X-Men Directors & Their Works #7: David Leitch
Note: Leitch directed reshoots for Dracula Untold. And despite John Wick being his directorial debut, only Chad Stahelski was credited due to some stupid DGA rules
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- DirectorChad StahelskiStarsKeanu ReevesMichael NyqvistAlfie AllenAn ex-hitman comes out of retirement to track down the gangsters who killed his dog and stole his car.Co-Director: Chad Stahelski
Composers: Tyler Bates, Joel J. Richard
Cinematographer: Jonathan Sela ASC AFC
Production Designer: Dan Leigh
Film Editor: Elísabet Ronaldsdóttir ACE
Costume Designer: Luca Mosca
Stunt Coordinator/2nd Unit Director: Darrin Prescott
SFX Supervisor: R. Bruce Steinheimer
VFX Supervisor: Jake Braver
VFX Executive Producer: Neishaw Ali
Fight Coordinator: Jonathan Eusebio
Fight Coordinator/Stunt Player: Jon Valera
Add'l Stunt Coordinator: Chris O'Hara
Keanu Reeves Stunt Double: Jackson Spidell
Adrianne Palicki Stunt Double: Heidi Moneymaker
A-Camera/Steadicam Operator: Gregory W. Smith
B-Camera Operator: Tim Norman
2nd Unit DoP: Duane Manwiller
2nd Unit Aerial Camera Operator: Matthew T. Rodgers
Aerial Unit DP: Steve Koster
DI Supervising Colorist: Ian Vertovec
DI Colorist: Paul Sage
DI Finishing Artist: Monique Eissing
DI Supervisor: Michael Cioni
DI Executive Producer: Des Carey
Filming Dates: October 14, 2013 - December 20, 2013
Cameras: Alexa M & XT (2.8K ARRIRAW)
Lenses: Cooke S4 Primes & Hawk V-Lite Vintage '74 Anamorphic Primes
AR: 2.39:1 (Anamorphic/4-Perf Super 35mm Hybrid)
Budget: 20 Million USD
Attribute: Camera Equipment Provided by Arri CSC - DirectorGary ShoreStarsLuke EvansDominic CooperSarah GadonAs his kingdom is being threatened by the Turks, young prince Vlad Tepes must become a monster feared by his own people in order to obtain the power needed to protect his own family, and the families of his kingdom.
- DirectorDavid LeitchStarsRyan ReynoldsStan LeeDeadpool sees an opportunity to save the day, but it doesn't go entirely as planned.Cinematographer: Jonathan Sela ASC AFC
Film Editor: Elísabet Ronaldsdóttir ACE
Production Designer: David Scheunemann
Art Director: Nicolas Plotquin
Weta Senior VFX Producer: Martin Wiseman
Cameras: Alexa M & XT Plus (2.8K ARRIRAW)
Lenses: Hawk Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Visual Effects Provided by: Weta Digital
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Captured with Alexa - DirectorDavid LeitchStarsCharlize TheronJames McAvoyJohn GoodmanAn undercover MI6 agent is sent to Berlin during the Cold War to investigate the murder of a fellow agent and recover a missing list of double agents.Composer: Tyler Bates
Cinematographer/A Operator: Jonathan Sela ASC
Film Editor: Elísabet Ronaldsdóttir ACE
Production Designer: David Scheunemann
Super Art Director: Zsuzsa Kismarty-Lechner
Berlin Unit Art Director: Wolfgang Metschan
Hungary Unit Set Decorator: Zsuzsa Mihalek
Costume Designer: Cindy Evans
Fight Choreographer/Stunt Coordinator/2nd Unit Director: Sam Hargrave
Senior SFX Supervisor: Gabor Kiszelly
Berlin Unit SFX Supervisor: Uli Nefzer
Fight Choreographers: Daniel Hargrave, Greg Rementer
Fight Choreographer/Coordinator: Jon Valera
Fight Choreographer/Charlize Theron Stunt Double/Additional Stunt Coordinator: Monique Ganderton
Additional Stunt Coordinator: Domonkos Pardanyi
Berlin Unit Stunt Coordinator: Florian Hotz
Berlin Unit Picture Vehicle Coordinator: Tom Ehrhardt
Camera Operator: Jorg Widmer ASC
A-Camera Operator: Robert Binnall
B-Camera Operator/2nd Unit DP: Imre Juhasz
Steadicam Operator: Attila Pfeffer
2nd Unit B-Camera Operator: Gábor Marosi
2nd Unit C-Camera Operator: Botond Aszalós
Cameras: Alexa M & XT Plus (2.8K ARRIRAW)
Lenses: Hawk V-Lite Vintage '74 Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 30 Million USD
Attribute: Cameras and Lenses by Vantage Film - DirectorDavid LeitchStarsRyan ReynoldsJosh BrolinMorena BaccarinFoul-mouthed mutant mercenary Wade Wilson (a.k.a. Deadpool) assembles a team of fellow mutant rogues to protect a young boy with abilities from the brutal, time-traveling cyborg Cable.Writer/Producer: Ryan Reynolds
