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Since David McCallum's father, David McCallum Sr., was first violinist for the London Philharmonic Orchestra and his mother, Dorothy Dorman, was a cellist, it's not surprising that David was originally headed for a career in music, playing oboe. He studied briefly at the Royal Academy of Music. He left that, however, for the Royal Academy of Dramatic Art and joined Actor's Equity in 1946, his first acting work being for BBC Radio. He made nearly a dozen movies in the United Kingdom before his critically acclaimed work as Lt. Wyatt in Billy Budd (1962).
To the older generation, he is perhaps best known for his portrayal of U.N.C.L.E. agent Illya Kuryakin in the hit TV series The Man from U.N.C.L.E. (1964). To younger audience, he is best known for his superlative portrayal of Dr. Donald "Duckie" Mallard on NCIS (2003).
McCallum was first married to actress Jill Ireland, whom he met while filming Hell Drivers (1957). In 1962 he introduced Ireland to Charles Bronson when both were filming The Great Escape (1963). She eventually left McCallum and married Bronson in 1968. McCallum and Ireland had three sons: Paul, Jason (an adopted son who died from an accidental drug overdose in 1989), and Val (short for Valentine).
He met fashion model Katherine Carpenter during a photo shoot for Glamour in 1965 and married her two years later. The couple had a son, Peter, and a daughter, Sophie. They were together for 58 years and were active with charitable organizations that support the The United States Marine Corps: Katherine's father was a Marine who served in the Battle of Iwo Jima, and her brother lost his life in the Vietnam War. McCallum had eight grandchildren.
David McCallum died on September 25 2023 in New York City from natural causes at the age of 90.- Actor
- Soundtrack
Victor Maddern was born on 16 March 1928 in Seven Kings, Ilford, Essex, England, UK. He was an actor, known for Chitty Chitty Bang Bang (1968), Four Desperate Men (1959) and Exodus (1960). He was married to Joan Neuville. He died on 22 June 1993 in London, England, UK.- Actor
- Music Department
- Soundtrack
The son of a country chemist, the British actor Donald Sinden intended to pursue a career in architecture but was spotted in an amateur theatrical production and asked to join a company that entertained the troops during World War II (Sinden was rejected for naval service because of asthma). Following a brief training at drama school, he established himself in theater, particularly as a Shakespearean actor. Having made his film debut in The Cruel Sea (1953), Sinden became a leading man in British films during the 1950s and then moved onto character roles later in his career. While his film appearances became less frequent, he worked steadily in theater (with the Royal Shakespeare Company, primarily) and in television, notably as the unperturbable butler in Two's Company (1975) and as a miserable in-law in Never the Twain (1981).- Actor
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Michael Caine was born as Maurice Joseph Micklewhite in London, to Ellen (née Burchell), a cook, and Maurice Micklewhite Sr., a fish-market porter. He had a younger brother, Stanley Caine, and an older maternal half-brother named David Burchell. He left school at age 15 and took a series of working-class jobs before joining the British army and serving in Korea during the Korean War, where he saw combat. Upon his return to England, he gravitated toward the theater and got a job as an assistant stage manager. He adopted the name of Caine on the advice of his agent, taking it from a marquee that advertised The Caine Mutiny (1954). In the years that followed, he worked in more than 100 television dramas, with repertory companies throughout England and eventually in the stage hit "The Long and the Short and the Tall".
Zulu (1964), the epic retelling of a historic 19th-century battle in South Africa between British soldiers and Zulu warriors, brought Caine to international attention. Instead of being typecast as a low-ranking Cockney soldier, he played a snobbish, aristocratic officer. Although "Zulu" was a major success, it was the role of Harry Palmer in The Ipcress File (1965) and the title role in Alfie (1966) that made Caine a star of the first magnitude. He epitomized the new breed of actor in mid-1960s England, the working-class bloke with glasses and a down-home accent. However, after initially starring in some excellent films, particularly in the 1960s, including Gambit (1966), Funeral in Berlin (1966), Play Dirty (1969), Battle of Britain (1969), Too Late the Hero (1970), The Last Valley (1971) and especially Get Carter (1971), he seemed to take on roles in below-average films, simply for the money he could by then command.
