Benji 1974 premiere
Tuesday November 19th, iPic Westwood
10840 Wilshire Boulevard, Los Angeles, CA 90024
10840 Wilshire Boulevard, Los Angeles, CA 90024
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Charlie Rich was born on 14 December 1932 in Colt, Arkansas, USA. He was an actor, known for Wild (2014), Tinker Tailor Soldier Spy (2011) and The Firm (1993). He was married to Margaret Ann Rich. He died on 25 July 1995 in Hammond, Louisiana, USA.- Actress
- Soundtrack
Undoubtedly the woman who had come to epitomize what we recognize today as "celebrity," Zsa Zsa Gabor, is better known for her many marriages, personal appearances, her "dahlink" catchphrase, her actions, gossip, and quotations on men, rather than her film career.
Zsa Zsa was born as Sári Gabor on February 6, 1917 in Budapest, Hungary, to Jolie Gabor (née Janka Tilleman) and Vilmos Gabor (born Farkas Miklós Grün), both of Jewish descent. Her siblings were Eva Gabor and Magda Gabor. Zsa Zsa studied at a Swiss finishing school, was second runner-up in the fifth Miss Hungary pageant, and began her stage career in Vienna in 1934. In 1941, the year she obtained her first divorce, she followed younger sister Eva to Hollywood.
A radiant, beautiful blonde, Zsa Zsa began to appear on television series and occasional films. Her first film was at Metro-Goldwyn-Mayer in Lovely to Look At (1952), co-starring Kathryn Grayson and Red Skelton. She next made a comedy called We're Not Married! (1952) at 20th Century Fox with Ginger Rogers. It was far from a star billing; she appeared several names down the cast as a supporting actress. But in 1952 she broke into films big time with her starring role opposite José Ferrer in Moulin Rouge (1952), although it has been said that throughout filming, director John Huston gave her a very difficult time.
In the following years, Zsa Zsa slipped back into supporting roles in films such as Lili (1953) and 3 Ring Circus (1954). Her main period of film work was in the 1950s, with other roles in Death of a Scoundrel (1956), with Yvonne De Carlo, and The Man Who Wouldn't Talk (1958) with Anna Neagle; again, these were supporting roles. By the 1960s, Zsa Zsa was appearing more as herself in films. She now appeared to follow her own persona around, and cameo appearances were the order of the day in films such as Pepe (1960) and Jack of Diamonds (1967). This continued throughout the 1970s.
She was memorable as herself in The Naked Gun 2½: The Smell of Fear (1991), in which she humorously poked fun at a 1989 incident where she was convicted of slapping a police officer (Paul Kramer) during a traffic stop. She spent three days in jail and had to do 120 hours of community service. Such infamous incidents contributed to her becoming one of the most all-time recognizable of Hollywood celebrities, and sometimes ridiculed as a result. She was also memorable to British television viewers on The Ruby Wax Show (1997).
In 2002, Gabor was reported to be in a coma in a Los Angeles hospital after a horrifying car accident. The 85-year-old star was injured when the car she was traveling in hit a utility pole in West Hollywood, California. The reports about her coma eventually proved to be inaccurate.
