a film, The Local Stigmatic (1990), but it remains unreleased. He lifted his self-imposed exile with the striking Sea of Love (1989) as a hard-drinking policeman. This marked the second phase of Pacino's career, being the first to feature his now famous dark, owl eyes and hoarse, gravelly voice.
Returning to the Corleones, Pacino made The Godfather Part III (1990) and earned raves for his first comedic role in the colorful adaptation Dick Tracy (1990). This earned him another Academy Award nomination for Best Supporting Actor, and two years later he was nominated for Glengarry Glen Ross (1992). He went into romantic mode for Frankie and Johnny (1991). In 1992, he finally won the Academy Award for Best Actor for his amazing performance in Scent of a Woman (1992). A mixture of technical perfection (he plays a blind man) and charisma, the role was tailor-made for him, and remains a classic.
The next few years would see Pacino becoming more comfortable with acting and movies as a business, turning out great roles in great films with more frequency and less of the demanding personal involvement of his wilder days. Carlito's Way (1993) proved another gangster classic, as did the epic crime drama Heat (1995) directed by Michael Mann and co-starring Robert De Niro. He directed the film adaptation of Shakespeare's Looking for Richard (1996). During this period, City Hall (1996), Donnie Brasco (1997) and The Devil's Advocate (1997) all came out. Reteaming with Mann and then Oliver Stone, he gave commanding performances in The Insider (1999) and Any Given Sunday (1999).
In the 2000s, Pacino starred in a number of theatrical blockbusters, including Ocean's Thirteen (2007), but his choice in television roles (the vicious, closeted Roy Cohn in the HBO miniseries Angels in America (2003) and his sensitive portrayal of Jack Kevorkian, in the television movie You Don't Know Jack (2010)) are reminiscent of the bolder choices of his early career. Each television project garnered him an Emmy Award for Outstanding Lead Actor in a Miniseries or a Movie.
Never wed, Pacino has a daughter, Julie Marie, with acting teacher Jan Tarrant, and a set of twins with former longtime girlfriend Beverly D'Angelo. His romantic history includes Jill Clayburgh, Veruschka von Lehndorff, Carole Mallory, Debra Winger, Tuesday Weld, Marthe Keller, Carmen Cervera, Kathleen Quinlan, Lyndall Hobbs, Penelope Ann Miller, and a two-decade intermittent relationship with "Godfather" co-star Diane Keaton. He currently lives with Argentinian actress Lucila Solá, who is 36 years his junior.
As of 2022, Pacino is 82-years-old. He has never retired from acting, and continues to appear regularly in film.- Actor
- Director
- Producer
Alfredo James "Al" 'Pacino established himself as a film actor during one of cinema's most vibrant decades, the 1970s, and has become an enduring and iconic figure in the world of American movies.
He was born April 25, 1940 in Manhattan, New York City, to Italian-American parents, Rose (nee Gerardi) and Sal Pacino. They divorced when he was young. His mother moved them into his grandparents' home in the South Bronx. Pacino found himself often repeating the plots and voices of characters he had seen in the movies. Bored and unmotivated in school, he found a haven in school plays, and his interest soon blossomed into a full-time career. Starting onstage, he went through a period of depression and poverty, sometimes having to borrow bus fare to succeed to auditions. He made it into the prestigious Actors Studio in 1966, studying under Lee Strasberg, creator of the Method Approach that would become the trademark of many 1970s-era actors.
After appearing in a string of plays in supporting roles, Pacino finally attained success off-Broadway with Israel Horovitz's "The Indian Wants the Bronx", winning an Obie Award for the 1966-67 season. That was followed by a Tony Award for "Does the Tiger Wear a Necktie?" His first feature films made little departure from the gritty realistic stage performances that earned him respect: he played a drug addict in The Panic in Needle Park (1971) after his film debut in Me, Natalie (1969). The role of Michael Corleone in The Godfather (1972) was one of the most sought-after of the time: Robert Redford, Warren Beatty, Jack Nicholson, Ryan O'Neal, Robert De Niro and a host of other actors either wanted it or were mentioned, but director Francis Ford Coppola wanted Pacino for the role.
Coppola was successful but Pacino was reportedly in constant fear of being fired during the very difficult shoot. The film was a monster hit that earned Pacino his first Academy Award nomination for Best Supporting Actor. However, instead of taking on easier projects for the big money he could now command, Pacino threw his support behind what he considered tough but important films, such as the true-life crime drama Serpico (1973) and the tragic real-life bank robbery film Dog Day Afternoon (1975). He was nominated three consecutive years for the "Best Actor" Academy Award. He faltered slightly with Bobby Deerfield (1977), but regained his stride with And Justice for All (1979), for which he received another Academy Award nomination for Best Actor. Unfortunately, this would signal the beginning of a decline in his career, which produced flops like Cruising (1980) and Author! Author! (1982).
Pacino took on another vicious gangster role and cemented his legendary status in the ultra-violent cult film Scarface (1983), but a monumental mistake was about to follow. Revolution (1985) endured an endless and seemingly cursed shoot in which equipment was destroyed, weather was terrible, and Pacino fell ill with pneumonia. Constant changes in the script further derailed the project. The Revolutionary War-themed film, considered among the worst films ever made, resulted in awful reviews and kept him off the screen for the next four years. Returning to the stage, Pacino did much to give back and contribute to the theatre, which he considers his first love. He directed a film, The Local Stigmatic (1990), but it remains unreleased. He lifted his self-imposed exile with the striking Sea of Love (1989) as a hard-drinking policeman. This marked the second phase of Pacino's career, being the first to feature his now famous dark, owl eyes and hoarse, gravelly voice.
Returning to the Corleones, Pacino made The Godfather Part III (1990) and earned raves for his first comedic role in the colorful adaptation Dick Tracy (1990). This earned him another Academy Award nomination for Best Supporting Actor, and two years later he was nominated for Glengarry Glen Ross (1992). He went into romantic mode for Frankie and Johnny (1991). In 1992, he finally won the Academy Award for Best Actor for his amazing performance in Scent of a Woman (1992). A mixture of technical perfection (he plays a blind man) and charisma, the role was tailor-made for him, and remains a classic.
The next few years would see Pacino becoming more comfortable with acting and movies as a business, turning out great roles in great films with more frequency and less of the demanding personal involvement of his wilder days. Carlito's Way (1993) proved another gangster classic, as did the epic crime drama Heat (1995) directed by Michael Mann and co-starring Robert De Niro. He directed the film adaptation of Shakespeare's Looking for Richard (1996). During this period, City Hall (1996), Donnie Brasco (1997) and The Devil's Advocate (1997) all came out. Reteaming with Mann and then Oliver Stone, he gave commanding performances in The Insider (1999) and Any Given Sunday (1999).
In the 2000s, Pacino starred in a number of theatrical blockbusters, including Ocean's Thirteen (2007), but his choice in television roles (the vicious, closeted Roy Cohn in the HBO miniseries Angels in America (2003) and his sensitive portrayal of Jack Kevorkian, in the television movie You Don't Know Jack (2010)) are reminiscent of the bolder choices of his early career. Each television project garnered him an Emmy Award for Outstanding Lead Actor in a Miniseries or a Movie.
Never wed, Pacino has a daughter, Julie Marie, with acting teacher Jan Tarrant, and a set of twins with former longtime girlfriend Beverly D'Angelo. His romantic history includes Jill Clayburgh, Veruschka von Lehndorff, Carole Mallory, Debra Winger, Tuesday Weld, Marthe Keller, Carmen Cervera, Kathleen Quinlan, Lyndall Hobbs, Penelope Ann Miller, and a two-decade intermittent relationship with "Godfather" co-star Diane Keaton. He currently lives with Argentinian actress Lucila Solá, who is 36 years his junior.
As of 2022, Pacino is 82-years-old. He has never retired from acting, and continues to appear regularly in film.- Actor
- Director
- Writer
Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented Laurence Olivier in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of Tennessee Williams' A Streetcar Named Desire (1951) and a quarter-century after his last great performance as Col. Kurtz in Francis Ford Coppola's Apocalypse Now (1979), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of John Barrymore, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as Paul Muni and Fredric March. Only the luster of Spencer Tracy's reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.
Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister Jocelyn Brando was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown Henry Fonda, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.
Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in Last Tango in Paris (1972) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. Anthony Quinn, his Oscar-winning co-star in Viva Zapata! (1952) told Brando's first wife Anna Kashfi, "I admire Marlon's talent, but I don't envy the pain that created it."
Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School, and was mentored by Stella Adler, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.
Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in Fred Zinnemann's The Men (1950) for producer Stanley Kramer. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni John Garfield, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer Irene Mayer Selznick had chosen to play the lead in a new Tennessee Williams play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." Burt Lancaster was next approached, but couldn't get out of a prior film commitment. Then director Elia Kazan suggested Brando, whom he had directed to great effect in Maxwell Anderson's play "Truckline Café," in which Brando co-starred with Karl Malden, who was to remain a close friend for the next 60 years.
During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as Karl Malden and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young Pauline Kael, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.
The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of Jessica Tandy's Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.
For his part, Brando believed that the audience sided with his Stanley because Jessica Tandy was too shrill. He thought Vivien Leigh, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as Lee Strasberg at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and Stella Adler's husband, Harold Clurman, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience
Interestingly, Elia Kazan believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.
After A Streetcar Named Desire (1951), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in Viva Zapata! (1952), Julius Caesar (1953) and the summit of his early career, Kazan's On the Waterfront (1954). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in The Wild One (1953) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to Jon Voight, unprecedented in its audacious presentation of such a wide range of great acting. Director John Huston said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star John Gielgud, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.
It was this period of 1951-54 that revolutionized American acting, spawning such imitators as James Dean - who modeled his acting and even his lifestyle on his hero Brando - the young Paul Newman and Steve McQueen. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as Warren Beatty in Kazan's Splendor in the Grass (1961). "We are all Brando's children," Jack Nicholson pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like Désirée (1954) and The Teahouse of the August Moon (1956), he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.
In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, Sayonara (1957) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed One-Eyed Jacks (1961) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). Stanley Kubrick had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow Christiane Kubrick, Stanley believed that Brando had wanted to direct the film himself all along.
Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting One-Eyed Jacks (1961), Edward Dmytryk's filming of Irwin Shaw's novel The Young Lions (1958). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.
One-Eyed Jacks (1961) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.
Between the production and release of One-Eyed Jacks (1961), Brando appeared in Sidney Lumet's film version of Tennessee Williams' play "Orpheus Descending," The Fugitive Kind (1960) which teamed him with fellow Oscar winners Anna Magnani and Joanne Woodward. Following in Elizabeth Taylor's trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic Hollis Alpert had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed The Fugitive Kind (1960) finally released. Though Tennessee was hot, with movie versions of Cat on a Hot Tin Roof (1958) and Suddenly, Last Summer (1959) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, The Fugitive Kind (1960) was a failure. This was followed by the so-so box-office reception of One-Eyed Jacks (1961) in 1961 and then by a failure of a more monumental kind: Mutiny on the Bounty (1962), a remake of the famed 1935 film.
Brando signed on to Mutiny on the Bounty (1962) after turning down the lead in the David Lean classic Lawrence of Arabia (1962) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director Carol Reed (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner Lewis Milestone, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President John F. Kennedy asked director Billy Wilder at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.
Brando and Taylor, whose Cleopatra (1963) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's Mutiny on the Bounty (1962)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of The Ten Commandments (1956) and Ben-Hur (1959), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.
While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with Cleopatra (1963) co-star Richard Burton, remained hot until the tanking of her own Tennessee Williams-renamed debacle Boom! (1968), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.
Some of the films Brando made in the 1960s were noble failures, such as The Ugly American (1963), The Appaloosa (1966) and Reflections in a Golden Eye (1967). For every "Reflections," though, there seemed to be two or three outright debacles, such as Bedtime Story (1964), Morituri (1965), The Chase (1966), A Countess from Hong Kong (1967), Candy (1968), The Night of the Following Day (1969). By the time Brando began making the anti-colonialist picture Burn! (1969) in Colombia with Gillo Pontecorvo in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as Arthur Penn, John Huston and the legendary Charles Chaplin, and with such top-drawer co-stars as David Niven, Yul Brynner, Sophia Loren and Taylor.
The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to Laurence Olivier, as his friend William Redfield limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as Rod Steiger tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.
Despite evidence in such films as The Appaloosa (1966) and Reflections in a Golden Eye (1967) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.
Pauline Kael wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of John Barrymore, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious Candy (1968), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor Elia Kazan, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, The Arrangement (1969). However, after the assassination of Martin Luther King, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king Paul Newman in a surefire script, Butch Cassidy and the Sundance Kid (1969), Brando decided to make Burn! (1969) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as Howard Zinn. He subsequently appeared in the British film The Nightcomers (1971), a prequel to "Turn of the Screw" and another critical and box office failure.
Kazan, after a life in film and the theater, said that, aside from Orson Welles, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.
Truman Capote, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.
Charlton Heston, who participated in Martin Luther King's 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As Rod Steiger once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When James Mason' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be George C. Scott, by default.
Paramount thought that only Laurence Olivier would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. Francis Ford Coppola won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, The Godfather (1972), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous Last Tango in Paris (1972) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.
After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in Last Tango in Paris (1972)," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. Pauline Kael, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in Last Tango in Paris (1972) had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with Sam Peckinpah's summation of Pauline Kael: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.
After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after Jack Nicholson in Arthur Penn's The Missouri Breaks (1976), a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries Roots: The Next Generations (1979), portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of Raoni (1978), a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on Superman (1978). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day Harrison Ford set with K-19: The Widowmaker (2002). He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.
Before cashing his first paycheck for Superman (1978), Brando had picked up $2 million for his extended cameo in Francis Ford Coppola's Apocalypse Now (1979) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with George C. Scott and John Gielgud in The Formula (1980), but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in A Dry White Season (1989) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy The Freshman (1990), winning rave reviews. He portrayed Tomas de Torquemada in the historical drama 1492: Conquest of Paradise (1992), but his performance was denounced and the film was another box office failure. He made another comeback in the Johnny Depp romantic drama Don Juan DeMarco (1994), which co-starred Faye Dunaway as his wife. He then appeared in The Island of Dr. Moreau (1996), co-starring Val Kilmer, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.
Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of The Men (1950), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.- Actor
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Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented Laurence Olivier in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of Tennessee Williams' A Streetcar Named Desire (1951) and a quarter-century after his last great performance as Col. Kurtz in Francis Ford Coppola's Apocalypse Now (1979), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of John Barrymore, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as Paul Muni and Fredric March. Only the luster of Spencer Tracy's reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.
Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister Jocelyn Brando was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown Henry Fonda, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.
Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in Last Tango in Paris (1972) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. Anthony Quinn, his Oscar-winning co-star in Viva Zapata! (1952) told Brando's first wife Anna Kashfi, "I admire Marlon's talent, but I don't envy the pain that created it."
Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School, and was mentored by Stella Adler, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.
Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in Fred Zinnemann's The Men (1950) for producer Stanley Kramer. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni John Garfield, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer Irene Mayer Selznick had chosen to play the lead in a new Tennessee Williams play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." Burt Lancaster was next approached, but couldn't get out of a prior film commitment. Then director Elia Kazan suggested Brando, whom he had directed to great effect in Maxwell Anderson's play "Truckline Café," in which Brando co-starred with Karl Malden, who was to remain a close friend for the next 60 years.
During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as Karl Malden and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young Pauline Kael, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.
The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of Jessica Tandy's Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.
For his part, Brando believed that the audience sided with his Stanley because Jessica Tandy was too shrill. He thought Vivien Leigh, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as Lee Strasberg at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and Stella Adler's husband, Harold Clurman, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience
Interestingly, Elia Kazan believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.
After A Streetcar Named Desire (1951), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in Viva Zapata! (1952), Julius Caesar (1953) and the summit of his early career, Kazan's On the Waterfront (1954). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in The Wild One (1953) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to Jon Voight, unprecedented in its audacious presentation of such a wide range of great acting. Director John Huston said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star John Gielgud, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.
It was this period of 1951-54 that revolutionized American acting, spawning such imitators as James Dean - who modeled his acting and even his lifestyle on his hero Brando - the young Paul Newman and Steve McQueen. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as Warren Beatty in Kazan's Splendor in the Grass (1961). "We are all Brando's children," Jack Nicholson pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like Désirée (1954) and The Teahouse of the August Moon (1956), he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.
In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, Sayonara (1957) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed One-Eyed Jacks (1961) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). Stanley Kubrick had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow Christiane Kubrick, Stanley believed that Brando had wanted to direct the film himself all along.
Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting One-Eyed Jacks (1961), Edward Dmytryk's filming of Irwin Shaw's novel The Young Lions (1958). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.
One-Eyed Jacks (1961) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.
Between the production and release of One-Eyed Jacks (1961), Brando appeared in Sidney Lumet's film version of Tennessee Williams' play "Orpheus Descending," The Fugitive Kind (1960) which teamed him with fellow Oscar winners Anna Magnani and Joanne Woodward. Following in Elizabeth Taylor's trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic Hollis Alpert had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed The Fugitive Kind (1960) finally released. Though Tennessee was hot, with movie versions of Cat on a Hot Tin Roof (1958) and Suddenly, Last Summer (1959) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, The Fugitive Kind (1960) was a failure. This was followed by the so-so box-office reception of One-Eyed Jacks (1961) in 1961 and then by a failure of a more monumental kind: Mutiny on the Bounty (1962), a remake of the famed 1935 film.
Brando signed on to Mutiny on the Bounty (1962) after turning down the lead in the David Lean classic Lawrence of Arabia (1962) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director Carol Reed (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner Lewis Milestone, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President John F. Kennedy asked director Billy Wilder at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.
Brando and Taylor, whose Cleopatra (1963) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's Mutiny on the Bounty (1962)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of The Ten Commandments (1956) and Ben-Hur (1959), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.
While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with Cleopatra (1963) co-star Richard Burton, remained hot until the tanking of her own Tennessee Williams-renamed debacle Boom! (1968), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.
Some of the films Brando made in the 1960s were noble failures, such as The Ugly American (1963), The Appaloosa (1966) and Reflections in a Golden Eye (1967). For every "Reflections," though, there seemed to be two or three outright debacles, such as Bedtime Story (1964), Morituri (1965), The Chase (1966), A Countess from Hong Kong (1967), Candy (1968), The Night of the Following Day (1969). By the time Brando began making the anti-colonialist picture Burn! (1969) in Colombia with Gillo Pontecorvo in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as Arthur Penn, John Huston and the legendary Charles Chaplin, and with such top-drawer co-stars as David Niven, Yul Brynner, Sophia Loren and Taylor.
The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to Laurence Olivier, as his friend William Redfield limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as Rod Steiger tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.
Despite evidence in such films as The Appaloosa (1966) and Reflections in a Golden Eye (1967) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.
Pauline Kael wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of John Barrymore, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious Candy (1968), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor Elia Kazan, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, The Arrangement (1969). However, after the assassination of Martin Luther King, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king Paul Newman in a surefire script, Butch Cassidy and the Sundance Kid (1969), Brando decided to make Burn! (1969) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as Howard Zinn. He subsequently appeared in the British film The Nightcomers (1971), a prequel to "Turn of the Screw" and another critical and box office failure.
Kazan, after a life in film and the theater, said that, aside from Orson Welles, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.
Truman Capote, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.
Charlton Heston, who participated in Martin Luther King's 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As Rod Steiger once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When James Mason' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be George C. Scott, by default.
Paramount thought that only Laurence Olivier would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. Francis Ford Coppola won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, The Godfather (1972), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous Last Tango in Paris (1972) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.
After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in Last Tango in Paris (1972)," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. Pauline Kael, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in Last Tango in Paris (1972) had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with Sam Peckinpah's summation of Pauline Kael: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.
After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after Jack Nicholson in Arthur Penn's The Missouri Breaks (1976), a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries Roots: The Next Generations (1979), portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of Raoni (1978), a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on Superman (1978). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day Harrison Ford set with K-19: The Widowmaker (2002). He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.
Before cashing his first paycheck for Superman (1978), Brando had picked up $2 million for his extended cameo in Francis Ford Coppola's Apocalypse Now (1979) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with George C. Scott and John Gielgud in The Formula (1980), but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in A Dry White Season (1989) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy The Freshman (1990), winning rave reviews. He portrayed Tomas de Torquemada in the historical drama 1492: Conquest of Paradise (1992), but his performance was denounced and the film was another box office failure. He made another comeback in the Johnny Depp romantic drama Don Juan DeMarco (1994), which co-starred Faye Dunaway as his wife. He then appeared in The Island of Dr. Moreau (1996), co-starring Val Kilmer, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.
Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of The Men (1950), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.- Actress
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Emma Thompson was born on April 15, 1959 in Paddington, London, into a family of actors - father Eric Thompson and mother Phyllida Law, who has co-starred with Thompson in several films. Her sister, Sophie Thompson, is an actor as well. Her father was English-born and her mother is Scottish-born. Thompson's wit was cultivated by a cheerful, clever, creative family atmosphere, and she was a popular and successful student. She attended Cambridge University, studying English Literature, and was part of the university's Footlights Group, the famous group where, previously, many of the Monty Python members had first met.
Thompson graduated in 1980 and embarked on her career in entertainment, beginning with stints on BBC radio and touring with comedy shows. She soon got her first major break in television, on the comedy skit program Alfresco (1983), writing and performing along with her fellow Footlights Group alums Stephen Fry and Hugh Laurie. She also worked on other TV comedy review programs in the mid-1980s, occasionally with some of her fellow Footlights alums, and often with actor Robbie Coltrane.
Thompson found herself collaborating again with Fry in 1985, this time in his stage adaptation of the play "Me and My Girl" in London's West End, in which she had a leading role, playing Sally Smith. The show was a success and she received favorable reviews, and the strength of her performance led to her casting as the lead in the BBC television miniseries Fortunes of War (1987), in which Thompson and her co-star, Kenneth Branagh, play an English ex-patriate couple living in Eastern Europe as the Second World War erupts. Thompson won a BAFTA Award for her work on the program. She married Branagh in 1989, continued to work with him professionally, and formed a production company with him. In the late 80s and early 90s, she starred in a string of well-received and successful television and film productions, most notably her lead role in the Merchant-Ivory production of Howards End (1992), which confirmed her ability to carry a movie on both sides of the Atlantic and appropriately showered her with trans-Atlantic honors - both an Oscar and a BAFTA award.
Since then, Thompson has continued to move effortlessly between the art film world and mainstream Hollywood, though even her Hollywood roles tend to be in more up-market productions. She continues to work on television as well, but is generally very selective about which roles she takes. She writes for the screen as well, such as the screenplay for Ang Lee's Sense and Sensibility (1995), in which she also starred as Elinor Dashwood, and the teleplay adaptation of Margaret Edson's acclaimed play Wit (2001), in which she also starred.
Thompson is known for her sophisticated, skillful, though her critics say somewhat mannered, performances, and of course for her arch wit, which she is unafraid to point at herself - she is a fearless self-satirist. Thompson and Branagh divorced in 1994, and Thompson is now married to fellow actor Greg Wise, who had played Willoughby in Ang Lee's Sense and Sensibility (1995). Thompson and Wise have one child, Gaia, born in 1999. She was appointed Dame Commander of the Order of the British Empire at the 2018 Queen's Birthday Honours for her services to drama.- Actor
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Gary Oldman is a talented English movie star and character actor, renowned for his expressive acting style. One of the most celebrated thespians of his generation, with a diverse career encompassing theatre, film and television, he is known for his roles as Sid Vicious in Sid and Nancy (1986), Drexl in True Romance (1993), George Smiley in Tinker Tailor Soldier Spy (2011), and Winston Churchill in Darkest Hour (2017), among many others. For much of his career, he was best-known for playing over-the-top antagonists, such as terrorist Egor Korshunov in the 1997 blockbuster Air Force One (1997), though he has reached a new audience with heroic roles in the Harry Potter and Dark Knight franchises. He is also a filmmaker, musician, and author.
Gary Leonard Oldman was born on March 21, 1958 in New Cross, London, England, to Kathleen (Cheriton), a homemaker, and Leonard Bertram Oldman, a welder. He won a scholarship to Britain's Rose Bruford Drama College, in Sidcup, Kent, where he received a B.A. in theatre arts in 1979. He subsequently studied with the Greenwich Young People's Theatre and went on to appear in a number of plays throughout the early '80s, including "The Pope's Wedding," for which he received Time Out's Fringe Award for Best Newcomer of 1985-1986 and the British Theatre Association's Drama Magazine Award as Best Actor for 1985. Before fame, he was employed as a worker in assembly lines and as a porter in an operating theater. He also had jobs selling shoes and beheading pigs while supporting his early acting career.
His film debut was Remembrance (1982), though his most-memorable early role came when he played Sex Pistol Sid Vicious in the biopic Sid and Nancy (1986) picking up the Evening Standard Film Award as Best Newcomer. He then received a Best Actor nomination from BAFTA for his portrayal of '60s playwright Joe Orton in Prick Up Your Ears (1987).
In the 1990s, Oldman brought to life a series of iconic real-world and fictional villains including Lee Harvey Oswald in JFK (1991), the title character in Bram Stoker's Dracula (1992), Drexl Spivey in True Romance (1993), Stansfield in Léon: The Professional (1994), Jean-Baptiste Emanuel Zorg in The Fifth Element (1997) and Ivan Korshunov in Air Force One (1997). That decade also saw Oldman portraying Ludwig van Beethoven in biopic Immortal Beloved (1994).
Oldman played the coveted role of Sirius Black in Harry Potter and the Prisoner of Azkaban (2004), giving him a key part in one of the highest-grossing franchises ever. He reprised that role in Harry Potter and the Goblet of Fire (2005) and Harry Potter and the Order of the Phoenix (2007). Oldman also took on the iconic role of Detective James Gordon in writer-director Christopher Nolan's Batman Begins (2005), a role he played again in The Dark Knight (2008) and The Dark Knight Rises (2012). Prominent film critic Mark Kermode, in reviewing The Dark Knight, wrote, "the best performance in the film, by a mile, is Gary Oldman's ... it would be lovely to see him get a[n Academy Award] nomination because actually, he's the guy who gets kind of overlooked in all of this."
Oldman co-starred with Jim Carrey in the 2009 version of A Christmas Carol in which Oldman played three roles. He had a starring role in David Goyer's supernatural thriller The Unborn, released in 2009. In 2010, Oldman co-starred with Denzel Washington in The Book of Eli. He also played a lead role in Catherine Hardwicke's Red Riding Hood. Oldman voiced the role of villain Lord Shen and was nominated for an Annie Award for his performance in Kung Fu Panda 2.
In 2011, Oldman portrayed master spy George Smiley in the adaptation of John le Carré's Tinker Tailor Soldier Spy (2011), and the role scored Oldman his first Academy Award nomination. In 2014, he played one of the lead humans in the science fiction action film Dawn of the Planet of the Apes (2014) alongside Jason Clarke and Keri Russell. Also in 2014, Oldman starred alongside Joel Kinnaman, Abbie Cornish, Michael Keaton, and Samuel L. Jackson in the remake of RoboCop (2014), as Norton, the scientist who creates RoboCop.
Aside from acting, Oldman tried his hand at writing and directing for Nil by Mouth (1997). The movie opened the Cannes Film Festival in 1997, and won Kathy Burke a Best Actress prize at the festival.
Oldman has three children, Alfie, with first wife, actress Lesley Manville, and Gulliver and Charlie with his third wife, Donya Fiorentino. In 2017, he married writer and art curator Gisele Schmidt.
In 2018 he won an Oscar for best actor for his work on Darkest Hour (2017).- Actor
- Producer
- Director
Gary Oldman is a talented English movie star and character actor, renowned for his expressive acting style. One of the most celebrated thespians of his generation, with a diverse career encompassing theatre, film and television, he is known for his roles as Sid Vicious in Sid and Nancy (1986), Drexl in True Romance (1993), George Smiley in Tinker Tailor Soldier Spy (2011), and Winston Churchill in Darkest Hour (2017), among many others. For much of his career, he was best-known for playing over-the-top antagonists, such as terrorist Egor Korshunov in the 1997 blockbuster Air Force One (1997), though he has reached a new audience with heroic roles in the Harry Potter and Dark Knight franchises. He is also a filmmaker, musician, and author.
Gary Leonard Oldman was born on March 21, 1958 in New Cross, London, England, to Kathleen (Cheriton), a homemaker, and Leonard Bertram Oldman, a welder. He won a scholarship to Britain's Rose Bruford Drama College, in Sidcup, Kent, where he received a B.A. in theatre arts in 1979. He subsequently studied with the Greenwich Young People's Theatre and went on to appear in a number of plays throughout the early '80s, including "The Pope's Wedding," for which he received Time Out's Fringe Award for Best Newcomer of 1985-1986 and the British Theatre Association's Drama Magazine Award as Best Actor for 1985. Before fame, he was employed as a worker in assembly lines and as a porter in an operating theater. He also had jobs selling shoes and beheading pigs while supporting his early acting career.
His film debut was Remembrance (1982), though his most-memorable early role came when he played Sex Pistol Sid Vicious in the biopic Sid and Nancy (1986) picking up the Evening Standard Film Award as Best Newcomer. He then received a Best Actor nomination from BAFTA for his portrayal of '60s playwright Joe Orton in Prick Up Your Ears (1987).
In the 1990s, Oldman brought to life a series of iconic real-world and fictional villains including Lee Harvey Oswald in JFK (1991), the title character in Bram Stoker's Dracula (1992), Drexl Spivey in True Romance (1993), Stansfield in Léon: The Professional (1994), Jean-Baptiste Emanuel Zorg in The Fifth Element (1997) and Ivan Korshunov in Air Force One (1997). That decade also saw Oldman portraying Ludwig van Beethoven in biopic Immortal Beloved (1994).
Oldman played the coveted role of Sirius Black in Harry Potter and the Prisoner of Azkaban (2004), giving him a key part in one of the highest-grossing franchises ever. He reprised that role in Harry Potter and the Goblet of Fire (2005) and Harry Potter and the Order of the Phoenix (2007). Oldman also took on the iconic role of Detective James Gordon in writer-director Christopher Nolan's Batman Begins (2005), a role he played again in The Dark Knight (2008) and The Dark Knight Rises (2012). Prominent film critic Mark Kermode, in reviewing The Dark Knight, wrote, "the best performance in the film, by a mile, is Gary Oldman's ... it would be lovely to see him get a[n Academy Award] nomination because actually, he's the guy who gets kind of overlooked in all of this."
Oldman co-starred with Jim Carrey in the 2009 version of A Christmas Carol in which Oldman played three roles. He had a starring role in David Goyer's supernatural thriller The Unborn, released in 2009. In 2010, Oldman co-starred with Denzel Washington in The Book of Eli. He also played a lead role in Catherine Hardwicke's Red Riding Hood. Oldman voiced the role of villain Lord Shen and was nominated for an Annie Award for his performance in Kung Fu Panda 2.
In 2011, Oldman portrayed master spy George Smiley in the adaptation of John le Carré's Tinker Tailor Soldier Spy (2011), and the role scored Oldman his first Academy Award nomination. In 2014, he played one of the lead humans in the science fiction action film Dawn of the Planet of the Apes (2014) alongside Jason Clarke and Keri Russell. Also in 2014, Oldman starred alongside Joel Kinnaman, Abbie Cornish, Michael Keaton, and Samuel L. Jackson in the remake of RoboCop (2014), as Norton, the scientist who creates RoboCop.
Aside from acting, Oldman tried his hand at writing and directing for Nil by Mouth (1997). The movie opened the Cannes Film Festival in 1997, and won Kathy Burke a Best Actress prize at the festival.
Oldman has three children, Alfie, with first wife, actress Lesley Manville, and Gulliver and Charlie with his third wife, Donya Fiorentino. In 2017, he married writer and art curator Gisele Schmidt.
In 2018 he won an Oscar for best actor for his work on Darkest Hour (2017).- Actor
- Producer
- Director
Gary Oldman is a talented English movie star and character actor, renowned for his expressive acting style. One of the most celebrated thespians of his generation, with a diverse career encompassing theatre, film and television, he is known for his roles as Sid Vicious in Sid and Nancy (1986), Drexl in True Romance (1993), George Smiley in Tinker Tailor Soldier Spy (2011), and Winston Churchill in Darkest Hour (2017), among many others. For much of his career, he was best-known for playing over-the-top antagonists, such as terrorist Egor Korshunov in the 1997 blockbuster Air Force One (1997), though he has reached a new audience with heroic roles in the Harry Potter and Dark Knight franchises. He is also a filmmaker, musician, and author.
Gary Leonard Oldman was born on March 21, 1958 in New Cross, London, England, to Kathleen (Cheriton), a homemaker, and Leonard Bertram Oldman, a welder. He won a scholarship to Britain's Rose Bruford Drama College, in Sidcup, Kent, where he received a B.A. in theatre arts in 1979. He subsequently studied with the Greenwich Young People's Theatre and went on to appear in a number of plays throughout the early '80s, including "The Pope's Wedding," for which he received Time Out's Fringe Award for Best Newcomer of 1985-1986 and the British Theatre Association's Drama Magazine Award as Best Actor for 1985. Before fame, he was employed as a worker in assembly lines and as a porter in an operating theater. He also had jobs selling shoes and beheading pigs while supporting his early acting career.
His film debut was Remembrance (1982), though his most-memorable early role came when he played Sex Pistol Sid Vicious in the biopic Sid and Nancy (1986) picking up the Evening Standard Film Award as Best Newcomer. He then received a Best Actor nomination from BAFTA for his portrayal of '60s playwright Joe Orton in Prick Up Your Ears (1987).
In the 1990s, Oldman brought to life a series of iconic real-world and fictional villains including Lee Harvey Oswald in JFK (1991), the title character in Bram Stoker's Dracula (1992), Drexl Spivey in True Romance (1993), Stansfield in Léon: The Professional (1994), Jean-Baptiste Emanuel Zorg in The Fifth Element (1997) and Ivan Korshunov in Air Force One (1997). That decade also saw Oldman portraying Ludwig van Beethoven in biopic Immortal Beloved (1994).
Oldman played the coveted role of Sirius Black in Harry Potter and the Prisoner of Azkaban (2004), giving him a key part in one of the highest-grossing franchises ever. He reprised that role in Harry Potter and the Goblet of Fire (2005) and Harry Potter and the Order of the Phoenix (2007). Oldman also took on the iconic role of Detective James Gordon in writer-director Christopher Nolan's Batman Begins (2005), a role he played again in The Dark Knight (2008) and The Dark Knight Rises (2012). Prominent film critic Mark Kermode, in reviewing The Dark Knight, wrote, "the best performance in the film, by a mile, is Gary Oldman's ... it would be lovely to see him get a[n Academy Award] nomination because actually, he's the guy who gets kind of overlooked in all of this."
Oldman co-starred with Jim Carrey in the 2009 version of A Christmas Carol in which Oldman played three roles. He had a starring role in David Goyer's supernatural thriller The Unborn, released in 2009. In 2010, Oldman co-starred with Denzel Washington in The Book of Eli. He also played a lead role in Catherine Hardwicke's Red Riding Hood. Oldman voiced the role of villain Lord Shen and was nominated for an Annie Award for his performance in Kung Fu Panda 2.
In 2011, Oldman portrayed master spy George Smiley in the adaptation of John le Carré's Tinker Tailor Soldier Spy (2011), and the role scored Oldman his first Academy Award nomination. In 2014, he played one of the lead humans in the science fiction action film Dawn of the Planet of the Apes (2014) alongside Jason Clarke and Keri Russell. Also in 2014, Oldman starred alongside Joel Kinnaman, Abbie Cornish, Michael Keaton, and Samuel L. Jackson in the remake of RoboCop (2014), as Norton, the scientist who creates RoboCop.
Aside from acting, Oldman tried his hand at writing and directing for Nil by Mouth (1997). The movie opened the Cannes Film Festival in 1997, and won Kathy Burke a Best Actress prize at the festival.
Oldman has three children, Alfie, with first wife, actress Lesley Manville, and Gulliver and Charlie with his third wife, Donya Fiorentino. In 2017, he married writer and art curator Gisele Schmidt.
In 2018 he won an Oscar for best actor for his work on Darkest Hour (2017).- Actor
- Director
- Cinematographer
When hunky, twenty-year-old heart-throb Heath Ledger first came to the attention of the public in 1999, it was all too easy to tag him as a "pretty boy" and an actor of little depth. He spent several years trying desperately to sway this image, but this was a double-edged sword. His work comprised nineteen films, including 10 Things I Hate About You (1999), The Patriot (2000), A Knight's Tale (2001), Monster's Ball (2001), Ned Kelly (2003), The Brothers Grimm (2005), Lords of Dogtown (2005), Brokeback Mountain (2005), Casanova (2005), Candy (2006), I'm Not There (2007), The Dark Knight (2008) and The Imaginarium of Doctor Parnassus (2009). He also produced and directed music videos and aspired to be a film director.
Heath Ledger was born on the fourth of April 1979, in Perth, Western Australia, to Sally (Ramshaw), a teacher of French, and Kim Ledger, a mining engineer who also raced cars. His ancestry was Scottish, English, Irish, and Sephardi Jewish. As the story goes, in junior high school it was compulsory to take one of two electives, either cooking or drama. As Heath could not see himself in a cooking class he tried his hand at drama. Heath was talented, however the rest of the class did not acknowledge his talent. When he was seventeen he and a friend decided to pack up, leave school, take a car and rough it to Sydney. Heath believed Sydney to be the place where dreams were made or, at least, where actors could possibly get their big break. Upon arriving in Sydney with a purported sixty-nine cents to his name, Heath tried everything to get a break.
His first real acting job came in a low-budget movie called Blackrock (1997), a largely unimpressive cliché; an adolescent angst film about one boy's struggle when he learns his best mate raped a girl. He only had a very small role in the film. After that small role Heath auditioned for a role in a T.V. show called Sweat (1996) about a group of young Olympic hopefuls. He was offered one of two roles, one as a swimmer, another as a gay cyclist. Heath accepted the latter because he felt to really stand out as an actor one had to accept unique roles that stood out from the bunch. It got him small notice, but unfortunately the show was quickly axed, forcing him to look for other roles. He was in Home and Away (1988) for a very short period, in which he played a surfer who falls in love with one of the girls of Summer Bay. Then came his very brief role in Paws (1997), a film which existed solely to cash in on guitar prodigy Nathan Cavaleri's brief moment of fame, where he was the hottest thing in Australia. Heath played a student in the film, involved in a stage production of a Shakespeare play, in which he played "Oberon". A very brief role, this offered him a small paycheck but did nothing to advance his career. Then came Two Hands (1999). He went to the U.S. trying to audition for film roles, showcasing his brief role in Roar (1997) opposite then unknown Vera Farmiga.
Then Australian director Gregor Jordan auditioned him for the lead in Two Hands (1999), which he got. An in your face Aussie crime thriller, Two Hands (1999) was outstanding and helped him secure a role in 10 Things I Hate About You (1999). After that, it seemed Heath was being typecast as a young hunk, which he did not like, so he accepted a role in a very serious war drama The Patriot (2000).
What followed was a stark inconsistency of roles, Ledger accepting virtually every single character role, anything to avoid being typecast. Some met with praise, like his short role in Monster's Ball (2001), but his version of Ned Kelly (2003) was an absolute flop, which led distributors hesitant to even release it outside Australia. Heath finally had deserved success with his role in Brokeback Mountain (2005). For his portrayal of Ennis Del Mar in in the film, Ledger won the New York Film Critics Circle Award for Best Actor and Best International Actor from the Australian Film Institute, and was nominated for the BAFTA Award for Best Actor in a Leading Role and for the Academy Award for Best Actor.
Ledger was found dead on January 22, 2008 in his apartment in the Manhattan neighborhood of SoHo, with a bottle of prescription sleeping pills near-by. It was concluded weeks later that he died of an accidental overdose of prescription drugs that included pain-killers, sleeping pills and anti-anxiety medication. His death occurred during editing of The Dark Knight (2008) and in the midst of filming his last role as Tony in The Imaginarium of Doctor Parnassus (2009).
Posthumously, he shared the 2007 Independent Spirit Robert Altman Award with the rest of the ensemble cast, the director, and the casting director for the film I'm Not There (2007), which was inspired by the life and songs of American singer-songwriter Bob Dylan. In the film, Ledger portrayed a fictional actor named Robbie Clark, one of six characters embodying aspects of Dylan's life and persona.