Writers & Exec Producers: Rhett Reese, Paul Wernick
Producers: Simon Kinberg, Lauren Shuler Donner
Executive Producer & UPM: Ethan Smith
Executive Producer: Kelly McCormick
Cinematographer: Jonathan Sela ASC AFC
Production Designer: David Scheunemann
Film Editors: Elísabet Ronaldsdóttir ACE, Dirk Westervelt ACE, Michael McCusker ACE, Craig Alpert
Production VFX Supervisor/2nd Unit Director: Dan Glass
Composer: Tyler Bates
Costume Designers: Kurt Swanson, Bart Mueller
1st Assistant Director: Paul Barry
2nd Assistant Director: Philip Nee Nee
Production VFX Producer: Thomas Elder-Groebe
2nd Unit Director: Darrin Prescott
Stunt Coordinator/2nd Unit Director: Jonathan Eusebio
Stunt Coordinator: Scott J. Athea
Ryan Reynolds Stunt Double & Assistant Stunt Coordinator: Jackson Spidell
Fight Coordinator: Nuo Sun
Motion Capture Previz Stunt Coordinators: Wayne Dalglish, Philip J. Silvera
Motion Capture Stunt Coordinator: Sébastien Rouleau
Zazie Beets Stunt Performer: Joi SP Harris
Motion Capture Utility Stunts: Jon Valera
Stunt Driver/2nd Unit Stunt Coordinator: Owen Walstrom
Stunts: Hank Amos, Greg Rementer, Alistair King, Chad Stahelski, Eric Linden, Amy Johnston, John Stoneham Jr, James Young
Supervising Art Director: Dan Hermansen
A Camera Operator: Lukasz Bielan
B Camera/Steadicam Operator: Sasha Proctor
Add'l Camera Operator: Tommy Douglas
1st Assistant A Camera: Jimmy E. Jensen
Aerial Unit DoP: Hans Bjerno ASC
Aerial Unit A Camera Operator: Brad McGregor
Aerial Unit A Camera Technician: Dane Bjerno
Underwater Unit A Camera Operator/Director of Photography: Ian Seabrook
Supervising VFX Editor: John Berri
Supervising Music Editor: Ted Caplan
Add'l VFX Editor: Christopher Rucinski
VFX Associate Producer: Ashley Bettini
Senior VFX Production Manager: Nick Ghizas
VFX Production Manager: Kevin McAllister
Production VFX Coordinator: Tesa Kubicek
VFX Assistant Coordinator: Allen Sanders
On-Set VFX Supervisor: Felix Pomeranz
DI Colorist: Skip Kimball
EFilm Company 3 CEO: Stefan Sonnenfeld ASC
Supervising Dailies Colorist: Erik Haase
Supervising SFX Coordinator: Mike Vézina
Picture Car Coordinator: Rick Rasmussen
ILM Concept Artist: Fred Palacio
DNEG VFX Supervisor: Mike Brazelton
DNEG VFX Producers: Anton Agerbo, Jason Heapy
DNEG DFX Supervisors: Chris McLaughlin, Ben Cowell Thomas
DNEG Compositing Supervisor: Stephen James
DNEG CG Lighting Supervisor: Frederik Lillelund
DNEG VFX Environ. Supervisor: Melaina Mace
DNEG Animation Supervisor: Eric Bates
DNEG CG Supervisor: Dalbir Singh Bhurji
DNEG FX Supervisor: Adam Gailey
DNEG Creature FX Supervisor: Adam Vanner
DNEG Lead Digital Artist: Jeremy Wong
DNEG Layout Supervisor: Kristin Pratt
DNEG VFX Dept. Supervisor: Suman Kumar
DNEG Roto/Prep Supervisor: Megan Hutchison
DNEG Add'l FX Supervisor: Eric Horton
DNEG Matchmove Supervisor: Rohit Agarwal
DNEG MGFX Supervisor: Barry Corcoran
DNEG MGFX Producer: Caroline Laing
Framestore VFX Supervisor: Stéphane Nazé
Framestore VFX Animation Supervisors: Bernd Angerer, Eric Guaglione
Framestore CG Supervisor: Benjamin Magana
Framestore Comp Supervisor: Romain Rico
Framestore VFX Producer: Sabrina Gagnon
Method Studios VFX Supervisor: Sean Konrad
Method Studios DFX Supervisor: Sean Schur
Method Comp Supervisor: Andrew Brooks
Method Studios Animation Supervisor: Alex Poei
Method VFX Producer: Christopher Anderson
Method Studios Digital VFX Producer: Sara Moore
Method Studios Lead Creative Designer (Opening & End Title Sequences): John Likens
Method Studios Senior Design Producer (Opening & End Title Sequences): Emily Schaeberle
Method Studios VFX Supervisor (Opening & End Title Sequences): Gong Myung Lee
Weta Senior VFX Supervisor: Daniel Macarin
Weta Co-Senior VFX Supervisor: Joe Letteri
Weta Compositing Supervisor: Florian Schroeder
Weta VFX Producer: Martin Wiseman
2nd Unit DoP: Patrick Loungway
2nd Unit 1st Assistant Director: Jayson Merrill
2nd Unit A Camera Operator: Junichi Hosoi
Stunt Coordinator & 2nd Unit Director (Add'l Photography): Sam Hargrave
B Cam Op (Add'l Photography): Sean Harding