However, there were some gems amongst the dross. He gave a magnificent performance opposite Sean Connery in The Man Who Would Be King (1975) and turned in a solid one as a German colonel in The Eagle Has Landed (1976). Educating Rita (1983), Blame It on Rio (1984) and Hannah and Her Sisters (1986) (for which he won his first Oscar) were highlights of the 1980s, while more recently Little Voice (1998), The Cider House Rules (1999) (his second Oscar) and Last Orders (2001) have been widely acclaimed. Caine played Nigel Powers in the parody sequel Austin Powers in Goldmember (2002), and Alfred Pennyworth in Christopher Nolan's Dark Knight trilogy. He appeared in several other of Nolan's films including The Prestige (2006), Inception (2010) and Interstellar (2014). He also appeared as a supporting character in Alfonso Cuarón's Children of Men (2006) and Pixar's sequel Cars 2 (2011).
As of 2015, films in which Caine has starred have grossed over $7.4 billion worldwide. He is ranked the ninth highest grossing box office star. Caine is one of several actors nominated for an Academy Award for acting every decade from five consecutive decades (the other being Laurence Olivier and Meryl Streep). He was appointed Commander of the Order of the British Empire in the 1992 Birthday Honours, and was knighted by Queen Elizabeth II in the 2000 Birthday Honours in recognition for his contributions to the cinema.
Caine has been married twice. First to actress Patricia Haines from 1954 to 1958. They had a daughter, Dominique, in 1957. A bachelor for some dozen-plus years after the divorce, he was romantically linked to Edina Ronay (for three years), Elizabeth Ercy, Nancy Sinatra, Natalie Wood, Candice Bergen, Bianca Jagger, Françoise Pascal and Jill St. John. In 1971 he met his second wife, fashion model Shakira Caine (née Baksh), and they married in 1973, six months before their daughter Natasha was born. The couple has three grandchildren, and in 2023, they celebrated their 50th wedding anniversary.- Actress
- Producer
- Writer
Joan Collins is an English actress from Paddington, London. She is most famous for playing the role of vengeful schemer Alexis Carrington Colby in the soap opera "Dynasty" (1981-1989). In 1997, She was appointed an Officer of the Order of the British Empire (OBE) for services to drama. In 2015, She was promoted to the rank of Dame Commander of the Order of the British Empire (DBE) for services to charity.
She was the daughter of talent agent Joseph William Collins (1902-1988) and his wife, dance teacher Elsa Bessant, (1906-1962). Joseph was born in South Africa, and of Jewish descent. As a talent agent, his most famous clients were Shirley Bassey, the Beatles, and Tom Jones. Elsa was born in the United Kingdom to an Anglican family.
Collins was educated at Francis Holland School in London, an independent day school for girls. She made her theatrical debut c. 1942, as a child actress. She had a role in a performance of the play "A Doll's House" (1879) by Henrik Ibsen (1828-1906). In 1949, She started training as an actress at the Royal Academy of Dramatic Art (RADA) in London. In 1950, she signed a contract with a British film studio, the Rank Organisation of businessman Joseph Arthur Rank, 1st Baron Rank (1888-1972).
Collins made her film debut in the short film "Facts and Fancies" (1951), and her feature film debut in "Lady Godiva Rides Again" (1951), where she played an unnamed Beauty Queen Contestant. She had supporting roles as the Greek maid Marina in "The Woman's Angle" (1952) and gangster's moll Lil Carter in "Judgment Deferred" (1952).
Collins had her big break when cast as juvenile delinquent Norma Hart in prison drama "I Believe in You" (1952). She was hailed as Britain's new "bad girl" and started being offered high-profile roles in British films. The next stage in her career started when cast as Princess Nellifer of Egypt in the historical epic "Land of the Pharaohs" (1955), an international production . While the film was not successful at the box office, it became a cult classic and Nellifer was one of her most recognizable roles. Studio executive Darryl Francis Zanuck (1902-1979) was sufficiently impressed to offer her a 7-year-long contract with American studio 20th Century Fox. She took the offer.