A few months before his death, Ledger had finished filming his performance as the Joker in 'The Dark Knight (2008). His untimely death cast a somber shadow over the subsequent promotion of the $185 million Batman production. Ledger received more than thirty posthumous accolades for his critically acclaimed performance as the Joker, the psychopathic clown prince of crime, in the film, including the Academy Award for Best Supporting Actor, a Best Actor International Award at the 2008 Australian Film Institute Awards (for which he is the second actor to win an acting award posthumously after Peter Finch who won an Oscar for Network (Best Actor 1977)), the 2008 Los Angeles Film Critics Association Award for Best Supporting Actor, the 2009 Golden Globe Award for Best Supporting Actor - Motion Picture, and the 2009 BAFTA Award for Best Supporting Actor.- Georgi Rusev was born on May 7, 1928 in village Kostenetz bathroom , Bulgaria. He is the son of a priest, a settler from Macedonia . In 1952 he graduated from National Academy for Theatre and Film Art, Sofia, Bulgaria with a degree in acting in the class of Professor Filip Filipov . He began his acting career at the Plovdiv Drama Theatre ; continued for several years in Sofia Youth Theatre and finally settled in Pernik Theater between 1966 and 1990. Since 1977 he had been a Chief Manager of the Pernik Drama Theatre "Bojan Danovski". Georgi Rusev was among the founders of the Little City Theatre "Off the Channel" in 1990. In recent years, he had taken roles in Theatre 199 , in the private theater "Alternative" and in the National Theatre . Besides the theater, Rusev played in the cinema. He debuted in 1966 in the movie " The beginning of a vacation ." His interest in the cinema ignited the scripts by Georgi Mishev . He had involved in many of the emblematic Bulgarian movies from the 1970th and 1980th . Unforgettable by their color are his roles (usually negative characters) in the movies "A Peasant on a Bicycle " and " Matriarchy ", directed by Lyudmil Kirkov; " Ladies Choice ", "Dangerous Charm ", and " Yesterday ", directed by Ivan Andonov; " The Hare Census ", directed by Eduard Sachariev; " Examinations at any time "," 13th bride of the prince ", directed by Ivanka Grybcheva. In 1977, he was awarded with the title " People's Artist "; in 2006 he was awarded with the honorary award " Asker " for Lifetime Achievement; in 2008 he was awarded with the Order of " St. St. Cyril and Methodius "with the necklace. He died in Sofia on 1 April 2011 after a serious illness, aged 82.
- Petar Ivanov Popyordanov , known as Chocho Popyordanov, is Bulgarian theater and cinema actor. He was born on June 11, 1964 in Sofia, Bulgaria. He is a son of Ivan Popyordanov (born on 1938) - a longtime Chief of the cinema center Boyana Film Studios. He was also Chief of Bulgarian National Television in 1998. The Mother of Petar Popyordanov Katya was a doctor. The father's family originated from Veles, Vardar Macedonia. Chocho great-grandfather was a first cousin of the Macedonian revolutionaries - Chieftain Mile and his younger brother Jordan Popyordanov-Ortse, leader of Thessaloniki bombers. In 1989, Petar Popyordanov graduated National Academy for Theatre and Film Art, Sofia, Bulgaria in "Acting" in the class of Professor Krikor Azaryan and Todor Kolev. He studied at the Czech Republic one year. He has played in the troupes of Theatre "Sofia", Little City Theatre "Off the Channel" and in 1994 - in the National Theater. His most famous theater roles were in performances "Outcasts," "Midsummer Night's Dream," "At the foot of Vitosha Mountain," "The Tempest," "The man who makes the rain," "Kimono", "Decameron," "Ghosts in Naples, "" Hedda Gabler. " Chocho Popyordanov has involved in cinema productions, including "Yesterday" (1988), "Rio Adio" (1989), " The Love Summer of a Schlep " (1990), "Vampires, ghouls" (1992) "Canaries Season" (1993), "Frontier" (1994), "Spanish fly" (1998), "After the end of the world" (1998), "Danube bridge" (1999), "Sombrero blues" (1999), " Wolf Hunt" (2000). Petar Popyordanov has won numerous nominations and awards, including a nomination for "Asker" in 1996 and 1997 and the prize "Golden Bayar" in Belgium for Best Actor in the film "Border". He had also a presence on the small screen, starring in the TV show "UFO Club" on "Channel 1". In 2007 he began his participation in the series "Outcasts" for "Channel 1" of Bulgarian National Television. He has nephews Helen and Peter Koshnicharski. Albeit posthumously Chocho Popyordanov became a father of adopted him months earlier daughter Ekaterina Petrova Popyordanova. He died on May 5, 2013 in Boyana, Sofia Province, Bulgaria.
- Actor
- Director
- Additional Crew
Hristo Shopov was born on 4 January 1964 in Sofia, Bulgaria. He is an actor and director, known for The Passion of the Christ (2004), Love.net (2011) and Double Identity (2009).- Producer
- Actor
- Executive
William Bradley "Brad" Pitt was born on December 18, 1963 in Shawnee, Oklahoma and raised in Springfield, Missouri to Jane Etta Pitt (née Hillhouse), a school counselor & William Alvin "Bill" Pitt, a truck company manager. At Kickapoo High School, Pitt was involved in sports, debating, student government and school musicals. Pitt attended the University of Missouri, where he majored in journalism with a focus on advertising. He occasionally acted in fraternity shows. He left college two credits short of graduating to move to California. Before he became successful at acting, Pitt supported himself by driving strippers in limos, moving refrigerators and dressing as a giant chicken while working for El Pollo Loco.
Pitt's earliest credited roles were in television, starting on the daytime soap opera Another World (1964) before appearing in the recurring role of Randy on the legendary prime time soap opera Dallas (1978). Following a string of guest appearances on various television series through the 1980s, Pitt gained widespread attention with a small part in Thelma & Louise (1991), in which he played a sexy criminal who romanced and conned Geena Davis. This led to starring roles in badly received films such as Johnny Suede (1991) & Cool World (1992).
But Pitt's career hit an upswing with his casting in A River Runs Through It (1992), which cemented his status as an multi-layered actor as opposed to just a pretty face. Pitt's subsequent projects were as quirky and varied in tone as his performances, ranging from his unforgettably comic cameo as stoner roommate Floyd in True Romance (1993) to romantic roles in such visually lavish films as Interview with the Vampire: The Vampire Chronicles (1994) and Legends of the Fall (1994), to an emotionally tortured detective in the horror-thriller Se7en (1995). His portrayal of frenetic oddball Jeffrey Goines in 12 Monkeys (1995) won him a Globe for Best Performance by an Actor in a Supporting Role.
Pitt's portrayal of Achilles in the big-budget period drama Troy (2004) helped establish his appeal as an action star and was closely followed by a co-starring role in the stylish spy-versus-spy flick Mr. & Mrs. Smith (2005). It was on the set of Mr. & Mrs. Smith that Pitt, who married Jennifer Aniston in a highly publicized ceremony in 2000, met Angelina Jolie. Pitt left Aniston for Jolie in 2005, a break-up that continues to fuel tabloid stories years after its occurrence.
He continues to wildly vary his film choices, appearing in everything from high-concept popcorn flicks such as Megamind (2010) to adventurous critic-bait like Inglourious Basterds (2009) and The Tree of Life (2011). He has received two Best Actor Oscar nominations, for The Curious Case of Benjamin Button (2008) and Moneyball (2011). In 2014, he starred in the war film Fury (2014), opposite Shia LaBeouf, Logan Lerman, Jon Bernthal, and Michael Peña.
Pitt and Jolie have 6 children, 3 adopted & 3 biological.- Actor
- Producer
- Director
Christoph Waltz is an Austrian-German actor. He is known for his work with American filmmaker Quentin Tarantino, receiving acclaim for portraying SS-Standartenführer Hans Landa in Inglourious Basterds (2009) and bounty hunter Dr. King Schultz in Django Unchained (2012). For each performance, he won an Academy Award, a BAFTA Award, and a Golden Globe Award for Best Supporting Actor. Additionally, he received the Best Actor Award at the Cannes Film Festival and a Screen Actors Guild Award for his portrayal of Landa.
Christoph Waltz was born in Vienna, Austria, into a theatrical family, his mother Elisabeth Urbancic, an Austrian-born costume designer, and Johannes Waltz, a German-born stage builder. He has three siblings. His maternal grandmother was Viennese Burgtheater actress Maria Mayen, and his step-grandfather was fellow Burgtheater actor Emmerich Reimers. His maternal grandfather, Rudolf von Urban, was a psychologist and psychiatrist who wrote the 1949 book "Sex Perfection and Marital Happiness".
Waltz attended the Theresianium and Billrothstrasse in Vienna. Upon graduation, he attended the Max-Reinhardt-Seminar before going to New York to the Lee Strasberg Institute. While in New York, Christoph met his first wife, and moved back to Vienna, then to London.
During the 80s, Christoph worked primarily in theatre, commuting from his home in London to Germany. Slowly Waltz began to work in TV, taking one-off roles in series, and TV movies. Film roles soon followed. Attempts to break into English-speaking film and TV were, however, unsuccessful. Waltz has expressed his gratitude to have been able to make a living and support his family through acting. For thirty years he worked steadily, tirelessly, in this manner.
It was not until he met Quentin Tarantino that his career in Hollywood took off. The role of Colonel Hans Landa in Inglourious Basterds (2009) catapulted Waltz from a lifetime working in German TV/film to the new life of an international superstar and Academy Award-winning actor. He won 27 awards for his performance as Hans Landa, including the Cannes prix d'interpretation Masculin for 2009, the Golden Globe for Best Supporting Actor, the BAFTA Best Supporting Actor award, and the Academy Award for Best Supporting Actor (which he won again for 2012's Django Unchained (2012)).
He also has portrayed computer genius Qohen Leth in the film The Zero Theorem (2013), American plagiarist Walter Keane in the biographical film _Big Eyes (2014), and 007's nemesis and head of SPECTRE Ernst Stavro Blofeld in _Spectre (2015)_. In Quentin Tarantino's 2009 film Inglourious Basterds, Waltz portrayed SS-Standartenführer Hans Landa, aka "The Jew Hunter". Clever, courteous, and multilingual - but also self-serving, cunning, implacable, and murderous. Waltz played gangster Benjamin Chudnofsky in The Green Hornet (2011). That same year, he starred in Water for Elephants (2011), Roman Polanski's Carnage (2011), and a remake of The Three Musketeers (2011). He played German bounty hunter Dr. King Schultz in Quentin Tarantino's Django Unchained (2012), a role Tarantino wrote specifically for Waltz.
Waltz resides in Berlin and Los Angeles. His wife is costume builder Judith Holste.- Producer
- Actor
- Executive
William Bradley "Brad" Pitt was born on December 18, 1963 in Shawnee, Oklahoma and raised in Springfield, Missouri to Jane Etta Pitt (née Hillhouse), a school counselor & William Alvin "Bill" Pitt, a truck company manager. At Kickapoo High School, Pitt was involved in sports, debating, student government and school musicals. Pitt attended the University of Missouri, where he majored in journalism with a focus on advertising. He occasionally acted in fraternity shows. He left college two credits short of graduating to move to California. Before he became successful at acting, Pitt supported himself by driving strippers in limos, moving refrigerators and dressing as a giant chicken while working for El Pollo Loco.
Pitt's earliest credited roles were in television, starting on the daytime soap opera Another World (1964) before appearing in the recurring role of Randy on the legendary prime time soap opera Dallas (1978). Following a string of guest appearances on various television series through the 1980s, Pitt gained widespread attention with a small part in Thelma & Louise (1991), in which he played a sexy criminal who romanced and conned Geena Davis. This led to starring roles in badly received films such as Johnny Suede (1991) & Cool World (1992).
But Pitt's career hit an upswing with his casting in A River Runs Through It (1992), which cemented his status as an multi-layered actor as opposed to just a pretty face. Pitt's subsequent projects were as quirky and varied in tone as his performances, ranging from his unforgettably comic cameo as stoner roommate Floyd in True Romance (1993) to romantic roles in such visually lavish films as Interview with the Vampire: The Vampire Chronicles (1994) and Legends of the Fall (1994), to an emotionally tortured detective in the horror-thriller Se7en (1995). His portrayal of frenetic oddball Jeffrey Goines in 12 Monkeys (1995) won him a Globe for Best Performance by an Actor in a Supporting Role.
Pitt's portrayal of Achilles in the big-budget period drama Troy (2004) helped establish his appeal as an action star and was closely followed by a co-starring role in the stylish spy-versus-spy flick Mr. & Mrs. Smith (2005). It was on the set of Mr. & Mrs. Smith that Pitt, who married Jennifer Aniston in a highly publicized ceremony in 2000, met Angelina Jolie. Pitt left Aniston for Jolie in 2005, a break-up that continues to fuel tabloid stories years after its occurrence.
He continues to wildly vary his film choices, appearing in everything from high-concept popcorn flicks such as Megamind (2010) to adventurous critic-bait like Inglourious Basterds (2009) and The Tree of Life (2011). He has received two Best Actor Oscar nominations, for The Curious Case of Benjamin Button (2008) and Moneyball (2011). In 2014, he starred in the war film Fury (2014), opposite Shia LaBeouf, Logan Lerman, Jon Bernthal, and Michael Peña.
Pitt and Jolie have 6 children, 3 adopted & 3 biological.- Producer
- Actor
- Writer
Few actors in the world have had a career quite as diverse as Leonardo DiCaprio's. DiCaprio has gone from relatively humble beginnings, as a supporting cast member of the sitcom Growing Pains (1985) and low budget horror movies, such as Critters 3 (1991), to a major teenage heartthrob in the 1990s, as the hunky lead actor in movies such as Romeo + Juliet (1996) and Titanic (1997), to then become a leading man in Hollywood blockbusters, made by internationally renowned directors such as Martin Scorsese and Christopher Nolan.
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, the only child of Irmelin DiCaprio (née Indenbirken) and former comic book artist George DiCaprio. His father is of Italian and German descent, and his mother, who is German-born, is of German, Ukrainian and Russian ancestry. His middle name, "Wilhelm", was his maternal grandfather's first name. Leonardo's father had achieved minor status as an artist and distributor of cult comic book titles, and was even depicted in several issues of American Splendor, the cult semi-autobiographical comic book series by the late 'Harvey Pekar', a friend of George's. Leonardo's performance skills became obvious to his parents early on, and after signing him up with a talent agent who wanted Leonardo to perform under the stage name "Lenny Williams", DiCaprio began appearing on a number of television commercials and educational programs.
DiCaprio began attracting the attention of producers, who cast him in small roles in a number of television series, such as Roseanne (1988) and The New Lassie (1989), but it wasn't until 1991 that DiCaprio made his film debut in Critters 3 (1991), a low-budget horror movie. While Critters 3 (1991) did little to help showcase DiCaprio's acting abilities, it did help him develop his show-reel, and attract the attention of the people behind the hit sitcom Growing Pains (1985), in which Leonardo was cast in the "Cousin Oliver" role of a young homeless boy who moves in with the Seavers. While DiCaprio's stint on Growing Pains (1985) was very short, as the sitcom was axed the year after he joined, it helped bring DiCaprio into the public's attention and, after the sitcom ended, DiCaprio began auditioning for roles in which he would get the chance to prove his acting chops.
Leonardo took up a diverse range of roles in the early 1990s, including a mentally challenged youth in What's Eating Gilbert Grape (1993), a young gunslinger in The Quick and the Dead (1995) and a drug addict in one of his most challenging roles to date, Jim Carroll in The Basketball Diaries (1995), a role which the late River Phoenix originally expressed interest in. While these diverse roles helped establish Leonardo's reputation as an actor, it wasn't until his role as Romeo Montague in Baz Luhrmann's Romeo + Juliet (1996) that Leonardo became a household name, a true movie star. The following year, DiCaprio starred in another movie about doomed lovers, Titanic (1997), which went on to beat all box office records held before then, as, at the time, Titanic (1997) became the highest grossing movie of all time, and cemented DiCaprio's reputation as a teen heartthrob. Following his work on Titanic (1997), DiCaprio kept a low profile for a number of years, with roles in The Man in the Iron Mask (1998) and the low-budget The Beach (2000) being some of his few notable roles during this period.
In 2002, he burst back into screens throughout the world with leading roles in Catch Me If You Can (2002) and Gangs of New York (2002), his first of many collaborations with director Martin Scorsese. With a current salary of $20 million a movie, DiCaprio is now one of the biggest movie stars in the world. However, he has not limited his professional career to just acting in movies, as DiCaprio is a committed environmentalist, who is actively involved in many environmental causes, and his commitment to this issue led to his involvement in The 11th Hour, a documentary movie about the state of the natural environment. As someone who has gone from small roles in television commercials to one of the most respected actors in the world, DiCaprio has had one of the most diverse careers in cinema. DiCaprio continued to defy conventions about the types of roles he would accept, and with his career now seeing him leading all-star casts in action thrillers such as The Departed (2006), Shutter Island (2010) and Christopher Nolan's Inception (2010), DiCaprio continues to wow audiences by refusing to conform to any cliché about actors.
In 2012, he played a mustache twirling villain in Django Unchained (2012), and then tragic literary character Jay Gatsby in The Great Gatsby (2013) and Jordan Belfort in The Wolf of Wall Street (2013).
DiCaprio is passionate about environmental and humanitarian causes, having donated $1,000,000 to earthquake relief efforts in 2010, the same year he contributed $1,000,000 to the Wildlife Conservation Society.- Producer
- Actor
- Writer
Few actors in the world have had a career quite as diverse as Leonardo DiCaprio's. DiCaprio has gone from relatively humble beginnings, as a supporting cast member of the sitcom Growing Pains (1985) and low budget horror movies, such as Critters 3 (1991), to a major teenage heartthrob in the 1990s, as the hunky lead actor in movies such as Romeo + Juliet (1996) and Titanic (1997), to then become a leading man in Hollywood blockbusters, made by internationally renowned directors such as Martin Scorsese and Christopher Nolan.
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, the only child of Irmelin DiCaprio (née Indenbirken) and former comic book artist George DiCaprio. His father is of Italian and German descent, and his mother, who is German-born, is of German, Ukrainian and Russian ancestry. His middle name, "Wilhelm", was his maternal grandfather's first name. Leonardo's father had achieved minor status as an artist and distributor of cult comic book titles, and was even depicted in several issues of American Splendor, the cult semi-autobiographical comic book series by the late 'Harvey Pekar', a friend of George's. Leonardo's performance skills became obvious to his parents early on, and after signing him up with a talent agent who wanted Leonardo to perform under the stage name "Lenny Williams", DiCaprio began appearing on a number of television commercials and educational programs.
DiCaprio began attracting the attention of producers, who cast him in small roles in a number of television series, such as Roseanne (1988) and The New Lassie (1989), but it wasn't until 1991 that DiCaprio made his film debut in Critters 3 (1991), a low-budget horror movie. While Critters 3 (1991) did little to help showcase DiCaprio's acting abilities, it did help him develop his show-reel, and attract the attention of the people behind the hit sitcom Growing Pains (1985), in which Leonardo was cast in the "Cousin Oliver" role of a young homeless boy who moves in with the Seavers. While DiCaprio's stint on Growing Pains (1985) was very short, as the sitcom was axed the year after he joined, it helped bring DiCaprio into the public's attention and, after the sitcom ended, DiCaprio began auditioning for roles in which he would get the chance to prove his acting chops.
Leonardo took up a diverse range of roles in the early 1990s, including a mentally challenged youth in What's Eating Gilbert Grape (1993), a young gunslinger in The Quick and the Dead (1995) and a drug addict in one of his most challenging roles to date, Jim Carroll in The Basketball Diaries (1995), a role which the late River Phoenix originally expressed interest in. While these diverse roles helped establish Leonardo's reputation as an actor, it wasn't until his role as Romeo Montague in Baz Luhrmann's Romeo + Juliet (1996) that Leonardo became a household name, a true movie star. The following year, DiCaprio starred in another movie about doomed lovers, Titanic (1997), which went on to beat all box office records held before then, as, at the time, Titanic (1997) became the highest grossing movie of all time, and cemented DiCaprio's reputation as a teen heartthrob. Following his work on Titanic (1997), DiCaprio kept a low profile for a number of years, with roles in The Man in the Iron Mask (1998) and the low-budget The Beach (2000) being some of his few notable roles during this period.
In 2002, he burst back into screens throughout the world with leading roles in Catch Me If You Can (2002) and Gangs of New York (2002), his first of many collaborations with director Martin Scorsese. With a current salary of $20 million a movie, DiCaprio is now one of the biggest movie stars in the world. However, he has not limited his professional career to just acting in movies, as DiCaprio is a committed environmentalist, who is actively involved in many environmental causes, and his commitment to this issue led to his involvement in The 11th Hour, a documentary movie about the state of the natural environment. As someone who has gone from small roles in television commercials to one of the most respected actors in the world, DiCaprio has had one of the most diverse careers in cinema. DiCaprio continued to defy conventions about the types of roles he would accept, and with his career now seeing him leading all-star casts in action thrillers such as The Departed (2006), Shutter Island (2010) and Christopher Nolan's Inception (2010), DiCaprio continues to wow audiences by refusing to conform to any cliché about actors.
In 2012, he played a mustache twirling villain in Django Unchained (2012), and then tragic literary character Jay Gatsby in The Great Gatsby (2013) and Jordan Belfort in The Wolf of Wall Street (2013).
DiCaprio is passionate about environmental and humanitarian causes, having donated $1,000,000 to earthquake relief efforts in 2010, the same year he contributed $1,000,000 to the Wildlife Conservation Society.- Producer
- Actor
- Writer
Thomas Jeffrey Hanks was born in Concord, California, to Janet Marylyn (Frager), a hospital worker, and Amos Mefford Hanks, an itinerant cook. His mother's family, originally surnamed "Fraga", was entirely Portuguese, while his father was of mostly English ancestry. Tom grew up in what he has called a "fractured" family. He moved around a great deal after his parents' divorce, living with a succession of step-families. No problems, no alcoholism - just a confused childhood. He has no acting experience in college and credits the fact that he could not get cast in a college play with actually starting his career. He went downtown, and auditioned for a community theater play, was invited by the director of that play to go to Cleveland, and there his acting career started.
Ron Howard was working on Splash (1983), a fantasy-comedy about a mermaid who falls in love with a business executive. Howard considered Hanks for the role of the main character's wisecracking brother, which eventually went to John Candy. Instead, Hanks landed the lead role and the film went on to become a surprise box office success, grossing more than $69 million. After several flops and a moderate success with the comedy Dragnet (1987), Hanks' stature in the film industry rose. The broad success with the fantasy-comedy Big (1988) established him as a major Hollywood talent, both as a box office draw and within the film industry as an actor. For his performance in the film, Hanks earned his first Academy Award nomination as Best Actor.
Hanks climbed back to the top again with his portrayal of a washed-up baseball legend turned manager in A League of Their Own (1992). Hanks has stated that his acting in earlier roles was not great, but that he subsequently improved. In an interview with Vanity Fair, Hanks noted his "modern era of movie making ... because enough self-discovery has gone on ... My work has become less pretentiously fake and over the top". This "modern era" began for Hanks, first with Sleepless in Seattle (1993) and then with Philadelphia (1993). The former was a blockbuster success about a widower who finds true love over the radio airwaves. Richard Schickel of Time magazine called his performance "charming", and most critics agreed that Hanks' portrayal ensured him a place among the premier romantic-comedy stars of his generation.
In Philadelphia, he played a gay lawyer with AIDS who sues his firm for discrimination. Hanks lost 35 pounds and thinned his hair in order to appear sickly for the role. In a review for People, Leah Rozen stated, "Above all, credit for Philadelphia's success belongs to Hanks, who makes sure that he plays a character, not a saint. He is flat-out terrific, giving a deeply felt, carefully nuanced performance that deserves an Oscar." Hanks won the 1993 Academy Award for Best Actor for his role in Philadelphia. During his acceptance speech, he revealed that his high school drama teacher Rawley Farnsworth and former classmate John Gilkerson, two people with whom he was close, were gay.
Hanks followed Philadelphia with the blockbuster Forrest Gump (1994) which grossed a worldwide total of over $600 million at the box office. Hanks remarked: "When I read the script for Gump, I saw it as one of those kind of grand, hopeful movies that the audience can go to and feel ... some hope for their lot and their position in life ... I got that from the movies a hundred million times when I was a kid. I still do." Hanks won his second Best Actor Academy Award for his role in Forrest Gump, becoming only the second actor to have accomplished the feat of winning consecutive Best Actor Oscars.
Hanks' next role - astronaut and commander Jim Lovell, in the docudrama Apollo 13 (1995) - reunited him with Ron Howard. Critics generally applauded the film and the performances of the entire cast, which included actors Kevin Bacon, Bill Paxton, Gary Sinise, Ed Harris, and Kathleen Quinlan. The movie also earned nine Academy Award nominations, winning two. Later that year, Hanks starred in Disney/Pixar's computer-animated film Toy Story (1995), as the voice of Sheriff Woody. A year later, he made his directing debut with the musical comedy That Thing You Do! (1996) about the rise and fall of a 1960s pop group, also playing the role of a music producer.
As of 2022, Hanks is 66-years-old. He has never retired from acting, and has remained active in the film industry for more than four decades.- Producer
- Actor
- Writer
Thomas Jeffrey Hanks was born in Concord, California, to Janet Marylyn (Frager), a hospital worker, and Amos Mefford Hanks, an itinerant cook. His mother's family, originally surnamed "Fraga", was entirely Portuguese, while his father was of mostly English ancestry. Tom grew up in what he has called a "fractured" family. He moved around a great deal after his parents' divorce, living with a succession of step-families. No problems, no alcoholism - just a confused childhood. He has no acting experience in college and credits the fact that he could not get cast in a college play with actually starting his career. He went downtown, and auditioned for a community theater play, was invited by the director of that play to go to Cleveland, and there his acting career started.
Ron Howard was working on Splash (1983), a fantasy-comedy about a mermaid who falls in love with a business executive. Howard considered Hanks for the role of the main character's wisecracking brother, which eventually went to John Candy. Instead, Hanks landed the lead role and the film went on to become a surprise box office success, grossing more than $69 million. After several flops and a moderate success with the comedy Dragnet (1987), Hanks' stature in the film industry rose. The broad success with the fantasy-comedy Big (1988) established him as a major Hollywood talent, both as a box office draw and within the film industry as an actor. For his performance in the film, Hanks earned his first Academy Award nomination as Best Actor.
Hanks climbed back to the top again with his portrayal of a washed-up baseball legend turned manager in A League of Their Own (1992). Hanks has stated that his acting in earlier roles was not great, but that he subsequently improved. In an interview with Vanity Fair, Hanks noted his "modern era of movie making ... because enough self-discovery has gone on ... My work has become less pretentiously fake and over the top". This "modern era" began for Hanks, first with Sleepless in Seattle (1993) and then with Philadelphia (1993). The former was a blockbuster success about a widower who finds true love over the radio airwaves. Richard Schickel of Time magazine called his performance "charming", and most critics agreed that Hanks' portrayal ensured him a place among the premier romantic-comedy stars of his generation.
In Philadelphia, he played a gay lawyer with AIDS who sues his firm for discrimination. Hanks lost 35 pounds and thinned his hair in order to appear sickly for the role. In a review for People, Leah Rozen stated, "Above all, credit for Philadelphia's success belongs to Hanks, who makes sure that he plays a character, not a saint. He is flat-out terrific, giving a deeply felt, carefully nuanced performance that deserves an Oscar." Hanks won the 1993 Academy Award for Best Actor for his role in Philadelphia. During his acceptance speech, he revealed that his high school drama teacher Rawley Farnsworth and former classmate John Gilkerson, two people with whom he was close, were gay.
Hanks followed Philadelphia with the blockbuster Forrest Gump (1994) which grossed a worldwide total of over $600 million at the box office. Hanks remarked: "When I read the script for Gump, I saw it as one of those kind of grand, hopeful movies that the audience can go to and feel ... some hope for their lot and their position in life ... I got that from the movies a hundred million times when I was a kid. I still do." Hanks won his second Best Actor Academy Award for his role in Forrest Gump, becoming only the second actor to have accomplished the feat of winning consecutive Best Actor Oscars.
Hanks' next role - astronaut and commander Jim Lovell, in the docudrama Apollo 13 (1995) - reunited him with Ron Howard. Critics generally applauded the film and the performances of the entire cast, which included actors Kevin Bacon, Bill Paxton, Gary Sinise, Ed Harris, and Kathleen Quinlan. The movie also earned nine Academy Award nominations, winning two. Later that year, Hanks starred in Disney/Pixar's computer-animated film Toy Story (1995), as the voice of Sheriff Woody. A year later, he made his directing debut with the musical comedy That Thing You Do! (1996) about the rise and fall of a 1960s pop group, also playing the role of a music producer.
As of 2022, Hanks is 66-years-old. He has never retired from acting, and has remained active in the film industry for more than four decades.- Actor
- Additional Crew
- Producer
Quirky, inventive and handsome American actor Michael Keaton first achieved major fame with his door-busting performance as fast-talking ideas man Bill Blazejowski, alongside a nerdish morgue attendant (Henry Winkler), in Night Shift (1982). He played further comedic roles in Mr. Mom (1983), Johnny Dangerously (1984), and Beetlejuice (1988), earned further acclaim for his dramatic portrayal of Bruce Wayne / Batman in Tim Burton's Batman (1989) and Batman Returns (1992), and since then, has moved easily between film genres, ranging from drama and romantic comedy to thriller and action.
Keaton was born Michael John Douglas on September 5, 1951 in Coraopolis, Pennsylvania, to Leona Elizabeth (Loftus), a homemaker, and George A. Douglas, a civil engineer and surveyor. He is of Irish, as well as English, Scottish, and German, descent. Michael studied speech for two years at Kent State, before dropping out and moving to Pittsburgh. An unsuccessful attempt at stand-up comedy led Keaton to working as a TV cameraman in a cable station, and he came to realize he wanted to work in front of the cameras. Keaton first appeared on TV in several episodes of Mister Rogers' Neighborhood (1968).
He left Pittsburgh and moved to Los Angeles to begin auditioning for TV. He began cropping up in popular TV shows including Maude (1972) and The Mary Tyler Moore Hour (1979). Around this time, Keaton decided to use an alternative surname to remove confusion with better-known actor Michael Douglas. He looked into the "K"'s for surnames and thought it was inoffensive to chose 'Keaton'. His next break was scoring a co-starring role alongside Jim Belushi in the short-lived comedy series Working Stiffs (1979), which showcased his comedic talent and led to his co-starring role in Night Shift (1982). Keaton next scored the lead in the comedy hits Mr. Mom (1983), Johnny Dangerously (1984) , Gung Ho (1986), the Tim Burton horror-comedy Beetlejuice (1988), and The Dream Team (1989).
Keaton's career was given another major boost when he was again cast by Tim Burton, this time as the title comic book superhero, millionaire playboy/crime-fighter Bruce Wayne, in Batman (1989). Burton cast him because he thought that Keaton was the only actor who could portray someone who has the kind of darkly obsessive personality that the character demands. To say there were howls of protest by fans of the caped crusader comic strip is an understatement! Warner Bros. was deluged with thousands of letters of complaint commenting that comedian Keaton was the wrong choice for the Caped Crusader, given his prior work and the fact that he lacked the suave, handsome features and tall, muscular physicality often attributed to the character in the comic books. However, their fears were proven wrong when Keaton turned in a sensational performance, and he held his own on screen with opponent Jack Nicholson, playing the lunatic villain, "The Joker". Keaton's dramatic work earned widespread acclaim from critics and audiences alike, and Batman (1989) became one of the most successful films of the year.
Keaton remained active during the 1990s, appearing in a wide range of films. Keen to diversify his work, Keaton starred as a psychotic tenant in Pacific Heights (1990), as a hard-working cop in One Good Cop (1991), and then donned the black cape and cowl once more for Batman Returns (1992). He remained in demand during the 1990s, appearing in a wide range of films, including the star-studded Shakespearian Much Ado About Nothing (1993), the drama My Life (1993), another Ron Howard comedy The Paper (1994), with sexy Andie MacDowell in Multiplicity (1996), twice in the same role, dogged Elmore Leonard character Agent Ray Nicolette, in Jackie Brown (1997) and Out of Sight (1998). He also played a killer in the mediocre thriller Desperate Measures (1998).
In the 2000s, Keaton appeared in several productions with mixed success, including Live from Baghdad (2002), First Daughter (2004), and Herbie Fully Loaded (2005). He also provided voices for characters in the animated films Cars (2006), Toy Story 3 (2010), and Minions (2015).
He returned to major film roles in the 2010s, co-starring in The Other Guys (2010), RoboCop (2014) and Need for Speed (2014). Also that year, Keaton starred alongside Zach Galifianakis, Edward Norton, Emma Stone, and Naomi Watts in Birdman or (The Unexpected Virtue of Ignorance) (2014), a film by 21 Grams (2003) and Biutiful (2010) director Alejandro G. Iñárritu. In the film, Keaton plays Riggan Thomson, a screen actor, famous for playing the iconic titular superhero, who puts on a Broadway play based on a Raymond Carver short story, to regain his former glory. Keaton's critically praised lead performance earned him a Golden Globe Award for Best Actor in a Musical or Comedy, the Critics' Choice Award for Best Actor and Best Actor in a Comedy, and nominations for the Screen Actors Guild Award, British Academy Film Award, and Academy Award for Best Actor.
In 2015, he played a journalist in Spotlight (2015), which, like Birdman, won the Academy Award for Best Picture. In 2016, he starred as Ray Kroc, the developer of McDonald's, in the drama The Founder (2016).
He is a visiting scholar at Carnegie Mellon University.- Actor
- Producer
- Director
A legendary actor with 50 celebrated years of film, television and producing experience, Michael Douglas is known for his era-defining roles and enduring cultural impact.
In addition to his career accomplishments, Douglas has remained a steadfast public servant, activist and philanthropist dedicated to peace and human welfare, democracy, gun control advocacy, support of the arts and support of nuclear disarmament. In 1998, former United Nations Secretary-General Kofi Annan appointed Douglas as a Messenger of Peace for his commitment on disarmament issues, including nuclear non-proliferation and halting the illicit trade in small arms and light weapons.
Since his earliest acting work on Hail, Hero! (1969) and The Streets of San Francisco (1972) Douglas has played some of the most memorable and enigmatic American anti-heroes of the last half century. He is most known for his iconic screen roles, like his Academy Award-winning turn as Gordon Gekko Wall Street (1987) as well as the critically and commercially acclaimed films Fatal Attraction (1987), The American President (1995), Basic Instinct (1992), Traffic (2000) and Romancing the Stone (1984). He is also a prolific producer with credits on politically relevant and socially influential motion pictures like One Flew Over the Cuckoo's Nest (1975), The China Syndrome (1979), Traffic (2000) the television series: The Kominsky Method (2018) and an upcoming limited series where Douglas portrays Benjamin Franklin (2024) during his nine years in France lobbying for French aid for the American Revolution.
With a passion for complex protagonists and darkly humorous undercurrents, Douglas has received numerous accolades for his work, including two Academy Awards, five Golden Globe Awards, a Primetime Emmy Award, AFI Life Achievement Award, two French César Awards for Career Achievement and, most recently, the Palme d'or d'honneur for lifetime achievement at the 76th Annual Festival de Cannes as well as the Satyajit Ray Lifetime Achievement Award for Excellence in Cinema at the Goa Film Festival in India.
Michael Douglas was born in New Brunswick, New Jersey, to actors Diana Douglas (Diana Love Dill) and Kirk Douglas (born Issur Danielovitch). His paternal grandparents were Belarusian Jewish immigrants, while his mother was born in Bermuda, the daughter of a local Attorney General, Lieutenant Colonel Thomas Melville Dill; Diana's family had long been established in both Bermuda and the United States. Douglas's parents divorced when he was six, and he went to live with his mother and her new husband. Only seeing Kirk on holidays, Michael attended Eaglebrook School in Deerfield, Massachusetts, where he was about a year younger than all of his classmates.
Douglas attended the elite preparatory Choate School and spent his summers with his father on movie sets. Although accepted at Yale, Douglas attended the University of California, Santa Barbara. Deciding he wanted to be an actor in his teenage years, Michael often asked his father about getting a "foot in the door" Kirk was strongly opposed to Michael pursuing an acting career, saying that it was an industry with many downs and few ups, and that he wanted all four of his sons to stay out of it. Michael, however, was persistent, and made his film debut in his father's film Cast a Giant Shadow (1966).
After receiving his B.A. degree in 1968, Douglas moved to New York City to continue his dramatic training, studying at the American Place Theatre with Wynn Handman, and at the Neighborhood Playhouse, where he appeared in workshop productions of Pirandello's Six Characters in Search of an Author (1976) and Thornton Wilder's Happy Journey (1963). A few months after he arrived in New York, Douglas got his first big break, when he was cast in the pivotal role of the free-spirited scientist who compromises his liberal views to accept a lucrative job with a high-tech chemical corporation in the CBS Playhouse production of Ellen M. Violett's drama, The Experiment, which was televised nationwide on February 25, 1969.
Douglas' convincing portrayal won him the leading role in the adaptation of John Weston's controversial novel, Hail, Hero! (1969), which was the initial project of CBS's newly organized theatrical film production company, Cinema Center Films. Douglas starred as a well-meaning, almost saintly young pacifist determined not only to justify his beliefs to his conservative parents but also to test them under fire in the jungles of Indochina. His second feature, Adam at Six A.M. (1970) concerned a young man's search for his roots. Douglas next appeared in the film version of Ron Cowen's play Summertree (1971), produced by 'Kirk Douglas'' Bryna Company, and then Napoleon and Samantha (1972), a sentimental children's melodrama from the Walt Disney studio.
In between film assignments, he worked in summer stock and off-Broadway productions, among them "City Scenes," Frank Gagliano's surrealistic vignettes of contemporary life in New York, John Patrick Shanley's short-lived romance "Love is a Time of Day" and George Tabori's "Pinkville," in which he played a young innocent brutalized by his military training. He also appeared in the made-for-television thriller, "When Michael Calls," broadcast by ABC-TV on February 5, 1972 and in episodes of the popular series "Medical Center" and "The F.B.I."
Impressed by Douglas' performance in a segment of The F.B.I. (1965), producer 'Quinn Martin' signed the actor for the part of Karl Malden's sidekick in the police series "The Streets of San Francisco", which premiered in September 1972 and became one of ABC's highest-rated prime-time programs in the mid-1970s. Douglas earned three successive Emmy Award nominations for his performance and he directed two episodes of the series.
During the annual breaks in the shooting schedule for The Streets of San Francisco (1972), Douglas devoted most of his time to his film production company, Big Stick Productions, Ltd., which produced several short subjects in the early 1970s. Long interested in producing a film version of Ken Kesey's grimly humorous novel One Flew Over the Cuckoo's Nest (1975), Douglas purchased the movie rights from his father and began looking for financial backing. After a number of major motion picture studios turned him down, Douglas formed a partnership with Saul Zaentz, a record industry executive, and the two set about recruiting the cast and crew. Douglas still had a year to go on his contract for "The Streets of San Francisco," but the producers agreed to write his character out of the story so that he could concentrate on filming "Cuckoo's Nest."
A critical and commercial success, One Flew Over the Cuckoo's Nest (1975) won five Academy Awards, including Best Picture, Best Director, Best Screenplay, Best Actor and Best Actress, and went on to gross more than $180 million at the box office. Douglas suddenly found himself in demand as an independent producer. One of the many scripts submitted to him for consideration was Mike Gray's chilling account of the attempted cover-up of an accident at a nuclear power plant. Attracted by the combination of social relevance and suspense, Douglas immediately bought the property. Deemed not commercial by most investors, Douglas teamed up with Jane Fonda and her own motion picture production company, IPC Films.
A Michael Douglas-IPC Films co-production, The China Syndrome (1979) starred Jack Lemmon, Jane Fonda, and Michael Douglas and received Academy Award nominations for Lemmon and Fonda, as well as for Best Screenplay. The National Board of Review named the film one of the best films of the year.
Despite his success as a producer, Douglas resumed his acting career in the late 1970s, starring in Michael Crichton's medical thriller Coma (1978) with Genevieve Bujold, Claudia Weill's feminist comedy It's My Turn (1980) starring Jill Clayburgh, and Peter Hyams' gripping tale of modern-day vigilante justice, "The Star Chamber" (1983). Douglas also starred in Running (1979), as a compulsive quitter who sacrifices everything to take one last shot at the Olympics, and as Zach the dictatorial director/choreographer in Richard Attenborough's screen version of the Broadway's longest running musical A Chorus Line (1985).