1st Ass't Cam (Add'l Photog): Shaun Stander
Edge Unit DoP (Add'l Photog): Ronald Hersey
Filming Dates: 19 June 2017 - 14 October 2017
Cameras: Alexa Mini, SXT & Phantom Flex4K (3.4K ARRIRAW & 4K Phantom RAW)
Lenses: Hawk Class-X Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 110 Million USD
Digital Intermediate Provided by: EFilm Company 3
Conceptual Development Provided by: Industrial Light & Magic
Visual Effects & Animation Provided by: Weta Digital, Framestore, Method Studios + Double Negative
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Captured with Alexa - DirectorDavid LeitchStarsCéline DionRyan ReynoldsYanis MarshallCeline Dion's music video for Deadpool 2.Creative Director: Danielle Kupchak
Composer: Celine Dion
Cinematographer: Jonathan Sela ASC AFC
1st Assistant Director: Tyler Stratton
2nd Assistant Director: Chandra M. Alexander
Storyboard Artist: William Groebe
Weta Senior VFX Supervisor: Daniel Macarin
Weta Co-Senior VFX Supervisor: Joe Letteri
Weta VFX Producer: Martin Wiseman
Digital Imaging Technician: Matthew Love
Final Colorist: Skip Kimball
Camera: Alexa SXT (3.4K ARRIRAW)
Lenses: Hawk Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Visual Effects Provided by: Weta Digital
Color & Finish Provided by: EFilm Company 3
Attribute: Captured with Alexa - DirectorDavid LeitchStarsDwayne JohnsonJason StathamIdris ElbaLawman Luke Hobbs and outcast Deckard Shaw form an unlikely alliance when a cyber-genetically enhanced villain threatens the future of humanity.Producer/Co-Writer: Chris Morgan
Screenwriter: Drew Pearce
Producers: Dwayne "The Rock" Johnson, Jason Statham
Executive Producer: Kelly McCormick
Executive Producer/Unit Production Manager: Ethan Smith
Cinematographer: Jonathan Sela ASC AFC
Film Editor: Christopher Rouse ACE
Production Designer: David Scheunemann
Costume Designer: Sarah Evelyn
Composer: Tyler Bates
Production VFX Supervisor: Dan Glass
Stunt Coordinator/2nd Unit Director: Simon Crane
Unit Production Manager: David Cain
1st Assistant Director: Paul Barry
Add'l Film Editor: Mark Fitzgerald
Associate Producers: Nicole Furia, Kathy Chasen-Hay
Production Supervisor: Paige Chaytor
Key 2nd Ass't Director: Frazer Fennell-Ball
Supervising Stunt Coordinator/Hawaii Unit 2nd Unit Director: Chris O'Hara
Stunt Coordinator: David Khubua
UK Unit Stunt Coordinator: Peter White
Stunt Rigging Coordinator: Randy Beckman
Stunt Double for The Rock: Tanoai Reed
Stunt Performer: Heidi Moneymaker
Stunt Performer/Additional UK Unit Stunt Coordinator: Gary Arthurs
Supervising Art Director: Dominic Hyman
Senior Art Director: Choi Ho Man
Lead Graphics Designer: Joanna Pratt
Set Decorator: Lisa Chugg
Set Dec Art Director: Patricia Johnson
Picture Vehicle Supervisor: Alex King
Picture Vehicle Department Coordinator: Alex Barrett
Picture Vehicles Department Ass't Coordinator: Nick Murray
A-Camera/Steadicam Operator: Jason Ewart
B-Camera Operator/Splinter Unit DoP: Oliver Loncraine
1st Assistant A-Camera: Julian Bucknall
2nd Assistant A-Camera: Dave Pearce
1st Assistant B-Camera: Max Glickman
2nd Assistant B-Camera: Chris King, Joseph MacKay
UK Aerial Unit Coordinator: Andy Stephens
Aerial Unit Coordinator: Fred North
Aerial Unit DoPs: Adam Dale, John Marzano
Aerial Unit Camera Operator: Phil Arntz
1st Assistant Editor: Jason Wasserman
UK Assistant Editor: Esther Bailey
Supervising Music Editor: Peter Myles
Music Editor: Darrell Hall
Gaffer: David Smith
Floor Best Boy: Billy Gamble
Rigging Gaffer: Warren Evans
Supervising Rigging Electrician: Ben Wilson
Key Grip: Mark Hyde
UK Unit Key Grip: John Flemming
Best Boy Grip: Derek Russell
Production VFX Rigger: Chris Hawkins
Production SFX Supervisor: Alistair Williams
SFX Floor Supervisor: Iain Hutton
SFX Workshop Supervisor: Peter Britten
Lead SFX Design Engineer: Alex Fabre
Lead Senior SFX Technician: Steve Cullane
Senior SFX Breakaway Technician: Robin Schoonraad
Junior SFX Technician: Ronnie Davis
SFX Ass't Technician/Carpenter: Thomas Wright
SFX Metal Sculptor: Mike Booys
SFX Rigger/Ass't Wireman: Jamie Lee
SFX Rigger: Ryan Garrad
Production SFX Designer: Jack Lennie