Collins' first American film was the historical drama "The Virgin Queen" (1955), where she shared the top-billing with established stars Bette Davis and Richard Todd. She then played the leading role of actress Evelyn Nesbit (1884/1885-1967) in the biographical film "The Girl in the Red Velvet Swing" (1955). The role was intended for established actress Marilyn Monroe, but she replaced Monroe based on a studio decision.
Collins was placed on loan to studio Metro-Goldwyn-Mayer for her next role, that of gold digger Crystal in "The Opposite Sex" (1956). She received the top billing in the refugee-themed film "Sea Wife" (1956), and enjoyed box-office success with the interracial-love themed drama "Island in the Sun" (1957). In the drama film "The Wayward Bus" (1957), she received top-billing over her co-star Jayne Mansfield. Her next films included the spy thriller "Stopover Tokyo" (1957), the Western "The Bravados" (1958), the comedy "Rally Round the Flag, Boys" (1959), the caper film "Seven Thieves" (1960), and the biblical epic Esther and the King (1960).
By 1960, Collins was one of 20th Century Fox's biggest stars, but she demanded a release from her studio contract. She had campaigned for the title role in the upcoming production of "Cleopatra", but the studio chose to cast Elizabeth Taylor in the role. Collins felt slighted. As a freelance actress for most of the 1960s, she had few film roles. Among her most notable roles was playing the leading lady in "The Road to Hong Kong" (1962), the last film in the long-running "Road to ..." series. The male leads for the entire series were Bing Crosby and Bob Hope, but their usual leading lady Dorothy Lamour was considered too old for the role. Collins replaced Lamour.
Collins started appearing frequently on television guest star roles. Among her most notable television roles was the villainous Siren in "Batman", and pacifist spokeswoman Edith Keeler in "Star Trek: The Original Series". "Road to ..." played in only one episode of Star Trek, the time-travel episode "The City on the Edge of Forever" (1967). However the episode is regarded among the best episodes in the entire Star Trek franchise, with Collins considered one of the most memorable guest stars in the original series.
In 1970, Collins returned to her native United Kingdom. She started appearing frequently in British thriller and horror films of the decade. Among her films was revenge-themed drama "Revenge" (1971),science fiction film "Quest for Love" (1972), horror anthology "Tales from the Crypt" (1972), psychological horror "Fear in the Night" (1972), thriller "Dark Places", horror anthology "Tales That Witness Madness" (1973), and horror film "I Don't Want to Be Born" (1975).
Collins appeared in a few comedies in-between horror films, but none was particularly successful. She returned to the United States in order to play a role in the giant monster film "Empire of the Ants" (1977). She then returned to mostly appearing in thriller roles. She was catapulted back to stardom with the lead role of nymphomaniac Fontaine Khaled in the erotic drama "The Stud" (1978), an adaptation of a novel written by her younger sister Jackie Collins. The film was a surprise box office hit, earning 20 million dollars at the worldwide box office. "Road to ..." returned to the role of Fontaine in the sequel film ''The Bitch'' (1979), which was also a hit.
Collins found herself in high demand in both stage and film. But she gained more notoriety with the television role of Alexis Carington in "Dynasty". She started appearing in the role in the second season of the soap opera. Her performance is credited with the subsequent rise of the show's Nielsen's ratings. She became a household name, and received a star on the Hollywood Walk of Fame in 1983.
By 1985, "Dynasty" was the number-one show in the United States, beating out rival soap opera "Dallas". Collins was nominated six times for a Golden Globe Award for her role, winning once in 1983. She was also once nominated for an Emmy as Best Actress in a Drama Series. Collins was viewed as a sex symbol at the time, and in 1983 appeared in a 12-page photo layout for Playboy magazine. She was 50-years-old, unusually old for a Playboy model.
Collins appeared in a total of 195 episodes of "Dynasty". The series was canceled with the last episode of its 9th season, due to falling ratings. New ABC entertainment president Bob Iger (1951-) is credited with ending the series as soon as possible. The show had a cliffhanger ending, and several of its subplots were not resolved. Collins returned to the role of Alexis in the sequel mini-series "Dynasty: The Reunion" (1991). The miniseries only lasted for 2 episodes, but resolved several subplots and was a ratings hit.