Douglas' career as an actor/producer came together again in 1984 with the release of the tongue-in-cheek romantic fantasy "Romancing the Stone." Douglas had begun developing the project several years earlier, and with Kathleen Turner as Joan Wilder, the dowdy writer of gothic romances, Danny DeVito as the feisty comic foil Ralphie and Douglas as Jack Colton, the reluctant soldier of fortune. "Romancing the Stone" was a resounding hit and grossed more than $100 million at the box office. Douglas was named Producer of the Year in 1984 by the National Association of Theater Owners. Douglas, Turner and DeVito teamed up in 1985 for the successful sequel The Jewel of the Nile (1985).
It took Douglas nearly two years to convince Columbia Pictures executives to approve the production of Starman (1984), an unlikely tale of romance between an extraterrestrial, played by Jeff Bridges, and a young widow, played by Karen Allen. Starman (1984) was the sleeper hit of the 1984 Christmas season and earned an Oscar nomination for Best Actor for Jeff Bridges. In 1986 Douglas created a television series based on the film for ABC which starred Robert Hays.
After a lengthy break from acting, Douglas returned to the screen in 1987 appearing in two of the year's biggest hits. He starred opposite Glenn Close in the phenomenally successful psychological thriller, "Fatal Attraction," which was followed by his performance as ruthless corporate raider Gordon Gekko in Oliver Stone's Wall Street (1987), earning him the Academy Award for Best Actor.
Douglas next starred in Ridley Scott's thriller Black Rain (1989) and then teamed up again with Kathleen Turner and Danny DeVito in the black comedy The War of the Roses (1989).
In 1988, Douglas formed Stonebridge Entertainment, Inc., which produced Flatliners (1990), directed by Joel Schumacher and starred Kiefer Sutherland, Julia Roberts, Kevin Bacon and William Baldwin and Radio Flyer (1992) starring Lorraine Bracco and directed by Richard Donner. Douglas followed with David Seltzer's adaptation of Susan Isaacs' best-selling novel, "Shining Through," opposite Melanie Griffith. In 1992 he starred with Sharon Stone in the erotic thriller from Paul Verhoeven Basic Instinct (1992), one of the year's top grossing films.
Douglas gave one of his most powerful performances opposite Robert Duvall in Joel Schumacher's controversial drama Falling Down (1993). That year he also produced the hit comedy "Made in America" starring Whoopi Goldberg, Ted Danson and Will Smith. In 1994-95 he starred with Demi Moore in Barry Levinson's "Disclosure," based on the best seller by Michael Crichton. In 1995, Douglas portrayed the title role in Rob Reiner's romantic comedy The American President (1995) opposite Annette Bening, and in 1997, starred in The Game (1997) directed by David Fincher and co-starring Sean Penn.
Douglas formed Douglas/Reuther Productions with partner Steven Reuther in May 1994. The company, under the banner of Constellation Films, produced The Ghost and the Darkness (1996), starring Douglas and Val Kilmer, and John Grisham's The Rainmaker (1997), based on John Grisham's best selling novel, directed by Francis Ford Coppola and starring Matt Damon,Claire Danes, Danny DeVito, Jon Voight, Mickey Rourke, Mary Kay Place, Virginia Madsen, Andrew Shue, Teresa Wright, Johnny Whitworth and Randy Travis.
Michael Douglas and Steve Reuther also produced John Woo's action thriller Face/Off (1997) starring John Travolta and Nicolas Cage, which proved to be one of '97's major hits.
In 1998, Michael Douglas starred with Gwyneth Paltrow and Viggo Mortensen in the mystery thriller A Perfect Murder (1998), and formed a new production company, Furthur Films. 2000 was a milestone year for Douglas. "Wonder Boys" opened in February 2000 to much critical acclaim. Directed by Curtis Hanson and co-starring Tobey Maguire, Frances McDormand, Robert Downey Jr. and Katie Holmes, Douglas starred in the film as troubled college professor Grady Tripp. Michael was nominated for a Golden Globe and a BAFTA Film Award for his performance.
"Traffic" was released by USA Films on December 22, 2000 in New York and Los Angeles and went nationwide in January 2001. Douglas played the role of Robert Wakefield, a newly appointed drug czar confronted by the drug war both at home and abroad. Directed by Steven Soderbergh and co-starring Don Cheadle, Benicio del Toro, Amy Irving, Dennis Quaid and Catherine Zeta-Jones, "Traffic" was named Best Picture by New York Film Critics, won Best Ensemble Cast at the SAG Awards, won four Academy Awards (Best Screenplay, Best Editing, Best Director, and Best Supporting Actor for Benicio del Toro) and has been recognized on more than 175 top ten lists.
In 2001, Douglas produced and played a small role in USA Films' outrageous comedy "One Night at McCool's" starring Liv Tyler, Matt Dillon, John Goodman and Paul Reiser and directed by Harald Zwart. "McCool's" was the first film by Douglas' company Furthur Films. Also in 2001, Douglas starred in "Don't Say A Word" for 20th Century Fox. The psychological thriller, directed by Gary Fleder, also starred Sean Bean, Famke Janseen and Brittany Murphy.
In 2002, Douglas appeared in a guest role on the hit NBC comedy "Will & Grace," and received an Emmy Nomination for his performance.
Douglas starred in two films in 2003. MGM/BVI released the family drama "It Runs in the Family," which Douglas produced and starred with his father Kirk Douglas, his mother Diana Douglas his son Cameron Douglas, Rory Culkin and Bernadette Peters. He also starred in the Warner Bros. comedy "The-In Laws," with Albert Brooks, Candice Bergen and Ryan Reynolds.
In 2004, Douglas, along with his father Kirk, filmed the intimate HBO documentary "A Father, A Son... Once Upon a Time in Hollywood". Directed by award-winning filmmaker Lee Grant, the documentary examines the professional and personal lives of both men, and the impacts they each made on the motion picture industry.
In 2005, Douglas produced and starred in "The Sentinel", which was released by 20th Century Fox in April 2006. Based on the Gerald Petievich novel and directed by Clark Johnson, "The Sentinel" is a political thriller set in the intriguing world of the Secret Service. Douglas stars with Keifer Sutherland, Eva Longoria and Kim Bassinger. Douglas then filmed "You, Me & Dupree," starring with Owen Wilson, Kate Hudson and Matt Dillon. The comedy, directed by Anthony and Joe Russo, was released by Universal Pictures during the summer of 2006. In 2007 Douglas made "King of California," co-starring Evan Rachel Wood and is written and directed by Michael Cahill, and produced by Alexander Payne and Michael London.
Michael had two films released in early 2009, "Beyond A Reasonable Doubt" directed by Peter Hyams and "Ghosts of Girlfriends Past" starring Matthew McConaughey and Jennifer Garner and directed by Mark Waters. He followed with the drama "Solitary Man" directed by Brian Koppelman and David Levien, co-starring Susan Sarandon, Danny DeVito, Mary Louise-Parker, and Jenna Fischer, produced by Paul Schiff and Steven Soderbergh. In 2010, Douglas reprised his Oscar-winning role as Gordon Gekko in "Wall Street 2: Money Never Sleeps," earning a Golden Globe for his performance. Again directed by Oliver Stone, he co-starred with Shia Labeouf, Cary Mulligan, Josh Brolin, Frank Langella and Susan Sarandon.
In 2011, Douglas had a cameo role in Steven Soderbergh's action thriller "Haywire."
"Behind the Candelabra," based on the life of '70's/80's musical icon Liberace and his partner Scott Thorson, directed by Steven Soderbergh and costarring Matt Damon, premiered on HBO in May 2013. Douglas won an Emmy, Golden Globe and SAG Award for Best Actor in a television movie or mini series for his performance as the famed entertainer. He followed with the buddy comedy "Last Vegas," directed by John Turtletaub co-starring Robert DeNiro, Morgan Freeman and Kevin Kline and the romantic comedy "And So It Goes," co-starring Diane Keaton directed by Rob Reiner.
Douglas recently starred in and produced the thriller "Beyond The Reach," directed by Jean-Baptiste Leonetti and costarring Jeremy Irvine. He and portrayed Dr. Hank Pym in Marvel's Ant-Man and the Wasp (2018) and Ant-Man and the Wasp: Quantumania (2023) opposite Paul Rudd. The franchise was his first venture into the realm of comic book action adventure.
In 2017, he starred in the spy thriller "Unlocked" starring with Noomi Rapace, Orlando Bloom, John Malkovich and directed by Michael Apted.
In 1998 Douglas was made a United Nations Messenger of Peace by Kofi Annan. His main concentrations are nuclear non-proliferation and the control of small arms. He is on the Board of Ploughshares Foundation and The Nuclear Threat Initiative.
Michael Douglas was recipient of the 2009 AFI Lifetime Achievement as well as the Producers Guild Award that year. In Spring '10 he received the New York Film Society's Charlie Chaplin Award.
Douglas has hosted 11 years of "Michael Douglas and Friends" Celebrity Golf Event which has raised over $6 million for the Motion Picture and Television Fund. Douglas is very passionate about the organization, and each year he asks his fellow actors and to come out and show that "we are an industry that takes care of own".
Douglas is married to Catherine Zeta-Jones. The couple has one son, Dylan, and one daughter, Carys. Douglas also has one son, Cameron, from a previous marriage.- Actor
- Additional Crew
- Producer
Quirky, inventive and handsome American actor Michael Keaton first achieved major fame with his door-busting performance as fast-talking ideas man Bill Blazejowski, alongside a nerdish morgue attendant (Henry Winkler), in Night Shift (1982). He played further comedic roles in Mr. Mom (1983), Johnny Dangerously (1984), and Beetlejuice (1988), earned further acclaim for his dramatic portrayal of Bruce Wayne / Batman in Tim Burton's Batman (1989) and Batman Returns (1992), and since then, has moved easily between film genres, ranging from drama and romantic comedy to thriller and action.
Keaton was born Michael John Douglas on September 5, 1951 in Coraopolis, Pennsylvania, to Leona Elizabeth (Loftus), a homemaker, and George A. Douglas, a civil engineer and surveyor. He is of Irish, as well as English, Scottish, and German, descent. Michael studied speech for two years at Kent State, before dropping out and moving to Pittsburgh. An unsuccessful attempt at stand-up comedy led Keaton to working as a TV cameraman in a cable station, and he came to realize he wanted to work in front of the cameras. Keaton first appeared on TV in several episodes of Mister Rogers' Neighborhood (1968).
He left Pittsburgh and moved to Los Angeles to begin auditioning for TV. He began cropping up in popular TV shows including Maude (1972) and The Mary Tyler Moore Hour (1979). Around this time, Keaton decided to use an alternative surname to remove confusion with better-known actor Michael Douglas. He looked into the "K"'s for surnames and thought it was inoffensive to chose 'Keaton'. His next break was scoring a co-starring role alongside Jim Belushi in the short-lived comedy series Working Stiffs (1979), which showcased his comedic talent and led to his co-starring role in Night Shift (1982). Keaton next scored the lead in the comedy hits Mr. Mom (1983), Johnny Dangerously (1984) , Gung Ho (1986), the Tim Burton horror-comedy Beetlejuice (1988), and The Dream Team (1989).
Keaton's career was given another major boost when he was again cast by Tim Burton, this time as the title comic book superhero, millionaire playboy/crime-fighter Bruce Wayne, in Batman (1989). Burton cast him because he thought that Keaton was the only actor who could portray someone who has the kind of darkly obsessive personality that the character demands. To say there were howls of protest by fans of the caped crusader comic strip is an understatement! Warner Bros. was deluged with thousands of letters of complaint commenting that comedian Keaton was the wrong choice for the Caped Crusader, given his prior work and the fact that he lacked the suave, handsome features and tall, muscular physicality often attributed to the character in the comic books. However, their fears were proven wrong when Keaton turned in a sensational performance, and he held his own on screen with opponent Jack Nicholson, playing the lunatic villain, "The Joker". Keaton's dramatic work earned widespread acclaim from critics and audiences alike, and Batman (1989) became one of the most successful films of the year.
Keaton remained active during the 1990s, appearing in a wide range of films. Keen to diversify his work, Keaton starred as a psychotic tenant in Pacific Heights (1990), as a hard-working cop in One Good Cop (1991), and then donned the black cape and cowl once more for Batman Returns (1992). He remained in demand during the 1990s, appearing in a wide range of films, including the star-studded Shakespearian Much Ado About Nothing (1993), the drama My Life (1993), another Ron Howard comedy The Paper (1994), with sexy Andie MacDowell in Multiplicity (1996), twice in the same role, dogged Elmore Leonard character Agent Ray Nicolette, in Jackie Brown (1997) and Out of Sight (1998). He also played a killer in the mediocre thriller Desperate Measures (1998).
In the 2000s, Keaton appeared in several productions with mixed success, including Live from Baghdad (2002), First Daughter (2004), and Herbie Fully Loaded (2005). He also provided voices for characters in the animated films Cars (2006), Toy Story 3 (2010), and Minions (2015).
He returned to major film roles in the 2010s, co-starring in The Other Guys (2010), RoboCop (2014) and Need for Speed (2014). Also that year, Keaton starred alongside Zach Galifianakis, Edward Norton, Emma Stone, and Naomi Watts in Birdman or (The Unexpected Virtue of Ignorance) (2014), a film by 21 Grams (2003) and Biutiful (2010) director Alejandro G. Iñárritu. In the film, Keaton plays Riggan Thomson, a screen actor, famous for playing the iconic titular superhero, who puts on a Broadway play based on a Raymond Carver short story, to regain his former glory. Keaton's critically praised lead performance earned him a Golden Globe Award for Best Actor in a Musical or Comedy, the Critics' Choice Award for Best Actor and Best Actor in a Comedy, and nominations for the Screen Actors Guild Award, British Academy Film Award, and Academy Award for Best Actor.
In 2015, he played a journalist in Spotlight (2015), which, like Birdman, won the Academy Award for Best Picture. In 2016, he starred as Ray Kroc, the developer of McDonald's, in the drama The Founder (2016).
He is a visiting scholar at Carnegie Mellon University.- Actor
- Producer
- Writer
Jack Nicholson, an American actor, producer, director and screenwriter, is a three-time Academy Award winner and twelve-time nominee. Nicholson is also notable for being one of two actors - the other being Michael Caine - who have received an Oscar nomination in every decade from the '60s through the '00s.
Nicholson was born on April 22, 1937, in Neptune, New Jersey. He was raised believing that his grandmother was his mother, and that his mother, June Frances Nicholson, a showgirl, was his older sister. He discovered the truth in 1975 from a Time magazine journalist who was researching a profile on him. His real father is believed to have been either Donald Furcillo, an Italian American showman, or Eddie King (Edgar Kirschfeld), born in Latvia and also in show business. Jack's mother's ancestry was Irish, and smaller amounts of English, German, Scottish, and Welsh.
Nicholson made his film debut in a B-movie titled The Cry Baby Killer (1958). His rise in Hollywood was far from meteoric, and for years, he sustained his career with guest spots in television series and a number of Roger Corman films, including The Little Shop of Horrors (1960).
Nicholson's first turn in the director's chair was for Drive, He Said (1971). Before that, he wrote the screenplay for The Trip (1967), and co-wrote Head (1968), a vehicle for The Monkees. His big break came with Easy Rider (1969) and his portrayal of liquor-soaked attorney George Hanson, which earned Nicholson his first Oscar nomination. Nicholson's film career took off in the 1970s with a definitive performance in Five Easy Pieces (1970). Nicholson's other notable work during this period includes leading roles in Roman Polanski's noir masterpiece Chinatown (1974) and One Flew Over the Cuckoo's Nest (1975), for which he won his first Best Actor Oscar.
The 1980s kicked off with another career-defining role for Nicholson as Jack Torrance in Stanley Kubrick's adaptation of Stephen King's novel The Shining (1980). A string of well-received films followed, including Terms of Endearment (1983), which earned Nicholson his second Oscar; Prizzi's Honor (1985), and The Witches of Eastwick (1987). He portrayed another renowned villain, The Joker, in Tim Burton's Batman (1989). In the 1990s, he starred in such varied films as A Few Good Men (1992), for which he received another Oscar nomination, and a dual role in Mars Attacks! (1996).
Although a glimpse at the darker side of Nicholson's acting range reappeared in The Departed (2006), the actor's most recent roles highlight the physical and emotional complications one faces late in life. The most notable of these is the unapologetically misanthropic Melvin Udall in As Good as It Gets (1997), for which he won his third Oscar. Shades of this persona are apparent in About Schmidt (2002), Something's Gotta Give (2003), and The Bucket List (2007). In addition to his Academy Awards and Oscar nominations, Nicholson has seven Golden Globe Awards, and received a Kennedy Center Honor in 2001. He also became one of the youngest actors to receive the American Film Institute's Life Achievement award in 1994.
Nicholson has six children by five different women: Jennifer Nicholson (b. 1963) from his only marriage to Sandra Knight, which ended in 1966; Caleb Goddard (b. 1970) with Five Easy Pieces (1970) co-star Susan Anspach, who was automatically adopted by Anspach's then-husband Mark Goddard; Honey Hollman (b. 1982) with Danish supermodel Winnie Hollman; Lorraine Nicholson (b. 1990) and Ray Nicholson (b. 1992) with minor actress Rebecca Broussard; and Tessa Gourin (b. 1994) with real estate agent Jennine Marie Gourin. Nicholson's longest relationship was the 17 nonmonogamous years he spent with Anjelica Huston; this ended when Broussard announced she was pregnant with his child.- Actor
- Producer
- Writer
Jack Nicholson, an American actor, producer, director and screenwriter, is a three-time Academy Award winner and twelve-time nominee. Nicholson is also notable for being one of two actors - the other being Michael Caine - who have received an Oscar nomination in every decade from the '60s through the '00s.
Nicholson was born on April 22, 1937, in Neptune, New Jersey. He was raised believing that his grandmother was his mother, and that his mother, June Frances Nicholson, a showgirl, was his older sister. He discovered the truth in 1975 from a Time magazine journalist who was researching a profile on him. His real father is believed to have been either Donald Furcillo, an Italian American showman, or Eddie King (Edgar Kirschfeld), born in Latvia and also in show business. Jack's mother's ancestry was Irish, and smaller amounts of English, German, Scottish, and Welsh.
Nicholson made his film debut in a B-movie titled The Cry Baby Killer (1958). His rise in Hollywood was far from meteoric, and for years, he sustained his career with guest spots in television series and a number of Roger Corman films, including The Little Shop of Horrors (1960).
Nicholson's first turn in the director's chair was for Drive, He Said (1971). Before that, he wrote the screenplay for The Trip (1967), and co-wrote Head (1968), a vehicle for The Monkees. His big break came with Easy Rider (1969) and his portrayal of liquor-soaked attorney George Hanson, which earned Nicholson his first Oscar nomination. Nicholson's film career took off in the 1970s with a definitive performance in Five Easy Pieces (1970). Nicholson's other notable work during this period includes leading roles in Roman Polanski's noir masterpiece Chinatown (1974) and One Flew Over the Cuckoo's Nest (1975), for which he won his first Best Actor Oscar.
The 1980s kicked off with another career-defining role for Nicholson as Jack Torrance in Stanley Kubrick's adaptation of Stephen King's novel The Shining (1980). A string of well-received films followed, including Terms of Endearment (1983), which earned Nicholson his second Oscar; Prizzi's Honor (1985), and The Witches of Eastwick (1987). He portrayed another renowned villain, The Joker, in Tim Burton's Batman (1989). In the 1990s, he starred in such varied films as A Few Good Men (1992), for which he received another Oscar nomination, and a dual role in Mars Attacks! (1996).
Although a glimpse at the darker side of Nicholson's acting range reappeared in The Departed (2006), the actor's most recent roles highlight the physical and emotional complications one faces late in life. The most notable of these is the unapologetically misanthropic Melvin Udall in As Good as It Gets (1997), for which he won his third Oscar. Shades of this persona are apparent in About Schmidt (2002), Something's Gotta Give (2003), and The Bucket List (2007). In addition to his Academy Awards and Oscar nominations, Nicholson has seven Golden Globe Awards, and received a Kennedy Center Honor in 2001. He also became one of the youngest actors to receive the American Film Institute's Life Achievement award in 1994.
Nicholson has six children by five different women: Jennifer Nicholson (b. 1963) from his only marriage to Sandra Knight, which ended in 1966; Caleb Goddard (b. 1970) with Five Easy Pieces (1970) co-star Susan Anspach, who was automatically adopted by Anspach's then-husband Mark Goddard; Honey Hollman (b. 1982) with Danish supermodel Winnie Hollman; Lorraine Nicholson (b. 1990) and Ray Nicholson (b. 1992) with minor actress Rebecca Broussard; and Tessa Gourin (b. 1994) with real estate agent Jennine Marie Gourin. Nicholson's longest relationship was the 17 nonmonogamous years he spent with Anjelica Huston; this ended when Broussard announced she was pregnant with his child.- Actor
- Producer
- Writer
Jack Nicholson, an American actor, producer, director and screenwriter, is a three-time Academy Award winner and twelve-time nominee. Nicholson is also notable for being one of two actors - the other being Michael Caine - who have received an Oscar nomination in every decade from the '60s through the '00s.
Nicholson was born on April 22, 1937, in Neptune, New Jersey. He was raised believing that his grandmother was his mother, and that his mother, June Frances Nicholson, a showgirl, was his older sister. He discovered the truth in 1975 from a Time magazine journalist who was researching a profile on him. His real father is believed to have been either Donald Furcillo, an Italian American showman, or Eddie King (Edgar Kirschfeld), born in Latvia and also in show business. Jack's mother's ancestry was Irish, and smaller amounts of English, German, Scottish, and Welsh.
Nicholson made his film debut in a B-movie titled The Cry Baby Killer (1958). His rise in Hollywood was far from meteoric, and for years, he sustained his career with guest spots in television series and a number of Roger Corman films, including The Little Shop of Horrors (1960).
Nicholson's first turn in the director's chair was for Drive, He Said (1971). Before that, he wrote the screenplay for The Trip (1967), and co-wrote Head (1968), a vehicle for The Monkees. His big break came with Easy Rider (1969) and his portrayal of liquor-soaked attorney George Hanson, which earned Nicholson his first Oscar nomination. Nicholson's film career took off in the 1970s with a definitive performance in Five Easy Pieces (1970). Nicholson's other notable work during this period includes leading roles in Roman Polanski's noir masterpiece Chinatown (1974) and One Flew Over the Cuckoo's Nest (1975), for which he won his first Best Actor Oscar.
The 1980s kicked off with another career-defining role for Nicholson as Jack Torrance in Stanley Kubrick's adaptation of Stephen King's novel The Shining (1980). A string of well-received films followed, including Terms of Endearment (1983), which earned Nicholson his second Oscar; Prizzi's Honor (1985), and The Witches of Eastwick (1987). He portrayed another renowned villain, The Joker, in Tim Burton's Batman (1989). In the 1990s, he starred in such varied films as A Few Good Men (1992), for which he received another Oscar nomination, and a dual role in Mars Attacks! (1996).
Although a glimpse at the darker side of Nicholson's acting range reappeared in The Departed (2006), the actor's most recent roles highlight the physical and emotional complications one faces late in life. The most notable of these is the unapologetically misanthropic Melvin Udall in As Good as It Gets (1997), for which he won his third Oscar. Shades of this persona are apparent in About Schmidt (2002), Something's Gotta Give (2003), and The Bucket List (2007). In addition to his Academy Awards and Oscar nominations, Nicholson has seven Golden Globe Awards, and received a Kennedy Center Honor in 2001. He also became one of the youngest actors to receive the American Film Institute's Life Achievement award in 1994.
Nicholson has six children by five different women: Jennifer Nicholson (b. 1963) from his only marriage to Sandra Knight, which ended in 1966; Caleb Goddard (b. 1970) with Five Easy Pieces (1970) co-star Susan Anspach, who was automatically adopted by Anspach's then-husband Mark Goddard; Honey Hollman (b. 1982) with Danish supermodel Winnie Hollman; Lorraine Nicholson (b. 1990) and Ray Nicholson (b. 1992) with minor actress Rebecca Broussard; and Tessa Gourin (b. 1994) with real estate agent Jennine Marie Gourin. Nicholson's longest relationship was the 17 nonmonogamous years he spent with Anjelica Huston; this ended when Broussard announced she was pregnant with his child.- Actor
- Director
- Producer
Steve Buscemi was born in Brooklyn, New York, to Dorothy (Wilson), a restaurant hostess, and John Buscemi, a sanitation worker. He is of Italian (father) and English, Dutch, and Irish (mother) descent. He became interested in acting during his last year of high school. After graduating, he moved to Manhattan to study acting with John Strasberg. He began writing and performing original theatre pieces with fellow actor/writer Mark Boone Junior. This led to his being cast in his first lead role in Parting Glances (1986). Since then, he has worked with many of the top filmmakers in Hollywood, including Quentin Tarantino, Jerry Bruckheimer, and The Coen Brothers. He is a highly respected actor.- Actor
- Writer
- Director
William Hall Macy Jr. is an American actor. His film career has been built on appearances in small, independent films, though he has also appeared in mainstream films. Macy has won two Emmy Awards and four Screen Actors Guild Awards, while his performance in Fargo earned a nomination for the Academy Award for Best Supporting Actor. From 2011 to 2021, he played Frank Gallagher, a main character in Shameless, the Showtime adaptation of the British television series. Macy has been married to Felicity Huffman since 1997.- Actor
- Producer
- Writer
Actor and musician Bruce Willis is well known for playing wisecracking or hard-edged characters, often in spectacular action films. Collectively, he has appeared in films that have grossed in excess of $2.5 billion USD.
Walter Bruce Willis was born on March 19, 1955, in Idar-Oberstein, West Germany, to a German mother, Marlene Kassel, and an American father, David Andrew Willis (from Carneys Point, New Jersey), who were then living on a United States military base. His family moved to the U.S. shortly after he was born, and he was raised in Penns Grove, New Jersey, where his mother worked at a bank and his father was a welder and factory worker. Willis picked up an interest for the dramatic arts in high school, and was allegedly "discovered" whilst working in a café in New York City and then appeared in a couple of off-Broadway productions. While bartending one night, he was seen by a casting director who liked his personality and needed a bartender for a small movie role.
After countless auditions, Willis contributed minor film appearances, usually uncredited, before landing the role of private eye "David Addison" alongside sultry Cybill Shepherd in the hit romantic comedy television series Moonlighting (1985). His sarcastic and wisecracking P.I. is seen by some as a dry run for the role of hard-boiled NYC detective "John McClane" in the monster hit Die Hard (1988), in which Willis' character single-handedly battled a gang of ruthless international thieves in a Los Angeles skyscraper. He reprised the role of McClane in the sequel, Die Hard 2 (1990), set at a snowbound Washington's Dulles International Airport as a group of renegade Special Forces soldiers seek to repatriate a corrupt South American general. Excellent box office returns demanded a further sequel Die Hard with a Vengeance (1995), this time co-starring Samuel L. Jackson as a cynical Harlem shop owner unwittingly thrust into assisting McClane during a terrorist bombing campaign on a sweltering day in New York.
Willis found time out from all the action mayhem to provide the voice of "Mikey" the baby in the very popular family comedies Look Who's Talking (1989), and its sequel Look Who's Talking Too (1990) also starring John Travolta and Kirstie Alley. Over the next decade, Willis starred in some very successful films, some very offbeat films and some unfortunate box office flops. The Bonfire of the Vanities (1990) and Hudson Hawk (1991) were both large scale financial disasters that were savaged by the critics, and both are arguably best left off the CVs of all the actors involved, however Willis was still popular with movie audiences and selling plenty of theatre tickets with the hyper-violent The Last Boy Scout (1991), the darkly humored Death Becomes Her (1992) and the mediocre police thriller Striking Distance (1993).
During the 1990s, Willis also appeared in several independent and low budget productions that won him new fans and praise from the critics for his intriguing performances working with some very diverse film directors. He appeared in the oddly appealing North (1994), as a cagey prizefighter in the Quentin Tarantino directed mega-hit Pulp Fiction (1994), the Terry Gilliam directed apocalyptic thriller 12 Monkeys (1995), the Luc Besson directed sci-fi opus The Fifth Element (1997) and the M. Night Shyamalan directed spine-tingling epic The Sixth Sense (1999).
Willis next starred in the gangster comedy The Whole Nine Yards (2000), worked again with "hot" director M. Night Shyamalan in the less than gripping Unbreakable (2000), and in two military dramas, Hart's War (2002) and Tears of the Sun (2003) that both failed to really fire with movie audiences or critics alike. However, Willis bounced back into the spotlight in the critically applauded Frank Miller graphic novel turned movie Sin City (2005), the voice of "RJ" the scheming raccoon in the animated hit Over the Hedge (2006) and "Die Hard" fans rejoiced to see "John McClane" return to the big screen in the high tech Live Free or Die Hard (2007) aka "Die Hard 4.0".
Willis was married to actress Demi Moore for approximately thirteen years and they share custody to their three daughters.- Actor
- Producer
- Director
Danny DeVito has amassed a formidable and versatile body of work as an actor, producer and director that spans the stage, television and film.
Daniel Michael DeVito Jr. was born on November 17, 1944, in Neptune, New Jersey, to Italian-American parents. His mother, Julia (Moccello), was a homemaker. His father, Daniel, Sr., was a small business owner whose ventures included a dry cleaning shop, a dairy outlet, a diner, and a pool hall.
While growing up in Asbury Park, his parents sent him to private schools. He attended Our Lady of Mount Carmel grammar school and Oratory Prep School. Following graduation in 1962, he took a job as a cosmetician at his sister's beauty salon. A year later, he enrolled at New York's American Academy of Dramatic Arts so he could learn more about cosmetology. While at the academy, he fell in love with acting and decided to further pursue an acting career. During this time, he met another aspiring actor Michael Douglas at the National Playwrights Conference in Waterford, Connecticut. The two would later go on to collaborate on numerous projects. Soon after he also met an actress named Rhea Perlman. The two fell in love and moved in together. They were married in 1982 and had three children together.
In 1968, Danny landed his first part in a movie when he appeared as a thug in the obscure Dreams of Glass (1970). Despite this minor triumph, Danny became discouraged with the film industry and decided to focus on stage productions. He made his Off-Broadway debut in 1969 in "The Man With the Flower in His Mouth." He followed this up with stage roles in "The Shrinking Bride," and "Lady Liberty." In 1975, he was approached by director Milos Forman and Michael Douglas about appearing in the film version of One Flew Over the Cuckoo's Nest (1975), which would star Jack Nicholson in the leading role. With box office success almost guaranteed and a chance for national exposure, Danny agreed to the role. The movie became a huge hit, both critically and financially, and still ranks today as one the greatest movies of all time. Unfortunately, the movie did very little to help Danny's career. In the years following, he was relegated to small movie roles and guest appearances on television shows. His big break came in 1978 when he auditioned for a role on an ABC sitcom pilot called Taxi (1978), which centered around taxi cab drivers at a New York City garage. Danny auditioned for the role of dispatcher Louie DePalma. At the audition, the producers told Danny that he needed to show more attitude in order to get the part. He then slammed down the script and yelled, "Who wrote this sh**?" The producers, realizing he was perfect for the part, brought him on board. The show was a huge success, running from 1978 to 1983.
Louie DePalma, played flawlessly by Danny, became one of the most memorable (and reviled) characters in television history. While he was universally hated by TV viewers, he was well-praised by critics, winning an Emmy award and being nominated three other times. Throughout the 1980s and 1990s, Danny maintained his status as a great character actor with memorable roles in movies like Romancing the Stone (1984), Ruthless People (1986), Throw Momma from the Train (1987) and Twins (1988). He also had a great deal of success behind the camera, directing movies like The War of the Roses (1989) and Hoffa (1992). In 1992, Danny was introduced to a new generation of moviegoers when he was given the role of The Penguin/Oswald Cobblepot in Tim Burton's highly successful Batman Returns (1992). This earned him a nomination for Best Villain at the MTV Movie Awards. That same year, along with his wife Rhea Perlman, Danny co-founded Jersey Films, which has produced many popular films and TV shows, including Pulp Fiction (1994), Get Shorty (1995), Man on the Moon (1999) and Erin Brockovich (2000). DeVito has many directing credits to his name as well, including Throw Momma from the Train (1987), The War of the Roses (1989), Hoffa (1992), Death to Smoochy (2002) and the upcoming St. Sebastian.
In 2006, he returned to series television in the FX comedy series It's Always Sunny in Philadelphia (2005). With a prominent role in a hit series, Devito's comic talents were now on display for a new generation of television viewers. In 2012, he provided the title voice role in Dr. Seuss' The Lorax (2012).
These days, he continues to work with many of today's top talents as an actor, director and producer.- Actor
- Producer
- Director
Kenneth Charles Branagh was born on December 10, 1960, in Belfast, Northern Ireland, to parents William Branagh, a plumber and carpenter, and Frances (Harper), both born in 1930. He has two siblings, William Branagh, Jr. (born 1955) and Joyce Branagh (born 1970). When he was nine, his family escaped The Troubles by moving to Reading, Berkshire, England. At 23, Branagh joined the Royal Shakespeare Company, where he took on starring roles in "Henry V" and "Romeo and Juliet". He soon found the RSC too large and impersonal and formed his own, the Renaissance Theatre Company, which now counts Prince Charles as one of its royal patrons. At 29, he directed Henry V (1989), where he also co-starred with his then-wife, Emma Thompson. The film brought him Best Actor and Best Director Oscar nominations. In 1993, he brought Shakespeare to mainstream audiences again with his hit adaptation of Much Ado About Nothing (1993), which featured an all-star cast that included, among others, Denzel Washington, Michael Keaton and Keanu Reeves. At 30, he published his autobiography and, at 34, he directed and starred as "Victor Frankenstein" in the big-budget adaptation of Mary Shelley's novel, Frankenstein (1994), with Robert De Niro as the monster himself. In 1996, Branagh wrote, directed and starred in a lavish adaptation of Hamlet (1996). His superb film acting work also includes a wide range of roles such as in Celebrity (1998), Wild Wild West (1999), The Road to El Dorado (2000), Valkyrie (2008) and his stunning portrayal of Laurence Olivier in My Week with Marilyn (2011), where once again he offered a great performance that was also nominated for an Academy Award.- Actor
- Director
- Producer
Actor Ralph Nathaniel Twisleton-Wykeham-Fiennes was born on December 22, 1962 in Suffolk, England, to Jennifer Anne Mary Alleyne (Lash), a novelist, and Mark Fiennes, a photographer. He is the eldest of six children. Four of his siblings are also in the arts: Martha Fiennes, a director; Magnus Fiennes, a musician; Sophie Fiennes, a producer; and Joseph Fiennes, an actor. He is of English, Irish, and Scottish origin.
A noted Shakespeare interpreter, he first achieved success onstage at the Royal National Theatre. Fiennes first worked on screen in 1990 and then made his film debut in 1992 as Heathcliff in Emily Brontë's Wuthering Heights (1992), opposite Juliette Binoche. 1993 was his "breakout year". He had a major role in the controversial Peter Greenaway film The Baby of Mâcon (1993), with Julia Ormond, which was poorly received. Later that year he became known internationally for portraying the amoral Nazi concentration camp commandant Amon Goeth in Steven Spielberg's Schindler's List (1993). For this he was nominated for the Academy Award for Best Supporting Actor and the Golden Globe Award for Best Supporting Actor. He did not win, but did win the Best Supporting Actor BAFTA Award for the role, as well as Best Supporting Actor honors from numerous critics groups, including the National Society of Film Critics, and the New York, Chicago, Boston, and London Film Critics associations. His portrayal as Göth also earned him a spot on the American Film Institute's list of Top 50 Film Villains. To look suitable to represent Goeth, Fiennes gained weight, but he managed to shed it afterwards. In 1994, he portrayed American academic Charles Van Doren in Quiz Show (1994). In 1996, he was nominated for the Academy Award for Best Actor for his performance as Count Almásy the World War II epic romance, and another Best Picture winner, Anthony Minghella's The English Patient (1996), in which he starred with Kristin Scott Thomas. He also received BAFTA and Golden Globe nominations, as well as two Screen Actors Guild (SAG) Award nominations, one for Best Actor and another shared with the film's ensemble cast.
Since then, Fiennes has been in a number of notable films, including Strange Days (1995), Oscar and Lucinda (1997), the animated The Prince of Egypt (1998), István Szabó's Sunshine (1999), Neil Jordan-directed films The End of the Affair (1999) and The Good Thief (2002), Red Dragon (2002), Maid in Manhattan (2002), The Constant Gardener (2005), In Bruges (2008), The Reader (2008), co-starring Kate Winslet, Kathryn Bigelow's Oscar®-winning The Hurt Locker (2008), Clash of the Titans (2010), Mike Newell's screen adaptation of Charles Dickens'Great Expectations (2012), with Helena Bonham Carter and Jeremy Irvine, and Wes Anderson's The Grand Budapest Hotel (2014).
He is also known for his roles in major film franchises such as the Harry Potter film series (2005-2011), in which he played the evil Lord Voldemort. His nephew, Hero Fiennes Tiffin played Tom Riddle, the young Lord Voldemort, in Harry Potter and the Half-Blood Prince (2009). Ralph also appears in the James Bond series, in which he has played M, starting with the 2012 film Skyfall (2012).
In 2011, Fiennes made his directorial debut with his film adaptation of Shakespeare's tragedy political thriller Coriolanus (2011), in which he also played the title character, opposite Gerard Butler and Vanessa Redgrave. Fiennes has won a Tony Award for playing Prince Hamlet on Broadway.
In 2015, Fiennes played a music producer in Luca Guadagnino's A Bigger Splash (2015), starring opposite Tilda Swinton and Matthias Schoenaerts, and in 2016, Fiennes starred in Joel and Ethan Coen's Hail, Caesar! (2016).
Since 1999, Fiennes has served as an ambassador for UNICEF UK.- Actress
- Director
- Producer
Helena Bonham Carter is an actress of great versatility, one of the UK's finest and most successful.
Bonham Carter was born May 26, 1966 in Golders Green, London, England, the youngest of three children of Elena (née Propper de Callejón), a psychotherapist, and Raymond Bonham Carter, a merchant banker. Through her father, she is the great-granddaughter of former Prime Minister Herbert H. Asquith, and her blue-blooded family tree also contains Barons and Baronesses, diplomats, and a director, Bonham Carter's great-uncle Anthony Asquith, who made Pygmalion (1938) and The Importance of Being Earnest (1952), among others. Cousin Crispin Bonham-Carter is also an actor. Her maternal grandfather, Eduardo Propper de Callejón, was a Spanish diplomat who was awarded the honorific Righteous Among the Nations, by Israel, for helping save Jews during World War II (Eduardo's own father was a Czech Jew). Helena's maternal grandmother, Hélène Fould-Springer, was from an upper-class Jewish family from France, Austria, and Germany, and later converted to her husband's Catholic faith.
Bonham Carter experienced family dramas during her childhood, including her father's stroke - which left him wheelchair-bound. She attended South Hampstead High School and Westminster School in London, and subsequently devoted herself to an acting career. That trajectory actually began in 1979 when, at age thirteen, she entered a national poetry writing competition and used her second place winnings to place her photo in the casting directory "Spotlight." She soon had her first agent and her first acting job, in a commercial, at age sixteen. She then landed a role in the made-for-TV movie A Pattern of Roses (1983), which subsequently led to her casting in the Merchant Ivory films A Room with a View (1985), director James Ivory's tasteful adaptation of E.M. Forster's novel, and Lady Jane (1986), giving a strong performance as the uncrowned Queen of England. She had roles in three other productions under the Merchant-Ivory banner (director Ivory, producer Ismail Merchant, and screenwriter Ruth Prawer Jhabvala): an uncredited appearance in Maurice (1987), and large roles in Where Angels Fear to Tread (1991) and Howards End (1992).
Often referred to as the "corset queen" or "English rose" because of her early work, Bonham Carter continued to surprise audiences with magnificent performances in a variety of roles from her more traditional corset-clad character in The Wings of the Dove (1997) and Shakespearian damsels to the dark and neurotic anti-heroines of Fight Club (1999). Her acclaimed performance in The Wings of the Dove (1997) earned her a Best Actress Academy Award nomination, a Golden Globe Best Actress nomination, a BAFTA Best Actress nomination, and a SAG Awards Best Actress nomination. It also won her a Best Actress Award from the National Board of Review, the Los Angeles Film Critics, the Boston Society Film Critics, the Broadcast Film Critics Association, the Texas Society of Film Critics, and the Southeastern Film Critics Association.