Production SFX Animator: Calum Sinclair
Production SFX Coordinator: Egle Sveikauskyte
Supervising Location Manager: David Campbell-Bell
Location Managers: Robert Campbell-Bell, Jamie Jones, Rachel Hyde, Alastair Don, Tom Asquith
Supervising Studio Unit Manager: Rachel Rosser
Studio Unit Manager: Steve Cong-Tran
2nd 2nd Ass't Director: Tom Reynolds
Crowd 2nd Ass't Director: Sam Barry-Parker
3rd Assistant Director: Jess Link
Base 3rd Ass't Director: Josie Morgan
Crowd 3rd Ass't Director: Teariki Leonard
Associate VFX Producer: Dayaliyah Lopez
Production VFX Consultant: Phil Brennan
2nd Unit VFX Supervisor: Felix Pomeranz
Production VFX Coordinators: Patrick O'Rourke, Kelly Zoldak, Carly Wilson, Joana Santana-Powell
Senior Finishing Colorist: Dave Hussey
Finishing Producer: Cindy Bond
Senior Finishing Editor: Matthew Johnson
Finishing Technologist: Mike Chiado
Color Assistant: John Tripp
Digital Finishing Restoration: Megan Shepard
CO3 Head of Finishing Production: Erik Rogers
Company 3 CEO: Stefan Sonnenfeld ASC
Stunt Coordinator (Add'l Photography)/Fight Coordinator/2nd Unit Director: Greg Rementer
2nd Unit Production Manager: Simon Fraser
2nd Unit 1st Ass't Director: Richard Whelan
2nd Unit 1st Ass't Director/Hawaii Splinter Unit Director: Alexander H. Gayner
2nd Unit Stunt Coordinator: Peter Miles
2nd Unit Standby Art Director: Laura Ng
2nd Unit DoP: Fraser Taggart
2nd Unit A-Camera Operator: Derek Walker
2nd Unit 1st Ass't A-Camera: David Penfold
2nd Unit B-Camera Operator: Stamos Triantafyllos
2nd Unit 1st Ass't B-Camera: Tom Taylor
2nd Unit 2nd Ass't B-Camera: James Woodmass
2nd Unit C-Camera Operator: Tom Wade
2nd Unit 1st Ass't C-Camera: Ben Adefarasin
2nd Unit Rigging 1st AC: Steve Burgess
2nd Unit GoPro 2nd AC: Attillo Frank Da Rava
2nd Unit UAV A-Camera Operator: Simon Werry
2nd Unit UAV B-Camera Operator: Chris Williams
UK 2nd Unit Russian Arm Camera Operator: Stefan von Borbély
2nd Unit Gaffer: Nicholas Kalimerakis
2nd Unit On-Set SFX Floor Supervisor: David J. Watson
Glasgow 2nd Unit SFX Floor Supervisor: Paul Dunn
Glasgow 2nd Unit Location Manager: Martin Henderson
Doncaster 2nd Unit Location Unit Manager: Joe Simmons
2nd Unit Production Supervisor: Kate Garbett
2nd Unit Production Coordinator: Ella Daines-Smith
Glasgow 2nd Unit Production Coordinator: Samantha Arnold
2nd Unit Floor 2nd Ass't Director: Jody Wiltshire
2nd Unit 3rd Ass't Director: Mark Rossi
2nd Unit Add'l 3rd AD: Oliver Tummel
Unit Production Manager (Hawaii Unit): Cecil O'Connor
Hawaii Unit Key 2nd AD: Matthew D. Smith
Hawaii Unit 2nd Ass't Director: Jason Halley
Hawaii Unit Production Supervisor: Lauren Von Huene
Hawaii Unit Art Director: Domenic Silvestri
Hawaii Unit Ass't Art Director: Geoff Hubbard
Hawaii Unit Set Decorator: Shane Vieau
Hawaii Unit Set Designers: Paul Sonski, Dean Wolcott
Hawaii Unit A-Camera Operator: Lukasz Bielan SOC
Hawaii Unit B-Camera/Steadicam Operator: Matt Petrosky SOC
Hawaii Unit C-Camera/Edge Operator: Maurice Keith McGuire SOC
Hawaii Unit D-Camera Operator: Mick Froehlich SOC
Hawaii Unit 1st Ass't A-Camera: Jimmy Jensen
Hawaii Unit 2nd Ass't A-Camera: Seth Gallagher
Hawaii Unit 1st Ass't B-Camera: Stephen Early
Hawaii Unit 1st Ass't C-Camera: Richard Masino
Hawaii Unit 2nd Ass't C-Camera: Tristan Chavez
Hawaii Unit 2nd Ass't D-Camera: Griffin McCann
Hawaii Unit Add'l 1st AC: Jason Jensen
Hawaii Unit Gaffer/CLT: Jeff Murrell
Hawaii Unit Rigging Gaffer: Rick Carrillo
Hawaii Unit SFX Supervisor: JD Schwalm
Hawaii Unit SFX Coordinator: Jim Schwalm
Hawaii Unit Aerial DoPs: David B. Nowell ASC, Hans Bjerno
Hawaii Unit Drone Aerial Camera Operator: Dan Godar
Hawaii Unit Picture Cars Coordinator: Dennis McCarthy
Splinter Unit DIT (Hawaii Unit): Jordan Harriman
1st Ass't Director (Clean Up Unit): Joe Geary
LA Unit Set Decorator (Add'l Photography): Jeffrey Kushon
LA Unit Camera Operator (Add'l Photography): Steven Matzinger
LA Unit Key Grip (Add'l Photography): Tomislav Culina
DNEG VFX Supervisors: Mike Brazelton, Stuart Lashley
DNEG Senior VFX Producer: Anton Agerbo
DNEG CG Supervisor: Chris Downs, Tom Edwards, Narendra Garware