Throughout the 1990s., Collins returned to guest star roles in television. She appeared in (among others) "Roseanne", "Egoli: Place of Gold", and "The Nanny", She had the recurring role of Christina Hobson in the short-lived soap opera "Pacific Palisades" (1997). She appeared in 7 of its 13 episodes. Her next notable soap opera role was that of so-called "rich bitch" Alexandra Spaulding in 2002 episodes of the long-running series "Guiding Light". Collins was the third actress to play this role. following Beverlee McKinsey and Marj Dusay.
In film, Collins played Pearl Slaghoople, Wilma Flintstone's mother, in "The Flintstones in Viva Rock Vegas" (2000). It was the second live-action film based on the popular animated series "The Flintstones". In 2006, she toured the United Kingdom with "An Evening with Joan Collins", an one-woman show where she narrated the highs and lows of her career and life. She later toured the word with both this show and its sequel "Joan Collins Unscripted".
Collins had a notable guest star-role as Ruth Van Rydock in the television film "Agatha Christie's Marple: They Do It with Mirrors" (2009). The film was an adaptation of the 1952 novel by Agatha Christie, where Ruth is an old school friend of Jane Marple, who assigned Jane to investigate a home for juvenile delinquents.
Collins played herself in three episodes of the sitcom "Happily Divorced" (2011-2013). She had the recurring role of Crystal Hennessy-Vass in the sitcom "Benidorm" (2007-2018). She had another recurring role as Alexandra, Grand Duchess of Oxford in the soap opera "The Royals" (2015-2018).
Collins had two different roles in the horror anthology series "American Horror Story". She played wealthy grandmother Evie Gallant, and witch Bubbles McGee. She appeared in a total of four episodes in 2018.
By 2024, Collins was 90-years-old. She has never retired from acting, and she continues to appear in new roles.- Actress
- Soundtrack
Best known for playing the perpetually-ditzy blonde bimbo in several installments of the "Carry On" franchise, buxom Liz Fraser (born Elizabeth Joan Winch above a corner shop in south London) studied at RADA on a scholarship and first acted in repertory theatre and television before breaking into films. Her first role of note was Cynthia, the daughter of radical left-wing shop steward Fred Kite in The Boulting Brothers comedy I'm All Right Jack (1959) (the film which made Peter Sellers a star). In a second outing with Sellers, (Two Way Stretch (1960), she played his girlfriend Ethel; up next were eight guest appearances on Hancock's Half Hour (1956). By that time, her screen personae were firmly established as scatterbrained blondes or feisty gum-chewing working-class Cockneys. Though she often managed to rise above her material, the typecasting sadly continued through a series of dreadful low-brow '70s sex comedies in the 'Adventures' and 'Confessions' series, which represented a significant step-down from the "Carry Ons" and did nothing for her reputation.
Liz attempted to change her image by playing straight dramatic roles in The Family Way (1966) and Up the Junction (1968) (as the mother) and her later career prospered as a fine character actress with guest spots on The Professionals (1977), Minder (1979), Foyle's War (2002), and Midsomer Murders (1997), along with a string of successes on the West End stage. In her private life, she was known to be fond of animals, and she loved to play bridge and ladies' bowls at the exclusive Hurlingham club in Fulham. Her financial astuteness brought substantial gains at the stock market, which she in turn developed into a healthy property portfolio. She always spoke fondly of her co-stars, many of whom she regarded as her close 'mates' during the sixties, in particular Sidney James, Joan Sims, Tony Hancock and Tommy Cooper.- Actor
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Anthony Quayle was born in Ainsdale, Southport, Lancashire, England in September 1913. He completed his education at Rugby School and had a brief spell at RADA, before treading the boards for the first time as the straight man in a music hall comedy act in 1931. Tall, burly, round-faced and possessed of a powerful and resonant voice, he was mentored early on in his career by the well-known stage director Tyrone Guthrie. Letters of introduction led to steady employment with the Old Vic Company by September 1932, and a succession of small roles in classical parts. Quayle's reputation as an actor grew steadily, and, in 1936, he appeared on Broadway opposite Ruth Gordon in 'The Country Wife'. For the next few years, he consolidated his position as a Shakespearean actor. When the Second World War began, he was among the first in his profession to enlist, serving with the Royal Artillery and rising to the rank of major. Some of his wartime experiences, such as coordinating operations with Albanian partisans as part of the secret Special Operations Executive, were destined to be paralleled by his fictional post-war screen exploits as incisive army officers or spies. With the war still fresh in his mind, he subsequently published two novels (respectively in 1945, and in 1947), 'Eight Hours from England' and 'On Such a Night'.