In the late 1990s, Bonham Carter embarked on the next phase of her career, moving from capable actress to compelling star. Audiences and critics had long been enchanted by her delicate beauty, evocative of another time and place. Her late '90s and early and mid 2000s roles included Mick Jackson's Live from Baghdad (2002), alongside Michael Keaton, receiving a nomination for both an Emmy and a Golden Globe; Paul Greengrass' The Theory of Flight (1998), in which she played a victim of motor neurone disease; Trevor Nunn's Twelfth Night (1996), in which she played Olivia; opposite Woody Allen in his Mighty Aphrodite (1995); Mort Ransen's Margaret's Museum (1995); Kenneth Branagh's Frankenstein (1994); and Franco Zeffirelli's Hamlet (1990).
Other notable credits include her appearance with Steve Martin in Novocaine (2001), Tim Burton's remake of Planet of the Apes, in which she played an ape, Thaddeus O'Sullivan's The Heart of Me (2002), opposite Paul Bettany, and Big Fish (2003), her second effort with Tim Burton, in which she appeared as a witch.
In between her films, Helena has managed a few television appearances, which include her portrayal of Jacqui Jackson in Magnificent 7 (2005), the tale of a mother struggling to raise seven children - three daughters and four autistic boys; as Anne Boleyn in the two-parter biopic of Henry VIII starring Ray Winstone; and as Morgan Le Fey, alongside Sam Neill and Miranda Richardson, in Merlin. Earlier television appearances include Michael Mann's Miami Vice (1984) as Don Johnson's junkie fiancée, and as a stripper who wins Rik Mayall's heart in Dancing Queen (1993). Helena has also appeared on stage, in productions of Trelawney of the Wells, The Barber of Seville, House of Bernarda Alba, The Chalk Garden, and Woman in White.
Bonham Carter was nominated for a Golden Globe for the fifth time for her role in partner Tim Burton's film adaptation of the Stephen Sondheim musical, Sweeney Todd: The Demon Barber of Fleet Street (2007), for which Burton and co-star Johnny Depp were also nominated. For the role, she was awarded Best Actress at the Evening Standard British Film Awards 2008. Other 2000s work includes playing Mrs Bucket in Tim Burton's massive hit Charlie and the Chocolate Factory (2005), providing the voices for the aristocratic Lady Campanula Tottington in Wallace & Gromit: The Curse of the Were-Rabbit (2005) and for the eponymous dead heroine in Tim Burton's spooky Corpse Bride (2005), and co-starring in Conversations with Other Women (2005) opposite Aaron Eckhart.
After their meeting while filming Planet of the Apes (2001), Bonham Carter and Tim Burton made seven films together. They lived in adjoining residences in London, shared a connecting hallway, and have two children: Billy Ray Burton, born in 2003, and Nell Burton, who was born in 2007. Ironically, a mutual love of Sweeney Todd was part of the initial attraction for the pair. Bonham Carter has said in numerous interviews that her audition process for the role of Mrs. Lovett was the most grueling of her career and that, ultimately, it was Sondheim who she had to convince that she was right for the role.- Actor
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American actor, filmmaker and activist Edward Harrison Norton was born on August 18, 1969, in Boston, Massachusetts, and was raised in Columbia, Maryland.
His mother, Lydia Robinson "Robin" (Rouse), was a foundation executive and teacher of English, and a daughter of famed real estate developer James Rouse, who developed Columbia, MD; she passed away of brain cancer on March 6, 1997. His father, Edward Mower Norton, was an environmental lawyer and conservationist, who works for the National Trust for Historic Preservation. Edward has two younger siblings, James and Molly.
From the age of five onward, the Yale graduate (majoring in history) was interested in acting. At the age of eight, he would ask his drama teacher what his motivation in a scene was. He attended theater schools throughout his life, and eventually managed to find work on stage in New York as a member of the Signature players, who produced the works of playwright and director Edward Albee. Around the time when he was appearing in Albee's Fragments, in Hollywood, they were looking for a young actor to star opposite Richard Gere in a new courtroom thriller, Primal Fear (1996). The role was offered to Leonardo DiCaprio but he turned it down. Gere was on the verge of walking away from the project, fed up with the wait for a young star to be found, when Edward auditioned and won the role over 2000 other hopefuls. Before the film was even released, his test screenings for the part were causing a Hollywood sensation, and he was soon offered roles in Woody Allen's Everyone Says I Love You (1996) and The People vs. Larry Flynt (1996). Edward won the Golden Globe for Best Actor in a Supporting Role and received an Oscar nomination for Best Supporting Actor for his performance in Primal Fear (1996). In 1998, Norton gained 30 pounds of muscle and transformed his look into that of a monstrous skinhead for his role as a violent white supremacist in American History X (1998). This performance earned him his second Oscar nomination, this time for Best Actor.
He received his third Oscar nomination, for Best Supporting Actor, for his work in Birdman or (The Unexpected Virtue of Ignorance) (2014). His most prominent roles also include the critically acclaimed Everyone Says I Love You (1996), The People vs. Larry Flynt (1996), Fight Club (1999), Red Dragon (2002), 25th Hour (2002), Kingdom of Heaven (2005), The Illusionist (2006), Moonrise Kingdom (2012), and The Grand Budapest Hotel (2014). He has also directed and co-written films, including his directorial debut, Keeping the Faith (2000). He has done uncredited work on the scripts for The Score (2001), Frida (2002), and The Incredible Hulk (2008).
Alongside his work in cinema, Norton is an environmental and social activist, and is a member of the board of trustees of Enterprise Community Partners, a non-profit organization for developing affordable housing founded by his grandfather James Rouse.- Actor
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Award-winning actor Mark Ruffalo was born on November 22, 1967, in Kenosha, Wisconsin, of humble means to father Frank Lawrence Ruffalo, a construction painter and Marie Rose (Hebert), a stylist and hairdresser; his father's ancestry is Italian and his mother is of half French-Canadian and half Italian descent. Mark moved with his family to Virginia Beach, Virginia, where he lived out most of his teenage years. Following high school, Mark moved with his family to San Diego and soon migrated north, eventually settling in Los Angeles.
Mark first took classes at the Stella Adler Conservatory and subsequently co-founded the Orpheus Theatre Company, an Equity-Waiver establishment, where he worked in nearly every capacity. From acting, writing, directing and producing to running the lights and building sets while building his resume.
Moving into film and TV, Mark's inauspicious movie debut was the drifter role of Christian in the horror opus Mirror Mirror 2: Raven Dance (1994) and returned to the film series in the role of Joey with Mirror Mirror 3: The Voyeur (1995). He continued on through the 1990's rather indistinctly with more secondary roles in the horror film The Dentist (1996) starring madman Corbin Bernsen; an amusing perf in the obscure dramedy The Last Big Thing (1996); a third billed role in the Jerry Stiller/Anne Meara bickering senior comedy A Fish in the Bathtub (1998); and the war drama Ceremony... The Ritual of Love (1976) directed by Ang Lee.
Bartending for nearly nearly a decade to make ends meet and discouraged enough to give it up, a chance meeting and resulting collaboration with playwright/screenwriter Kenneth Lonergan approaching the millennium changed everything. Ruffalo won NY success in Lonergan's 1996 off-Broadway play "This Is Our Youth," a story about troubled young adults. This led to his male lead in Lonergan's Oscar-winning film drama You Can Count on Me (2000), playing the ne'er-do-well brother of Laura Linney. The performance drew rave reviews and invited comparisons to an early Marlon Brando.
Ruffalo never looked back. Notable roles in The Last Castle (2001), XX/XY (2002), and Windtalkers (2002) followed, although in 2002 Ruffalo was diagnosed with an acoustic neuroma, a type of brain tumor. Though the tumor was benign, the resulting surgery led to a period of partial facial paralysis, from which he fully recovered. In 2003, Ruffalo scored leading roles alongside two popular female stars, playing a police detective opposite Meg Ryan in In the Cut (2003) and the love interest of Gwyneth Paltrow in the comedy View from the Top (2003).
Though both films were high-profile box office disappointments, Ruffalo went on to four notable (if highly disparate) films in 2004 -- We Don't Live Here Anymore (2004), Eternal Sunshine of the Spotless Mind (2004), 13 Going on 30 (2004), and Collateral (2004) -- which solidified his ability to be both a popular leading man and an acclaimed ensemble player in either comedy or drama.
After 2004, Ruffalo was consistently at work, with leads in popular Hollywood films and independent productions that continued to solidify him as one of film's most consistently strong actors: Just Like Heaven (2005), All the King's Men (2006), Zodiac (2007), Reservation Road (2007), and The Brothers Bloom (2008). He also made his Broadway debut as Moe Axelrod in the play "Awake and Sing!"
In 2010 Ruffalo achieved something of a breakthrough, by directing the indie film Sympathy for Delicious (2010), which won him the Special Jury Prize at the Sundance Film Festival, and co-starring as the sperm-donor father to lesbian couple Annette Bening and Julianne Moore in The Kids Are All Right (2010). His role in the idiosyncratic domestic comedy/drama earned him Academy Award, Independent Spirit Award, Screen Actors Guild, and BAFTA nominations for Best Supporting Actor. He went on to earn two more Best Supporting Actor nominations as an Olympic-winning wrestling champion in Foxcatcher (2014) and as a journalist working to uncover the Catholic Church sex abuse scandal in Spotlight (2015). In 2017, the actor returned to Broadway in Arthur Miller's "The Price."
High-profile roles in Martin Scorsese's Shutter Island (2010) and Longeran's long-delayed film Margaret (2011) followed before Ruffalo's appearance as Dr. Bruce Banner, aka The Hulk, in Joss Whedon's movie blockbuster The Avengers (2012). Garnering highly positive reviews for a role in which actors Eric Bana and Edward Norton could not find success in previous films made Ruffalo a box office action star in addition to a critically-acclaimed actor. He returned to the Banner/Hulk role frequently in such Marvel movies as Iron Man 3 (2013), Avengers: Age of Ultron (2015), Thor: Ragnarok (2017), Avengers: Infinity War (2018), Captain Marvel (2019) and Avengers: Endgame (2019),
Reunited with former co-star Gwyneth Paltrow in the sex-addiction comedy-drama Thanks for Sharing (2012), he went on to earn a Golden Globe nomination for playing a bipolar Dad in Infinitely Polar Bear (2014). Ruffalo also took on the lead in Ryan Murphy's adaptation of Larry Kramer's AIDS-drama play The Normal Heart (2014) and earned a SAG Award and Emmy Nomination. He later took home the Emmy playing twin brothers, one a paranoid schizophrenic, in I Know This Much Is True (2020).
Ruffalo has been married to actress Sunrise Coigney since 2000; the couple has three children, two sons and a daughter.- Actor
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John Christopher "Johnny" Depp II was born on June 9, 1963 in Owensboro, Kentucky, to Betty Sue Palmer (née Wells), a waitress, and John Christopher Depp, a civil engineer. He was raised in Florida. He dropped out of school when he was 15, and fronted a series of music-garage bands, including one named 'The Kids'. When he married Lori A. Depp, he took a job as a ballpoint-pen salesman to support himself and his wife. A visit to Los Angeles, California, with his wife, however, happened to be a blessing in disguise, when he met up with actor Nicolas Cage, who advised him to turn to acting, which culminated in Depp's film debut in the low-budget horror film, A Nightmare on Elm Street (1984), where he played a teenager who falls prey to dream-stalking demon Freddy Krueger.
In 1987 he shot to stardom when he replaced Jeff Yagher in the role of undercover cop Tommy Hanson in the popular TV series 21 Jump Street (1987). In 1990, after numerous roles in teen-oriented films, his first of a handful of great collaborations with director Tim Burton came about when Depp played the title role in Edward Scissorhands (1990). Following the film's success, Depp carved a niche for himself as a serious, somewhat dark, idiosyncratic performer, consistently selecting roles that surprised critics and audiences alike. He continued to gain critical acclaim and increasing popularity by appearing in many features before re-joining with Burton in the lead role of Ed Wood (1994). In 1997 he played an undercover FBI agent in the fact-based film Donnie Brasco (1997), opposite Al Pacino; in 1998 he appeared in Fear and Loathing in Las Vegas (1998), directed by Terry Gilliam; and then, in 1999, he appeared in the sci-fi/horror film The Astronaut's Wife (1999). The same year he teamed up again with Burton in Sleepy Hollow (1999), brilliantly portraying Ichabod Crane.
Depp has played many characters in his career, including another fact-based one, Insp. Fred Abberline in From Hell (2001). He stole the show from screen greats such as Antonio Banderas in the finale to Robert Rodriguez's "mariachi" trilogy, Once Upon a Time in Mexico (2003). In that same year he starred in the marvelous family blockbuster Pirates of the Caribbean: The Curse of the Black Pearl (2003), playing a character that only the likes of Depp could pull off: the charming, conniving and roguish Capt. Jack Sparrow. The film's enormous success has opened several doors for his career and included an Oscar nomination. He appeared as the central character in the Stephen King-based movie, Secret Window (2004); as the kind-hearted novelist James Barrie in the factually-based Finding Neverland (2004), where he co-starred with Kate Winslet; and Rochester in the British film, The Libertine (2004). Depp collaborated again with Burton in a screen adaptation of Roald Dahl's novel, Charlie and the Chocolate Factory (2005), and later in Alice in Wonderland (2010) and Dark Shadows (2012).
Off-screen, Depp has dated several female celebrities, and has been engaged to Sherilyn Fenn, Jennifer Grey, Winona Ryder and Kate Moss. He was married to Lori Anne Allison in 1983, but divorced her in 1985. Depp has two children with his former long-time partner, French singer/actress Vanessa Paradis: Lily-Rose Melody, born in 1999 and John Christopher "Jack" III, born in 2002. He married actress/producer Amber Heard in 2015, divorcing a few years later.- Actress
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An icy, elegant blonde with a knack for playing complex and strong-willed female leads, enormously popular actress Faye Dunaway starred in several films which defined what many would come to call Hollywood's "second Golden Age." During her tenure at the top of the box office, she was a more than capable match for some of the biggest macho stars of the 1970s. Then an overwrought turn in the disastrous biopic Mommie Dearest (1981) effectively derailed her career - but, at the same time, made her a bit of a camp favorite in the gay community - though she's been afforded infrequent opportunities worthy of her talent since that unfortunate halt.
Born prematurely on Jan. 14, 1941 in Bascom, FL, Dorothy Faye Dunaway was the daughter of MacDowell Dunaway, Jr., a career Army officer, and his wife, Grace April Smith. After a stint as a teenaged beauty queen in Florida, she intended to pursue education at the University of Florida, but switched to acting, earning her degree from Boston University in 1962. She was given the enviable task of choosing between a Fulbright Scholarship to the London Academy of Music and Dramatic Arts or a role in the Broadway production of "A Man For All Seasons" as a member of the American National Theatre and Academy. She picked the latter, enjoying a fruitful stage career for the next two years, which was capped by appearances in "After the Fall" and "Hogan's Goat." The latter - an off-Broadway production in 1967 - required Dunaway to tumble down a flight of steps in every performance, earning her a screen debut in the wan counterculture comedy The Happening (1967). Just five months after its release, however, she was wowing audiences across the country as Depression-era bank robber Bonnie Parker in Arthur Penn's controversial Bonnie and Clyde (1967). Her turn as the naïve but trigger-happy and sexually aggressive Parker earned her Academy Award and Golden Globe nominations, and provided a direct route to the front of the line for Hollywood leading ladies in an unbelievably short amount of time.
Dunaway followed this success with another hit, The Thomas Crown Affair (1968), in which her coolly sensual insurance investigator generated considerable sparks with playboy and jewel thief Steve McQueen. She then bounced between arthouse efforts like Puzzle of a Downfall Child (1970), directed by her ex-boyfriend, photographer Jerry Schatzberg, and the revisionist Western 'Doc' (1971), as well as big-budget efforts like Little Big Man (1970), which cast her as a predatory preacher's wife with designs on Dustin Hoffman's reluctant Native American hero. Dunaway also balanced these projects with several well-regarded theatrical productions, including a 1972-73 stint as Blanche Du Bois in "A Streetcar Named Desire," and notable TV-movies like The Woman I Love (1972), which cast her as the Duchess of Windsor, and TV broadcasts of Hogan's Goat (1971) and After the Fall (1974). But her turn as the duplicitous Lady De Winter in Richard Lester's splashy, slapstick take on The Three Musketeers (1973) and its sequel The Four Musketeers: Milady's Revenge (1974) preceded a long period of critical and box office hits, starting with her masterful performance in Chinatown (1974).
Dunaway's turn as Evelyn Mulwray, the mysterious woman who draws detective Jake Gittes (Jack Nicholson) into a dark and complicated web of murder, incest, and catastrophic business deals, seemed the epitome of every femme fatale to ever stride across a chiaroscuro-lit scene in classic noir. But Dunaway also found the horribly wounded core of her character as well, and turned Evelyn from a pastiche to a full-blown and emotionally resonant human being. Critics and award groups rushed to nominate Dunaway for the role, and she netted her second Academy Award nod, as well as Golden Globe and BAFTA nominations. Dunaway had fought hard for her performance - her battles with director Roman Polanski were no secret - but sadly, she lost the Oscar to Ellen Burstyn for Alice Doesn't Live Here Anymore (1974). However, it would be Dunaway's performance which stood the test of time.
High-gloss turns in The Towering Inferno (1974) and Sydney Pollack's political thriller Three Days of the Condor (1975) preceded one of her best television performances; that of Depression-era radio preacher Aimee Semple MacPherson in The Disappearance of Aimee (1976). Even more startling was her sterling role in Network (1976), Paddy Chayefsky's blistering take on the television industry. Dunaway pulled out all the stops as an executive on the rise who stops at nothing to advance her career - even bedding veteran producer William Holden. Critics again rose in unison to praise Dunaway, and she finally netted an Oscar for the role, as well as a Golden Globe.
Surprisingly, Dunaway's career began to falter after her Oscar win. She was effective as a fashion photographer who experiences disturbing visions in Eyes of Laura Mars (1978), but was wasted in thankless roles as the dissatisfied ex of washed-up boxer Jon Voight in The Champ (1979) and wife to Frank Sinatra's detective in The First Deadly Sin (1980). And then came Mommie Dearest (1981), director Frank Perry's biopic of actress Joan Crawford based on the tell-all book by her daughter Christina Crawford. Crawford herself had praised Dunaway in the early stages of her career, and while some critics gave positive reviews to her performance - in particular, the extent to which she physically transformed herself into Crawford - most fixated on the hysterical dialogue and garish scenes of child abuse. Clips of Dunaway as Crawford bellowing "No more wire hangers!" became immediate laugh-getters on late-night television, and a substantial gay following rose up in response to the film's high camp value. Dunaway, however, found none of the response amusing, and later admitted her regret in taking the role. Whether laughable or pure genius, no one could deny that Dunaway threw her everything into the role. The film's continued cult success proved she had succeeded in becoming Crawford.
The fallout from "Mommie Dearest" obscured Dunaway's follow-up projects, which included the title role in the TV-movie Evita Peron (1981) and a return to Broadway in 1982's "The Curse of an Aching Heart". Discouraged, she moved to London with her second husband, photographer Terry O'Neill, who had also served as a producer on "Mommie Dearest." For the next few years, Dunaway appeared sporadically in films, most of which underscored her newly minted status as a camp icon. The Wicked Lady (1983) was an absurd, near-softcore period drama by Michael Winner, with Dunaway as an 18th-century highway robber. Fans of her early dramatic work were similarly aghast by her turn as a shrieking witch battling Helen Slater's Girl of Steel in Supergirl (1984). Only a Golden Globe-winning appearance in the cumbersome miniseries Ellis Island (1984) offered any respite from the negative press which now continued to follow her.
Dunaway returned to the United States in 1987 following her divorce from O'Neill, and attempted to rebuild her career and reputation by appearing in several independent dramas. She was widely praised for her performance as a once-glamorous woman felled by alcohol in Barbet Schroeder's Barfly (1987), and served as executive producer and star of Cold Sassy Tree (1989), a TV adaptation of the popular novel by Olive Ann Burns about an independent-minded woman who romances a recently widowed store owner (Richard Widmark). Dunaway was exceptionally busy for the remainder of the decade in both major Hollywood features and independent fare, though her strong women now occasionally sported an unfortunate shrill side. She was Robert Duvall's frosty wife in the dystopian thriller The Handmaid's Tale (1990) and contributed a vocal cameo as Evelyn Mulwray in The Two Jakes (1990), the ill-fated sequel to "Chinatown". Other notable performances came as the unhappy wife of psychiatrist Marlon Brando in Don Juan DeMarco (1994), as the daughter of imprisoned Klansman Gene Hackman in The Chamber (1996), and as a bartender caught in the middle of a hostage standoff in Kevin Spacey's Albino Alligator (1996). She later received Screen Actors Guild and Golden Globe nominations as the matron of a wealthy Jewish family in turmoil in The Twilight of the Golds (1996). Perhaps her best turn of the decade was as a seductive murderess who attempts to sway the unflappable Lt. Columbo (Peter Falk) in It's All in the Game (1993), which earned her a 1994 Emmy. She won her third Golden Globe as modeling agency head Wilhelmina Cooper in the biopic Gia (1998), starring Angelina Jolie as doomed model Gia Carangi.
The 1990s were also not without incident for Dunaway. She was embroiled in an ugly lawsuit against Andrew Lloyd Webber after he closed a Los Angeles production of his musical version of "Sunset Blvd." with claims that she was unable to sing to his standards. The suit was later settled out of court for an undisclosed sum. A national tour of Terrence McNally's "Master Class", about the legendary opera diva Maria Callas, ended with her involvement in a suit over legal rights to the play. The project was expected to become her next great film role but remained uncompleted more than a decade after the 1996 tour. Her attempt at sitcom stardom in It Had to Be You (1993), co-starring Robert Urich, was met with universal disinterest, and the project was announced as being retooled without Dunaway prior to its cancellation.
Dunaway's schedule remained busy from 2000 onward, mostly in television and small independent features. She co-starred with Mark Wahlberg and Joaquin Phoenix as the wife of career criminal James Caan in The Yards (2000), then made her directorial debut with the short The Yellow Bird (2001), based on the play by Tennessee Williams. Younger audiences had their first taste of Dunaway's particular star power as Ian Somerhalder's mother in The Rules of Attraction (2002), Roger Avary's amped-up adaptation of the Bret Easton Ellis novel, before Dunaway turned up the heat as a merciless celebrity judge on the reality series The Starlet (2005).
Dunaway penned her memoirs, Looking For Gatsby, in 1995, one year before receiving her star on the Hollywood Walk of Fame. Attached throughout her professional career to intriguing men ranging from Lenny Bruce to Marcello Mastroianni, she was twice married; her first husband was singer Peter Wolf of the popular seventies rock group, The J. Geils Band. Liam O'Neill, her son by second husband Terry, followed in her footsteps with minor acting roles beginning in 2004. His father later dropped a bombshell in 2003 by revealing that Liam was not their biological son, but was adopted - a claim that Dunaway had previously denied.
A series of occasional roles in little-seen films followed, but Dunaway was unexpectedly thrust back into the public eye at the 2017 Academy Awards. Reunited with Warren Beatty on the occasion of the 50th anniversary of "Bonnie and Clyde," the pair were tapped to present the Best Picture award to close the night. Before proceeding onstage, Beatty was mistakenly handed a backup envelope for Best Actress in a Leading Role, which had already been won by Emma Stone for La La Land (2016). Unsure what to do when he opened the envelope and discovered the error, Beatty stalled for time and showed the card to Dunaway; misunderstanding his intent, the actress announced that the Best Picture Oscar went to "La La Land." During producer Jordan Horowitz's acceptance speech, he was informed that the actual Best Picture winner was Moonlight (2016). During the onstage chaos that ensued, Beatty delivered a heartfelt explanation and apology for the snafu while undergoing good-natured ribbing from host Jimmy Kimmel.
After her break from acting and the memorable Oscars moment, Dunaway is now back in the saddle as an actress working more frequently in her 70s. Over the past year, she has appeared in three films, starring in The Bye Bye Man (2017), The Case for Christ (2017), and Inconceivable (2017), with more projects expected to be on the way. The icon also fronts Gucci's summer 2018 ad campaign for their Sylvie handbag and has a Broadway show scheduled for 2019.- Actress
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Lili Taylor is a well-known and successful American actress. She acts in film, TV and stage. She was born in Glencoe, Illinois, to Marie (Lecour) and George Park Taylor, an artist and hardware store operator. Lili graduated from New Trier High School in 1985. Then, she attended the Theatre School at DePaul University and the Piven Theatre Workshop. Lili first earned fame for acting in the 1988 movie, Mystic Pizza (1988), which co-starred Julia Roberts. Then, she acted in a number of successful movies, including Dogfight (1991) and Short Cuts (1993). But, she was more highly recognized for appearing in the 1996 film, I Shot Andy Warhol (1996), for which she was nominated for several awards. Lili's notable works for television include the TV series, Six Feet Under (2001), and in the television movies, Anne Frank: The Whole Story (2001) and Live from Baghdad (2002). In 2009, she played "Sheriff Lillian Holley" in the movie, Public Enemies (2009). The movie co-starred Johnny Depp, with whom Lili also appeared in the 1993 movie, Arizona Dream (1993). Lili is also a successful stage actress. She has appeared in a number of plays staged on Broadway, including "The Three Sisters" (1997). Lili Taylor continues to act in stage, TV and film. She is married to Nick Flynn and they have a daughter.- Actor
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Bryan Lee Cranston was born on March 7, 1956 in Hollywood, California, to Audrey Peggy Sell, a radio actress, and Joe Cranston, an actor and former amateur boxer. His maternal grandparents were German, and his father was of Irish, German, and Austrian-Jewish ancestry. He was raised in the Canoga Park neighborhood of Los Angeles, and also stayed with his grandparents, living on their poultry farm in Yucaipa. Cranston's father walked out on the family when Cranston was eleven, and they did not see each other again until 11 years later, when Cranston and his brother decide to track down their father.
Cranston is known for his roles as Walter White on the AMC crime drama Breaking Bad (2008), Hal on the Fox situation comedy Malcolm in the Middle (2000), and Dr. Tim Whatley on five episodes of the NBC situation comedy Seinfeld (1989). For his role on "Breaking Bad", he won the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series four times (2008-2010, 2014), including three consecutive wins. After becoming one of the producers during the series' fourth and fifth seasons, he also won the Primetime Emmy Award for Outstanding Drama Series twice.
In June 2014, Cranston won the Tony Award for Best Actor in a Play for his portrayal of Lyndon B. Johnson in the play "All the Way" on Broadway. He reprised the role of Lyndon Johnson in the television adaptation All the Way (2016), which earned him widespread praise by critics. For the biographical drama Trumbo (2015), he earned widespread acclaim and was nominated for the Academy Award for Best Actor. Cranston also appeared in several acclaimed films, such as Saving Private Ryan (1998), Little Miss Sunshine (2006), Drive (2011), Argo (2012) and Godzilla (2014). In 2019, he starred with Kevin Hart in the box office hit The Upside (2017).- Writer
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Considered to be one of the most pivotal stars of the early days of Hollywood, Charlie Chaplin lived an interesting life both in his films and behind the camera. He is most recognized as an icon of the silent film era, often associated with his popular character, the Little Tramp; the man with the toothbrush mustache, bowler hat, bamboo cane, and a funny walk.
Charles Spencer Chaplin was born in Walworth, London, England on April 16, 1889, to Hannah Harriet Pedlingham (Hill) and Charles Chaplin, both music hall performers, who were married on June 22, 1885. After Charles Sr. separated from Hannah to perform in New York City, Hannah then tried to resurrect her stage career. Unfortunately, her singing voice had a tendency to break at unexpected moments. When this happened, the stage manager spotted young Charlie standing in the wings and led him on stage, where five-year-old Charlie began to sing a popular tune. Charlie and his half-brother, Syd Chaplin spent their lives in and out of charity homes and workhouses between their mother's bouts of insanity. Hannah was committed to Cane Hill Asylum in May 1903 and lived there until 1921, when Chaplin moved her to California.
Chaplin began his official acting career at the age of eight, touring with the Eight Lancashire Lads. At age 18, he began touring with Fred Karno's vaudeville troupe, joining them on the troupe's 1910 United States tour. He traveled west to California in December 1913 and signed on with Keystone Studios' popular comedy director Mack Sennett, who had seen Chaplin perform on stage in New York. Charlie soon wrote his brother Syd, asking him to become his manager. While at Keystone, Chaplin appeared in and directed 35 films, starring as the Little Tramp in nearly all.
In November 1914, he left Keystone and signed on at Essanay, where he made 15 films. In 1916, he signed on at Mutual and made 12 films. In June 1917, Chaplin signed up with First National Studios, after which he built Chaplin Studios. In 1919, he and Douglas Fairbanks, Mary Pickford and D.W. Griffith formed United Artists (UA).
Chaplin's life and career was full of scandal and controversy. His first big scandal was during World War I, at which time his loyalty to England, his home country, was questioned. He had never applied for American citizenship, but claimed that he was a "paying visitor" to the United States. Many British citizens called Chaplin a coward and a slacker. This and other career eccentricities sparked suspicion with FBI chief J. Edgar Hoover and the House Un-American Activities Committee (HUAC), who believed that he was injecting Communist propaganda into his films. Chaplin's later film The Great Dictator (1940), which was his first "talkie", also created a stir. In the film, Chaplin plays a humorous caricature of Adolf Hitler. Some thought the film was poorly done and in bad taste. However, the film grossed over $5 million and earned five Academy Award Nominations.
Another scandal occurred when Chaplin briefly dated 22 year-old Joan Barry. However, Chaplin's relationship with Barry came to an end in 1942, after a series of harassing actions from her. In May 1943, Barry returned to inform Chaplin that she was pregnant and filed a paternity suit, claiming that the unborn child was his. During the 1944 trial, blood tests proved that Chaplin was not the father, but at the time, blood tests were inadmissible evidence, and he was ordered to pay $75 a week until the child turned 21.
Chaplin also was scrutinized for his support in aiding the Russian struggle against the invading Nazis during World War II, and the United States government questioned his moral and political views, suspecting him of having Communist ties. For this reason, HUAC subpoenaed him in 1947. However, HUAC finally decided that it was no longer necessary for him to appear for testimony. Conversely, when Chaplin and his family traveled to London for the premier of Limelight (1952), he was denied re-entry to the United States. In reality, the government had almost no evidence to prove that he was a threat to national security. Instead, he and his wife decided to settle in Switzerland.
Chaplin was married four times and had a total of 11 children. In 1918, he married Mildred Harris and they had a son together, Norman Spencer Chaplin, who lived only three days. Chaplin and Harris divorced in 1920. He married Lita Grey in 1924, who had two sons, Charles Chaplin Jr. and Sydney Chaplin. They were divorced in 1927. In 1936, Chaplin married Paulette Goddard, and his final marriage was to Oona O'Neill (Oona Chaplin), daughter of playwright Eugene O'Neill in 1943. Oona gave birth to eight children: Geraldine Chaplin, Michael Chaplin, Josephine Chaplin, Victoria Chaplin, Eugene Chaplin, Jane Chaplin, Annette-Emilie Chaplin, and Christopher Chaplin.
In contrast to many of his boisterous characters, Chaplin was a quiet man who kept to himself a great deal. He also had an "un-millionaire" way of living. Even after he had accumulated millions, he continued to live in shabby accommodations. In 1921, Chaplin was decorated by the French government for his outstanding work as a filmmaker and was elevated to the rank of Officer of the Legion of Honor in 1952. In 1972, he was honored with an Academy Award for his "incalculable effect in making motion pictures the art form of the century". He was appointed Knight Commander of the Order of the British Empire in the 1975 New Year's Honours List. No formal reason for the honour was listed. The citation simply reads "Charles Spencer Chaplin, Film Actor and Producer".
Chaplin's other works included musical scores that he composed for many of his films. He also authored two autobiographical books, "My Autobiography" (1964) and its companion volume, "My Life in Pictures" (1974).
Chaplin died at age 88 of natural causes on December 25, 1977 at his home in Vevey, Switzerland. His funeral was a small and private Anglican ceremony according to his wishes. In 1978, Chaplin's corpse was stolen from its grave and was not recovered for three months; he was re-buried in a vault surrounded by cement.
Six of Chaplin's films have been selected for preservation in the National Film Registry by the United States Library of Congress: The Immigrant (1917), The Kid (1921), The Gold Rush (1925), City Lights (1931), Modern Times (1936), and The Great Dictator (1940).
Charlie Chaplin is considered one of the greatest filmmakers in the history of American cinema, whose movies were and still are popular throughout the world and have even gained notoriety as time progresses. His films show, through the Little Tramp's positive outlook on life in a world full of chaos, that the human spirit has and always will remain the same.- Actor
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Along with fellow actors Lon Chaney, Bela Lugosi and Vincent Price, Boris Karloff is recognized as one of the true icons of horror cinema, and the actor most closely identified with the general public's perception of the "Monster" from the classic Mary Shelley novel "Frankenstein". William Henry Pratt was born on November 23, 1887, in Camberwell, London, England, UK, the son of Edward John Pratt Jr., the Deputy Commissioner of Customs Salt and Opium, Northern Division, Indian Salt Revenue Service, and his third wife, Eliza Sarah Millard.
He was educated at London University in anticipation that he would pursue a diplomatic career; however, he emigrated to Canada in 1909, joined a touring company based out of Ontario and adopted the stage name of "Boris Karloff." He toured back and forth across the U.S. for over 10 years in a variety of low budget theater shows and eventually ended up in Hollywood, reportedly with very little money to his name. Needing cash to support himself, Karloff secured occasional acting work in the fledgling silent film industry in such pictures as The Deadlier Sex (1920), Omar the Tentmaker (1922), Dynamite Dan (1924) and Tarzan and the Golden Lion (1927), in addition to a handful of serials (the majority of which, sadly, have not survived). Karloff supplemented his meager film income by working as a truck driver in Los Angeles, which allowed him enough time off to continue to pursue acting roles.
His big break came in 1931 when he was cast as "the Monster" in the Universal production of Frankenstein (1931), directed by James Whale, one of the studio's few remaining auteur directors. The aura of mystery surrounding Karloff was highlighted in the opening credits, as he was listed as simply "?". The film was a commercial and critical success for Universal, and Karloff was instantly established as a hot property in Hollywood. He quickly appeared in several other sinister roles, including Scarface (1932) (filmed before Frankenstein (1931)), the black-humored The Old Dark House (1932), as the namesake Chinese villain of Sax Rohmer's Dr. Fu Manchu novels in The Mask of Fu Manchu (1932), as the undead Im-ho-tep in The Mummy (1932) and as the misguided Prof. Morlant in The Ghoul (1933). He thoroughly enjoyed his role as a religious fanatic in John Ford's The Lost Patrol (1934), although contemporary critics described it as a textbook example of overacting.
He donned the signature make-up, neck bolts and asphalt spreader's boots again to play the Frankenstein Monster twice, in the sensational Bride of Frankenstein (1935) and the less thrilling Son of Frankenstein (1939). Karloff, on loan to Fox, appeared in one of the best of the Warner Oland Charlie Chan films, Charlie Chan at the Opera (1936), before beginning his own short-lived Mr. Wong detective series. He was a wrongly condemned doctor in Devil's Island (1938), shaven-headed executioner "Mord the Merciless" in Tower of London (1939), another misguided scientist in The Ape (1940), a crazed scientist surrounded by monsters, vampires and werewolves in House of Frankenstein (1944), a murderous cabman in The Body Snatcher (1945) and a Greek general fighting vampirism in the Val Lewton thriller Isle of the Dead (1945).
While Karloff continued appearing in a plethora of films, many of them were not up to the standards of his previous efforts, including appearances in two of the hokey Bud Abbott and Lou Costello monster films (he had appeared with them in an earlier, superior film, Bud Abbott Lou Costello Meet the Killer Boris Karloff (1949), of which theater owners often added his name to the marquee), the low point of the Universal-International horror film cycle. During the 1950s he was a regular guest on many high-profile TV shows, including The Milton Berle Show (1948), Tales of Tomorrow (1951), The Veil (1958), The Donald O'Connor Show (1954), The Red Skelton Hour (1951) and The Dinah Shore Chevy Show (1956), to name a few, and he appeared in a mixed bag of films, including Sabaka (1954) and Voodoo Island (1957). On Broadway, he appeared as the murderous Brewster brother in the hit "Arsenic and Old Lace" (his role, or rather the absence of him in it, was amusingly parodied in the 1944 film version) and 10 years later he enjoyed a long run in "Peter Pan," perfectly cast as "Captain Hook."
His career experienced something of a revival in the 1960s thanks to hosting the TV anthology series Thriller (1960) and indie director Roger Corman, with Karloff contributing wonderful performances in The Raven (1963), The Terror (1963), the ultra-eerie Black Sabbath (1963) and the H.P. Lovecraft-inspired Die, Monster, Die! (1965). Karloff's last great film role was as Byron Orlok, an aging horror film star on the brink of retirement confronting a modern-day sniper in the Peter Bogdanovich film Targets (1968). In 1970, he played the blind sculptor Franz Badulescu in Cauldron of Blood (1968) which was produced, directed and written by Edward Mann, who had also come to the art of film from the stage and the theater. His TV career was capped off by achieving Christmas immortality as both the voices of the titular character and the narrator of Chuck Jones's perennial animated favorite, How the Grinch Stole Christmas! (1966). Four low-budget Mexican-produced horror films starring an ailing Karloff were released in the two years after his death; however, they do no justice to this actor. In retrospect, he never took himself too seriously as an actor and had a tendency to downplay his acting accomplishments. Renowned as a refined, kind and warm-hearted gentleman with a sincere affection for children and their welfare, Karloff passed away on February 2, 1969 from emphysema. Respectful of his Indian roots and in true Hindu fashion, he was cremated at Guildford Crematorium, Godalming, Surrey, England, UK, where he is commemorated by a plaque in Plot 2 of the Garden of Remembrance.- Actor
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Bela Lugosi was born Béla Ferenc Dezsö Blaskó on October 20, 1882, Lugos, Hungary, Austria-Hungary (now Lugoj, Romania), to Paula de Vojnich and István Blaskó, a banker. He was the youngest of four children. During WWI, he volunteered and was commissioned as an infantry lieutenant, and was wounded three times.
A distinguished stage actor in his native Hungary, Austria-Hungary, he began his stage career in 1901 and started appearing in films during World War I, fleeing to Germany in 1919 as a result of his left-wing political activity (he organized an actors' union). In 1920 he emigrated to the US and made a living as a character actor, shooting to fame when he played Count Dracula in the legendary 1927 Broadway stage adaptation of Bram Stoker's novel. It ran for three years, and was subsequently, and memorably, filmed by Tod Browning in 1931, establishing Lugosi as one of the screen's greatest personifications of pure evil. Also in 1931, he became a U.S. citizen. Sadly, his reputation rapidly declined, mainly because he had been blacklisted by the main studios and had no choice but to accept any part (and script) handed to him, and ended up playing parodies of his greatest role, in low-grade poverty row films. Due to shady blacklisting among the top Hollywood studio executives, he refused to sell out or to compromise his integrity, and therefore ended his career working for the legendary Worst Director of All Time, Edward D. Wood Jr..
Lugosi was married to Ilona Szmik (1917 - 1920), Ilona von Montagh (? - ?), and Lillian Arch (1933 - 1951). He is the father of Bela Lugosi Jr. (1938). Lugosi helped organize the Screen Actors Guild in the mid-'30s, joining as member number 28.
Bela Lugosi died of a heart attack August 16, 1956. He was buried in a Dracula costume, including a cape, but not the ones used in the 1931 film, contrary to popular--but unfounded--rumors.- Actor
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James Byron Dean was born February 8, 1931 in Marion, Indiana, to Mildred Marie (Wilson) and Winton A. Dean, a farmer turned dental technician. His mother died when Dean was nine, and he was subsequently raised on a farm by his aunt and uncle in Fairmount, Indiana. After grade school, he moved to New York to pursue his dream of acting. He received rave reviews for his work as the blackmailing Arab boy in the New York production of Gide's "The Immoralist", good enough to earn him a trip to Hollywood. His early film efforts were strictly small roles: a sailor in the Dean Martin and Jerry Lewis overly frantic musical comedy Sailor Beware (1952); a GI in Samuel Fuller's moody study of a platoon in the Korean War, Fixed Bayonets! (1951) and a youth in the Piper Laurie-Rock Hudson comedy Has Anybody Seen My Gal (1952).