DNEG DFX Supervisors: Chris Keller, Rick Leary, Jolene McCaffrey, Steve Newbold, Shailendra Swarnkar
DNEG Senior Compositing Supervisors: Kyle Goodsell, Stephen James, Martin Reidel
DNEG Senior Lighting Supervisors: Roel Coucke, Sonny Sy
DNEG Environment Supervisor: Pedro Santos
DNEG FX Supervisors: Thomas Bolt, Jez Smith
DNEG Animation Supervisors: Pete Clayton, Ricardo Miguel Roldao Silva
DNEG Creature Supervisors: Steven Bills, Ariele Podreider
DNEG Layout Supervisors: Robert Brumby, Kristin Pratt, Matthew Salisbury
DNEG Matchmove Supervisors: Vinay Singh, Caleb Choo, Amey Panchal, Jeremy Wong
DNEG Roto/Prep Supervisors: Kevin Norris, Yue Jin Xian
DNEG Build Supervisors: Luiz Elias, Tim D. Jones, Anthony Gran, Rohan Vaz
DNEG MGFX Supervisor: Barry Corcoran
DNEG VFX Production Managers: Ben Carlson, Nelson De Souza, Daniel Evans, Ashwin Raju, Max Rees, Beatriz Quintairos Suarez
DNEG VFX Line Producers: Adam Barde, Akshay Bhosle, Carla Conradie, Irene Ellis, Megan Hayes, Chan Ee Jien, Toby Langley, Marc Mason, Olivia Naylor, Mohak Sharma, Mrunal Zode
DNEG VFX Data Wrangler/Photographer: Joe Bannister
DNEG VFX Shoot Assistant: Oliver Cordwell
DNEG VFX Shoot Technical Directors: Daniel Gilligan, Drew Johnson, Andrew Van Midde
DNEG VFX Producer: Fatemeh Khoshkhou
DNEG MGFX Producer: Caroline Laing
Framestore VFX Supervisor: Benjamin Loch, Kyle McCulloch
Framestore CG Supervisor: Axel Akesson
Framestore 2D Supervisor: Oliver Armstrong
Framestore Animation Supervisors: Liam Russell, Max Solomon
Framestore VFX Producer: Jan Meade
Framestore VFX Line Producers: Elena Pagliei, Tamas Simmons
Framestore VFX Coordinators: Fiona Stuart-Clark, Georgia Cook, Stephanie Bryan, Ellie Ritchie, Zak Morris
OOU Executive VFX Producers: Dominic Parker, Rachael Penfold, Tom Debenham
OOU Head of VFX Production: Aimee Dadswell
OOU VFX Supervisor: Oliver Cubbage
OOU VFX Producer: Kim Phelan
OOU VFX Production Coordinator: Harry Landemore
OOU DMP Supervisor: Charlie Bennett
OOU Matchmove Supervisor: Matthew D'Angibau
OOU Roto/Prep Supervisor: Stephen J. Smith
Previsualization Supervisor: Matt Perrin
Post-Visualization Supervisor: Jon Allen
3rd Floor Visualization Supervisor: Alex Cannon
3rd Floor VP of Visualization: Dane Allan Smith
Stereo D 3D Producer: Adam Ohl
Stereo D 3D Editors: Travis Dultz, Maria Friesen
Stereo D Producer: Steven Crowe
Stereo D Stereographer: David Phillips
Stereo D Stereo Supervisors: Ryan Hirsh, Sashwata Das
Stereo D Production Supervisor: Janna Miller
Stereo D Production Coordinators: Ian Hensley, Jennifer Merrigan, Amy Madigan, Kaitlen Burns, Dinesh Ahuja, Susmita Sur
Stereo D Editor: Dane Bergenson
Stereo D VFX Augmentation Artist: Jason Wong
Stereo D Supervisor: Ghanshyam Waghela
Stereo D Finaling Associate Production Manager: Rohit Suresh
Stereo D Final QC Artist: Kellam Templeton-Smith
Stereo D QC Shift Supervisor: Prem Shankur Kumar
Filming Dates: September 10, 2018 - January 27, 2019
Cameras: Alexa Mini & SXT (2.8K/3.4K ARRIRAW)
Lenses: Hawk Class-X Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 200 Million USD
Score Recorded at: Abbey Road Studios
Main Titles Designed by: Method Studios
Color & Finish Provided by: Company 3
Main Visual Effects & Animation Provided by: Double Negative, Framestore & One of Us
3D Conversion Provided by: Stereo D
Attribute: Camera Equipment Provided by Arri Rental - DirectorDavid LeitchStarsCamilo CarvajalMakena CookRichard GalazCommercial for Apple IPhone 11pro's camera. A snowball fight from an action director's point of view.Cinematographer: Robert Elswit ASC
Production Designer: David Scheunemann
Composer: Jed Cohen
Film Editor: Steve Gandolfi
Assistant Director: Hector Cruz
2nd Ass't Director: Esteban Rojas
Stunt Coordinator: Guillermo Grispo
Utility Stunts: Thayr Harris, Thekla Hutyrova, Gabriel Nunez
Utility Stuntman/Camera Operator: Nuo Sun
Storyboard Artist: William Groebe
Key Grip: Kurt Grossi
Location Manager: Alfredo Gisbert
Senior Finishing Colorist: Dave Hussey
Company 3 CEO: Stefan Sonnenfeld ASC
Camera: iPhone 11 Pro
AR: 2.39:1 (Super 35mm)