In 1946, Quayle also made his debut as a theatrical director with a London production of 'Crime and Punishment'. Between 1948 and 1956, he had a distinguished tenure as director of the Shakespeare Memorial Theatre in Stratford-upon-Avon, bringing into the company some of the biggest stars of the stage, including Laurence Olivier and John Gielgud. Though acting in films from 1938, the theatre remained his favorite medium. He played diverse roles with great intensity and professionalism, achieving critical acclaim as Petruchio and Falstaff, Tamburlaine and Galileo (on Broadway) and the original role of Andrew Wyke in Anthony Shaffer's play 'Sleuth' (played in the first screen version by Olivier). In motion pictures Quayle tended to portray tough, dependable authority figures. He was good value for money as Commodore Harwood in Pursuit of the Graf Spee (1956), as the enigmatic Afrikaner captain in Ice Cold in Alex (1958) and as the stuffy, by-the-book Colonel Harry Brighton, who nonetheless appears to have a degree of admiration for Lawrence of Arabia (1962). Due to his classical training, Quayle was often used in historical epics, giving one of his best performances as Cardinal Wolsey in Anne of the Thousand Days (1969), earning him an Academy Award nomination. His voice was heard as narrator of The Six Wives of Henry VIII (1970) and on radio in anything from 'The Ballad of Robin Hood' to Edgar Allan Poe's 'The Purloined Letter'.
The year prior to receiving his knighthood, Quayle founded the touring Compass Theatre Company, and served as its director until a few months before his death from cancer in October 1989.- Actor
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Roger Moore will perhaps always be remembered as the man who replaced Sean Connery in the James Bond series, arguably something he never lived down.
Roger George Moore was born on October 14, 1927 in Stockwell, London, England, the son of Lillian (Pope) and George Alfred Moore, a policeman. His mother was born in Calcutta, India, to a British family. Roger first wanted to be an artist, but got into films full time after becoming an extra in the late 1940s. He came to the United States in 1953. Suave, extremely handsome, and an excellent actor, he received a contract with Metro-Goldwyn-Mayer. His initial foray met with mixed success, with movies like Diane (1956) and Interrupted Melody (1955), as well as The Last Time I Saw Paris (1954).
Moore went into television in the 1950s on series such as Ivanhoe (1958) and The Alaskans (1959), but probably received the most recognition from Maverick (1957), as cousin Beau. He received his big breakthrough, at least internationally, as The Saint (1962). The series made him a superstar and he became very successful thereafter. Moore ended his run as the Saint, and was one of the premier stars of the world, but he was not catching on in America. In an attempt to change this, he agreed to star with Tony Curtis on ITC's The Persuaders! (1971), but although hugely popular in Europe, it did not catch on in the United States and was canceled. Just prior to making the series, he starred in The Man Who Haunted Himself (1970), which proved there was far more to Moore than the light-hearted roles he had previously accepted.
He was next offered and accepted the role of James Bond, and once audiences got used to the change of style from Connery's portrayal, they also accepted him. Live and Let Die (1973), his first Bond movie, grossed more outside of America than Diamonds Are Forever (1971); Connery's last outing as James Bond. He went on to star in another six Bond films, before bowing out after A View to a Kill (1985). He was age 57 at the time the film was made and was looking a little too old for Bond - it was possibly one film too many. In between times, there had been more success with appearances in films such as That Lucky Touch (1975), Shout at the Devil (1976), The Wild Geese (1978), Escape to Athena (1979) and North Sea Hijack (1980).