He had major roles in only three movies. In the Elia Kazan production of John Steinbeck's East of Eden (1955) he played Cal Trask, the bad brother who could not force affection from his stiff-necked father. His true starring role, the one which fixed his image forever in American culture, was that of the brooding red-jacketed teenager Jim Stark in Nicholas Ray's Rebel Without a Cause (1955). George Stevens' filming of Edna Ferber's Giant (1956), in which he played the non-conforming cowhand Jett Rink who strikes it rich when he discovers oil, was just coming to a close when Dean, driving his Porsche Spyder race car, collided with another car while on the road near Cholame, California on September 30, 1955. He had received a speeding ticket just two hours before. At age 24, James Dean was killed almost immediately from the impact from a broken neck. His very brief career, violent death and highly publicized funeral transformed him into a cult object of apparently timeless fascination.- Actor
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Joaquin Phoenix was born Joaquin Rafael Bottom in San Juan, Puerto Rico, to Arlyn (Dunetz) and John Bottom, and is the middle child in a brood of five. His parents, from the continental United States, were then serving as Children of God missionaries. His mother is from a Jewish family from New York, while his father, from California, is of mostly British Isles descent. As a youngster, Joaquin took his cues from older siblings River Phoenix and Rain Phoenix, changing his name to Leaf to match their earthier monikers. When the children were encouraged to develop their creative instincts, he followed their lead into acting. Younger sisters Liberty Phoenix and Summer Phoenix rounded out the talented troupe.
The family moved often, traveling through Central and South America (and adopting the surname "Phoenix" to celebrate their new beginnings) but, by the time Joaquin was age 6, they had more or less settled in the Los Angeles area. Arlyn found work as a secretary at NBC, and John turned his talents to landscaping. They eventually found an agent who was willing to represent all five children, and the younger generation dove into television work. Commercials for meat, milk, and junk food were off-limits (the kids were all raised as strict vegans), but they managed to find plenty of work pushing other products. Joaquin's first real acting gig was a guest appearance on River's sitcom, Seven Brides for Seven Brothers (1982).
He worked with his brother again on the afterschool special Backwards: The Riddle of Dyslexia (1984), then struck out on his own in other made-for-TV productions. He made his big-screen debut as the youngest crew member in the interstellar romp SpaceCamp (1986), then won his first starring turn in the Cold War-era drama Russkies (1987). In the late '80s, the Phoenix clan decided to pull up stakes and relocate again--this time to Florida. River's film career had enough momentum to sustain the move, but Joaquin wasn't sure what lay in store for him in the Sunshine State. As it happened, Universal Pictures had just opened a new studio in the area and he was cast almost immediately as an angst-ridden adolescent in Parenthood (1989). His performance was very well-received, but Joaquin decided to withdraw from acting for a while--he was frustrated with the dearth of interesting roles for actors his age, and he wanted to see more of the world.
His parents were in the process of separating, so he struck out for Mexico with his father. Joaquin returned to the public eye three years later under tragic circumstances. On October 31, 1993, he was at The Viper Room (a Los Angeles nightclub partly-owned by Johnny Depp) when his brother River collapsed from a drug overdose and later died. Joaquin made the call to 911, which was rebroadcast on radio and television the world over. Months later, at the insistence of friends and colleagues, Joaquin began reading through scripts again, but he was reluctant to re-enter the acting life until he found just the right part. He finally signed up to work with Gus Van Sant (who had directed River in My Own Private Idaho (1991) and Even Cowgirls Get the Blues (1993)) to star as Nicole Kidman's obsessive devotee in To Die For (1995). The performance made Joaquin (who had dropped Leaf and reverted to his birth name) a critics' darling in his own right.
His follow-up turn in Inventing the Abbotts (1997) scored more critical kudos and, perhaps more importantly, introduced him to his one-time fiancée Liv Tyler. (The pair dated for almost three years.) He returned to the big screen later that year with a supporting role in Oliver Stone's U Turn (1997), then played a locked-up drug scapegoat in Return to Paradise (1998). He and "Paradise" co-star Vince Vaughn re-teamed almost immediately for the small-town murder caper Clay Pigeons (1998), which Joaquin followed with a turn as a porn store clerk in 8MM (1999). The film that confirmed Phoenix as a star was the historical epic Gladiator (2000). The Roman epic cast him as the selfish, paranoid young emperor Commodus opposite Russell Crowe's swarthy hero. Determined to make his character as real as possible, Phoenix gained weight and cultivated a pasty complexion during the shoot. He received international attention and an Academy Award nomination for Best Supporting Actor for that role.
Later that year, he appeared in two indies, playing a dock worker in The Yards (2000) (which he counts among his favorite experiences--and one of the only films of his that he can sit through) and the priest in charge of the Marquis de Sade's asylum in Quills (2000). He received an Academy Award nomination for Best Actor as the legendary musician Johnny Cash in the biography Walk the Line (2005). He also recorded an album, the film's soundtrack, for which he received the Grammy Award for Best Compilation Soundtrack for Visual Media.- Actor
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Harrison Ford was born on July 13, 1942 in Chicago, Illinois, to Dorothy (Nidelman), a radio actress, and Christopher Ford (born John William Ford), an actor turned advertising executive. His father was of Irish and German ancestry, while his maternal grandparents were Jewish emigrants from Minsk, Belarus. Harrison was a lackluster student at Maine Township High School East in Park Ridge Illinois (no athletic star, never above a C average). After dropping out of Ripon College in Wisconsin, where he did some acting and later summer stock, he signed a Hollywood contract with Columbia and later Universal. His roles in movies and television (Ironside (1967), The Virginian (1962)) remained secondary and, discouraged, he turned to a career in professional carpentry. He came back big four years later, however, as Bob Falfa in American Graffiti (1973). Four years after that, he hit colossal with the role of Han Solo in Star Wars: Episode IV - A New Hope (1977). Another four years and Ford was Indiana Jones in Raiders of the Lost Ark (1981).
Four years later and he received Academy Award and Golden Globe nominations for his role as John Book in Witness (1985). All he managed four years after that was his third starring success as Indiana Jones; in fact, many of his earlier successful roles led to sequels as did his more recent portrayal of Jack Ryan in Patriot Games (1992). Another Golden Globe nomination came his way for the part of Dr. Richard Kimble in The Fugitive (1993). He is clearly a well-established Hollywood superstar. He also maintains an 800-acre ranch in Jackson Hole, Wyoming.
Ford is a private pilot of both fixed-wing aircraft and helicopters, and owns an 800-acre (3.2 km2) ranch in Jackson, Wyoming, approximately half of which he has donated as a nature reserve. On several occasions, Ford has personally provided emergency helicopter services at the request of local authorities, in one instance rescuing a hiker overcome by dehydration. Ford began flight training in the 1960s at Wild Rose Idlewild Airport in Wild Rose, Wisconsin, flying in a Piper PA-22 Tri-Pacer, but at $15 an hour, he could not afford to continue the training. In the mid-1990s, he bought a used Gulfstream II and asked one of his pilots, Terry Bender, to give him flying lessons. They started flying a Cessna 182 out of Jackson, Wyoming, later switching to Teterboro, New Jersey, flying a Cessna 206, the aircraft he soloed in. Ford is an honorary board member of the humanitarian aviation organization Wings of Hope.
On March 5, 2015, Ford's plane, believed to be a Ryan PT-22 Recruit, made an emergency landing on the Penmar Golf Course in Venice, California. Ford had radioed in to report that the plane had suffered engine failure. He was taken to Ronald Reagan UCLA Medical Center, where he was reported to be in fair to moderate condition. Ford suffered a broken pelvis and broken ankle during the accident, as well as other injuries.- Writer
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Woody Allen was born on November 30, 1935, as Allen Konigsberg, in The Bronx, NY, the son of Martin Konigsberg and Nettie Konigsberg. He has one younger sister, Letty Aronson. As a young boy, he became intrigued with magic tricks and playing the clarinet, two hobbies that he continues today.
Allen broke into show business at 15 years when he started writing jokes for a local paper, receiving $200 a week. He later moved on to write jokes for talk shows but felt that his jokes were being wasted. His agents, Charles Joffe and Jack Rollins, convinced him to start doing stand-up and telling his own jokes. Reluctantly he agreed and, although he initially performed with such fear of the audience that he would cover his ears when they applauded his jokes, he eventually became very successful at stand-up. After performing on stage for a few years, he was approached to write a script for Warren Beatty to star in: What's New Pussycat (1965) and would also have a moderate role as a character in the film. During production, Woody gave himself more and better lines and left Beatty with less compelling dialogue. Beatty inevitably quit the project and was replaced by Peter Sellers, who demanded all the best lines and more screen-time.
It was from this experience that Woody realized that he could not work on a film without complete control over its production. Woody's theoretical directorial debut was in What's Up, Tiger Lily? (1966); a Japanese spy flick that he dubbed over with his own comedic dialogue about spies searching for the secret recipe for egg salad. His real directorial debut came the next year in the mockumentary Take the Money and Run (1969). He has written, directed and, more often than not, starred in about a film a year ever since, while simultaneously writing more than a dozen plays and several books of comedy.
While best known for his romantic comedies Annie Hall (1977) and Manhattan (1979), Woody has made many transitions in his films throughout the years, transitioning from his "early, funny ones" of Bananas (1971), Love and Death (1975) and Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972); to his more storied and romantic comedies of Annie Hall (1977), Manhattan (1979) and Hannah and Her Sisters (1986); to the Bergmanesque films of Stardust Memories (1980) and Interiors (1978); and then on to the more recent, but varied works of Crimes and Misdemeanors (1989), Husbands and Wives (1992), Mighty Aphrodite (1995), Celebrity (1998) and Deconstructing Harry (1997); and finally to his films of the last decade, which vary from the light comedy of Scoop (2006), to the self-destructive darkness of Match Point (2005) and, most recently, to the cinematically beautiful tale of Vicky Cristina Barcelona (2008). Although his stories and style have changed over the years, he is regarded as one of the best filmmakers of our time because of his views on art and his mastery of filmmaking.- Actress
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Diane Keaton was born Diane Hall in Los Angeles, California, to Dorothy Deanne (Keaton), an amateur photographer, and John Newton Ignatius "Jack" Hall, a civil engineer and real estate broker. She studied Drama at Santa Ana College, before dropping out in favor of the Neighborhood Playhouse in New York. After appearing in summer stock for several months, she got her first major stage role in the Broadway rock musical "Hair". As understudy to the lead, she gained attention by not removing any of her clothing. In 1968, Woody Allen cast her in his Broadway play "Play It Again, Sam," which had a successful run. It was during this time that she became involved with Allen and appeared in a number of his films. The first one was Play It Again, Sam (1972), the screen adaptation of the stage play. That same year Francis Ford Coppola cast her as Kay in the Oscar-winning The Godfather (1972), and she was on her way to stardom. She reprized that role in the film's first sequel, The Godfather Part II (1974). She then appeared with Allen again in Sleeper (1973) and Love and Death (1975).
In 1977, she broke away from her comedy image to appear in the chilling Looking for Mr. Goodbar (1977), which won her a Golden Globe nomination. It was the same year that she appeared in what many regard as her best performance, in the title role of Annie Hall (1977), which Allen wrote specifically for her (her real last name is Hall, and her nickname is Annie), and what an impact she made. She won the Oscar and the British Award for Best Actress, and Allen won the Directors Award from the DGA. She started a fashion trend with her unisex clothes and was the poster girl for a lot of young males. Her mannerisms and awkward speech became almost a national craze. The question being asked, though, was, "Is she just a lightweight playing herself, or is there more depth to her personality?" For whatever reason, she appeared in but one film a year for the next two years and those films were by Allen. When they broke up she was next involved with Warren Beatty and appeared in his film Reds (1981), as the bohemian female journalist Louise Bryant. For her performance, she received nominations for the Academy Award and the Golden Globe. For the rest of the 1980s she appeared infrequently in films but won nominations in three of them. Attempting to break the typecasting she had fallen into, she took on the role of a confused, somewhat naive woman who becomes involved with Middle Eastern terrorists in The Little Drummer Girl (1984). To offset her lack of movie work, Diane began directing. She directed the documentary Heaven (1987), as well as some music videos. For television she directed an episode of the popular, but strange, Twin Peaks (1990).
In the 1990s, she began to get more mature roles, though she reprized the role of Kay Corleone in the third "Godfather" epic, The Godfather Part III (1990). She appeared as the wife of Steve Martin in the hit Father of the Bride (1991) and again in Father of the Bride Part II (1995). In 1993 she once again teamed with Woody Allen in Manhattan Murder Mystery (1993), which was well received. In 1995 she received high marks for Unstrung Heroes (1995), her first major feature as a director.- Actor
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Robin McLaurin Williams was born on Saturday, July 21st, 1951, in Chicago, Illinois, a great-great-grandson of Mississippi Governor and Senator, Anselm J. McLaurin. His mother, Laurie McLaurin (née Janin), was a former model from Mississippi, and his father, Robert Fitzgerald Williams, was a Ford Motor Company executive from Indiana. Williams had English, German, French, Welsh, Irish, and Scottish ancestry.
Robin briefly studied political science at Claremont Men's College and theater at College of Marin before enrolling at The Juilliard School to focus on theater. After leaving Juilliard, he performed in nightclubs where he was discovered for the role of "Mork, from Ork", in an episode of Happy Days (1974). The episode, My Favorite Orkan (1978), led to his famous spin-off weekly TV series, Mork & Mindy (1978). He made his feature starring debut playing the title role in Popeye (1980), directed by Robert Altman.
Williams' continuous comedies and wild comic talents involved a great deal of improvisation, following in the footsteps of his idol Jonathan Winters. Williams also proved to be an effective dramatic actor, receiving Academy Award nominations for Best Actor in a Leading Role in Good Morning, Vietnam (1987), Dead Poets Society (1989), and The Fisher King (1991), before winning the Academy Award for Best Actor in a Supporting Role in Good Will Hunting (1997).
During the 1990s, Williams became a beloved hero to children the world over for his roles in a string of hit family-oriented films, including Hook (1991), FernGully: The Last Rainforest (1992), Aladdin (1992), Mrs. Doubtfire (1993), Jumanji (1995), Flubber (1997), and Bicentennial Man (1999). He continued entertaining children and families into the 21st century with his work in Robots (2005), Happy Feet (2006), Night at the Museum (2006), Night at the Museum: Battle of the Smithsonian (2009), Happy Feet Two (2011), and Night at the Museum: Secret of the Tomb (2014). Other more adult-oriented films for which Williams received acclaim include The World According to Garp (1982), Moscow on the Hudson (1984), Awakenings (1990), The Birdcage (1996), Insomnia (2002), One Hour Photo (2002), World's Greatest Dad (2009), and Boulevard (2014).
On Monday, August 11th, 2014, Robin Williams was found dead at his home in Tiburon, California USA, the victim of an apparent suicide, according to the Marin County Sheriff's Office. A 911 call was received at 11:55 a.m. PDT, firefighters and paramedics arrived at his home at 12:00 p.m. PDT, and he was pronounced dead at 12:02 p.m. PDT.- Actor
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Robin McLaurin Williams was born on Saturday, July 21st, 1951, in Chicago, Illinois, a great-great-grandson of Mississippi Governor and Senator, Anselm J. McLaurin. His mother, Laurie McLaurin (née Janin), was a former model from Mississippi, and his father, Robert Fitzgerald Williams, was a Ford Motor Company executive from Indiana. Williams had English, German, French, Welsh, Irish, and Scottish ancestry.
Robin briefly studied political science at Claremont Men's College and theater at College of Marin before enrolling at The Juilliard School to focus on theater. After leaving Juilliard, he performed in nightclubs where he was discovered for the role of "Mork, from Ork", in an episode of Happy Days (1974). The episode, My Favorite Orkan (1978), led to his famous spin-off weekly TV series, Mork & Mindy (1978). He made his feature starring debut playing the title role in Popeye (1980), directed by Robert Altman.
Williams' continuous comedies and wild comic talents involved a great deal of improvisation, following in the footsteps of his idol Jonathan Winters. Williams also proved to be an effective dramatic actor, receiving Academy Award nominations for Best Actor in a Leading Role in Good Morning, Vietnam (1987), Dead Poets Society (1989), and The Fisher King (1991), before winning the Academy Award for Best Actor in a Supporting Role in Good Will Hunting (1997).
During the 1990s, Williams became a beloved hero to children the world over for his roles in a string of hit family-oriented films, including Hook (1991), FernGully: The Last Rainforest (1992), Aladdin (1992), Mrs. Doubtfire (1993), Jumanji (1995), Flubber (1997), and Bicentennial Man (1999). He continued entertaining children and families into the 21st century with his work in Robots (2005), Happy Feet (2006), Night at the Museum (2006), Night at the Museum: Battle of the Smithsonian (2009), Happy Feet Two (2011), and Night at the Museum: Secret of the Tomb (2014). Other more adult-oriented films for which Williams received acclaim include The World According to Garp (1982), Moscow on the Hudson (1984), Awakenings (1990), The Birdcage (1996), Insomnia (2002), One Hour Photo (2002), World's Greatest Dad (2009), and Boulevard (2014).
On Monday, August 11th, 2014, Robin Williams was found dead at his home in Tiburon, California USA, the victim of an apparent suicide, according to the Marin County Sheriff's Office. A 911 call was received at 11:55 a.m. PDT, firefighters and paramedics arrived at his home at 12:00 p.m. PDT, and he was pronounced dead at 12:02 p.m. PDT.- Actor
- Producer
- Director
Dustin Lee Hoffman was born in Los Angeles, California, to Lillian (Gold) and Harry Hoffman, who was a furniture salesman and prop supervisor for Columbia Pictures. He was raised in a Jewish family (from Ukraine, Russia-Poland, and Romania). Hoffman graduated from Los Angeles High School in 1955, and went to Santa Monica City College, where he dropped out after a year due to bad grades. But before he did, he took an acting course because he was told that "nobody flunks acting." Also received some training at Los Angeles Conservatory of Music. Decided to go into acting because he did not want to work or go into the service. Trained at The Pasadena Playhouse for two years.- Actor
- Producer
- Director
Dustin Lee Hoffman was born in Los Angeles, California, to Lillian (Gold) and Harry Hoffman, who was a furniture salesman and prop supervisor for Columbia Pictures. He was raised in a Jewish family (from Ukraine, Russia-Poland, and Romania). Hoffman graduated from Los Angeles High School in 1955, and went to Santa Monica City College, where he dropped out after a year due to bad grades. But before he did, he took an acting course because he was told that "nobody flunks acting." Also received some training at Los Angeles Conservatory of Music. Decided to go into acting because he did not want to work or go into the service. Trained at The Pasadena Playhouse for two years.- Actor
- Producer
- Director
Dustin Lee Hoffman was born in Los Angeles, California, to Lillian (Gold) and Harry Hoffman, who was a furniture salesman and prop supervisor for Columbia Pictures. He was raised in a Jewish family (from Ukraine, Russia-Poland, and Romania). Hoffman graduated from Los Angeles High School in 1955, and went to Santa Monica City College, where he dropped out after a year due to bad grades. But before he did, he took an acting course because he was told that "nobody flunks acting." Also received some training at Los Angeles Conservatory of Music. Decided to go into acting because he did not want to work or go into the service. Trained at The Pasadena Playhouse for two years.- Actor
- Composer
- Producer
Anthony Hopkins was born on December 31, 1937, in Margam, Wales, to Muriel Anne (Yeats) and Richard Arthur Hopkins, a baker. His parents were both of half Welsh and half English descent. Influenced by Richard Burton, he decided to study at College of Music and Drama and graduated in 1957. In 1965, he moved to London and joined the National Theatre, invited by Laurence Olivier, who could see the talent in Hopkins. In 1967, he made his first film for television, A Flea in Her Ear (1967).
From this moment on, he enjoyed a successful career in cinema and television. In 1968, he worked on The Lion in Winter (1968) with Timothy Dalton. Many successes came later, and Hopkins' remarkable acting style reached the four corners of the world. In 1977, he appeared in two major films: A Bridge Too Far (1977) with James Caan, Gene Hackman, Sean Connery, Michael Caine, Elliott Gould and Laurence Olivier, and Maximilian Schell. In 1980, he worked on The Elephant Man (1980). Two good television literature adaptations followed: Othello (1981) and The Hunchback of Notre Dame (1982). In 1987 he was awarded with the Commander of the order of the British Empire. This year was also important in his cinematic life, with 84 Charing Cross Road (1987), acclaimed by specialists. In 1993, he was knighted.
In the 1990s, Hopkins acted in movies like Desperate Hours (1990) and Howards End (1992), The Remains of the Day (1993) (nominee for the Oscar), Legends of the Fall (1994), Nixon (1995) (nominee for the Oscar), Surviving Picasso (1996), Amistad (1997) (nominee for the Oscar), The Mask of Zorro (1998), Meet Joe Black (1998) and Instinct (1999). His most remarkable film, however, was The Silence of the Lambs (1991), for which he won the Oscar for Best Actor. He also got a B.A.F.T.A. for this role.- Actor
- Composer
- Producer
Anthony Hopkins was born on December 31, 1937, in Margam, Wales, to Muriel Anne (Yeats) and Richard Arthur Hopkins, a baker. His parents were both of half Welsh and half English descent. Influenced by Richard Burton, he decided to study at College of Music and Drama and graduated in 1957. In 1965, he moved to London and joined the National Theatre, invited by Laurence Olivier, who could see the talent in Hopkins. In 1967, he made his first film for television, A Flea in Her Ear (1967).
From this moment on, he enjoyed a successful career in cinema and television. In 1968, he worked on The Lion in Winter (1968) with Timothy Dalton. Many successes came later, and Hopkins' remarkable acting style reached the four corners of the world. In 1977, he appeared in two major films: A Bridge Too Far (1977) with James Caan, Gene Hackman, Sean Connery, Michael Caine, Elliott Gould and Laurence Olivier, and Maximilian Schell. In 1980, he worked on The Elephant Man (1980). Two good television literature adaptations followed: Othello (1981) and The Hunchback of Notre Dame (1982). In 1987 he was awarded with the Commander of the order of the British Empire. This year was also important in his cinematic life, with 84 Charing Cross Road (1987), acclaimed by specialists. In 1993, he was knighted.
In the 1990s, Hopkins acted in movies like Desperate Hours (1990) and Howards End (1992), The Remains of the Day (1993) (nominee for the Oscar), Legends of the Fall (1994), Nixon (1995) (nominee for the Oscar), Surviving Picasso (1996), Amistad (1997) (nominee for the Oscar), The Mask of Zorro (1998), Meet Joe Black (1998) and Instinct (1999). His most remarkable film, however, was The Silence of the Lambs (1991), for which he won the Oscar for Best Actor. He also got a B.A.F.T.A. for this role.- Actor
- Writer
- Producer
Jim Carrey, Canadian-born and a U.S. citizen since 2004, is an actor and producer famous for his rubbery body movements and flexible facial expressions. The two-time Golden Globe-winner rose to fame as a cast member of the Fox sketch comedy In Living Color (1990) but leading roles in Ace Ventura: Pet Detective (1994), Dumb and Dumber (1994) and The Mask (1994) established him as a bankable comedy actor.
James Eugene Carrey was born on January 17, 1962 in Newmarket, Ontario, Canada, and is the youngest of four children of Kathleen (Oram), a homemaker, and Percy Carrey, an accountant and jazz musician. The family surname was originally "Carré", and he has French-Canadian, Scottish, and Irish ancestry. Carrey was an incurable extrovert from day one. As a child, he performed constantly, for anyone who would watch, and even mailed his résumé to The Carol Burnett Show (1967) at age 10. In junior high, he was granted a few precious minutes at the end of each school day to do stand-up routines for his classmates (provided, of course, that he kept a lid on it the rest of the day).
Carrey's early adolescence took a turn for the tragic, however, when the family was forced to relocate from their cozy town of Newmarket to Scarborough (a Toronto suburb). They all took security and janitorial jobs in the Titan Wheels factory, Jim working 8-hour shifts after school let out (not surprisingly, his grades and morale both suffered). When they finally deserted the factory, the family lived out of a Volkswagen camper van until they could return to Toronto.
Carrey made his stand-up debut in Toronto after his parents and siblings got back on their feet. He made his (reportedly awful) professional stand-up debut at Yuk-Yuk's, one of the many local clubs that would serve as his training ground in the years to come. He dropped out of high school, worked on his celebrity impersonations (among them Michael Landon and James Stewart), and in 1979 worked up the nerve to move to Los Angeles. He finessed his way into a regular gig at The Comedy Store, where he impressed Rodney Dangerfield so much that the veteran comic signed him as an opening act for an entire season. During this period Carrey met and married waitress Melissa Womer, with whom he had a daughter (Jane). The couple would later go through a very messy divorce, freeing Carrey up for a brief second marriage to actress Lauren Holly. Wary of falling into the lounge act lifestyle, Carrey began to look around for other performance outlets. He landed a part as a novice cartoonist in the short-lived sitcom The Duck Factory (1984); while the show fell flat, the experience gave Carrey the confidence to pursue acting more vigorously.
Carrey also worked on breaking into film around this time. He scored the male lead in the ill-received Lauren Hutton vehicle Once Bitten (1985), and had a supporting role in Peggy Sue Got Married (1986), before making a modest splash with his appearance as the alien Wiploc in Earth Girls Are Easy (1988). Impressed with Carrey's lunacy, fellow extraterrestrial Damon Wayans made a call to his brother, Keenen Ivory Wayans, who was in the process of putting together the sketch comedy show In Living Color (1990). Carrey joined the cast and quickly made a name for himself with outrageous acts (one of his most popular characters, psychotic Fire Marshall Bill, was attacked by watchdog groups for dispensing ill- advised safety tips).
Following his time on In Living Color (1990), Carrey's transformation from TV goofball to marquee headliner happened within the course of a single year. He opened 1994 with a starring turn in Ace Ventura: Pet Detective (1994), a film that cashed in on his extremely physical brand of humor (the character's trademark was talking out his derrière). Next up was the manic superhero movie The Mask (1994), which had audiences wondering just how far Carrey's features could stretch.
Finally, in December 1994, he hit theaters as a loveable dolt in the Farrelly brothers' Dumb and Dumber (1994) (his first multi-million dollar payday). Now a box-office staple, Carrey brought his manic antics onto the set of Batman Forever (1995), replacing Robin Williams as The Riddler. He also filmed the follow-up to his breakthrough, Ace Ventura: When Nature Calls (1995), and inked a deal with Sony to star in The Cable Guy (1996) (replacing Chris Farley) for a cool $20 million--at the time, that was the biggest up-front sum that had been offered to any comic actor. The movie turned out to be a disappointment, both critically and financially, but Carrey bounced back the next year with the energetic hit Liar Liar (1997). Worried that his comic shtick would soon wear thin, Carrey decided to change course.
In 1998, he traded in the megabucks and silly grins to star in Peter Weir's The Truman Show (1998) playing a naive salesman who discovers that his entire life is the subject of a TV show, Carrey demonstrated an uncharacteristic sincerity that took moviegoers by surprise. He won a Golden Globe for the performance, and fans anticipated an Oscar nomination as well--when it didn't materialize, Carrey lashed out at Academy members for their narrow-minded selection process. Perhaps inspired by the snub, Carrey threw himself into his next role with abandon. After edging out a handful of other hopefuls (including Edward Norton) to play eccentric funnyman Andy Kaufman in Man on the Moon (1999), Carrey disappeared into the role, living as Kaufman -- and his blustery alter-ego Tony Clifton -- for months (Carrey even owned Kaufman's bongo drums, which he'd used during his audition for director Milos Forman). His sometimes uncanny impersonation was rewarded with another Golden Globe, but once again the Academy kept quiet.
An indignant Carrey next reprised his bankable mania for the Farrelly brothers in Me, Myself & Irene (2000), playing a state trooper whose Jekyll and Hyde personalities both fall in love with the same woman (Renée Zellweger). Carrey's real-life persona wound up falling for her too--a few months after the film wrapped, the pair announced they were officially a couple. By then, Carrey had already slipped into a furry green suit to play the stingy antihero of Ron Howard's How the Grinch Stole Christmas (2000).
Although Carrey maintains a foothold in the comedy world with films such as Bruce Almighty (2003) and Mr. Popper's Penguins (2011), he is also capable of turning in nuanced dramatic performances, as demonstrated in films like Eternal Sunshine of the Spotless Mind (2004) and the drama/comedy Yes Man (2008). In 2013, he costars with Steve Carell in The Incredible Burt Wonderstone (2013).
Carrey has one child with his first wife, Melissa Carrey, whom he divorced in 1995. He married actress Lauren Holly in 1996, but they split less than a year later.- Actor
- Writer
- Producer
Jim Carrey, Canadian-born and a U.S. citizen since 2004, is an actor and producer famous for his rubbery body movements and flexible facial expressions. The two-time Golden Globe-winner rose to fame as a cast member of the Fox sketch comedy In Living Color (1990) but leading roles in Ace Ventura: Pet Detective (1994), Dumb and Dumber (1994) and The Mask (1994) established him as a bankable comedy actor.
James Eugene Carrey was born on January 17, 1962 in Newmarket, Ontario, Canada, and is the youngest of four children of Kathleen (Oram), a homemaker, and Percy Carrey, an accountant and jazz musician. The family surname was originally "Carré", and he has French-Canadian, Scottish, and Irish ancestry. Carrey was an incurable extrovert from day one. As a child, he performed constantly, for anyone who would watch, and even mailed his résumé to The Carol Burnett Show (1967) at age 10. In junior high, he was granted a few precious minutes at the end of each school day to do stand-up routines for his classmates (provided, of course, that he kept a lid on it the rest of the day).
Carrey's early adolescence took a turn for the tragic, however, when the family was forced to relocate from their cozy town of Newmarket to Scarborough (a Toronto suburb). They all took security and janitorial jobs in the Titan Wheels factory, Jim working 8-hour shifts after school let out (not surprisingly, his grades and morale both suffered). When they finally deserted the factory, the family lived out of a Volkswagen camper van until they could return to Toronto.
Carrey made his stand-up debut in Toronto after his parents and siblings got back on their feet. He made his (reportedly awful) professional stand-up debut at Yuk-Yuk's, one of the many local clubs that would serve as his training ground in the years to come. He dropped out of high school, worked on his celebrity impersonations (among them Michael Landon and James Stewart), and in 1979 worked up the nerve to move to Los Angeles. He finessed his way into a regular gig at The Comedy Store, where he impressed Rodney Dangerfield so much that the veteran comic signed him as an opening act for an entire season. During this period Carrey met and married waitress Melissa Womer, with whom he had a daughter (Jane). The couple would later go through a very messy divorce, freeing Carrey up for a brief second marriage to actress Lauren Holly. Wary of falling into the lounge act lifestyle, Carrey began to look around for other performance outlets. He landed a part as a novice cartoonist in the short-lived sitcom The Duck Factory (1984); while the show fell flat, the experience gave Carrey the confidence to pursue acting more vigorously.
Carrey also worked on breaking into film around this time. He scored the male lead in the ill-received Lauren Hutton vehicle Once Bitten (1985), and had a supporting role in Peggy Sue Got Married (1986), before making a modest splash with his appearance as the alien Wiploc in Earth Girls Are Easy (1988). Impressed with Carrey's lunacy, fellow extraterrestrial Damon Wayans made a call to his brother, Keenen Ivory Wayans, who was in the process of putting together the sketch comedy show In Living Color (1990). Carrey joined the cast and quickly made a name for himself with outrageous acts (one of his most popular characters, psychotic Fire Marshall Bill, was attacked by watchdog groups for dispensing ill- advised safety tips).
Following his time on In Living Color (1990), Carrey's transformation from TV goofball to marquee headliner happened within the course of a single year. He opened 1994 with a starring turn in Ace Ventura: Pet Detective (1994), a film that cashed in on his extremely physical brand of humor (the character's trademark was talking out his derrière). Next up was the manic superhero movie The Mask (1994), which had audiences wondering just how far Carrey's features could stretch.
Finally, in December 1994, he hit theaters as a loveable dolt in the Farrelly brothers' Dumb and Dumber (1994) (his first multi-million dollar payday). Now a box-office staple, Carrey brought his manic antics onto the set of Batman Forever (1995), replacing Robin Williams as The Riddler. He also filmed the follow-up to his breakthrough, Ace Ventura: When Nature Calls (1995), and inked a deal with Sony to star in The Cable Guy (1996) (replacing Chris Farley) for a cool $20 million--at the time, that was the biggest up-front sum that had been offered to any comic actor. The movie turned out to be a disappointment, both critically and financially, but Carrey bounced back the next year with the energetic hit Liar Liar (1997). Worried that his comic shtick would soon wear thin, Carrey decided to change course.
In 1998, he traded in the megabucks and silly grins to star in Peter Weir's The Truman Show (1998) playing a naive salesman who discovers that his entire life is the subject of a TV show, Carrey demonstrated an uncharacteristic sincerity that took moviegoers by surprise. He won a Golden Globe for the performance, and fans anticipated an Oscar nomination as well--when it didn't materialize, Carrey lashed out at Academy members for their narrow-minded selection process. Perhaps inspired by the snub, Carrey threw himself into his next role with abandon. After edging out a handful of other hopefuls (including Edward Norton) to play eccentric funnyman Andy Kaufman in Man on the Moon (1999), Carrey disappeared into the role, living as Kaufman -- and his blustery alter-ego Tony Clifton -- for months (Carrey even owned Kaufman's bongo drums, which he'd used during his audition for director Milos Forman). His sometimes uncanny impersonation was rewarded with another Golden Globe, but once again the Academy kept quiet.
An indignant Carrey next reprised his bankable mania for the Farrelly brothers in Me, Myself & Irene (2000), playing a state trooper whose Jekyll and Hyde personalities both fall in love with the same woman (Renée Zellweger). Carrey's real-life persona wound up falling for her too--a few months after the film wrapped, the pair announced they were officially a couple. By then, Carrey had already slipped into a furry green suit to play the stingy antihero of Ron Howard's How the Grinch Stole Christmas (2000).
Although Carrey maintains a foothold in the comedy world with films such as Bruce Almighty (2003) and Mr. Popper's Penguins (2011), he is also capable of turning in nuanced dramatic performances, as demonstrated in films like Eternal Sunshine of the Spotless Mind (2004) and the drama/comedy Yes Man (2008). In 2013, he costars with Steve Carell in The Incredible Burt Wonderstone (2013).
Carrey has one child with his first wife, Melissa Carrey, whom he divorced in 1995. He married actress Lauren Holly in 1996, but they split less than a year later.- Actor
- Producer
- Soundtrack
Bill Nighy is an award-winning British character actor. He was born William Francis Nighy on December 12, 1949 in Caterham, Surrey, England, to Catherine Josephine (Whittaker), a psychiatric nurse from Glasgow, and Alfred Martin Nighy, who was English-born and managed a garage in Croydon.
At school, he gained 'O'-levels in English Language and English Literature and enjoyed reading, particularly Ernest Hemingway. On leaving school he wanted to become a journalist but didn't have the required qualifications. He eventually went on to work as a messenger boy for the Field magazine. He stayed in Paris for a while because he wanted to write "the great novel", but he only managed to write the title. When he ran out of money, the British consul shipped him home.
Nighy wound up training at Guildford School of Dance and Drama in London, and has since then worked consistently in film, television, and on stage.
Nighy is perhaps best-known to international audiences for his memorable performance as washed-up pop singer Billy Mack in Love Actually (2003), which won him a BAFTA for best supporting actor. He has also made appearances in major franchises: he played vampire leader Viktor in Underworld (2003), Underworld: Evolution (2006) and Underworld: Rise of the Lycans (2009), did the performance capture and voice for Davy Jones in Pirates of the Caribbean: Dead Man's Chest (2006) and Pirates of the Caribbean: At World's End (2007), and made a brief appearance as Minister of Magic Rufus Scrimgeour in Harry Potter and the Deathly Hallows: Part 1 (2010).
Nighy's recent film credits include roles in I Capture the Castle (2003), Shaun of the Dead (2004), The Hitchhiker's Guide to the Galaxy (2005), The Constant Gardener (2005), Notes on a Scandal (2006), Hot Fuzz (2007), Valkyrie (2008) and The Boat That Rocked (2009). He has also provided voice work for many animated movies in the past few years including Flushed Away (2006), Astro Boy (2009), Rango (2011) and Arthur Christmas (2011).
With supporting turns in The Best Exotic Marigold Hotel (2011), Wrath of the Titans (2012) and Total Recall (2012), 2012 was a busy year for Nighy. There are no signs of slowing down either, as he next appeared in Jack the Giant Slayer (2013), About Time (2013), and I, Frankenstein (2014).
Nighy has also had an active career on the small screen, beginning with Agony (1979), and his first widely-recognized role was in 1991 mini-series The Men's Room (1991). He has also made a habit of working on television with Harry Potter director David Yates: projects together include State of Play (2003), The Young Visiters (2003), The Girl in the Café (2005) and Page Eight (2011). Nighy won a Golden Globe for his performance in Gideon's Daughter (2005).
Nighy actually began his career on the stage, and has earned acclaim for his work in numerous plays including "The Vertical Hour," "Pravda". "A Map of the World", Tom Stoppard's Arcadia in 1993, and David Hare's Skylight. He received an Olivier Award nomination for Best Actor for his performance in 2001 play "Blue/Orange."
Bill's partner was actress Diana Quick (he asked her to marry him but she said: "don't ask me again"; he called her his wife because anything else would have been too difficult). They have a daughter, Mary Nighy, who is studying at university and contemplating an acting career. She has already begun to appear on TV dramas and radio programs.- Actor
- Writer
- Producer
Rowan Sebastian Atkinson was born on 6 January, 1955, in Consett, Co. Durham, UK, to Ella May (Bainbridge) and Eric Atkinson. His father owned a farm, where Rowan grew up with his two older brothers, Rupert and Rodney. He attended Newcastle University and Oxford University where he earned degrees in electrical engineering. During that time, he met screenwriter Richard Curtis, with whom he wrote and performed comedy revues.
Later, he co-wrote and appeared in Not the Nine O'Clock News (1979), which was a huge success and spawned several best-selling books. It won an International Emmy Award and the British Academy Award for "Best Light Entertainment Programme of 1980." He won the "British Academy Award" and was named "BBC Personality of the Year" for his performance in Not the Nine O'Clock News (1979).
Atkinson also appeared in several movies, including Dead on Time (1983), Pleasure at Her Majesty's (1976) (aka "Monty Python Meets Beyond the Fringe"), Never Say Never Again (1983), and The Tall Guy (1989). He played "Mr. Bean" in the TV series, Mr. Bean (1990) but, apart from that and Not the Nine O'Clock News (1979), he also appeared in several other series like Blackadder (1982) and Funny Business (1992), etc.
Atkinson enjoys nothing more than fast cars. He has two children, named Benjamin and Lily, with ex-wife Sunetra Sastry.- Actor
- Soundtrack
Hugh Grant, one of Britain's best known faces, has been equally entertaining on-screen as well as in real life, and has had enough sense of humor to survive a media frenzy. He is known for his roles in Four Weddings and a Funeral (1994), with Andie MacDowell, Notting Hill (1999), opposite Julia Roberts, and Music and Lyrics (2007), opposite Drew Barrymore, among his other works.
He was born Hugh John Mungo Grant on September 9, 1960, in Hammersmith, London, United Kingdom. His mother, Fyvola Susan (MacLean), was a teacher. His father, James Murray Grant, was an artist and carpet salesman, and his grandfather was in the British Army during WWII. He is of mostly Scottish and English descent, with many recent ancestors who were prominent in the military. Young Grant was fond of literature and acting. He won a scholarship to Oxford, going up to New College in 1979. There he was involved in student drama, and considered a career as an art historian. After Oxford, he turned down a scholarship to do postgraduate studies in Art History at the Courtauld Institute in London, and focused on his acting career. In 1982, while still a student, Grant made his big screen debut in Privileged (1982) by director Michael Hoffman.
Grant's breakthrough came with the leading role as Charles in Four Weddings and a Funeral (1994), opposite Andie MacDowell, a role which won him a Golden Globe Award, as well as a BAFTA Film Award for Best Actor. During the 1990s Grant established himself as a very original and resourceful actor. He played a string of characters projecting a positive mindset, showing how do you stay optimistic when you are actually worried about a cascade of troubles. Grant had his own experience as a survivor of an unfortunate episode in his private life, which he managed to overcome thanks to having a pretty damn good outlook on life.
His forte is playing characters projecting warmth and sincere happiness, with his hallmark stuttering, albeit some accused him of reprising the same character he has been playing for the past two decades. Grant's ability to show his character development within a limited screen time shines in Love Actually (2003), with his witty portrayal of a Prime Minister whose personal insecurities become intertwined with his country's international affairs, a performance that earned him a nomination for European Audience Award. His screen presence and skillful understatement takes his characters beyond the written script, thanks to his mastery of timing and effortless style.