Color & Finish Provided by: Company 3 - DirectorDavid LeitchStarsBrad PittJoey KingAaron Taylor-JohnsonFive assassins aboard a swiftly-moving bullet train find out that their missions have something in common.Producer: David Leitch
Screenwriter: Zak Olkewicz
Producers: Kelly McCormick, Antoine Fuqua
EP/Unit Production Manager: Brent O'Connor
EPs: Ryosuke Saegusa, Yuma Terada, Kat Simick
Cinematographer: Jonathan Sela ASC AFC
Production Designer: David Scheunemann
Film Editor: Elísabet Ronaldsdóttir ACE
Casting: Mary Vernieu CSA, Lindsay Graham Ahanonu CSA
Composer: Dominic Lewis
Music Supervisor: Season Kent
Costume Designer: Sarah Evelyn
Lead Visual Effects Supervisor: Michael Brazelton
Stunt Coord./Second Unit Dir.: Greg Rementer
Stunt Double - Mr. Pitt & Mr. Lerman/Asst Stunt Coordinator: Kyle McLean
Assistant Stunt Coordinator: Nathaniel Perry
Fight Coordinator: Kirk A. Jenkins
Rigging Stunts Coordinator: Arturo Joey Dickey
First Assistant Director: Paul Barry
Key Second Assistant Director: Jason Halley
Overall Visual Effects Producer: Whitney Richman
Production Supervisor: Brian Yaconelli
Supervising Art Director: Chris Farmer
Stunt Rigging Coordinator: Arturo Dickey
Supervising Art Director: Chris Farmer
Art Directors: Richard Bloom, Nick Plotquin
Production Set Decorator: Elizabeth Keenan
Production Prop Master: Steven Melton
"A" Camera Operator: Lukasz Bielan SOC
First Assistant "A" Camera: Jimmy Jensen
Second Assistant "A" Camera: Tristan Chavez
"B" Camera Operator: Richard Coy Aune
First Assistant "B" Camera: Stephen Early
Second Assistant "B" Camera: Trevor Carroll-Coe
Drone Camera Operator: Zack Haskell
Supervising DIT: Mathew Love
Post Production Supervisor: Lisa Rodgers
Re-Record Sound Mix: Jon Taylor, Frank Montano
Supervising Sound Editor: Mark P. Stoecinger
Additional Film Editor: Evan Schiff
First Assistant Editor: Nick Ellsberg
Visual Effects Editors: Michael Fay, Tom Reagan
Second Assistant Editor: Carolyn Calvert
First Assistant Visual Effects Editor: Jim Durante
Assistant Costume Designer: Tiger Curran
Costume Department Head: Jim Tyson
Makeup Department Head: Merc Arceneaux
Key Makeup Artist: Richard Redlefsen
Hair Department Head: Janine Thompson
Overall Special Effects Supervisor: JD Schwalm
Chief Lighting Technician: Ross Dunkerley
Assistant Chief Lighting Tech: Buzzy Burwell
Rigging Chief Lighting Technic: John Manocchia
Rigging Assistant Chief LT: Jerry Gregoricka
Fixtures Foreman: John Davies
Lighting Programmer: Benoit Richard
Supervising Location Manager: Dan Williams
Assistant LMs: Matt Petras, Lindsay Dellaporta
Production Coordinator: Kathleen Keller
Assistant Production Coordinator: Nicole Quiroz
Assistant Art Director: Rahma Farahat
Second Assistant Director: Jasmine M. Alhambra
Snake Wrangler: Julian Sylvester
Off Camera Reader: Emily Tremaine
Health & Safety Supervisor: Christopher Stagner
Health & Safety Manager: Aaron Schweizer
Health & Safety Coordinator: Eric Salzmann
Picture Car Coordinator: Rick Collins
Stunt/Fight Coordinator, AP Unit: Torrey Vogel
Prop Master, AP Unit: Jared Scardina
"A" Camera Operator, AP Unit: Vincent Foeillet
"A" First Asst Camera, AP Unit: Taylor Matheson
"A" Second AC, AP Unit: Alexandra Matheson
"B" Second Asst Camera, AP Unit: Jerry Patton
Key Makeup Artist, AP Unit: Kato Destefan
Chief Lighting Tech, AP Unit: Orlando Hernandez
Rigging Chief LT, AP Unit: Travis Panarisi
Assistant Chief LT, AP Unit: Ari Davidson
Aerial Unit "A" Camera Operator/DoP: Dan Godar
Second Unit DoPs: Bridger Nielson, David Myrick
Japan - Second Unit Line Prod.: Georgina Pope
Plate Shot Unit "A" Op/DoP, Japan - Second Unit: Jitsu Toyoda
Japan - Second Unit PMs: Masa Kokubo, Yoshiko Takana
Japan - Second Unit First Asst Director: Yu Inose
Japanese Lyric Consultant: Shinnosuke Miyazawa
Score Conductor: Nick Glennie-Smith
Score Recordist & Mixer: David Boucher
Head of Music Preparation: Booker White
CO3 Senior Digital Film Colorist: Dave Hussey
CO3 Senior Digital Producer: Christina Guzman
CO3 DI Sr. Conform Editor: Matt Johnson VES
CO3 Head of Prod, DI Color: Carl S.G. Moore
Company 3 Dailies Colorist: Matt Wallach