Despite his fame from the Bond films and many others, the United States never completely took to him until he starred in The Cannonball Run (1981) alongside Burt Reynolds, a success there. After relinquishing his role as Bond, his work load tended to diminish a little, though he did star in the American box office flop Feuer, Eis & Dynamit (1990), as well as the comedy Bullseye! (1990), with Michael Caine. He did the overlooked comedy Bed & Breakfast (1991), as well as the television movie The Man Who Wouldn't Die (1994), and then the major Jean-Claude Van Damme flop The Quest (1996). Moore then took second rate roles such as Spice World (1997), and the American television series The Dream Team (1999). Although his film work slowed down, he was still in the public eye, be it appearing on television chat shows or hosting documentaries.
Roger Moore was appointed Commander of the Order of the British Empire on December 31, 1998 in the New Years Honours for services to UNICEF, and was promoted to Knight Commander of the same order on June 14, 2003 in the Queen's Birthday Honours for services to the charities UNICEF and Kiwanis International.
Roger Moore died of cancer on 23 May, 2017, in Switzerland. He was 89.- Actor
- Producer
British leading man who achieved some success in American films, as well. Born in Ireland as the son of a British officer, Todd grew up in Devon and (for a brief time) in India and attended Shrewsbury Public School. His interest in theatre led him to small roles in stock in England and Scotland and three tiny film roles, following which he helped found the Dundee Repertory Theatre in 1939. He served with distinction as a paratrooper in the Second World War and returned to considerably more prominent theatre roles, culminating in the role of "Lachie" in John Patrick's "The Hasty Heart", in which he played in London and then followed Richard Basehart in the Broadway production. He made his first major film appearance in 1948, and the next year was again cast as "Lachie", this time in the film version of The Hasty Heart (1949). His performance, a truly star-making and moving piece of work, earned him an Oscar nomination as Best Actor. He followed it with a role in Alfred Hitchcock's Stage Fright (1950), but although he continued to play leading roles, often in quite good films, he never again achieved the prominence and acclaim he had had with The Hasty Heart (1949). He was quite effective in such roles as "Robin Hood" and "Rob Roy", and very touching as "Peter Marshall" in A Man Called Peter (1955). In The Longest Day (1962), he portrayed his own superior officer at the Pegasus Bridge fight, with another actor portraying Todd himself in a recreation of his own experiences. Ultimately, Todd's starring roles dwindled, but he continued as a stalwart character actor, primarily in British films.- Actor
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Although he sounded very British, Leo McKern was an Australian. By the time he was 15 years old, he had endured an accident that left him without his left eye. A glass eye replaced it - one might conjecture for the better, as far as making McKern a one-day actor of singular focus (no pun intended; his face had that extremely focused look). He failed to complete Sydney Technical High School, though his interest in engineering prompted him to transfer into the role of engineering apprentice (1935 to 1937). He expanded his horizons in a different direction with a two-year stint (1937-1940) at a commercial art college. By then World War II was escalating toward Australia, and he volunteered for service with the Engineering Corp of the Australian Army (1940 to 1942). But yet one more career move was needed, and that while the war moved northward away from Australia when America joined the fight. He studied acting and debuted on stage in 1944. He also met an Australian stage actress (Jane Holland), and mutual attraction took its course. In 1946 she had acting opportunities in England, and McKern decided that, along with the wish to propose to her, his own future as an actor lay there also.
McKern was short and stout with a great bulbous nose upon an impish face--all the ingredients for great character. His voice was a sharp and vociferous grind upon the back teeth--also perfect for character. After some touring (which included a trip to post-war Germany), he began to appear with regularity on London's premiere stages, particularly the Old Vic (1949-52 and then again 1962-63). These roles meshed with classic English work when he moved on to the Royal Shakespeare Company (RSC) at Stratford-upon-Avon and the Shakespeare Memorial Theater (later reconstituted as the now Royal Shakespeare Theater) from 1952 to 1954. He also spent a season at the New Nottingham Playhouse. He had weaned himself off his Australian accent long before this with his bid for film roles, the first being as one of the four murderous barons in the Thomas a' Becket story Murder in the Cathedral (1951). And he kept his medieval tights on for his next screen appearances (though the small screen of TV) in some roles for the popular Richard Greene series The Adventures of Robin Hood in 1955, while he continued stage work.