Outside of his acting profession, Grant has been a good athlete, he played cricket and football in his younger years. He enjoys playing golf, frequently taking part in Pro-Am tournaments. He has been an avid art lover since his younger years, and has been collecting fine art, a passion he inherited from his father.- Actor
- Producer
- Writer
Hugh was born in Oxford, England on June 11, 1959, to Patricia (Laidlaw) and William George Ranald Mundell "Ran" Laurie, a doctor, both of Scottish descent. He was educated at Eton and Cambridge. Son of an Olympic gold medalist in the sport, he rowed for the England youth team (1977) and for Cambridge (1980). He met Emma Thompson at Cambridge in 1978 when both joined "Footlights" and was introduced to Stephen Fry by Emma in 1980. Hugh is married and lives in Los Angeles. His wife and three children, who previously lived in London, are moving to Los Angeles to live with him. Besides acting and comedy, he has written the best-selling thriller The Gun Seller. A second novel, titled The Paper Soldier, is forthcoming.- Actress
- Director
- Producer
Juliette Lewis has been recognized as one of Hollywood's most talented and versatile actors of her generation since she first stunned audiences and critics alike with her Oscar-nominated performance as "Danielle Bowden" in Cape Fear (1991). To date, she has worked with some of the most revered directors in the industry, including Martin Scorsese, Woody Allen, Lasse Hallström, Oliver Stone, and Garry Marshall. Whether lending dramatic authenticity or a natural comedic flair to her roles, Lewis graces the screen with remarkable range and an original and captivating style.
Lewis was born in Los Angeles, Californa, to Glenis (Duggan) Batley, a graphic designer, and Geoffrey Lewis, an actor. By the age of six, she knew she wanted to be a performer. At twelve, Lewis landed her first leading role in the Showtime miniseries Home Fires (1987). After appearing in several TV sitcoms including The Wonder Years (1988), she made her move to film, starring with Chevy Chase in National Lampoon's National Lampoon's Christmas Vacation (1989) and with Jennifer Jason Leigh in the drama Crooked Hearts (1991). At 16, Lewis starred opposite Brad Pitt in the critically acclaimed television movie Too Young to Die? (1990), catching the attention of Martin Scorsese, who cast her in his thriller Cape Fear (1991). Her powerful scenes with Robert De Niro captured the quiet complexities of adolescence and earned her an Oscar nomination and Golden Globe nomination for "Best Supporting Actress". Her auditorium scene with De Niro went down in movie history as one of cinema's classic scenes.
Lewis next worked with Woody Allen in Husbands and Wives (1992), playing a self-assured college coed with a penchant for older men and, particularly, her married professor. She quickly followed suit with a succession of starring roles in a variety of blockbusters and critically acclaimed projects including Kalifornia (1993), Romeo Is Bleeding (1993), What's Eating Gilbert Grape (1993), and Natural Born Killers (1994), Oliver Stone's controversial media satire about two mass murderers who become legendary folk heroes. Lewis's other credits include the Nora Ephron comedy Mixed Nuts (1994), with Steve Martin and Adam Sandler; the sci-fi action film Strange Days (1995) with Ralph Fiennes and Angela Bassett; Quentin Tarantino's vampire tale From Dusk Till Dawn (1996) with George Clooney; The Evening Star (1996) with Shirley MacLaine; the Garry Marshall-directed The Other Sister (1999), and Todd Phillips' Old School (2003), co-starring opposite Luke Wilson, Vince Vaughn, and Will Ferrell as well as Starsky & Hutch (2004). In addition to her film career, Lewis has continued to add roles to her growing list of television credits with a performance in Showtime's My Louisiana Sky (2001), for which she secured an EMMY nomination, and a starring role in the Mira Nair-directed HBO's film Hysterical Blindness (2002), alongside Uma Thurman and Gena Rowlands.
After a six-year hiatus from film to pursue her burgeoning music career exclusively, Lewis announced her return to acting with a handful of upcoming movies. Juliette starred alongside Elliot Page, Marcia Gay Harden, Kristen Wiig and Jimmy Fallon in the comedy Whip It (2009). The film was released by Fox Searchlight on October 2nd, 2009. Directed by Drew Barrymore, the film tells the story of an ex-beauty pageant contestant that leaves her crowns behind after joining a roller derby team. Lewis plays "Iron Maven", the star of a top derby team. Next, she joined the cast of the acclaimed European animated thriller Metropia (2009), as the voice of "Nina". She also appeared in the romantic comedy The Switch (2010), opposite Jennifer Aniston, Jason Bateman, and Patrick Wilson. The film tells the story of a single mother (Aniston) who decides to have a child using a sperm donor. Juliette plays "Debbie Epstein", the best friend of Aniston's character. Lewis also appears in Sympathy for Delicious (2010), Mark Ruffalo's directorial debut. The film follows a paralyzed DJ, struggling to survive on the streets of LA who turns to faith healing and mysteriously develops the ability to cure the sick. Juliette plays "Ariel", costarring alongside Orlando Bloom, Mark Ruffalo, and Laura Linney. The film took home the US Dramatic Special Jury Prize at the 2010 Sundance Film Festival. Most recently, Juliette Lewis appears in the indie-drama Conviction (2010), which stars Hilary Swank, Melissa Leo, Minnie Driver, and Sam Rockwell. She plays "Roseanna Perry" in the true story of an unemployed single mother (Swank) who saw her brother begin serving a life sentence in 1983 for murder and robbery. The role has won Lewis praise from audiences and critics, alike, for her performance, with USA Today saying, "Juliette Lewis has an indelible role" and the San Francisco Chronicle saying "Her character work should be studied in schools. Just remarkable". In addition to Conviction (2010), Lewis also makes a cameo in Todd Phillips's comedy, Due Date (2010), starring Robert Downey Jr., Michelle Monaghan, and Zach Galifianakis.
Beginning in 2004, Juliette took a hiatus from acting to embark on a musical journey. After six years, two full length albums and countless high profile tours and festival gigs with her band, 'Juliette & the Licks', Juliette set out on a solo career. Releasing "Terra Incognita" last fall, the album has taken her all across the world from Europe to Japan to Turkey, Australia, North America and Canada. For more information on Juliette Lewis' music, please visit her MySpace page. Juliette Lewis resides in Los Angeles.- Actor
- Producer
- Additional Crew
Samuel L. Jackson is an American producer and highly prolific actor, having appeared in over 100 films, including Die Hard with a Vengeance (1995), Unbreakable (2000), Shaft (2000), Formula 51 (2001), Black Snake Moan (2006), Snakes on a Plane (2006), and the Star Wars prequel trilogy (1999-2005), as well as the Marvel Cinematic Universe.
Samuel Leroy Jackson was born in Washington, D.C., to Elizabeth (Montgomery) and Roy Henry Jackson. He was raised by his mother, a factory worker, and his grandparents. At Morehouse College, Jackson was active in the black student movement. In the seventies, he joined the Negro Ensemble Company (together with Morgan Freeman). In the eighties, he became well-known after three movies made by Spike Lee: Do the Right Thing (1989), Mo' Better Blues (1990) and Jungle Fever (1991). He achieved prominence and critical acclaim in the early 1990s with films such as Patriot Games (1992), Amos & Andrew (1993), True Romance (1993), Jurassic Park (1993), and his collaborations with director Quentin Tarantino, including Pulp Fiction (1994), Jackie Brown (1997), and later Django Unchained (2012). Going from supporting player to leading man, his performance in Pulp Fiction (1994) gave him an Oscar nomination for his character Jules Winnfield, and he received a Silver Berlin Bear for his part as Ordell Robbi in Jackie Brown (1997). Jackson usually played bad guys and drug addicts before becoming an action hero, co-starring with Bruce Willis in Die Hard with a Vengeance (1995) and Geena Davis in The Long Kiss Goodnight (1996).
With Jackson's permission, his likeness was used for the Ultimate version of the Marvel Comics character, Nick Fury. He later did a cameo as the character in a post-credits scene from Iron Man (2008), and went on to sign a nine-film commitment to reprise this role in future films, including major roles in Iron Man 2 (2010), The Avengers (2012), Captain America: The Winter Soldier (2014) and Avengers: Age of Ultron (2015) and minor roles in Thor (2011) and Captain America: The First Avenger (2011). He has also portrayed the character in the second and final episodes of the first season of the TV show, Marvel's Agents of S.H.I.E.L.D. (2013). He has provided his voice to several animated films, television series and video games, including the roles of Lucius Best / Frozone in Pixar's film The Incredibles (2004), Mace Windu in Star Wars: The Clone Wars (2008), Afro Samurai in the anime television series Afro Samurai (2007), and Frank Tenpenny in the video game Grand Theft Auto: San Andreas (2004).- Actress
- Producer
- Soundtrack
Julianne Moore was born Julie Anne Smith in Fort Bragg, North Carolina on December 3, 1960, the daughter of Anne (Love), a social worker, and Peter Moore Smith, a paratrooper, colonel, and later military judge. Her mother moved to the U.S. in 1951, from Greenock, Scotland. Her father, from Burlington, New Jersey, has German, Irish, Welsh, German-Jewish, and English ancestry.
Moore spent the early years of her life in over two dozen locations around the world with her parents, during her father's military career. She finally found her place at Boston University, where she earned her Bachelor of Fine Arts (B.F.A.) degree in acting from the School of the Performing Arts. After graduation (in 1983), She took the stage name "Julianne Moore" because there was another actress named "Julie Anne Smith". Julianne moved to New York and worked extensively in theater, including appearances off-Broadway in two Caryl Churchill plays, Serious Money and Ice Cream With Hot Fudge and as Ophelia in Hamlet at The Guthrie Theatre. But despite her formal training, Julianne fell into the attractive actress' trap of the mid-1980's: TV soaps and miniseries. She appeared briefly in the daytime serial The Edge of Night (1956) and from 1985 to 1988 she played two half-sisters Frannie and Sabrina on the soap As the World Turns (1956). This performance later led to an Outstanding Ingénue Daytime Emmy Award in 1988. Her subsequent appearances were in mostly forgettable TV-movies, such as Money, Power, Murder. (1989), The Last to Go (1991) and Cast a Deadly Spell (1991).
She made her entrance into the big screen with 1990's Tales from the Darkside: The Movie (1990), where she played the victim of a mummy. Two years later, Julianne appeared in feature films with supporting parts in The Hand That Rocks the Cradle (1992) and the comedy The Gun in Betty Lou's Handbag (1992). She kept winning better and more powerful roles as time went on, including a small but memorable role as a doctor who spots Kimble Harrison Ford and attempts to thwart his escape in The Fugitive (1993). (A role that made such an impression on Steven Spielberg that he cast her in the Jurassic Park (1993) sequel without an audition in 1997). In one of Moore's most distinguished performances, she recapitulated her "beguiling Yelena" from Andre Gregory's workshop version of Chekhov's Uncle Vanya in Louis Malle's critically acclaimed Vanya on 42nd Street (1994). Director Todd Haynes gave Julianne her first opportunity to take on a lead role in Safe (1995). Her portrayal of Carol White, an affluent L.A. housewife who develops an inexplicable allergic reaction to her environment, won critical praise as well as an Independent Spirit Award nomination.
Later that year she found her way into romantic comedy, co-starring as Hugh Grant's pregnant girlfriend in Nine Months (1995). Following films included Assassins (1995), where she played an electronics security expert targeted for death (next to Sylvester Stallone and Antonio Banderas) and Surviving Picasso (1996), where she played Dora Maar, one of the numerous lovers of Picasso (portrayed by her hero, Anthony Hopkins). A year later, after co-starring in Spielberg's The Lost World: Jurassic Park (1997), opposite Jeff Goldblum, a young and unknown director, Paul Thomas Anderson asked Julianne to appear in his movie, Boogie Nights (1997). Despite her misgivings, she finally was won over by the script and her decision to play the role of Amber Waves, a loving porn star who acts as a mother figure to a ragtag crew, proved to be a wise one, since she received both Golden Globe and Academy Award nominations. Julianne started 1998 by playing an erotic artist in The Big Lebowski (1998), continued with a small role in the social comedy Chicago Cab (1997) and ended with a subtle performance in Gus Van Sant's remake of Psycho (1960). 1999 had Moore as busy as an actress can be.
As the century closed, Julianne starred in a number of high-profile projects, beginning with Robert Altman's Cookie's Fortune (1999) , in which she was cast as the mentally challenged but adorable sister of a decidedly unhinged Glenn Close. A portrayal of the scheming Mrs. Cheveley followed in Oliver Parker's An Ideal Husband (1999) with a number of critics asserting that Moore was the best part of the movie. She then enjoyed another collaboration with director Anderson in Magnolia (1999) and continued with an outstanding performance in The End of the Affair (1999), for which she garnered another Oscar nomination. She ended 1999 with another great performance, that of a grieving mother in A Map of the World (1999), opposite Sigourney Weaver.- Actress
- Producer
- Writer
Cate Blanchett was born on May 14, 1969 in Melbourne, Victoria, Australia, to June (Gamble), an Australian teacher and property developer, and Robert DeWitt Blanchett, Jr., an American advertising executive, originally from Texas. She has an older brother and a younger sister. When she was ten years old, her 40-year-old father died of a sudden heart attack. Her mother never remarried, and her grandmother moved in to help her mother.
Cate graduated from Australia's National Institute of Dramatic Art in 1992 and, in a little over a year, had won both critical and popular acclaim. On graduating from NIDA, she joined the Sydney Theatre Company's production of Caryl Churchill's "Top Girls", then played Felice Bauer, the bride, in Tim Daly's "Kafka Dances", winning the 1993 Newcomer Award from the Sydney Theatre Critics Circle for her performance. From there, Blanchett moved to the role of Carol in David Mamet's searing polemic "Oleanna", also for the Sydney Theatre Company, and won the Rosemont Best Actress Award, her second award that year. She then co-starred in the ABC Television's prime time drama Heartland (1994), again winning critical acclaim. In 1995, she was nominated for Best Female Performance for her role as Ophelia in the Belvoir Street Theatre Company's production of "Hamlet". Other theatre credits include Helen in the Sydney Theatre Company's "Sweet Phoebe", Miranda in "The Tempest" and Rose in "The Blind Giant is Dancing", both for the Belvoir Street Theatre Company. In other television roles, Blanchett starred as Bianca in ABC's Bordertown (1995), as Janie Morris in G.P. (1989) and in ABC's popular series Police Rescue (1994). She made her feature film debut in Paradise Road (1997).
Cate married writer Andrew Upton in 1997. She had met him a year earlier on a movie set, and they didn't like each other at first. He thought she was aloof, and she thought he was arrogant, but then they connected over a poker game at a party, and she went home with him that night. Three weeks later he proposed marriage and they quickly married before she went off to England to play her breakthrough role in films: the title character in Elizabeth (1998) for which she won numerous awards for her performance, including the Golden Globe for Best Actress in a Drama. Cate was also nominated for an Academy Award for the role but lost out to Gwyneth Paltrow. 2001 was a particularly busy year, with starring roles in Bandits (2001), The Shipping News (2001), Charlotte Gray (2001) and playing Elf Queen Galadriel in the "Lord Of The Rings" trilogy. She also gave birth to her first child, son Dashiell, in 2001. In 2004, she gave birth to her second son Roman.
Also, in 2004, she played actress Katharine Hepburn in Martin Scorsese's film The Aviator (2004), for which she received an Academy Award as Best Supporting Actress. Two years later, she received an Academy Award nomination as Best Supporting Actress for playing a teacher having an affair with an underage student in Notes on a Scandal (2006). In 2007, she returned to the role that made her a star in Elizabeth: The Golden Age (2007). It earned her an Oscar nomination as Best Actress. She was nominated for another Oscar that same year as Best Supporting Actress for playing Bob Dylan in I'm Not There (2007). In 2008, she gave birth to her third child, son Ignatius. She and her husband became artistic directors of the Sydney Theatre Company, choosing to spend more time in Australia raising their three sons. She also purchased a multi-million dollar home in Sydney, Australia and named it Bulwarra and made extensive renovations to it. Because of her life in Australia, her film work became sporadic, until Woody Allen cast her in the title role in Blue Jasmine (2013), which won her the Academy Award as Best Actress. She ended her job as artistic director of the Sydney Theatre Company, while her husband continued there for two more years before he too resigned.
In 2015, she adopted her daughter Edith in her father's homeland of the United States. That same year, she and her husband sold their multi-million dollar home in Australia at a profit and moved to America. Reasons varied from her wanting to work more in America to wanting to familiarize herself with her late father's American heritage. She played the title role of Carol (2015), a 1950s American housewife in a lesbian affair with a younger woman, for which she received an Oscar nomination as Best Actress. While most actresses might slow down in their forties, Blanchett did the opposite by stretching her boundaries even further, such as when she played 13 different characters in Manifesto (2015) and then making her Broadway debut in 2017 in "The Present", which is her husband's adaptation of Chekhov's play "Platonov" for which she earned a Tony nomination as Best Actress in a Play. Also in 2017, she was selected for the highest honor in her birth country: the Companion of the Order of Australia (AC).- Actress
- Additional Crew
Born in San Giorgio di Piano, Giulietta Masina spent part of her teenage years living with a widowed aunt in Rome, where she cultivated a passion for the theater and studied for a degree in Philosophy. She began her career on the radio with the program "Terzoglio" (1942), about the adventures of newlyweds Cico and Pallina from scripts written by Federico Fellini. The series brought her great success. The following year she married Fellini and became the inspirational muse for many of his films.
She made her cinema debut in Without Pity (1948), directed by Alberto Lattuada, but really established her reputation with her next few films: Behind Closed Shutters (1951), directed by Luigi Comencini, Variety Lights (1950), which also marked Fellini's debut as director (the film credits both Fellini and Lattuada); and Europe '51 (1952), directed by Roberto Rossellini. Her artistic partnership with her husband really took off with the Oscar-winning The Road (1954), followed by The Swindle (1955) and the widely acclaimed Nights of Cabiria (1957), which again won an Oscar and brought her the award for Best Female Performance at the Cannes Film Festival. Over the following years she played many memorable roles in such films as Fortunella (1958), directed by Eduardo De Filippo; ...and the Wild Wild Women (1959), directed by Renato Castellani; and later in Juliet of the Spirits (1965) and Ginger & Fred (1986), both directed by Fellini.
From 1966 to 1969 she hosted the immensely popular radio show "Lettere aperte a Giulietta Masina" and starred in the television series Eleonora (1973), by Tullio Pinelli, directed by Silverio Blasi, and Camilla (1976), directed by Sandro Bolchi, based on the novel by Fausta Cialente, "Un inverno freddissimo" (1966).
She died in Rome in 1994, just a few months after the death of her husband.- Actor
- Producer
- Director
Anthony Quinn was born Antonio Rodolfo Quinn Oaxaca (some sources indicate Manuel Antonio Rodolfo Quinn Oaxaca) on April 21, 1915, in Chihuahua, Mexico, to Manuela (Oaxaca) and Francisco Quinn, who became an assistant cameraman at a Los Angeles (CA) film studio. His paternal grandfather was Irish, and the rest of his family was Mexican.
After starting life in extremely modest circumstances in Mexico, his family moved to Los Angeles, where he grew up in the Boyle Heights and Echo Park neighborhoods. He played in the band of evangelist Aimee Semple McPherson as a youth and as a deputy preacher. He attended Polytechnic High School and later Belmont High, but eventually dropped out. The young Quinn boxed (which stood him in good stead as a stage actor, when he played Stanley Kowalski in "A Streetcar Named Desire" to rave reviews in Chicago), then later studied architecture under Frank Lloyd Wright at the great architect's studio, Taliesin, in Arizona. Quinn was close to Wright, who encouraged him when he decided to give acting a try. Made his credited film debut in Parole! (1936). After a brief apprenticeship on stage, Quinn hit Hollywood in 1936 and picked up a variety of small roles in several films at Paramount, including an Indian warrior in The Plainsman (1936), which was directed by the man who later became his father-in-law, Cecil B. DeMille.
As a contract player at Paramount, Quinn's roles were mainly ethnic types, such as an Arab chieftain in the Bing Crosby-Bob Hope comedy, Road to Morocco (1942). As a Mexican national (he did not become an American citizen until 1947), he was exempt from the draft. With many other actors in military service during WWII, he was able to move up into better supporting roles. He married DeMille's daughter Katherine DeMille, which afforded him entrance to the top circles of Hollywood society. He became disenchanted with his career and did not renew his Paramount contract despite the advice of others, including his father-in-law, with whom he did not get along (whom Quinn reportedly felt had never accepted him due to his Mexican roots; the two men were also on opposite ends of the political spectrum) but they eventually were able to develop a civil relationship. Quinn returned to the stage to hone his craft. His portrayal of Stanley Kowalski in "A Streetcar Named Desire" in Chicago and on Broadway (where he replaced the legendary Marlon Brando, who is forever associated with the role) made his reputation and boosted his film career when he returned to the movies.
Brando and Elia Kazan, who directed "Streetcar" on Broadway and on film (A Streetcar Named Desire (1951)), were crucial to Quinn's future success. Kazan, knowing the two were potential rivals due to their acclaimed portrayals of Kowalski, cast Quinn as Brando's brother in his biographical film of Mexican revolutionary Emiliano Zapata, Viva Zapata! (1952). Quinn won the Best Supporting Actor Academy Award for 1952, making him the first Mexican-American to win an Oscar. It was not to be his lone appearance in the winner's circle: he won his second Supporting Actor Oscar in 1957 for his portrayal of Paul Gauguin in Vincente Minnelli's biographical film of Vincent van Gogh, Lust for Life (1956), opposite Kirk Douglas. Over the next decade Quinn lived in Italy and became a major figure in world cinema, as many studios shot films in Italy to take advantage of the lower costs ("runaway production" had battered the industry since its beginnings in the New York/New Jersey area in the 1910s). He appeared in several Italian films, giving one of his greatest performances as the circus strongman who brutalizes the sweet soul played by Giulietta Masina in her husband Federico Fellini's masterpiece The Road (1954). He met his second wife, Jolanda Addolori, a wardrobe assistant, while he was in Rome filming Barabbas (1961).
Alternating between Europe and Hollywood, Quinn built his reputation and entered the front rank of character actors and character leads. He received his third Oscar nomination (and first for Best Actor) for George Cukor's Wild Is the Wind (1957). He played a Greek resistance fighter against the Nazi occupation in the monster hit The Guns of Navarone (1961) and received kudos for his portrayal of a once-great boxer on his way down in Rod Serling's Requiem for a Heavyweight (1962). He went back to playing ethnic roles, such as an Arab warlord in David Lean's masterpiece Lawrence of Arabia (1962), and he played the eponymous lead in the "sword-and-sandal" blockbuster Barabbas (1961). Two years later, he reached the zenith of his career, playing Zorba the Greek in the film of the same name (a.k.a. Zorba the Greek (1964)), which brought him his fourth, and last, Oscar nomination as Best Actor. The 1960s were kind to him: he played character leads in such major films as The Shoes of the Fisherman (1968) and The Secret of Santa Vittoria (1969). However, his appearance in the title role in the film adaptation of John Fowles' novel, The Magus (1968), did nothing to save the film, which was one of that decade's notorious turkeys.
In the 1960s, Quinn told Life magazine that he would fight against typecasting. Unfortunately, the following decade saw him slip back into playing ethnic types again, in such critical bombs as The Greek Tycoon (1978). He starred as the Hispanic mayor of a southwestern city on the short-lived television series The Man and the City (1971), but his career lost its momentum during the 1970s. Aside from playing a thinly disguised Aristotle Onassis in the cinematic roman-a-clef The Greek Tycoon (1978), his other major roles of the decade were as Hamza in the controversial The Message (1976) (a.k.a. "Mohammad, Messenger of God"); as the Italian patriarch in The Inheritance (1976); yet another Arab in Caravans (1978); and as a Mexican patriarch in The Children of Sanchez (1978). In 1983, he reprised his most famous role, Zorba the Greek, on Broadway in the revival of the musical "Zorba" for 362 performances (opposite Lila Kedrova, who had also appeared in the film, and won an Oscar for Best Supporting Actress for her performance). His career slowed during the 1990s but he continued to work steadily in films and television, including an appearance with frequent film co-star Maureen O'Hara in Only the Lonely (1991).
Quinn lived out the latter years of his life in Bristol, Rhode Island, where he spent most of his time painting and sculpting. Beginning in 1982, he held numerous major exhibitions in cities such as Vienna, Paris, and Seoul. He died in a hospital in Boston at age 86 from pneumonia and respiratory failure linked to his battle with throat cancer.- Actor
- Producer
- Soundtrack
Jonathan Pryce was born on 1 June 1947 in Holywell, Flintshire, Wales, UK. He is an actor and producer, known for The Two Popes (2019), The Wife (2017) and Tomorrow Never Dies (1997). He has been married to Kate Fahy since April 2015. They have three children.- Actor
- Producer
- Soundtrack
Jonathan Pryce was born on 1 June 1947 in Holywell, Flintshire, Wales, UK. He is an actor and producer, known for The Two Popes (2019), The Wife (2017) and Tomorrow Never Dies (1997). He has been married to Kate Fahy since April 2015. They have three children.- Actress
- Producer
- Director
Eight time Academy Award-nominated actress Glenn Close was born and raised in Greenwich, Connecticut. She is the daughter of Elizabeth Mary H. "Bettine" (Moore) and William Taliaferro Close (William Close), a prominent doctor. Both of her parents were from upper-class families.
Glenn was a noted Broadway performer when she was cast in her award-winning role as Jenny Fields in The World According to Garp (1982) alongside Robin Williams. For this role, a breakthrough in film for Close, she later went on to receive an Academy Award Nomination for Best Supporting Actress. The following year she was cast in the hit comedy The Big Chill (1983) for which she received a second Oscar Nomination, once again for Supporting Actress in the role of Sarah Cooper. In her third film, Close portrayed Iris Gaines a former lover of baseball player Roy Hobbs portrayed by Robert Redford, in one of the greatest sports films of all time, The Natural (1984). For a third time, Close was nominated for the Academy Award for Best Actress in a Supporting Role. Close went on to star in films like The Stone Boy (1984), Maxie (1985) and Jagged Edge (1985). In 1987 Close was cast in the box office hit Fatal Attraction (1987) for which she portrayed deranged stalker Alex Forrest alongside costars Michael Douglas and Anne Archer. For this role she was nominated for the Academy Award and Golden Globe for Best Actress. The following year Close starred in the Oscar Winning Drama Dangerous Liaisons (1988) for which she portrayed one of the most classic roles of all time as Marquise Isabelle de Merteuil, starring alongside John Malkovich and Michelle Pfeiffer. For this role she was nominated once again for the Academy Award and BAFTA Film Award for Best Actress. Close was favorite to win the coveted statue but lost to Jodie Foster for The Accused (1988). Close had her claim to fame in the 1980s. Close starred on the hit Drama series Damages (2007) for which she has won a Golden Globe Award and two Emmy Awards. In her career Close has been Oscar nominated eight times, won three Tonys, an Obie, three Emmys, two Golden Globes and a Screen Actors Guild Award.- Actress
- Producer
- Camera and Electrical Department
Keira Christina Knightley was born March 26, 1985 in the South West Greater London suburb of Richmond. She is the daughter of actor Will Knightley and actress turned playwright Sharman Macdonald. An older brother, Caleb Knightley, was born in 1979. Her father is English, while her Scottish-born mother is of Scottish and Welsh origin. Brought up immersed in the acting profession from both sides - writing and performing - it is little wonder that the young Keira asked for her own agent at the age of three. She was granted one at the age of six and performed in her first TV role as "Little Girl" in Royal Celebration (1993), aged seven.
It was discovered at an early age that Keira had severe difficulties in reading and writing. She was not officially dyslexic as she never sat the formal tests required of the British Dyslexia Association. Instead, she worked incredibly hard, encouraged by her family, until the problem had been overcome by her early teens. Her first multi-scene performance came in A Village Affair (1995), an adaptation of the lesbian love story by Joanna Trollope. This was followed by small parts in the British crime series The Bill (1984), an exiled German princess in The Treasure Seekers (1996) and a much more substantial role as the young "Judith Dunbar" in Giles Foster's adaptation of Rosamunde Pilcher's novel Coming Home (1998), alongside Peter O'Toole, Penelope Keith and Joanna Lumley. The first time Keira's name was mentioned around the world was when it was revealed (in a plot twist kept secret by director George Lucas) that she played Natalie Portman's decoy "Padme" to Portman's "Amidala" in Star Wars: Episode I - The Phantom Menace (1999). It was several years before agreement was reached over which scenes featured Keira as the queen and which featured Natalie!
Keira had no formal training as an actress and did it out of pure enjoyment. She went to an ordinary council-run school in nearby Teddington and had no idea what she wanted to do when she left. By now, she was beginning to receive far more substantial roles and was starting to turn work down as one project and her schoolwork was enough to contend with. She reappeared on British television in 1999 as "Rose Fleming" in Alan Bleasdale's faithful reworking of Charles Dickens' Oliver Twist (1999), and traveled to Romania to film her first title role in Walt Disney's Princess of Thieves (2001) in which she played Robin Hood's daughter, Gwyn. Keira's first serious boyfriend was her Princess of Thieves (2001) co-star Del Synnott, and they later co-starred in Peter Hewitt's 'work of fart' Thunderpants (2002). Nick Hamm's dark thriller The Hole (2001) kept her busy during 2000, and featured her first nude scene (15 at the time, the film was not released until she was 16 years old). In the summer of 2001, while Keira studied and sat her final school exams (she received six A's), she filmed a movie about an Asian girl's (Parminder Nagra) love for football and the prejudices she has to overcome regarding both her culture and her religion). Bend It Like Beckham (2002) was a smash hit in football-mad Britain but it had to wait until another of Keira's films propelled it to the top end of the US box office. Bend It Like Beckham (2002) cost just £3.5m to make, and nearly £1m of that came from the British Lottery. It took £11m in the UK and has since gone on to score more than US$76m worldwide.
Meanwhile, Keira had started A-levels at Esher College, studying Classics, English Literature and Political History, but continued to take acting roles which she thought would widen her experience as an actress. The story of a drug-addicted waitress and her friendship with the young son of a drug-addict, Pure (2002), occupied Keira from January to March 2002. Also at this time, Keira's first attempt at Shakespeare was filmed. She played "Helena" in a modern interpretation of a scene from "A Midsummer Night's Dream" entitled The Seasons Alter (2002). This was commissioned by the environmental organization "Futerra", of which Keira's mother is patron. Keira received no fee for this performance or for another short film, New Year's Eve (2002), by award-winning director Col Spector. But it was a chance encounter with producer Andy Harries at the London premiere of Bridget Jones's Diary (2001) which forced Keira to leave her studies and pursue acting full-time. The meeting lead to an audition for the role of "Larisa Feodorovna Guishar" - the classic heroine of Boris Pasternak's novel Doctor Zhivago (2002), played famously in the David Lean movie by Julie Christie. This was to be a big-budget TV movie with a screenplay written by Andrew Davies. Keira won the part and the mini-series was filmed throughout the Spring of 2002 in Slovakia, co-starring Sam Neill and Hans Matheson as "Yuri Zhivago". Keira rounded off 2002 with a few scenes in the first movie to be directed by Blackadder and Vicar of Dibley writer Richard Curtis. Called Love Actually (2003), Keira played "Juliet", a newlywed whose husband's Best Man is secretly besotted with her. A movie filmed after Love Actually (2003) but released before it was to make the world sit up and take notice of this beautiful fresh-faced young actress with a cute British accent. It was a movie which Keira very nearly missed out on, altogether. Auditions were held in London for a new blockbuster movie called Pirates of the Caribbean: The Curse of the Black Pearl (2003), but heavy traffic in the city forced Keira to be tagged on to the end of the day's auditions list. It helped - she got the part. Filming took place in Los Angeles and the Caribbean from October 2002 to March 2003 and was released to massive box office success and almost universal acclaim in the July of that year.
Meanwhile, a small British film called Bend It Like Beckham (2002) had sneaked onto a North American release slate and was hardly setting the box office alight. But Keira's dominance in "Pirates" had set tongues wagging and questions being asked about the actress playing "Elizabeth Swann". Almost too late, "Bend It"'s distributors realized one of its two stars was the same girl whose name was on everyone's lips due to "Pirates", and took the unusual step of re-releasing "Bend It" to 1,000 screens across the US, catapulting it from no. 26 back up to no. 12. "Pirates", meanwhile, was fighting off all contenders at the top spot, and stayed in the Top 3 for an incredible 21 weeks. It was perhaps no surprise, then, that Keira was on producer Jerry Bruckheimer's wanted list for the part of "Guinevere" in a planned accurate telling of the legend of "King Arthur". Filming took place in Ireland and Wales from June to November 2003. In July, Keira had become the celebrity face of British jeweller and luxury goods retailer, Asprey. At a photoshoot for the company on Long Island New York in August, Keira met and fell in love with Northern Irish model Jamie Dornan. King Arthur (2004) was released in July 2004 to lukewarm reviews. It seems audiences wanted the legend after all, and not necessarily the truth. Keira became the breakout star and 'one to watch in 2004' throughout the world's media at the end of 2003.
Keira's 2004 started off in Scotland and Canada filming John Maybury's time-travelling thriller The Jacket (2005) with Oscar-winner Adrien Brody. A planned movie of Deborah Moggach's novel, "Tulip Fever", about forbidden love in 17th Century Amsterdam, was canceled in February after the British government suddenly closed tax loopholes which allowed filmmakers to claw back a large proportion of their expenditure. Due to star Keira and Jude Law in the main roles, the film remains mothballed. Instead, Keira spent her time wisely, visiting Ethiopia on behalf of the "Comic Relief" charity, and spending summer at various grandiose locations around the UK filming what promises to be a faithful adaptation of Jane Austen's classic novel Pride & Prejudice (2005), alongside Matthew Macfadyen as "Mr. Darcy", and with Donald Sutherland and Judi Dench in supporting roles. In October 2004, Keira received her first major accolade, the Hollywood Film Award for Best Breakthrough Actor - Female, and readers of Empire Magazine voted her the Sexiet Movie Star Ever. The remainder of 2004 saw Keira once again trying a completely new genre, this time the part-fact, part-fiction life story of model turned bounty hunter Domino (2005). 2005 started with the premiere of The Jacket (2005) at the Sundance Film Festival, with the US premiere in LA on February 28th. Much of the year was then spent in the Caribbean filming both sequels to Pirates Of The Caribbean. Keira's first major presenting role came in a late-night bed-in comedy clip show for Comic Relief with presenter Johnny Vaughan. In late July, promotions started for the September release of Pride & Prejudice (2005), with British fans annoyed to learn that the US version would end with a post-marriage kiss, but the European version would not. Nevertheless, when the movie opened in September on both sides of the Atlantic, Keira received her greatest praise thus far in her career, amid much talk of awards. It spent three weeks at No. 1 in the UK box office.
Domino (2005) opened well in October, overshadowed by the death of Domino Harvey earlier in the year. Keira received Variety's Personality Of The Year Award in November, topped the following month by her first Golden Globe nomination, for Pride & Prejudice (2005). KeiraWeb.com exclusively announced that Keira would play Helene Joncour in an adaptation of Alessandro Baricco's novella Silk (2007). Pride & Prejudice (2005) garnered six BAFTA nominations at the start of 2006, but not Best Actress for Keira, a fact which paled soon after by the announcement she had received her first Academy Award nomination, the third youngest Best Actress Oscar hopeful. A controversial nude Vanity Fair cover of Keira and Scarlett Johansson kept the press busy up till the Oscars, with Reese Witherspoon taking home the gold man in the Best Actress category, although Keira's Vera Wang dress got more media attention. Keira spent early summer in Europe filming Silk (2007) opposite Michael Pitt, and the rest of the summer in the UK filming Atonement (2007), in which she plays Cecilia Tallis, and promoting the new Pirates movie (her Ellen Degeneres interview became one of the year's Top 10 'viral downloads'). Pirates Of The Caribbean: Dead Man's Chest (2006) broke many box office records when it opens worldwide in July, becoming the third biggest movie ever by early September. Keira sued British newspaper The Daily Mail in early 2007 after her image in a bikini accompanied an article about a woman who blamed slim celebrities for the death of her daughter from anorexia. The case was settled and Keira matched the settlement damages and donated the total amount to an eating disorder charity. Keira filmed a movie about the life of Dylan Thomas, The Edge Of Love (2008) with a screenplay written by her mother Sharman Macdonald. Her co-star Lindsay Lohan pulled out just a week before filming began, and was replaced by Sienna Miller.
What was announced to be Keira's final Pirates movie in the franchise, Pirates Of The Caribbean: At World's End (2007), opened strongly in June, rising to all-time fifth biggest movie by July. Atonement (2007) opened the Venice Film Festival in August, and opened worldwide in September, again to superb reviews for Keira. Meanwhile, Silk (2007) opened in September on very few screens and disappeared without a trace. Keira spent the rest of the year filming The Duchess (2008), the life story of Georgiana, Duchess of Devonshire, based on Amanda Foreman's award-winning biography of the distant relation of Princess Diana. The year saw more accolades and poll-topping for Keira than ever before, including Women's Beauty Icon 2007 and gracing the covers of all the top-selling magazines. She won Best Actress for Atonement (2007) at the Variety Club Of Great Britain Showbiz Awards, and ended the year with her second Golden Globe nomination. Christmas Day saw - or rather heard - Keira on British TV screens in a new Robbie The Reindeer animated adventure, with DVD proceeds going to Comic Relief. At the start of 2008, Keira received her first BAFTA nomination - Best Actress for Atonement, and the movie wins Best Film: Drama at the Golden Globes. Seven Academy Award nominations for Atonement soon follow. Keira wins Best Actress for her role as Cecilia Tallis at the Empire Film Awards. In May, Keira's first Shakespearean role is announced, when she is confirmed to play Cordelia in a big-screen version of King Lear, alongside Naomi Watts and Gwyneth Paltrow, with Sir Anthony Hopkins as the titular monarch. After two years of rumours, it is confirmed that Keira is on the shortlist to play Eliza Doolittle in a new adaptation of My Fair Lady. The Edge Of Love opens the Edinburgh Film Festival on June 18th, and opens on limited release in the UK and US. A huge round of promotions for The Duchess occurs throughout the summer, with cast and crew trying to play down the marketers' decision to draw parallels between the duchess and Princess Diana. Keira attends the UK and US premieres and Toronto Film Festival within the first week of September. The Duchess opens strongly on both sides of the Atlantic. Two more movies were confirmed for Keira during September - a tale of adultery called Last Night (2010), and a biopic of author F Scott Fitzgerald entitled The Beautiful and the Damned.
Keira spent October on the streets of New York City filming Last Night alongside Sam Worthington and Guillaume Canet. Keira helped to promote the sixtieth anniversary of the UN's Declaration of Human Rights, by contributing to a series of short films produced to mark the occasion. In January 2009 it was announced Keira had signed to play a reclusive actress in an adaptation of Ken Bruen's novel London Boulevard (2010), co-starring Colin Farrell. Keira continues her close ties with the Comic Relief charity by helping to launch their British icons T-shirts campaign. In the same week King Lear was revealed to have been shelved, it was announced that Keira would instead star alongside her Pride & Prejudice co-star Carey Mulligan in an adaptation of Kazuo Ishiguro's novel Never Let Me Go (2010). A new short film emerges in March, recorded in the January of 2008 in which Keira plays a Fairy! The Continuing and Lamentable Saga of the Suicide Brothers (2009) was written by Keira's boyfriend Rupert Friend and actor Tom Mison. It went to be shown at the London Film Festival in October and won Best Comedy Short at the New Hampshire Film Festival. Keira continued to put her celebrity to good use in 2009 with a TV commercial for WomensAid highlighting domestic abuse against women. Unfortunately, UK censors refused to allow its broadcast and it can only be viewed on YouTube. May and June saw Keira filming Never Let Me Go (2010) and London Boulevard (2010) back-to-back. In October, a new direction for Keira's career emerged, when it was announced she would appear on the London stage in her West End debut role as Jennifer, in a reworking of Moliere's The Misanthrope, starring Damian Lewis and Tara Fitzgerald. More than $2m of ticket sales followed in the first four days, before even rehearsals had begun! The play ran from December to March at London's Comedy Theatre.- Actress
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Natalie Portman is the first person born in the 1980s to have won the Academy Award for Best Actress (for Black Swan (2010)).