Company 3 Dailies Operator: Keyhan Bayegan
Company 3 Dailies Producer: Alexis Ross
Additional Visual FX Supervisor: Bradley Parker
Second Visual Effects Producer: Jenny Meislohn
Visual Effects AP: Elaine Essex Thompson
Visual Effects Prod Manager: Misato Shinohara
Lead Visual Effects Coordinator: Rockford Moore
Assist Visual Effects Coordinator: Liam O'Connor
Lead Data Wrangler, Visual Effects: Philip Horn
Data Wrangler, Visual Effects: Matt Borgomanero
On-Set Data Wrangler, Visual FX: Joseph Oberle
DNEG Senior VFX Supervisor: Stephen James
DNEG VFX Supervisor: Carlos Caballero Valdes
DNEG Sr DFX Sups: Rhys Salcombe, Shailendra Swarnkar, Shivesh Gehlot
DNEG DFX Supervisor: Farhad Mohasseb
DNEG Virtual Prod. VFX Super.: Daniel Paulsson
DNEG Sr. CG Supers: Ryan Mintenko, Ash Kushe
DNEG CG Supers: Kev Couture, Francois Madere
DNEG Senior VFX Executive Producer: David Fox
DNEG VFX Executive Producer: Janet Yale
DNEG VFX Prods: Nicole Whitmore Burke, Saado Abou-Khazaal
DNEG VFX PMs: Richard Leo Cook, Ashwin Raju, Vinay Karunakar
DNEG VFX Line Producer: Praveen Kanshi
DNEG VFX Coordinator: Kevin Friel
DNEG VFX Production Assistant: Megan McLeod
DNEG Build Supers: Ganesh Poojari, Ryan John Woodward
DNEG Build Leads: Grace Stephens, Abhijeet Khedgi
DNEG Concept Leads: Kamen Anev, Niko Razuev
DNEG Matchmove Sup: Buhas Mohammedunny
DNEG Matchmove Lead: Pooja Handa
DNEG Layout Supervisor: Sandra Murta
DNEG Animation Supervisor: Evan Clover
DNEG Creature Leads: Liam Jones, Adam Vanner
DNEG FX Supervisor: Bartlomiej Olejniczak
DNEG FX Lead: Donald Altamirano
DNEG Compositing Supervisor: Cleve Yilun Zhu
DNEG VFX On-Set Data Supervisor: Dan Kunz
DNEG ON-Set Supervisor: Christopher Stern
DNEG Visualization Supervisor: Alex Cannon
DNEG Visualization Prod Manager: Jackie Stone
DNEG Visualization Prod Assistant: Kate Condon
DNEG Visualization Asset Lead: Rudy Wijaya
DNEG Visualization Producer: Glen Young
DNEG Visualization Coordinator: Debbie Wong
DNEG Vis. Leads: Daniel Heder, Cory Hernandez
Mr. X Visual Effects Supervisor: Jessica Norman
Mr. X Visual Effects Producer: Marie Evie Authier
Mr. X Visual Effects Exec Prod: Anouk L'Heureux
MPC/Mr. X Production Manager: Emily C. Moye
Mr. X CG Supervisor: Joan Panis
Lola Visual Effects Supervisor: Ari Brown
Lola Visual Effects Producer: William Anderson
Lola Visual Effects Coordinator: Jack Dorst
Lola VFX Compositor: Jonathan West
Instinctual VFX Producer: Jesse Morrow
Instinctual VFX Supervisor: Alan Latteri
Instinctual Lead Nuke Compositor: Forbes Hill
Instinctual Lead Flame Comp.: David Neuberger
Instinctual VFX Prod. Manager: Aaron Reznick
GGS VFX Production Supervisor: Kevin Monge
Filming Dates: 16 November 2020 - March 2021
Cameras: Arricam LT, Alexa LF & Mini LF (35mm Kodak Vision3 250D 5207 & 4.5K ARRIRAW)
Lenses: Hawk Class-X AL Primes, V-Lite Vintage '74 AL Primes & MasterBuilt Classic Primes
AR: 2.39:1 (Anamorphic & 4-Perf S35mm)
Budget: 85-90 Million USD
Production Services in Tokyo by: Twenty First City
Digital Intermediate & Dailies by: Company 3
Visual Effects, LED Content & Visualization by: DNEG, Mr. X, MPC, Lola & Instinctual
Attribute: Captured with ALEXA - DirectorDavid LeitchStarsRyan GoslingEmily BluntAaron Taylor-JohnsonA stuntman, fresh off an almost career-ending accident, has to track down a missing movie star, solve a conspiracy and try to win back the love of his life while still doing his day job. What could possibly go right?Producer: David Leitch
Writer / Executive Producer: Drew Pearce
Executive Producer: Glen A. Larsen
Producers: Ryan Gosling, Kelly McCormick, Guymon Casady
Executive Producer: Geoff Shaevitz
Director of Photography: Jonathan Sela ASC
Production Designer: David Scheunemann
Costume Designer: Sarah Evelyn
Film Editor: Elísabet Ronaldsdóttir ACE
Composer: Dominic Lewis
Production Visual Effects Supervisor: Matt Sloan
Casting Directors: Lindsay Graham, Mary Vernieu
Second Unit Director / Supervising Stunt Coordinator: Chris O'Hara
Unit Production Manager: Anne Bruning
First Assistant Director: Paul Barry
Key Second Assistant Director: Deborah Antoniou
Production Visual Effects Producer: Chris McClintock