From then on, McKern had roles in two to three movies a year--busy but not too busy--gradually mixing progressively more and more TV work in the 1950s, 1960s, and 1970s. The films were as varied as a good stage actor could justify moving into a popular medium. Though he was usually police officials, doctors, and authoritative figures, he always made these early parts stand out. Drama comes in various packages; he was not averse to the rise of sci-fi as a vehicle for it. He graced two British sci-fi classics: X the Unknown (1956) and the better The Day the Earth Caught Fire (1961). And there was also TV fantasy work, one of the best known examples being multiple outings as interrogator and chain-yanker Number Two in The Prisoner series. In the late '70s, he condescended to add some weight to two of the Omen movies, as did Gregory Peck and William Holden, putting him in good company. Great drama was McKern's meat. And doing some historically significant on a great scale was an opportunity for a Shakespearean not to miss. He was cast in the screen version of the Robert Bolt hit play A Man for All Seasons (1966). And his visage was perhaps part of the allure. Cast as ruthless political climber and fated chancellor of England Thomas Cromwell, McKern looked like the Hans Holbein court painting of the man who rather nefariously succeeded to Sir Thomas More's position. More was played by McKern's fellow RSC resident Paul Scofield. McKern gave flesh to the commoner Cromwell, making him loud and abrasive with a delightful verve. Later he and Scofield shared another film role, in the sense that the latter turned down the part of Thomas Ryan in the David Lean epic of Ireland Ryan's Daughter (1970), while McKern accepted it and made the role work. (Scofield would have been a miscast, something he probably wisely foresaw.)
McKern, from his early screen roles, could do comedy. He had a fair share of outrageous characters, and he could play them with a glint in his eye and a bit of extra cheek in his performance to show that he must have had fun in the role. In this regard, he showed his stuff supporting Peter Sellers in the endearing The Mouse That Roared (1959) and had the lead in the outlandish They All Died Laughing (1964) as a college professor who decides to snuff out humanity with poison laughing gas. He was a broad country fellow with a Shakespearean twist as Squint in The Amorous Adventures of Moll Flanders (1965). In one of his later comedies, he is rather overlooked because of its clever script; in fact, it is an over-the-top tour de force for McKern. As the infamous nemesis Professor Moriarty in The Adventure of Sherlock Holmes' Smarter Brother (1975), McKern manages to steal the show from funny man and director/writer Gene Wilder along with Marty Feldman and Roy Kinnear. McKern's Moriarty is devilish but tongue-in-cheek with a vengeance, especially with his nervous tic of suddenly, at any time and out of nowhere, yelling, "YAAA, YAAA!"
Yet McKern's chief legacy has been and probably will continue to be his long-running TV role in more mystery (he had done his fair share in film and TV already) as Horace Rumpole in "Rumpole of the Bailey" (1978-1992), a role originally introduced by him in the teleplay "Rumpole of the Bailey" in 1975. The role had been specifically created for him by writer John Mortimer, and though every actor can appreciate the security of a long-running role, McKern feared that it was subsuming his more than considerable body of work. Along with that, McKern became increasingly self-conscious of his acting, and mixed in was the idea that his physical appearance was not appealing to the public. As a result, he had to deal with a progressively increasing stage fright. He need not have worried; he was working in diverse TV and movie roles nearly to the time of his passing, and he was beloved by movie and TV fans alike. Along with receiving the award of Officer of the Order of Australia from his home country, in 1983 McKern's memoir "Just Resting" was published.- Actor
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'Eric Sykes' started as a radio scriptwriter but he soon found he could perform as well as write. The slight handicap of being very hard of hearing doesn't interfere with his wonderful comic timing. The spectacles he wears have no lenses but contain a bone conducting hearing aid.- Actor
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Educated at Harrow he worked at Marks and Spencers but was dismissed for wearing a loud checked suit. He sprang to international fame in 1973 as the assassin in Day of the Jackal, then had cameo style roles in Gandhi, The Dresser, Never Say Never Again and leads in The Wild Geese and The Shooting Party and on television in Edward and Mrs Simpson as the king, He lives in Maida Vale area of London with actress Joanna David and their daughter Emilia born in 1974.