Natalie was born Natalie Hershlag on June 9, 1981, in Jerusalem, Israel. She is the only child of Avner Hershlag, an Israeli-born doctor, and Shelley Stevens, an American-born artist (from Cincinnati, Ohio), who also acts as Natalie's agent. Her parents are both of Ashkenazi Jewish descent. Natalie's family left Israel for Washington, D.C., when she was still very young. After a few more moves, her family finally settled in New York, where she still lives to this day. She graduated with honors, and her academic achievements allowed her to attend Harvard University. She was discovered by an agent in a pizza parlor at the age of 11. She was pushed towards a career in modeling but she decided that she would rather pursue a career in acting. She was featured in many live performances, but she made her powerful film debut in the movie Léon: The Professional (1994) (aka "Léon"). Following this role Natalie won roles in such films as Heat (1995), Beautiful Girls (1996), and Mars Attacks! (1996).
It was not until 1999 that Natalie received worldwide fame as Queen Amidala in the highly anticipated US$431 million-grossing prequel Star Wars: Episode I - The Phantom Menace (1999). She then she starred in two critically acclaimed comedy dramas, Anywhere But Here (1999) and Where the Heart Is (2000), followed by Closer (2004), for which she received an Oscar nomination. She reprised her role as Padme Amidala in the last two episodes of the Star Wars prequel trilogy: Star Wars: Episode II - Attack of the Clones (2002) and Star Wars: Episode III - Revenge of the Sith (2005). She received an Academy Award and a Golden Globe Award for Best Actress in Black Swan (2010).
She received a second nomination for Best Actress, for playing Jacqueline Kennedy in Jackie (2016).- Actor
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Joel Grey's father, Mickey Katz, created "Borscht Capades" in the early 1950s. Mickey Katz was a musician -- a clarinetist and a saxophone player -- in bands around the east. Mickey was performing, playing in a band in Cleveland, Ohio, which is where Joel Grey was born. Musician and bandleader Spike Jones needed a clarinet player who could do bits, funny things. Mickey went on the road with Jones' band for about a year, the Katz family ending up, as the band all went to California.
One day his father Mickey was doing a recording session at the Sunset Boulevard RCA-Victor recording studio in Hollywood, and during a break, Mickey always wrote parodies to pop songs for fun and had just written this parody -- he was singing it to one of the other Jewish musicians. Unbeknownst to him the microphone was open in the control room and this group of non-Jewish, white-bread heads of RCA-Victor were sitting there and he's singing a Yiddish song. They didn't know what he was singing but they were laughing and laughing and they decided to record it. The recording became an enormous hit. The records were so successful Mickey put together a variety show that sold out every week in Los Angels at the Wilshire Ebell Theater. Joel knew, even at 9, that he was going to become an actor. When his father had this variety show, Joel said, "How can I be in it?" And his father said, "Well, what do you want to do?" Joel replied, "I don't know how to sing and I don't dance, but I'll run around and I'll move."
So Joel's aunt dropped him a song that was a big record in New York, a Yiddish song -- it was a million words and very fast and it was very popular with the audience -- and Joel learned it by rote. Joel had no idea what he was saying or singing and the next thing he knew, he was boxed in to being a song-and-dance man as opposed to an actor. "Romania, Romania." The song was like a Danny Kaye spectacular, fast, patter song that left a lot of room to dance and sing and mug and do all the things like his hero at the time -- Jerry Lewis. Maybe two years, Eddie Cantor saw Joel in Florida and put him on his "Colgate Comedy Hour' television show, and that was the end of the "Borscht Capades" for Joel, and the beginning of Joel's long tenure in night clubs all over the country.- Actor
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Anthony Perkins was born April 4, 1932 in New York City, to Janet Esselstyn (Rane) and Osgood Perkins, an actor of both stage and film. His father died when he was five. Anthony's paternal great-grandfather was engraver Andrew Varick Stout Anthony. Perkins attended the Brooks School, the Browne & Nichols School, Columbia University and Rollins College. He made his screen debut in The Actress (1953), and was nominated for a Best Supporting Actor Oscar Friendly Persuasion (1956). Four years later, he appeared in what would be his most noted role, Norman Bates in Psycho (1960), memorializing him into film history forever.- Actress
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Uma Karuna Thurman was born in Boston, Massachusetts, into a highly unorthodox and internationally-minded family. She is the daughter of Nena Thurman (née Birgitte Caroline von Schlebrügge), a fashion model and socialite who now runs a mountain retreat, and of Robert Thurman (Robert Alexander Farrar Thurman), a professor and academic who is one of the nation's foremost Buddhist scholars. Uma's mother was born in Mexico City, Mexico, to a German father and a Swedish mother (who herself was of Swedish, Danish, and German descent). Uma's father, a New Yorker, has English, Scots-Irish, Scottish, and German ancestry. Uma grew up in Amherst, Massachusetts, where her father worked at Amherst College.
She and her siblings all have names deriving from Buddhist mythology; and Middle American behavior was little understood, much less pursued. And so it was that the young Thurman confronted childhood with an odd name and eccentric home life -- and nature seemingly conspired against her as well. She is six feet tall, and from an early age towered over everyone else in class. Her famously large feet would soon sprout to size 11 -- and even beyond that -- and although they would eventually be lovingly filmed by director Quentin Tarantino, as a child she generally wore the biggest shoes in class, which only provided another subject of ridicule. Even her long nose moved one of her mother's friends to helpfully suggest rhinoplasty -- to the ten-year-old Thurman. To make matters worse yet, the family constantly relocated, making the gangly, socially inept Thurman perpetually the new kid in class. The result was an exceptionally awkward, self-conscious, lonely and alienated childhood.
Unsurprisingly, the young Thurman enjoyed making believe she was someone other than herself, and so thrived at acting in school plays -- her sole successful extracurricular activity. This interest, and her lanky frame, perfect for modeling, led the 15-year-old Thurman to New York City for high school and modeling work (including a layout in Glamour Magazine) as she sought acting roles. The roles soon came, starting with a few formulaic and forgettable Hollywood products, but immediately followed by Terry Gilliam's The Adventures of Baron Munchausen (1988) and Stephen Frears' Dangerous Liaisons (1988), both of which brought much attention to her unorthodox sensuality and performances that intriguingly combined innocence and worldliness. The weird, gangly girl became a sex symbol virtually overnight.
Thurman continued to be offered good roles in Hollywood pictures into the early '90s, the least commercially successful but probably best-known of which was her smoldering, astonishingly-adult performance as June, Henry Miller's wife, in Henry & June (1990), the first movie to actually receive the dreaded NC-17 rating in the USA. After a celebrated start, Thurman's career stalled in the early '90s with movies such as the mediocre Mad Dog and Glory (1993). Worse, her first starring role was in Even Cowgirls Get the Blues (1993), which had endured a tortured journey from cult-favorite book to big-budget movie, and was a critical and financial debacle. Fortunately, Uma bounced back with a brilliant performance as Mia Wallace, that most unorthodox of all gangster's molls, in Tarantino's lauded, hugely successful Pulp Fiction (1994), a role for which Thurman received an Academy Award nomination.
Since then, Thurman has had periods of flirting with roles in arty independents such as A Month by the Lake (1995), and supporting roles in which she has lent some glamorous presence to a mixed batch of movies, such as Beautiful Girls (1996) and The Truth About Cats & Dogs (1996). Thurman returned to smaller films after playing the villainess Poison Ivy in the reviled Joel Schumacher effort Batman & Robin (1997) and Emma Peel in a remake of The Avengers (1998). She worked with Woody Allen and Sean Penn on Sweet and Lowdown (1999), and starred in Richard Linklater's drama Tape (2001) opposite Hawke. Thurman also won a Golden Globe award for her turn in the made-for-television film Hysterical Blindness (2002), directed by Mira Nair.
A return to the mainstream spotlight came when Thurman re-teamed with Quentin Tarantino for Kill Bill: Vol. 1 (2003), a revenge flick the two had dreamed up on the set of Pulp Fiction (1994). She also turned up in the John Woo cautioner Paycheck (2003) that same year. The renewed attention was not altogether welcome because Thurman was dealing with the break-up of her marriage with Hawke at about this time. Thurman handled the situation with grace, however, and took her surging popularity in stride. She garnered critical acclaim for her work in Kill Bill: Vol. 2 (2004) and was hailed as Tarantino's muse. Thurman reunited with Pulp Fiction (1994) dance partner John Travolta for the Get Shorty (1995) sequel Be Cool (2005) and played Ulla in The Producers (2005).
Thurman had been briefly married to Gary Oldman, from 1990 to 1992. In 1998, she married Ethan Hawke, her co-star in the offbeat futuristic thriller Gattaca (1997). The couple had two children, Levon and Maya. Hawke and Thurman filed for divorce in 2004.- Producer
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Few actors in the world have had a career quite as diverse as Leonardo DiCaprio's. DiCaprio has gone from relatively humble beginnings, as a supporting cast member of the sitcom Growing Pains (1985) and low budget horror movies, such as Critters 3 (1991), to a major teenage heartthrob in the 1990s, as the hunky lead actor in movies such as Romeo + Juliet (1996) and Titanic (1997), to then become a leading man in Hollywood blockbusters, made by internationally renowned directors such as Martin Scorsese and Christopher Nolan.
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, the only child of Irmelin DiCaprio (née Indenbirken) and former comic book artist George DiCaprio. His father is of Italian and German descent, and his mother, who is German-born, is of German, Ukrainian and Russian ancestry. His middle name, "Wilhelm", was his maternal grandfather's first name. Leonardo's father had achieved minor status as an artist and distributor of cult comic book titles, and was even depicted in several issues of American Splendor, the cult semi-autobiographical comic book series by the late 'Harvey Pekar', a friend of George's. Leonardo's performance skills became obvious to his parents early on, and after signing him up with a talent agent who wanted Leonardo to perform under the stage name "Lenny Williams", DiCaprio began appearing on a number of television commercials and educational programs.
DiCaprio began attracting the attention of producers, who cast him in small roles in a number of television series, such as Roseanne (1988) and The New Lassie (1989), but it wasn't until 1991 that DiCaprio made his film debut in Critters 3 (1991), a low-budget horror movie. While Critters 3 (1991) did little to help showcase DiCaprio's acting abilities, it did help him develop his show-reel, and attract the attention of the people behind the hit sitcom Growing Pains (1985), in which Leonardo was cast in the "Cousin Oliver" role of a young homeless boy who moves in with the Seavers. While DiCaprio's stint on Growing Pains (1985) was very short, as the sitcom was axed the year after he joined, it helped bring DiCaprio into the public's attention and, after the sitcom ended, DiCaprio began auditioning for roles in which he would get the chance to prove his acting chops.
Leonardo took up a diverse range of roles in the early 1990s, including a mentally challenged youth in What's Eating Gilbert Grape (1993), a young gunslinger in The Quick and the Dead (1995) and a drug addict in one of his most challenging roles to date, Jim Carroll in The Basketball Diaries (1995), a role which the late River Phoenix originally expressed interest in. While these diverse roles helped establish Leonardo's reputation as an actor, it wasn't until his role as Romeo Montague in Baz Luhrmann's Romeo + Juliet (1996) that Leonardo became a household name, a true movie star. The following year, DiCaprio starred in another movie about doomed lovers, Titanic (1997), which went on to beat all box office records held before then, as, at the time, Titanic (1997) became the highest grossing movie of all time, and cemented DiCaprio's reputation as a teen heartthrob. Following his work on Titanic (1997), DiCaprio kept a low profile for a number of years, with roles in The Man in the Iron Mask (1998) and the low-budget The Beach (2000) being some of his few notable roles during this period.
In 2002, he burst back into screens throughout the world with leading roles in Catch Me If You Can (2002) and Gangs of New York (2002), his first of many collaborations with director Martin Scorsese. With a current salary of $20 million a movie, DiCaprio is now one of the biggest movie stars in the world. However, he has not limited his professional career to just acting in movies, as DiCaprio is a committed environmentalist, who is actively involved in many environmental causes, and his commitment to this issue led to his involvement in The 11th Hour, a documentary movie about the state of the natural environment. As someone who has gone from small roles in television commercials to one of the most respected actors in the world, DiCaprio has had one of the most diverse careers in cinema. DiCaprio continued to defy conventions about the types of roles he would accept, and with his career now seeing him leading all-star casts in action thrillers such as The Departed (2006), Shutter Island (2010) and Christopher Nolan's Inception (2010), DiCaprio continues to wow audiences by refusing to conform to any cliché about actors.
In 2012, he played a mustache twirling villain in Django Unchained (2012), and then tragic literary character Jay Gatsby in The Great Gatsby (2013) and Jordan Belfort in The Wolf of Wall Street (2013).
DiCaprio is passionate about environmental and humanitarian causes, having donated $1,000,000 to earthquake relief efforts in 2010, the same year he contributed $1,000,000 to the Wildlife Conservation Society.- Actor
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Jon Voight is an American actor of German and Slovak descent. He has won the Academy Award for Best Actor in a Leading Role for his role as paraplegic Vietnam War veteran Luke Martin in the war film "Coming Home" (1978). He has also been nominated for the same award other two times. He was first nominated for his role as aspiring gigolo Joe Buck in "Midnight Cowboy" (1969), He was last nominated for the award for his role as escaped convict Oscar "Manny" Manheim in "Runaway Train" (1985). He was also nominated for the Academy Award for Best Actor in a Supporting Role, for his role as sports journalist Howard Cosell (1918-1995) in "Ali" (2001).
In 1938, Voight was born in Yonkers, New York. His parents were professional golfer Elmer Samuel Voight (original name Elemír Vojtka) and his wife Barbara Agnes (Kamp). His paternal grandfather was a Slovak immigrant, as were the parents of his paternal grandmother. His maternal grandfather was a German immigrant, as were the parents of his maternal grandmother. His maternal great-uncle was political activist Joseph P. Kamp (1900-1993), a leader of the anti-communist organization "Constitutional Educational League".
Voight has two siblings: volcanologist Barry Voight (1937-) and singer-songwriter James Wesley Voight (pseudonym Chip Taylor, 1940-). Barry is most famous for first predicting and then investigating the eruption of Mount St. Helens (1980). James is most famous for writing the hit songs "Wild Thing" (1965) and "Angel of the Morning" (1967).
Voight was educated at Archbishop Stepinac High School, an all-boys Roman Catholic high school located at White Plains, New York. At the time, the school was operated by the Roman Catholic Archdiocese of New York. He took an interest in acting in his high school years, performing a comedic role in the school's annual musical, "The Song of Norway". He graduated in 1956, at the age of 18.
Voight continued his education at The Catholic University of America, located in Washington, D.C.. He majored in art, and graduated in 1960. He was 22-years-old at the time of graduation. He then moved to New York City, having decided to pursue an acting career.
In the early 1960s, Voight primarily worked as a television actor. He guest starred in episodes of then-popular television series, such as "Naked City", "The Defenders", "NET Playhouse", "12 O'Clock High", and "Gunsmoke". His first notable theatrical role was playing the illegal immigrant Rodolfo in a 1965 Off-Broadway production of the play "A View from the Bridge" (1955) by Arthur Miller (1915-2005). In the play, Rodolfo is the love interest of the American girl Catherine, and disliked by her uncle and guardian Eddie Carbone (who is in love with his niece).
Voight made his film debut in the superhero comedy "Fearless Frank" (1967), playing the role of the eponymous superhero. Frank was depicted as a murder victim who gets resurrected and granted superpowers by a scientist. Voiight's second film role was playing historical gunman and outlaw Curly Bill Brocius (1845-1882) in the Western film "Hour of the Gun" (1967). The historical Brocius was an an enemy of the Esrp family, and was killed by Wyatt Earp (1848-1929).
Voigh't third film appearance was "Midnight Cowboy" (1969), his first great success. He played the role of a naive hustler from Texas who tries to become a gigolo in New York City. The film was critically acclaimed, and became the only X-rated feature to win Best Picture at the Academy Awards. Voight was nominated for the Academy Award for Best Actor, but the award was instead won by rival actor John Wayne (1907-1979).
Voight's first role in the 1970s was playing lieutenant Milo Minderbinder in the black comedy "Catch-22" (1970). The film was based on a 1961 satirical novel by Joseph Heller (1923-1999), and offered a satirical view on war and bureaucracy. Voight's next role was playing the left-wing student A in the political drama "The Revolutionary" (1970).
Voight found further critical acclaim with the thriller film "Deliverance" (1972), playing Atlanta businessman Ed Gentry. In the film, Gentry and his first are targeted by villainous mountain men in the northern Georgia wilderness. The film earned about 46 million dollars at the domestic box office, and was nominated for the Academy Award for Best Picture.
His subsequent roles included idealistic schoolteacher Pat Conroy in "Conrack" (1974), journalist Peter Miller in "The Odessa File" (1974). His next great success was playing paraplegic war veteran Luke Martin in "Coming Home" (1978), in a role inspired by the life of war veteran and anti-war activist Ron Kovic (1976-). He won the Academy Award for Best Actor for this film. His co-star Jane Fonda (1937-) won her second Academy Award for Best Actress for her role in this film.
Voight's early 1980s roles included conman Alex Kovac in "Lookin' to Get Out" (1982) and widowed father J. P. Tannen in "Table for Five" (1983). His next big success was the role of escaped convict Oscar "Manny" Manheim in "Runaway Train" (1985). He was again nominated for the Academy Award for Best Actor, but the Award was instead won by rival actor William Hurt (1950-).
Voight's next role was that of Jack Chismore in the drama film "Desert Bloom" (1986). Chismore is depicted as a war veteran suffering from post-traumatic stress disorder (PTSD), who is trying to raise three stepdaughters. He frequently abuses his stepdaughter Rose Chismore (played by Annabeth Gish), but is genuinely concerned for her safety when Rose runs away from home. This film was Voigh's last film role for several years, as he took a hiatus from acting.
Voight returned to acting with the drama film "Eternity" (1990), where he was also the screenwriter. The film deals with reincarnation, as a medieval war within brothers continues in modern American politics. Following his return to acting, Voight started appearing frequently in television films and miniseries. He also guest-starred in a 1994 episode of "Seinfeld", playing himself.
Voight returned to film acting with the crime drama "Heat" (1995), where he had a minor role as a fence. He had a more substantial role in the spy film "Mission: Impossible" (1996), where he played spymaster James Phelps. The film was an adaptation of the popular television series "Mission: Impossible" (1966-1973), about the adventures of a group of secret agents. The role of James Phelps was previously played by actor Peter Graves (1926-2010). The film was a great commercial success, earning about 458 million dollars at the worldwide box office.
Voight appeared in six different films in 1997, one of the busiest years of his career. The most notable among them was the horror film "Anaconda" (1997), where he played obsessive hunter Paul Serone, the film's main antagonist. The film won about 137 million dollars at the box office, despite a mostly negative critical reception. For this role, Voight was nominated for the Golden Raspberry Award for Worst Actor. He lost the award to rival actor Kevin Costner (1955-).
His next notable role was that Thomas Brian Reynolds, agent of the National Security Agency (NSA) in the action thriller "Enemy of the State" (1998). In the film, the NSA conspires to expand the surveillance powers of intelligence agencies over individuals and groups, at the cost of American citizens' right to privacy. The film was another box office success in Voight's career, earning about 251 million dollars at the box office.
In the same year, Voight played inspector Ned Kenny in the crime film "The General" (1998). The film was loosely based on the career of Irish crime boss Martin Cahill (1949-1994), who was nicknamed "the General". The film was critically acclaimed and director John Boorman won the Cannes Film Festival Award for Best Director.
Voight's next notable role was that of domineering coach Bud Kilmer in the sports film "Varsity Blues" (1999). The film dealt with the difficulties in the life of the players of a Texas-based high school football team, and was not expected to attract much attention by audiences. It earned about 54 million dollars at the box office, making it a modest box office hit. It is credited with introducing Voight to a next generation of fans.
Voight's final film in the 1990s was "A Dog of Flanders" (1999), based on a 1872 novel by Ouida (1839-1908). He played the role of artist Michel La Grande, the mentor of Nello (played by Jeremy James Kissner), who is eventually revealed to be Nello's biological father. The film failed at the box office, failing to earn as much as its modest budget.
Voight appeared in no film released in 2000, but had a busy year in 2001. He appeared in several box office hits of the year. He played President of the United States Franklin Delano Roosevelt (1882-1945, term 1933-1945) in the war drama "Pearl Harbor", Lara Croft's father Lord Richard Croft in the action film "Lara Croft: Tomb Raider", coal-miner and working class father Larry Zoolander in action comedy "Zoolander", and sports journalist Howard Cosell in the biographical film "Ali". For his role in "Ali", Voight was nominated for the Academy Award for Best Supporting Actor. The award was instead won by rival actor Jim Broadbent (1949-). It was Voight's fourth and (so far) last nomination for an Academy Award.
Voight had a notable role playing Pope John Paul II (1920-2005, term 1978-2005) in the miniseries "Pope John Paul II" (2005). He was nominated for the Primetime Emmy Award for Outstanding Lead Actor in a Limited Series or Movie, but the award was instead won by rival actor Andre Braugher (1962-).
Voight had a supporting role as John Keller, United States Secretary of Defense in the science fiction film "Transformers" (2007). The film was based on the Transformers toy line by Hasbro.It earned about 710 million dollars at the box office, one of the most commercially successful films in Voight's career.
In 2009, Voight had a notable television role, playing Jonas Hodges, the CEO of a Virginia-based private military company in the then-popular television series "24" (2001-2010, 2014). He was a main antagonist in the seventh season of the series. His role was inspired by the careers of Hessian colonel Johann Rall (c. 1726-1776), German industrialist Alfried Krupp von Bohlen und Halbach (1907-1967), and private military company CEO Erik Prince (1969-).
His 2010s notable film roles include the role of Dracula's enemy Loonardo Van Helsing in the horror film "Dracula: The Dark Prince" (2013), football coach Paul William "Bear" Bryant (1913-1983) in the sports drama "Woodlawn" (2015), and newspaper owner Henry Shaw Sr. in "Fantastic Beasts and Where to Find Them" (2016). "Fantastic Beasts" earned about 814 million dollars at the worldwide box office, being one of the most commercially successful films that Voight ever appeared in.
In 2020, was 82-years-old, and he is still working as an actor.- Actor
- Producer
- Soundtrack
Intense was the word for Ray Liotta. He specialized in psychopathic characters who hide behind a cultivated charm. Even in his nice-guy roles in Field of Dreams (1989) and Operation Dumbo Drop (1995), you get the impression that something is smoldering inside of him. He was born in Newark, New Jersey, and was adopted by Mary (Edgar), a township clerk, and Alfred Liotta, an auto parts store owner. He studied acting at the University of Miami, where he became friends with Steven Bauer (Scarface (1983), Thief of Hearts (1984)). He spent his first years acting in TV: Another World (1964), a TV movie and several short-lived series. He broke into movies with the black comedy Something Wild (1986), which garnered him rave reviews. Originally unable to get a reading, he was recommended for the part by Melanie Griffith (then married to Bauer).
Following the success Something Wild (1986), he received more offers in the "psycho" vein, but refused them to avoid being typecast. Instead, he made "little movies" like Dominick and Eugene (1988), which earned him standing as an actor's actor, and Field of Dreams (1989), whose success always surprised him. When he heard Martin Scorsese was casting Goodfellas (1990), he lobbied hard for the part of Henry Hill. The film's huge success brought him wide popularity and garnered him star billing in future films such as Article 99 (1992), Unlawful Entry (1992), and Unforgettable (1996).
Liotta died on May 26, 2022, aged 67, in his sleep while filming on location in Santo Domingo, Dominican Republic.- Actor
- Producer
- Writer
Ewan Gordon McGregor was born on March 31, 1971 in Perth, Perthshire, Scotland, to Carol Diane (Lawson) and James Charles McGregor, both teachers. His uncle is actor Denis Lawson. He was raised in Crieff. At age 16, he left Morrison Academy to join the Perth Repertory Theatre. His parents encouraged him to leave school and pursue his acting goals rather than be unhappy. McGregor studied drama for a year at Kirkcaldly in Fife, then enrolled at London's Guildhall School of Music and Drama for a three-year course. He studied alongside Daniel Craig and Alistair McGowan, among others, and left right before graduating after snagging the role of Private Mick Hopper in Dennis Potter's six-part Channel 4 series Lipstick on Your Collar (1993). His first notable role was that of Alex Law in Shallow Grave (1994), directed by Danny Boyle, written by John Hodge and produced by Andrew Macdonald. This was followed by The Pillow Book (1995) and Trainspotting (1996), the latter of which brought him to the public's attention.
He is now one of the most critically acclaimed actors of his generation, and portrays Obi-Wan Kenobi in the first three Star Wars episodes. McGregor is married to French production designer Eve Mavrakis, whom he met while working on the television series Kavanagh QC (1995). They married in France in the summer of 1995, and have four daughters. McGregor formed a production company, with friends Jonny Lee Miller, Sean Pertwee, Jude Law, Sadie Frost, Damon Bryant, Bradley Adams and Geoff Deehan, called "Natural Nylon", and hoped it would make innovative films that do not conform to Hollywood standards. McGregor and Bryant left the company in 2002. He was awarded Officer of the Order of the British Empire in the 2013 Queen's New Years Honours List for his services to drama and charity.
Ewan made his directorial debut with American Pastoral (2016), an adaptation of Philip Roth's book, in which Ewan also starred.
In 2018 McGregor won an Golden Globe for his work in the TV Series Fargo.- Actor
- Writer
- Director
Alan Rickman was born on a council estate in Acton, West London, to Margaret Doreen Rose (Bartlett), of English and Welsh descent, and Bernard Rickman, of Irish descent, who worked at a factory. Alan Rickman had an older brother (David), a younger brother (Michael), and a younger sister (Sheila). When Alan was 8 years old, his father died. He attended Latymer Upper School on a scholarship. He studied Graphic Design at Chelsea College of Art and Design, where he met Rima Horton, who would later become his longtime partner.
After three years at Chelsea College, Rickman did graduate studies at the Royal College of Art. He opened a successful graphic design business, Graphiti, with friends and managed it for several years before his love of theatre led him to seek an audition with the Royal Academy of Dramatic Art (RADA). At the relatively late age of 26, Rickman received a scholarship to RADA, which started a professional acting career that has lasted nearly 40 years, a career which has spanned stage, screen and television, and overlapped into directing, as well. In 1987, he first came to the attention of American audiences as the Vicomte de Valmont in "Les Liaisons Dangereuses" on Broadway (he was nominated for a Tony Award for his performance in the role). Denied the role in the film version of the show, Rickman instead made his first film appearance opposite Bruce Willis in Die Hard (1988) as the villainous Hans Gruber. His take on the urbane villain set the standard for screen villains for decades to come.
Although often cited as being a master of playing villains, Rickman actually played a wide variety of characters, such as the romantic cello-playing ghost Jamie in Anthony Minghella's Truly Madly Deeply (1990) and the noble Colonel Brandon of Sense and Sensibility (1995). He treated audiences to his comedic abilities in such films as Dogma (1999), Galaxy Quest (1999) and The Hitchhiker's Guide to the Galaxy (2005), and roles like Dr. Alfred Blalock in Something the Lord Made (2004), and as Alex Hughes in Snow Cake (2006), showcased his ability to play ordinary men in extraordinary situations. Rickman even conquered the daunting task of singing a role in a Stephen Sondheim musical as he took on the role of Judge Turpin in the movie adaptation of Sweeney Todd: The Demon Barber of Fleet Street (2007). In 2001, Rickman introduced himself to a whole new, younger generation of fans by taking on the role of Severus Snape in the film versions of J.K. Rowling's Harry Potter and the Sorcerer's Stone (2001). He continued to play the role through the eighth and last movie Harry Potter and the Deathly Hallows: Part 2 (2011).
Alan Rickman died of pancreatic cancer on 14 January 2016. He was 69 years old.- Actor
- Producer
- Director
Val Kilmer was born in Los Angeles, California, to Gladys Swanette (Ekstadt) and Eugene Dorris Kilmer, who was a real estate developer and aerospace equipment distributor. His mother, born in Indiana, was from a Swedish family, and his father was from Texas. Val studied at Hollywood's Professional's School and, in his teens, entered Juilliard's drama program. His professional acting career began on stage, and he still participates in theater; he played Hamlet at the 1988 Colorado Shakespeare Festival. His film debut was in the 1984 spoof Top Secret! (1984), wherein he starred as blond rock idol Nick Rivers. He was in a number of films throughout the 1980s, including the 1986 smash Top Gun (1986). Despite his obvious talent and range, it wasn't until his astonishingly believable performance as Jim Morrison in Oliver Stone's The Doors (1991) that the world sat up and took notice. Kilmer again put his good baritone to use in the movie, performing all of the concert pieces. Since then, he has played two more American legends, Elvis Presley in True Romance (1993) and Doc Holliday in Tombstone (1993). In July 1994, it was announced that Kilmer would be taking over the role of Batman/Bruce Wayne from Michael Keaton.- Actor
- Producer
- Director
Colin Farrell is one of Ireland's biggest stars in Hollywood and abroad. His film presence has been filled with memorable roles that range from an inwardly tortured hit man, to an adventurous explorer, a determined-but-failing writer, and the greatest military leader in history.
Farrell was born on May 31, 1976 in Castleknock, Dublin, Ireland to Rita (Monaghan) and Eamon Farrell. His father and uncle were both professional athletes, and briefly it looked like Farrell would follow in their footsteps. Farrell auditioned for a part in the Irish boy band Boyzone, unsuccessfully. After dropping out of the Gaiety School of Acting, Farrell was cast in Ballykissangel (1996), a BBC television drama. "Ballykissangel" was not his first onscreen role. Farrell had previously been in The War Zone (1999), directed by Tim Roth and had appeared in the independent film Drinking Crude (1997). Farrell was soon to move on to bigger things.
Exchanging his thick Dublin accent for a light Texas drawl, Farrell acted in the gritty Tigerland (2000), directed by Joel Schumacher. Starring Farrell among a number of other budding young actors, the film portrays a group of new recruits being trained for the war in Vietnam. Farrell played the arrogant soldier Boz, drafted into the army and completely spiteful of authority. The film was praised by critics but made little money at the box office. It was Farrell's first big role on film, and certainly not his last. Farrell followed up with American Outlaws (2001), where he played the notorious outlaw Jesse James with Scott Caan, son of legendary actor James Caan, in the role of Cole Younger. The film was a box-office flop and a critical failure. Immediately, Farrell returned to the war drama film that had made him famous. Co-starring in the war film Hart's War (2002) opposite Bruce Willis, Farrell played the young officer captured by the enemy. The film was another failure. Farrell struck gold when he was cast in the Steven Spielberg film Minority Report (2002) that same year. Set in a futuristic time period, Farrell played the character Danny Witwer, a young member of the Justice Department who is sent after Tom Cruise's character. The film was a smash hit, and praised by critics.
Farrell continued this success when he reunited with Joel Schumacher on the successful thriller Phone Booth (2002). Farrell played the role of the victim who is harassed by an unseen killer (Kiefer Sutherland) and is made to reveal his sins to the public. 2003 was a big year for Farrell. He starred in the crime thriller The Recruit (2003) as a young CIA man mentored by an older CIA veteran (Al Pacino). Pacino later stated that Farrell was the best actor of his generation. Farrell certainly continued to be busy that year with Daredevil (2003), which actually allowed him to keep his thick Irish accent. The film was another success for Farrell, as was the crime film S.W.A.T. (2003) where Farrell starred opposite Samuel L. Jackson and LL Cool J. Farrell also acted in the Irish black comedy film Intermission (2003) and appeared another Irish film Veronica Guerin (2003) which reunited him with Joel Schumacher once again. The following year, Farrell acted in what is his most infamous film role yet: the title role in the mighty Oliver Stone film epic Alexander (2004), which is a character study of Alexander the Great as he travels across new worlds and conquers all the known world before him. Farrell donned a blond wig and retained his Irish accent, and gave a fine performance as Alexander. However, both he and the film were criticized. Despite being one of the highest grossing films internationally and doing a good job at the DVD sales, Farrell did not come out of the experience without a few hurts. Farrell attempted to rebound with his historical film The New World (2005). Reuniting with "Alexander" star Christopher Plummer, and also acting with Christian Bale, Farrell played the brave explorer John Smith, who would make first contacts with the Native peoples. The film did not do well at the box office, though critics praised the film's stunning appearance and cinematography.
Farrell returned to act in Michael Mann's film Miami Vice (2006) alongside Jamie Foxx. The film was a film adaptation of the famous television series, and did reasonably well at the box office. Farrell also acted in Ask the Dust (2006) with Salma Hayek and Donald Sutherland, though the film did not receive much distribution. The next year, Farrell acted alongside Ewan McGregor in the Woody Allen film Cassandra's Dream (2007) which received mixed reviews from critics. Farrell followed up with the hilarious black comedy In Bruges (2008). Written and directed by Irish theatre director Martin McDonagh, the film stars Farrell and Brendan Gleeson as two Irish hit men whose latest assignment went wrong, leaving them to hide out in Bruges, Belgium. The film has been one of Farrell's most praised work, and he was nominated for a Golden Globe. As well as In Bruges (2008), Farrell acted alongside Edward Norton in the crime film Pride and Glory (2008) which was not as successful as the former film. As well as working with charity, and speaking at the Special Olympics World Games in 2007, he has donated his salary for Terry Gilliam's The Imaginarium of Doctor Parnassus (2009) to Heath Ledger's little daughter (who was left nothing in a will that had not been updated in time). Ledger had originally been cast in the film and was replaced by Farrell, Johnny Depp and Jude Law. The film was a critical and financial success, and Farrell also played a small role in Crazy Heart (2009) which had the Dubliner playing a country singer. Farrell even sang a few songs for the film's soundtrack. As well as those small roles, Farrell took the lead role in the war film Triage (2009). Farrell incredibly lost forty-four pounds to play the role of a war photographer who must come to terms with what he has experienced in Kurdistan. While the film was finely made, with excellent performances from all involved, the film has received almost no distribution.
Farrell's other leading role that year was in Neil Jordan's Irish film Ondine (2009). In recent years, he co-starred in the comedy horror film Fright Night (2011), the science fiction action film Total Recall (2012), both remakes, and McDonagh's second feature, and the black comedy crime film Seven Psychopaths (2012). Since the mid-2000s, Farrell has cleaned up his act, and far from being a Hollywood hell raiser and party animal, he has shown himself to be a respectable and very talented actor.
He also starred in The Lobster (2015) and The Killing of a Sacred Deer (2017), both directed by Yorgos Lanthimos. For The Lobster he was nominated for a Golden Globe.- Actor
- Producer
- Writer
Geoffrey Roy Rush was born on July 6, 1951, in Toowoomba, Queensland, Australia, to Merle (Bischof), a department store sales assistant, and Roy Baden Rush, an accountant for the Royal Australian Air Force. His mother was of German descent and his father had English, Irish, and Scottish ancestry. He was raised in Brisbane, Queensland, after his parents split up.
Rush attended Everton Park State High School during his formative years. His early interest in the theatre led to his 1971 stage debut at age 20 in "Wrong Side of the Moon" with the Queensland Theatre Company.
Known for his classical repertory work over the years, he scored an unexpected hit with his Queensland role as Snoopy in the musical "You're a Good Man, Charlie Brown". A few years later he moved to France to study but subsequently returned to his homeland within a short time and continued work as both actor and director with the Queensland company ("June and the Paycock," "Aladdin," "Godspell," "Present Laughter," "The Rivals"). In the 1980s Rush became a vital member of the State Theatre Company of South Australia and showed an equally strong range there in such productions as "Revenger's Tragedy," "A Midsummer Night's Dream," "Mother Courage...and Her Children," "Blood Wedding," "Pal Joey," "Twelfth Night" and as The Fool in "King Lear".
Rush made an inauspicious debut in films with the feature Hoodwink (1981), having little more than a bit part, and didn't carry off his first major role until playing Sir Andrew Aguecheek in a movie production of Twelfth Night (1986). Yet, he remained a durable presence on stage with acclaimed productions in "The Diary of a Madman" in 1989 and "The Government Inspector" in 1991.
Rush suffered a temporary nervous breakdown in 1992 due to overwork and anguish over his lack of career advancement. Resting for a time, he eventually returned to the stage. Within a few years film-goers finally began taking notice of Geoffrey after his performance in Children of the Revolution (1996). This led to THE role of a lifetime as the highly dysfunctional piano prodigy David Helfgott in Shine (1996). Rush's astonishing tour-de-force performance won him every conceivable award imaginable, including the Oscar, Golden Globe, British Film Award and Australian Film Institute Award.
"Shine" not only put Rush on the international film map, but atypically on the Hollywood "A" list as well. His rather homely mug was made fascinating by a completely charming, confident and captivating demeanor; better yet, it allowed him to more easily dissolve into a number of transfixing historical portrayals, notably his Walsingham in Elizabeth (1998) and Leon Trotsky in Frida (2002). He's also allowed himself to have a bit of hammy fun in such box office escapism as Mystery Men (1999), House on Haunted Hill (1999), The Banger Sisters (2002), Finding Nemo (2003) and Pirates of the Caribbean: The Curse of the Black Pearl (2003). More than validating his early film success, two more Oscar nominations came his way in the same year for Quills (2000) (best actor) and Shakespeare in Love (1998) (support actor) in 2000. Geoffrey's amazing versatility continued into the millennium with his portrayal of the manic, volatile comedy genius Peter Sellers in the biopic The Life and Death of Peter Sellers (2004). He also merited attention as Lionel Logue in The King's Speech (2010), Basil Hunter in The Eye of the Storm (2011), Hans Hubermann in The Book Thief (2013), artist/sculptor Alberto Giocometti in Final Portrait (2017) and Michael Kingley Storm Boy (2019).
Rush's intermittent returns to the stage have included productions of "Marat-Sade," "Uncle Vanya," "Oleanna," "Hamlet" and "The Small Poppies". In 2009 he made his Broadway debut in "Exit the King" co-starring Susan Sarandon. His marriage (since 1988) to Aussie classical actress Jane Menelaus produced daughter Angelica (1992) and son James (1995). Menelaus, who has also performed with the State Theatre of South Australia, has co-starred on stage with Rush in "The Winter's Tale" (1987), "Troilus and Cressida" (1989) and "The Importance of Being Earnest" (as Gwendolyn to his Jack Worthing). She also had featured roles in a few of his films, including Quills (2000) and The Eye of the Storm (2011).- Actress
- Producer
- Director
Gwyneth Kate Paltrow was born in Los Angeles, the daughter of noted producer and director Bruce Paltrow and Tony Award-winning actress Blythe Danner. Her father was from a Jewish family, while her mother is of mostly German descent. When Gwyneth was eleven, the family moved to Massachusetts, where her father began working in summer stock productions in the Berkshires. It was here that she received her early acting training under the tutelage of her parents. She graduated from the all-girls Spence School in New York City and moved to California where she attended the UC Santa Barbara, majoring in Art History. She soon quit, realizing it was not her passion. She made her film debut with a small part in Shout (1991) and for the next five years had featured roles in a mixed bag of film fare that included Flesh and Bone (1993); Mrs. Parker and the Vicious Circle (1994); Se7en (1995); Jefferson in Paris (1995); Moonlight and Valentino (1995); and The Pallbearer (1996). It was her performance in the title role of Emma Woodhouse in Emma (1996) that led to her being offered the role of Viola in Shakespeare in Love (1998), for which she was awarded the Golden Globe, Screen Actors Guild and Academy Awards for Best Actress in a Leading Role. Her roles have also included The Talented Mr. Ripley (1999), The Royal Tenenbaums (2001), Shallow Hal (2001), Sky Captain and the World of Tomorrow (2004), Proof (2005), Iron Man (2008), Two Lovers (2008), and Country Strong (2010). She has two children with her former husband, English musician Chris Martin.- Actor
- Producer
- Writer
Robert Downey Jr. has evolved into one of the most respected actors in Hollywood. With an amazing list of credits to his name, he has managed to stay new and fresh even after over four decades in the business.
Downey was born April 4, 1965 in Manhattan, New York, the son of writer, director and filmographer Robert Downey Sr. and actress Elsie Downey (née Elsie Ann Ford). Robert's father is of half Lithuanian Jewish, one quarter Hungarian Jewish, and one quarter Irish, descent, while Robert's mother was of English, Scottish, German, and Swiss-German ancestry. Robert and his sister, Allyson Downey, were immersed in film and the performing arts from a very young age, leading Downey Jr. to study at the Stagedoor Manor Performing Arts Training Center in upstate New York, before moving to California with his father following his parents' 1978 divorce. In 1982, he dropped out of Santa Monica High School to pursue acting full time. Downey Sr., himself a drug addict, exposed his son to drugs at a very early age, and Downey Jr. would go on to struggle with abuse for decades.