Stunt Coordinator: Kier Beck
Assistant Stunt Coordinator: Leo Stripp
Fight Coordinators: Jonathan Eusebio, Sunny Sun
Assistant Fight Coordinator: Can Aydin
Action Designer: Micah Moore
Head Stunt Riggers: Timothy Frost, Nathan Kannegiesser
Stunt Riggers: Scotty Fisher, Chris Matheson
Stunt Riggers/Performers: Daniel Nelson, Lachlan Ward
Stunt Office Coordinator: Samantha Beattie
Production Manager: Christina Toy
Executive in Charge of Production: Adam McCarthy
Supervising Art Director: Charlie Revai
On Set Art Director: Sarah Larcombe
Assistant Art Director: Max Nadilo
Set Decorator: Christian Petersen
A Camera/Steadicam Operator: BJ McDonnell
B Camera Operators: Richard Bradshaw, Michael Thompson, Jay Torta
C Camera Operator: Kate Eccarius
A Camera First Assistants: Rebecca Crowe, Jimmy E. Jensen
B Camera First Assistant: Stephen Early
C Camera First Assistant: Hannah Klassek
A Camera Second Assistant: Francesca Cardinale
B Camera Second Assistant: Lauren Gentry
C Camera Second Assistant: Justin Latimer
Additional Camera Operator: Paul Shakeshaft
Additional Second Assistants: Dillon Mak, Giulio Raimondo, Molly
Digital Imaging Technician: Matthew Love
Assistant Digital Imaging Technician: Thomas Pennell
Loader: Ben Robinson
Additional Still Photographer: Mark Rogers
Key Video Assist: Michael Taylor
Aerial Unit Director of Photography: Dylan Goss
Helicopter RF Technician: Caeden Miller
RF Technician: Benton Ward
Drone Camera Operators: Stephen Oh, Rob Stagg
Shotover Technician: James O'Hara
XM2 Drone Coordinator: Aaron Corera
Script Supervisor: Merran Elliot
Gaffer: Steve Daley
Production Supervisor: Paul Sullivan
Supervising Location Manager: Philip Roope
On Set Location Manager: David John Watts
Location Coordinator/Scout: James Doherty
Production Special Effects Designer: Raytheon Buna
Assistant Special Effects Supervisor: Arthur Spink Jr.
Special Effects Motion Control Supervisor: Daniel Carlisle
Special Effects Breakaways Supervisor: Tristan Fitzgerald
Special Effects Floor Supervisor: Taj Trengove
Production Special Effects Foreman: Julian Borbidge
Senior Special Effects Technicians: Oliver Gee, James Paul, Jack Taylor
Production Special Effects Technicians: Tim Riach, Tim Whiteley
Post Production Supervisor, Australia: Danielle Daly
Post Production Executive: Sean T. Stratton
Visual Effects Production Manager: Kate Morrison-Lyons
Production Visual Effects Manager: Adam Brewer
LED Technician: Mathew Schmidt
Second Unit Production Manager: Anna McDonnell
Second Unit Director of Photography: Bridger Nielson
Second Unit A Camera Operators: Frank Flick, Jani Häkli
Second Unit B Camera First Assistant: Steivan Hasler
Second Unit A Camera Second Assistant: James Bilich
Second Unit B Camera Second Assistant: Patrick Jaeger
Second Unit Digital Imaging Technician: Ben Hunt
Second Unit Video Assist Operator: Zeb Simpson
Second Unit Gaffers: Tommy Harkinson, Joshua Kwan
Second Unit Script Supervisor: Forest Lin
Los Angeles Unit Location Manager: Scott Trimble
Score Conductor: James Newton Howard
Company 3 Colorist: Dave Hussey
Company 3 Additional Colorist: Nick Nassif
Company 3 Finishing Producer: Aaron Miller
Company 3 Finishing Associate Producer: Kristin Graham
Company 3 Finishing Editor: Joe Ken
Company 3 Finishing Accountant: Ian Sullivan
Company 3 VP, Visual Effects: Doug Spilatro VES
Company 3 Dailies Colorist: Kent Pritchett
Company 3 Dailies Supervisor: Liam Donaghy
Company 3 Dailies Operators: Lachlan Early, Emma Hockley
Framestore VFX Supervisor: Nicolas Chevallier
Cinesite VFX Supervisor: Jennifer Giovanna Meire
OPSIS Visual Effects Supervisor: Justin Jones
Crafty Apes Visual Effects Supervisor: Jordan Schilling
Cameras: Arri Alexa 35, Panaflex LII, XL2 & Platinum (4.6K ARRIRAW & 35mm Kodak Vision3)
Lenses: Panavision Primo Spherical Primes, C- & T-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)(4-Perf Super 35mm: Some Scenes)
Budget: 125 Million USD
Color and Finish by: Company 3
Visual Effects by: Framestore, Cinesite, OPSIS, Crafty Apes & Rising Sun Pictures
Attribute: Filmed in Panavision®