Downey Jr. made his debut as an actor at the age of five in the film Pound (1970), written and directed by his father, Robert Downey Sr.. He built his film repertoire throughout the 1980s and 1990s with roles in Tuff Turf (1985), Weird Science (1985), True Believer (1989), and Wonder Boys (2000) among many others. In 1992, Downey received an Academy Award nomination and won the BAFTA (British Academy Award) for Best Actor for his performance in the title role of Chaplin (1992).
In Robert Altman's Short Cuts (1993), he appeared as an aspiring film make-up artist whose best friend commits murder. In Oliver Stone's Natural Born Killers (1994), with Woody Harrelson and Juliette Lewis, Downey starred as a tabloid TV journalist who exploits a murderous couple's killing spree to boost his ratings. For the comedy Heart and Souls (1993), Downey starred as a young man with a special relationship with four ghosts. In 1995, Downey starred in Restoration (1995), with Hugh Grant, Meg Ryan and Ian McKellen, directed by Michael Hoffman. Also that year, he starred in Richard III (1995), in which he appears opposite his Restoration (1995) co-star McKellen.
In 1997, Downey was seen in Robert Altman's The Gingerbread Man (1998), alongside Kenneth Branagh, Daryl Hannah and Embeth Davidtz; in One Night Stand (1997), directed by Mike Figgis and starring Wesley Snipes and Nastassja Kinski; and in Hugo Pool (1997), directed by his father, Robert Downey Sr. and starring Sean Penn and Patrick Dempsey. In September of 1999, Downey appeared in Black & White (1999), written and directed by James Toback, along with Ben Stiller, Elijah Wood, Gaby Hoffmann, Brooke Shields and Claudia Schiffer. In January of 1999, he starred with Annette Bening and Aidan Quinn in In Dreams (1999), directed by Neil Jordan.
In 2000, Downey co-starred with Michael Douglas and Tobey Maguire in Wonder Boys (2000), directed by Curtis Hanson. In this dramatic comedy, Downey played the role of a bisexual literary agent. In 2001, Downey made his prime-time television debut when he joined the cast of the Fox-TV series Ally McBeal (1997) as attorney "Larry Paul". For this role, he won the Golden Globe Award for Best Performance by an Actor in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television, as well as the Screen Actors Guild Award for Outstanding Performance by a Male in a Comedy Series. In addition, Downey was nominated for an Emmy for Outstanding Supporting Actor in a Comedy Series.
The actor's drug-related problems escalated from 1996 to 2001, leading to arrests, rehab visits and incarcerations, and he was eventually fired from Ally McBeal (1997). Emerging clean and sober in 2003, Downey Jr. began to rebuild his career.
He marked his debut into music with his debut album, titled "The Futurist", on the Sony Classics Label on November 23rd, 2004. The album's eight original songs, that Downey wrote, and his two musical numbers debuting as cover songs revealed his sultry singing voice and his musical talents. Downey displayed his versatility in two different films in October 2003: the musical/drama The Singing Detective (2003), a remake of the BBC hit of the same name, and the thriller Gothika (2003) starring Halle Berry and Penélope Cruz. Downey starred in powerful yet humbling roles inspired by real-life accounts of some of history's most precious kept secrets, including Richard Linklater's A Scanner Darkly (2006) in 2006 co-starring Keanu Reeves, Winona Ryder and Woody Harrelson, and Fur: An Imaginary Portrait of Diane Arbus (2006) co-starring Nicole Kidman, a film inspired by the life of Diane Arbus, the revered photographer whose images captured attention in the early 1960s. These roles exhibited Downey's momentum from the previous year of 2005, in which he starred in the Academy Award®-nominated feature film Good Night, and Good Luck. (2005), directed by George Clooney and in Shane Black's action comedy Kiss Kiss Bang Bang (2005) co-starring Val Kilmer. In 2007, he co-starred in David Fincher's suspenseful Zodiac (2007), alongside Jake Gyllenhaal and Mark Ruffalo, about the notorious serial killer who haunted San Francisco during the 1970s.
In May 2008, Downey achieved critical acclaim and worldwide box office success for his starring role in Iron Man (2008), Jon Favreau's big-screen rendering of the Marvel comic book superhero. The film co-starred Gwyneth Paltrow, Jeff Bridges and Terrence Howard. In August of 2008, Downey starred with Ben Stiller and Jack Black in the comedy Tropic Thunder (2008), and went on to receive an Academy Award®-nomination for Best Supporting Actor for his, Kirk Lazarus.
In December 2009, Downey starred in the action-adventure Sherlock Holmes (2009). The film, directed by Guy Ritchie, co-starred Jude Law and Rachel McAdams and earned Downey a Golden Globe for Best Performance by an Actor in a Motion Picture - Comedy or Musical in January of 2010. In early Summer 2010, Downey re-teamed with director Jon Favreau and reprised his role as "Tony Stark/Iron Man" in the hugely successful sequel to the original film, Iron Man 2 (2010), starring Gwyneth Paltrow, Scarlett Johansson, Samuel L. Jackson and Mickey Rourke.
Downey next starred in Due Date (2010), a comedy directed by Todd Phillips, in which he plays the role of an expectant father on a road trip racing to get back in time for the birth of his first child. Due Date (2010), starring The Hangover (2009)'s Zach Galifianakis, was released in November 2010.
Downey was honored by Time Magazine's "Time 100" in 2008, an annual list of the 100 most influential people in the world. His laurels include two Academy Award nominations, three Golden Globe wins, numerous other award nominations and wins, and tremendous popular and commercial success, particularly in his roles as Sherlock Holmes and Tony Stark (the latter of which he has so far played in Iron Man (2008), Iron Man 2 (2010), The Avengers (2012), Iron Man 3 (2013), and Avengers: Age of Ultron (2015). For three consecutive years, from 2012 to 2015, Downey has topped the Forbes list of Hollywood's highest-paid actors, making an estimated $80 million in earnings between June 2014 and June 2015.
In 2005, Downey Jr. married Susan Downey, with whom he has two children. Downey also has another son, Indio Falconer Downey, born 1993, from his first marriage to Deborah Falconer, from whom he was officially divorced in 2004.
Robert has jump-started the Team Downey Production Company with wife Susan Downey.- Actor
- Producer
- Additional Crew
Michael Caine was born as Maurice Joseph Micklewhite in London, to Ellen (née Burchell), a cook, and Maurice Micklewhite Sr., a fish-market porter. He had a younger brother, Stanley Caine, and an older maternal half-brother named David Burchell. He left school at age 15 and took a series of working-class jobs before joining the British army and serving in Korea during the Korean War, where he saw combat. Upon his return to England, he gravitated toward the theater and got a job as an assistant stage manager. He adopted the name of Caine on the advice of his agent, taking it from a marquee that advertised The Caine Mutiny (1954). In the years that followed, he worked in more than 100 television dramas, with repertory companies throughout England and eventually in the stage hit "The Long and the Short and the Tall".
Zulu (1964), the epic retelling of a historic 19th-century battle in South Africa between British soldiers and Zulu warriors, brought Caine to international attention. Instead of being typecast as a low-ranking Cockney soldier, he played a snobbish, aristocratic officer. Although "Zulu" was a major success, it was the role of Harry Palmer in The Ipcress File (1965) and the title role in Alfie (1966) that made Caine a star of the first magnitude. He epitomized the new breed of actor in mid-1960s England, the working-class bloke with glasses and a down-home accent. However, after initially starring in some excellent films, particularly in the 1960s, including Gambit (1966), Funeral in Berlin (1966), Play Dirty (1969), Battle of Britain (1969), Too Late the Hero (1970), The Last Valley (1971) and especially Get Carter (1971), he seemed to take on roles in below-average films, simply for the money he could by then command.
However, there were some gems amongst the dross. He gave a magnificent performance opposite Sean Connery in The Man Who Would Be King (1975) and turned in a solid one as a German colonel in The Eagle Has Landed (1976). Educating Rita (1983), Blame It on Rio (1984) and Hannah and Her Sisters (1986) (for which he won his first Oscar) were highlights of the 1980s, while more recently Little Voice (1998), The Cider House Rules (1999) (his second Oscar) and Last Orders (2001) have been widely acclaimed. Caine played Nigel Powers in the parody sequel Austin Powers in Goldmember (2002), and Alfred Pennyworth in Christopher Nolan's Dark Knight trilogy. He appeared in several other of Nolan's films including The Prestige (2006), Inception (2010) and Interstellar (2014). He also appeared as a supporting character in Alfonso Cuarón's Children of Men (2006) and Pixar's sequel Cars 2 (2011).
As of 2015, films in which Caine has starred have grossed over $7.4 billion worldwide. He is ranked the ninth highest grossing box office star. Caine is one of several actors nominated for an Academy Award for acting every decade from five consecutive decades (the other being Laurence Olivier and Meryl Streep). He was appointed Commander of the Order of the British Empire in the 1992 Birthday Honours, and was knighted by Queen Elizabeth II in the 2000 Birthday Honours in recognition for his contributions to the cinema.
Caine has been married twice. First to actress Patricia Haines from 1954 to 1958. They had a daughter, Dominique, in 1957. A bachelor for some dozen-plus years after the divorce, he was romantically linked to Edina Ronay (for three years), Nancy Sinatra, Natalie Wood, Candice Bergen, Bianca Jagger, Françoise Pascal and Jill St. John. In 1971 he met his second wife, fashion model Shakira Caine (née Baksh), and they married in 1973, six months before their daughter Natasha was born. The couple has three grandchildren, and in 2023, they celebrated their 50th wedding anniversary.- Actor
- Producer
- Soundtrack
Christopher Lloyd is an American actor with a relatively long career. His better known roles include drug-using taxicab driver Jim Ignatowski in the sitcom Taxi (1978), Klingon Commander Kruge in Star Trek III: The Search for Spock (1984), inventor Dr. Emmett "Doc" Brown in the Back to the Future trilogy (1985-1990), the evil Judge Doom in Who Framed Roger Rabbit (1988), and deranged Uncle Fester in The Addams Family (1991) and Addams Family Values (1993).
Lloyd was born on October 22, 1938 in Stamford, Connecticut. His parents were lawyer Samuel R. Lloyd and singer Ruth Lapham (1896-1984). His maternal uncle was politician Roger Lapham, Mayor of San Francisco (1883-1966, term 1944-1948). His maternal grandfather was businessman Lewis Henry Lapham (1858-1934), co-founder of Texaco Oil Company. Lloyd is a distant descendant of indentured servant John Howland (c. 1592-1673), one of the passengers of the ship Mayflower and signers of the Mayflower Compact.
Lloyd was raised in the town Westport, Connecticut, which changed from a community of farmers to a suburban development during the 20th century. Many artists and writers from New York City settled in the town. Lloyd was educated at Staples High School. He was a co-founder of the Staples Players, the school's theatre company. Lloyd was interested in an acting career, and served as an apprentice at summer theaters in Mount Kisco, New York and Hyannis, Massachusetts. In 1957, he started pursuing acting classes in New York City. He took lessons at the Neighborhood Playhouse School of the Theatre, a full-time professional conservatory for actors. His acting teacher was Sanford Meisner (1905-1997), eponymous creator of the Meisner technique.
Lloyd made his New York theatrical debut in a 1961 production of the play "And They Put Handcuffs on the Flowers" by Fernando Arrabal (1932-). He was reportedly a replacement for another actor. He made his Broadway debut in a 1969 performance of Red, White and Maddox (1969). Until the mid-1970s, Lloyd was primarily a theatrical actor. He performed both on Off-Broadway shows and in Broadway. Lloyd made his film debut in the role of psychiatric patient Max Taber in the drama One Flew Over the Cuckoo's Nest (1975). His first major role in television was drug-using taxicab driver Jim Ignatowski in the sitcom Taxi (1978). His character was an aging hippie, son of an affluent Boston family , and former student of Harvard University. Ignatowski was one of the sitcom's most colorful characters and Lloyd won two Primetime Emmy Awards for Outstanding Supporting Actor in a Comedy Series.
In the 1980s and early 1990s, Lloyd played most of his most notable film roles. Lloyd was first nominated for the Saturn Award for Best Supporting Actor, for his role as Dr. Emmett "Doc" Brown in Back to the Future (1985). The award was instead won by rival actor Roddy McDowall (1928-1998). He was nominated for the same award for his role as the evil Judge Doom in Who Framed Roger Rabbit (1988). The award was instead won by rival actor Robert Loggia (1930-2015). Lloyd also performed as a voice actor, voicing the evil sorcerer Merlock in DuckTales the Movie: Treasure of the Lost Lamp (1990) and historical figure Grigori Rasputin (1869-1916) in Anastasia (1997). Lloyd had another notable television role when cast in the role of villain Sebastian Jackal in the sci-fi series Deadly Games (1995). He also played the character Dr. Jordan Kenneth Lloyd, the despised father of the series' protagonist Dr. Gus Lloyd (played by James Calvert).
Lloyd's last notable film role in the 1990s was playing the Martian Uncle Martin in My Favorite Martian (1999). The film was an adaptation of the classic sitcom My Favorite Martian (1963), and the character was previously played by Ray Walston (1914-2001). The film under-performed at the box office. In the 2000s, Lloyd played the role of recurring character Cletus Poffenberger in the comic sci-fi series Tremors (2003), and recurring character Professor Harold March in the sitcom Stacked (2005). As March, Lloyd played a retired rocket scientist who was a regular customer of the bookstore which served as the series' setting. In the 2010s, Lloyd returned to the role of Dr. Emmett "Doc" Brown in cameo appearances in A Million Ways to Die in the West (2014) and Donald Trump's The Art of the Deal: The Movie (2016), and as the protagonist of the short film Back to the Future: Doc Brown Saves the World (2015). By 2020, Lloyd has never retired from acting and continues to appear in various roles.- Actor
- Writer
- Producer
Highly talented, lightly built American actor who always looks unsettled and jumpy has become a favourite of cult/arthouse film aficionados with his compelling performances in a broad range of cinematic vehicles.
Turturro was born in Brooklyn, New York, to Italian-American parents, Katherine (Incerella), a jazz singer, and Nicholas Turturro, a construction worker and carpenter, who was born in Giovinazzo. His brother, also named Nicholas Turturro, is an actor, and actress Aida Turturro is his cousin.
Turturro has become a regular in the thought provoking films of Spike Lee and the off the wall comedies of Joel Coen & Ethan Coen. His wonderful performances include as the highly agitated "Pino" in Do the Right Thing (1989), as an intellectual playwright in Barton Fink (1991), a pedophile tenpin bowler in The Big Lebowski (1998), a confused boyfriend in Jungle Fever (1991) and as the voice of Harvey the dog in Summer of Sam (1999).
Turturro has continued to appeal to audiences despite his unconventional looks and the often annoying onscreen mannerisms of his characters which he used to great effect in films such as his blue collar tale of warring brothers in the construction business, Mac (1992), as the irate, dumped game show contestant, Herbie Stempel, in Robert Redford's dynamic Quiz Show (1994). One of modern American cinema's gems of acting, Turturro remains in strong demand for his high calibre thespian talents.- Actor
- Producer
- Soundtrack
John Stephen Goodman's an American film, TV & stage actor. He was born in Affton, Missouri to Virginia Roos (Loosmore), a waitress and saleswoman & Leslie Francis Goodman, a postal worker who died when he was a small child. He's of English, Welsh & German ancestry. He's best known for his role as Dan Conner on the TV show Roseanne (1988), which ran until 1997 & for which he earned him a Best Actor Golden Globe in 1993. He's also noted for appearances in films of the Coen brothers, w/ prominent roles in Raising Arizona (1987) as an escaped convict, in Barton Fink (1991) as a congenial murderer, in The Big Lebowski (1998) as a volatile bowler & in O Brother, Where Art Thou? (2000) as a cultured thief. Additionally, he has done voice work in numerous Disney & Pixar films, including the Sulley in Monsters, Inc. (2001). Having contributed to more than 50 films, he has also won 2 American Comedy Awards & hosted Saturday Night Live (1975) 14 times.- Actor
- Additional Crew
- Director
Eugene Curran Kelly was born in Pittsburgh, Pennsylvania, the third son of Harriet Catherine (Curran) and James Patrick Joseph Kelly, a phonograph salesman. His father was of Irish descent and his mother was of Irish and German ancestry.
Metro-Goldwyn-Mayer was the largest and most powerful studio in Hollywood when Gene Kelly arrived in town in 1941. He came direct from the hit 1940 original Broadway production of "Pal Joey" and planned to return to the Broadway stage after making the one film required by his contract. His first picture for Metro-Goldwyn-Mayer was For Me and My Gal (1942) with Judy Garland. What kept Kelly in Hollywood were "the kindred creative spirits" he found behind the scenes at Metro-Goldwyn-Mayer. The talent pool was especially large during World War II, when Hollywood was a refuge for many musicians and others in the performing arts of Europe who were forced to flee the Nazis. After the war, a new generation was coming of age. Those who saw An American in Paris (1951) would try to make real life as romantic as the reel life they saw portrayed in that musical, and the first time they saw Paris, they were seeing again in memory the seventeen-minute ballet sequence set to the title song written by George Gershwin and choreographed by Kelly. The sequence cost a half million dollars (U.S.) to make in 1951 dollars. Another Kelly musical of the era, Singin' in the Rain (1952), was one of the first 25 films selected by the Library of Congress for its National Film Registry. Kelly was in the same league as Fred Astaire, but instead of a top hat and tails Kelly wore work clothes that went with his masculine, athletic dance style.
Gene Kelly died at age 83 of complications from two strokes on February 2, 1996 in Beverly Hills, Los Angeles, California.- Actor
- Soundtrack
One of stage, screen and TV's finest transatlantic talents, slight, gravel-voiced, pasty-looking John Vincent Hurt was born on January 22, 1940, in Shirebrook, a coal mining village, in Derbyshire, England. The youngest child of Phyllis (Massey), an engineer and one-time actress, and Reverend Arnould Herbert Hurt, an Anglican clergyman and mathematician, his quiet shyness betrayed an early passion for acting. First enrolled at the Grimsby Art School and St. Martin's School of Art, his focus invariably turned from painting to acting.
Accepted into the Royal Academy of Dramatic Art in 1960, John made his stage debut in "Infanticide in the House of Fred Ginger" followed by "The Dwarfs." Elsewhere, he continued to build upon his 60's theatrical career with theatre roles in "Chips with Everything" at the Vaudeville, the title role in "Hamp" at the Edinburgh Festival, "Inadmissible Evidence" at Wyndham's and "Little Malcolm and His Struggle Against the Eunuchs" at the Garrick. His movie debut occurred that same year with a supporting role in the "angry young man" British drama Young and Willing (1962), followed by small roles in Appuntamento in Riviera (1962), A Man for All Seasons (1966) and The Sailor from Gibraltar (1967).
A somber, freckled, ravaged-looking gent, Hurt found his more compelling early work in offbeat theatrical characterizations with notable roles such as Malcolm in "Macbeth" (1967), Octavius in "Man and Superman" (1969), Peter in "Ride a Cock Horse" (1972), Mike in '"The Caretaker" (1972) and Ben in "The Dumb Waiter" (1973). At the same time he gained more prominence in a spray of film and support roles such as a junior officer in Before Winter Comes (1968), the title highwayman in Sinful Davey (1969), a morose little brother in In Search of Gregory (1969), a dim, murderous truck driver in 10 Rillington Place (1971), a skirt-chasing, penguin-studying biologist in Cry of the Penguins (1971), the unappetizing son of a baron in The Pied Piper (1972) and a repeat of his title stage role as Little Malcolm and His Struggle Against the Eunuchs (1974).
Hurt shot to international stardom, however, on TV where he was allowed to display his true, fearless range. He reaped widespread acclaim for his embodiment of the tormented gay writer and raconteur Quentin Crisp in the landmark television play The Naked Civil Servant (1975), adapted from Crisp's autobiography. Hurt's bold, unabashed approach on the flamboyant and controversial gent who dared to be different was rewarded with the BAFTA (British TV Award). This triumph led to the equally fascinating success as the cruel and crazed Roman emperor Caligula in the epic television masterpiece I, Claudius (1976), followed by another compelling interpretation as murderous student Raskolnikov in Crime and Punishment (1979).
A resurgence occurred on film as a result. Among other unsurpassed portraits on his unique pallet, the chameleon in him displayed a polar side as the gentle, pathetically disfigured title role in The Elephant Man (1980), and as a tortured Turkish prison inmate who befriends Brad Davis in the intense drama Midnight Express (1978) earning Oscar nominations for both. Mainstream box-office films were offered as well as art films. He made the most of his role as a crew member whose body becomes host to an unearthly predator in Alien (1979). With this new rush of fame came a few misguided ventures as well that were generally unworthy of his talent. Such brilliant work as his steeple chase jockey in Champions (1984) or kidnapper in The Hit (1984) was occasionally offset by such drivel as the comedy misfire Partners (1982) with Ryan O'Neal in which Hurt looked enervated and embarrassed. For the most part, the craggy-faced actor continued to draw extraordinary notices. Tops on the list includes his prurient governmental gadfly who triggers the Christine Keeler political sex scandal in the aptly-titled Scandal (1989); the cultivated gay writer aroused and obsessed with struggling "pretty-boy" actor Jason Priestley in Love and Death on Long Island (1997); and the Catholic priest embroiled in the Rwanda atrocities in Shooting Dogs (2005).
Latter parts of memorable interpretations included Dr. Iannis in Captain Corelli's Mandolin (2001), the recurring role of the benign wand-maker Mr. Ollivander in Harry Potter and the Sorcerer's Stone (2001) and Harry Potter and the Deathly Hallows: Part 1 (2010), the tyrannical dictator Adam Sutler in V for Vendetta (2005) and the voice of The Dragon in Merlin (2008). Among Hurt's final film appearances were as a terminally ill screenwriter in That Good Night (2017) and a lesser role in the mystery thriller Damascus Cover (2017). Hurt's voice was also tapped into animated features and documentaries, often serving as narrator. He also returned to the theatre performing in such shows as "The Seagull", "A Month in the Country" (1994), "Afterplay" (2002) and "Krapp's Last Tape", the latter for which he received the Los Angeles Drama Critics Circle Award.
A recovered alcoholic who married four times, Hurt was appointed Commander of the Order of the British Empire (CBE) by the Queen in 2004, and Knight Bachelor of the Order of the British Empire in 2015. That same year (2015) he was diagnosed with pancreatic cancer. In July of 2016, he was forced to bow out of the father role of Billy Rice in a then-upcoming London stage production of "The Entertainer" opposite Kenneth Branagh due to ill health that he described as an "intestinal ailment". Hurt died several months later at his home in Cromer, Norfolk, England on January 15, 2017, three days after his 77th birthday.- Actor
- Producer
- Art Department
Jeffrey Leon Bridges was born on December 4, 1949 in Los Angeles, California, the son of well-known film and TV star Lloyd Bridges and his long-time wife Dorothy Dean Bridges (née Simpson). He grew up amid the happening Hollywood scene with big brother Beau Bridges. Both boys popped up, without billing, alongside their mother in the film The Company She Keeps (1951), and appeared on occasion with their famous dad on his popular underwater TV series Sea Hunt (1958) while growing up. At age 14, Jeff toured with his father in a stage production of "Anniversary Waltz". The "troublesome teen" years proved just that for Jeff and his parents were compelled at one point to intervene when problems with drugs and marijuana got out of hand.
He recovered and began shaping his nascent young adult career appearing on TV as a younger version of his father in the acclaimed TV- movie Silent Night, Lonely Night (1969), and in the strange Burgess Meredith film The Yin and the Yang of Mr. Go (1970). Following fine notices for his portrayal of a white student caught up in the racially-themed Halls of Anger (1970), his career-maker arrived just a year later when he earned a coming-of-age role in the critically-acclaimed ensemble film The Last Picture Show (1971). The Peter Bogdanovich- directed film made stars out off its young leads (Bridges, Timothy Bottoms, Cybill Shepherd) and Oscar winners out of its older cast (Ben Johnson, Cloris Leachman). The part of Duane Jackson, for which Jeff received his first Oscar-nomination (for "best supporting actor"), set the tone for the types of roles Jeff would acquaint himself with his fans -- rambling, reckless, rascally and usually unpredictable).
Owning a casual carefree handsomeness and armed with a perpetual grin and sly charm, he started immediately on an intriguing 70s sojourn into offbeat filming. Chief among them were his boxer on his way up opposite a declining Stacy Keach in Fat City (1972); his Civil War-era conman in the western Bad Company (1972); his redneck stock car racer in The Last American Hero (1973); his young student anarchist opposite a stellar veteran cast in Eugene O'Neill's The Iceman Cometh (1973); his bank-robbing (also Oscar-nominated) sidekick to Clint Eastwood in Thunderbolt and Lightfoot (1974); his aimless cattle rustler in Rancho Deluxe (1975); his low-level western writer who wants to be a real-life cowboy in Hearts of the West (1975); and the brother of an assassinated President who pursues leads to the crime in Winter Kills (1979). All are simply marvelous characters that should have propelled him to the very top rungs of stardom...but strangely didn't.
Perhaps it was his trademark ease and naturalistic approach that made him somewhat under appreciated at that time when Hollywood was run by a Dustin Hoffman, Robert De Niro and Al Pacino-like intensity. Neverthless, Jeff continued to be a scene-stealing favorite into the next decade, notably as the video game programmer in the 1982 science-fiction cult classic Tron (1982), and the struggling musician brother vying with brother Beau Bridges over the attentions of sexy singer Michelle Pfeiffer in The Fabulous Baker Boys (1989). Jeff became a third-time Oscar nominee with his highly intriguing (and strangely sexy) portrayal of a blank-faced alien in Starman (1984), and earned even higher regard as the ever-optimistic inventor Preston Tucker in Tucker: The Man and His Dream (1988).
Since then Jeff has continued to pour on the Bridges magic on film. Few enjoy such an enduring popularity while maintaining equal respect with the critics. The Fisher King (1991), American Heart (1992), Fearless (1993), The Big Lebowski (1998) (now a cult phenomenon) and The Contender (2000) (which gave him a fourth Oscar nomination) are prime examples. More recently he seized the moment as a bald-pated villain as Robert Downey Jr.'s nemesis in Iron Man (2008) and then, at age 60, he capped his rewarding career by winning the elusive Oscar, plus the Golden Globe and Screen Actor Guild awards (among many others), for his down-and-out country singer Bad Blake in Crazy Heart (2009). Bridges next starred in Tron: Legacy (2010), reprising one of his more famous roles, and received another Oscar nomination for Best Actor for his role in the Western remake True Grit (2010). In 2014, he co-produced and starred in an adaptation of the Lois Lowry science fiction drama The Giver (2014).
Jeff has been married since 1977 to non-professional Susan Geston (they met on the set of Rancho Deluxe (1975)). The couple have three daughters, Isabelle (born 1981), Jessica (born 1983), and Hayley (born 1985). He hobbies as a photographer on and off his film sets, and has been known to play around as a cartoonist and pop musician. His ancestry is English, and smaller amounts of Scots-Irish (Northern Irish), Irish, Swiss-German, and German.- Actor
- Producer
- Art Department
Jeffrey Leon Bridges was born on December 4, 1949 in Los Angeles, California, the son of well-known film and TV star Lloyd Bridges and his long-time wife Dorothy Dean Bridges (née Simpson). He grew up amid the happening Hollywood scene with big brother Beau Bridges. Both boys popped up, without billing, alongside their mother in the film The Company She Keeps (1951), and appeared on occasion with their famous dad on his popular underwater TV series Sea Hunt (1958) while growing up. At age 14, Jeff toured with his father in a stage production of "Anniversary Waltz". The "troublesome teen" years proved just that for Jeff and his parents were compelled at one point to intervene when problems with drugs and marijuana got out of hand.
He recovered and began shaping his nascent young adult career appearing on TV as a younger version of his father in the acclaimed TV- movie Silent Night, Lonely Night (1969), and in the strange Burgess Meredith film The Yin and the Yang of Mr. Go (1970). Following fine notices for his portrayal of a white student caught up in the racially-themed Halls of Anger (1970), his career-maker arrived just a year later when he earned a coming-of-age role in the critically-acclaimed ensemble film The Last Picture Show (1971). The Peter Bogdanovich- directed film made stars out off its young leads (Bridges, Timothy Bottoms, Cybill Shepherd) and Oscar winners out of its older cast (Ben Johnson, Cloris Leachman). The part of Duane Jackson, for which Jeff received his first Oscar-nomination (for "best supporting actor"), set the tone for the types of roles Jeff would acquaint himself with his fans -- rambling, reckless, rascally and usually unpredictable).
Owning a casual carefree handsomeness and armed with a perpetual grin and sly charm, he started immediately on an intriguing 70s sojourn into offbeat filming. Chief among them were his boxer on his way up opposite a declining Stacy Keach in Fat City (1972); his Civil War-era conman in the western Bad Company (1972); his redneck stock car racer in The Last American Hero (1973); his young student anarchist opposite a stellar veteran cast in Eugene O'Neill's The Iceman Cometh (1973); his bank-robbing (also Oscar-nominated) sidekick to Clint Eastwood in Thunderbolt and Lightfoot (1974); his aimless cattle rustler in Rancho Deluxe (1975); his low-level western writer who wants to be a real-life cowboy in Hearts of the West (1975); and the brother of an assassinated President who pursues leads to the crime in Winter Kills (1979). All are simply marvelous characters that should have propelled him to the very top rungs of stardom...but strangely didn't.
Perhaps it was his trademark ease and naturalistic approach that made him somewhat under appreciated at that time when Hollywood was run by a Dustin Hoffman, Robert De Niro and Al Pacino-like intensity. Neverthless, Jeff continued to be a scene-stealing favorite into the next decade, notably as the video game programmer in the 1982 science-fiction cult classic Tron (1982), and the struggling musician brother vying with brother Beau Bridges over the attentions of sexy singer Michelle Pfeiffer in The Fabulous Baker Boys (1989). Jeff became a third-time Oscar nominee with his highly intriguing (and strangely sexy) portrayal of a blank-faced alien in Starman (1984), and earned even higher regard as the ever-optimistic inventor Preston Tucker in Tucker: The Man and His Dream (1988).
Since then Jeff has continued to pour on the Bridges magic on film. Few enjoy such an enduring popularity while maintaining equal respect with the critics. The Fisher King (1991), American Heart (1992), Fearless (1993), The Big Lebowski (1998) (now a cult phenomenon) and The Contender (2000) (which gave him a fourth Oscar nomination) are prime examples. More recently he seized the moment as a bald-pated villain as Robert Downey Jr.'s nemesis in Iron Man (2008) and then, at age 60, he capped his rewarding career by winning the elusive Oscar, plus the Golden Globe and Screen Actor Guild awards (among many others), for his down-and-out country singer Bad Blake in Crazy Heart (2009). Bridges next starred in Tron: Legacy (2010), reprising one of his more famous roles, and received another Oscar nomination for Best Actor for his role in the Western remake True Grit (2010). In 2014, he co-produced and starred in an adaptation of the Lois Lowry science fiction drama The Giver (2014).
Jeff has been married since 1977 to non-professional Susan Geston (they met on the set of Rancho Deluxe (1975)). The couple have three daughters, Isabelle (born 1981), Jessica (born 1983), and Hayley (born 1985). He hobbies as a photographer on and off his film sets, and has been known to play around as a cartoonist and pop musician. His ancestry is English, and smaller amounts of Scots-Irish (Northern Irish), Irish, Swiss-German, and German.- Actor
- Producer
- Additional Crew
Marcello Mastroianni was born in Fontana Liri, Italy in 1924, but soon his family moved to Turin and then Rome. During WW2 he was sent to a German prison camp, but he managed to escape and hide in Venice. He debuted in films as an extra in Marionette (1939), then started working for the Italian department of "Eagle Lion Films" in Rome and joined a drama club, where he was discovered by director Luchino Visconti. In 1957 Visconti gave him the starring part in his Fyodor Dostoevsky adaptation White Nights (1957) and in 1958 he was fine as a little thief in Mario Monicelli's comedy Big Deal on Madonna Street (1958). But his real breakthrough came in 1960, when Federico Fellini cast him as an attractive, weary-eyed journalist of the Rome jet-set in La Dolce Vita (1960); that film was the genesis of his "Latin lover" persona, which Mastroianni himself often denied by accepting parts of passive and sensitive men. He would again work with Fellini in several major films, like the exquisite 8½ (1963) (as a movie director who finds himself at a point of crisis) and the touching Ginger & Fred (1986) (as an old entertainer who appears in a TV show). He also appeared as a tired novelist with marital problems in Michelangelo Antonioni's La Notte (1961), as an impotent young man in Mauro Bolognini's Bell' Antonio (1960) , as an exiled prince in John Boorman's Leo the Last (1970), as a traitor in Paolo and Vittorio Taviani's Allonsanfan (1974) and as a sensitive homosexual in love with a housewife in Ettore Scola's A Special Day (1977). He was nominated for the Academy Award for Best Actor three times, for Divorce Italian Style (1961), A Special Day (1977), and Oci ciornie (1987). During the last decade of his life he worked with directors, like Theodoros Angelopoulos, Bertrand Blier and Raúl Ruiz, who gave him three excellent parts in Three Lives and Only One Death (1996). He died of pancreatic cancer in 1996.- Actress
- Producer
- Executive
Millie Bobby Brown (born 19 February 2004) is an English actress and model. She rose to prominence for her role as Eleven in the Netflix science fiction drama series Stranger Things (2016), for which she earned a Primetime Emmy Award nomination for Outstanding Supporting Actress in a Drama Series at age 13. She is also the youngest person ever to feature on TIME 100 list.
Millie was born in Marbella, Andalusia, Spain, the third of four children of English parents, Kelly and Robert Brown. The family moved to Bournemouth, Dorset, when Brown was around four years old, and then to Orlando, Florida, four years later. Here, Millie went to acting workshops to pass time on a Saturday, and it was there that a top Hollywood talent scout called and told Millie's parents that "she has instincts you cannot teach." She advised Millie's parents that she could "mix it with the best kids in Hollywood." They packed up and drove from Orlando to Los Angeles, and within a week, Millie was meeting with the town's top children's talent agencies. She was offered representation by all the agents that she met. Within three months of being in Hollywood, Millie was cast as young Alice in ABC's fantasy drama series Once Upon a Time in Wonderland (2013), a spin-off of Once Upon a Time (2011).
In November 2013, after just one self-taped audition, and without meeting the producers/directors, Millie was offered the role of Madison O'Donnell in BBC America paranormal drama-thriller series Intruders (2014). She then made guest appearances in the CBS police procedural drama NCIS (2003), the ABC sitcom Modern Family (2009), and the ABC medical drama series Grey's Anatomy (2005). In 2016, Brown played Eleven in the Netflix science fiction drama series Stranger Things. Her portrayal received critical acclaim and she was nominated for the Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Drama Series and the Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series. She won the Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Drama Series with her co-stars, and won the 43rd Saturn Award for Best Performance by a Younger Actor in a Television Series. In November 2016, Brown starred in the music video for Sigma and Birdy's single "Find Me". Since November 2016, she has appeared in commercial advertisements for Citigroup. In January 2017, she made her modeling debut in Calvin Klein's By Appointment campaign. The following month, she was signed to the agency IMG Models. Brown made her feature film debut in the Godzilla sequel, Godzilla: King of the Monsters (2019). In January 2018, Brown was cast to star and produce the film adaptation of the Enola Holmes Mysteries book.
On 20 April, 2018, Brown became the youngest person ever to be included on Time magazine's list of the world's 100 most influential people.
She resides in London and Atlanta, Georgia.- Actor
- Producer
- Soundtrack
Haley Joel Osment is an American actor who has proven himself as one of the best young actors of his generation. He is the first millennial male to have received an Academy Award nomination for acting.
Osment was born in Los Angeles, California, to Theresa (Seifert), a teacher, and actor Eugene Osment. His sister is actress Emily Osment. His ancestry includes Irish, along with German and English/Scottish. Haley began acting at the age of four, when he tried out for a Pizza Hut commercial in a shopping mall. The commercial launched his career, and he landed his first television role later that year. As a young child, his first film role was as Forrest Gump (1994)'s son, also named Forrest Gump, in the 1994 film of the same name as well as making a small appearance in Mixed Nuts (1994). He had roles in numerous TV series, including Thunder Alley (1994), The Jeff Foxworthy Show (1995), and, most notably, the final season of Murphy Brown (1988), in which he replaced Dyllan Christopher as Murphy's son Avery. Osment also made numerous guest appearances in various TV series, including The Larry Sanders Show (1992), Walker, Texas Ranger (1993) (as a child dying from AIDS), Touched by an Angel (1994), Chicago Hope (1994), The Pretender (1996), and as a child dying from leukemia in the emotional episode 'Angels and Blimps' (1999) of the series Ally McBeal (1997). Osment starred in Bogus (1996) with Whoopi Goldberg and Gérard Depardieu, and appeared in the 1998 made-for-TV movie The Lake (1998) with Yasmine Bleeth, as well as I'll Remember April (1999) with future The Sixth Sense (1999) co-star Trevor Morgan.
He first achieved stardom in 1999 when he appeared in the blockbuster The Sixth Sense (1999), co-starring Bruce Willis. For this role, Osment won the Saturn Award for best young actor. He was also nominated for the Academy Award for Best Supporting Actor, but lost to Michael Caine, with whom he would later star in Secondhand Lions (2003). Osment (voice) also made three minor guest appearances on Family Guy (1999) in 2000. One of Osment's lines in The Sixth Sense (1999), "I see dead people," is often repeated or parodied on television programs and in other media. The 2000 Academy Awards ceremony honored another of Osment's future co-stars, BestActor Kevin Spacey, who, along with Helen Hunt, appeared in Osment's next film, Pay It Forward (2000). The following year, Osment appeared in Steven Spielberg's A.I. Artificial Intelligence (2001), cementing his stature as one of the leading young actors in Hollywood. This role earned him his second Saturn Award. Also in 2001, Osment starred in a Polish film, Edges of the Lord (2001), as Romek. The movie was never released theatrically in the United States. Osment has since provided voices for The Country Bears (2002) and The Jungle Book 2 (2003). More recently, Osment was the voice of Sora, the main protagonist of the Walt Disney Company and Square-Enix's Kingdom Hearts (2002) video-game series, which was extremely financially successful as well and generally well-received critically. He was also the voice of Takeshi Jinno in the "Time to Shine" episode of the IGPX: Immortal Grand Prix (2005) anime TV series.
Osment also worked in Home of the Giants (2007), playing a high school journalist opposite Ryan Merriman and Danielle Panabaker. He also played Helmuth Hübener in the film Truth & Treason (????). On July 20, 2006, Osment was injured in a one-car accident. His blood-alcohol content was measured at 0.16%, twice the legal limit in California. On August 18, he was charged with four misdemeanors, including driving under the influence of alcohol and possession of marijuana while driving. He pleaded no contest on October 19 and was sentenced to three years' probation, 60 hours in an alcohol-rehabilitation and education program, a fine of $1,500, and a minimum requirement of 26 Alcoholics Anonymous meetings over a six-month period.
In 2006, Osment took a hiatus from Hollywood and studied acting at the Experimental Theatre Wing at NYU's Tisch School of the Arts, graduating with Honors and a Bachelor's Degree of Fine Arts in 2011. He also appeared on Broadway in a 2008 production of David Mamet's American Buffalo, and in John Logan's Red at the Philadelphia Theater Company in 2011.
Osment returned to the screen in 2012 with I'll Follow You Down (2013), co-starring with Gillian Anderson, Rufus Sewell, and Victor Garber, Sassy Pants (2012) with Anna Gunn and Diedrich Bader, then appeared in two seasons of Amazon Studios' comedy series Alpha House (2013), written by Pulitzer Prize winner Garry Trudeau and starring John Goodman. His many additional credits include Comedy Bang! Bang!, Kevin Smith's horror comedies Tusk (2014) and Yoga Hosers (2016), Entourage (2015) (Warner Bros.' silver screen extension of the award-winning HBO dramedy), the award-winning independent comedy Sex Ed (2014), the hit FX series What We Do in the Shadows (2019), the Hulu science fiction comedy Future Man (2017), and the true crime thriller and 2019 Sundance Film Festival Selection Extremely Wicked, Shockingly Evil and Vile (2019) starring Zac Efron as Ted Bundy, and featuring Lily Collins, Kaya Scodelario, Jim Parsons, and John Malkovich.