Zsa Zsa's life, spanning two continents, nine husbands, and 11 decades, came to an end on December 18, 2016, when she died of cardiac arrest in Los Angeles, California. She was 99.- Actor
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- Composer
Singer, composer, actor and author, educated at Brooklyn's Thomas Jefferson High School and a student of saxophone and piano. Between 1958 and 1960 he served in the US Army and was a vocalist with the US Army Band and Orchestra based in Fort Myers, Virginia. After he was discharged, he commenced his singing career on television, night clubs and recordings, both as a single performer and with his wife Eydie Gormé. He appeared in the mid-1960s Broadway musical "What Makes Sammy Run?". Joining ASCAP in 1957, his popular-song compositions include "After Midnight Waltz"; "All Of My Life"; "At a Time Like This"; "Can't Get Over the Bossa Nova"; "The Chase"; "Damila"; "Hi-Ho, Steve-O"; "Hurry Home for Christmas"; "I Gotta Run": "I'll Follow You"; "I'll Never Be Alone"; "It's Easier Said than Done"; "Just For Now"; "Laugh My Face"; "Let Me Be the First"; " A Little Bit Bluer"; "Oh, How You Lied"; "Only You"; "Pity, Pity"; "The Second Time Around"; "The Shortest Love Song"; "Sittin' on the Fence of Life"; "Tall People"; "Tell Me"; "Time to Say Goodnight"; "Two on the Aisle"; "What's the Use of Talking"; "When You're in Love"; "While There's Still Time"; "The World of You"; "You Better Run"; and "Your Kisses Kill Me".- Music Department
- Actress
- Soundtrack
Eydie Gorme was born in New York on August 16, 1928 to Sephardic Jewish parents. Her father, Nessim Gormezano, was a Turkish-born tailor who changed his last name when he arrived in the United States. She began singing straight out of high school, with various big bands. But her big break came after she auditioned for, and joined, "The The Tonight Show (1953) Show" in 1953. There, for $90 a week, she sang solos and sang duets with the up-and-coming Steve Lawrence. The two performed on the show for five years, and married in 1957. After their "Tonight Show" stint, the pair had a short-lived TV show of their own, The Steve Lawrence-Eydie Gorme Show (1958). Then, Lawrence entered the Army leaving Gorme, a new mother, to frequent the night club circuit on her own. Two years later, when Lawrence was discharged, the couple came to a decision to enter show business more professionally. Their career took off, with audiences drawn to their penchant for the classics in favor of rock 'n' roll, as well as their spontaneous banter.- Actor
- Producer
- Director
Screen legend, superstar, and the man with the most famous blue eyes in movie history, Paul Leonard Newman was born on January 26, 1925, in Cleveland, Ohio, the second son of Arthur Sigmund Newman (died 1950) and Theresa Fetsko (died 1982). His elder brother was Arthur S. Newman Jr., named for their father, a Jewish businessman who owned a successful sporting goods store and was the son of emigrants from Poland and Hungary. Newman's mother (born Terézia Fecková, daughter of Stefan Fecko and Mária Polenak) was a Roman Catholic Slovak from Homonna, Pticie (former Austro-Hungarian Empire), who became a practicing Christian Scientist. She and her brother, Newman's uncle Joe, had an interest in the creative arts, and it rubbed off on him. He acted in grade school and high school plays. The Newmans were well-to-do and Paul Newman grew up in affluent Shaker Heights. Before he became an actor, Newman ran the family sporting goods store in Cleveland, Ohio.
By 1950, the 25-year-old Newman had been kicked out of Ohio University, where he belonged to the Phi Kappa Tau fraternity, for unruly behavior (denting the college president's car with a beer keg), served three years in the United States Navy during World War II as a radio operator, graduated from Ohio's Kenyon College, married his first wife, Jacqueline "Jackie" Witte (born 1929), and had his first child, Scott. That same year, his father died. When he became successful in later years, Newman said if he had any regrets it would be that his father was not around to witness his success. He brought Jackie back to Shaker Heights and he ran his father's store for a short period. Then, knowing that wasn't the career path he wanted to take, he moved Jackie and Scott to New Haven, Connecticut, where he attended Yale University's School of Drama.
While doing a play there, Newman was spotted by two agents, who invited him to come to New York City to pursue a career as a professional actor. After moving to New York, he acted in guest spots for various television series and in 1953 came a big break. He got the part of understudy of the lead role in the successful Broadway play "Picnic". Through this play, he met actress Joanne Woodward (born 1930), who was also an understudy in the play. While they got on very well and there was a strong attraction, Newman was married and his second child, Susan, was born that year. During this time, Newman was accepted into the much admired and popular New York Actors Studio, although he did not actually audition.
In 1954, a film Newman was very reluctant to do was released, The Silver Chalice (1954). He considered his performance in this costume epic to be so bad that he took out a full-page ad in a trade paper apologizing for it to anyone who might have seen it. He had always been embarrassed about the film and reveled in making fun of it. He immediately wanted to return to the stage, and performed in "The Desperate Hours". In 1956, he got the chance to redeem himself in the film world by portraying boxer Rocky Graziano in Somebody Up There Likes Me (1956), and critics praised his performance. In 1957, with a handful of films to his credit, he was cast in The Long, Hot Summer (1958), co-starring Joanne Woodward.
During the shooting of this film, they realized they were meant to be together and by now, so did his then-wife Jackie, who gave Newman a divorce. He and Woodward wed in Las Vegas in January 1958. They went on to have three daughters together and raised them in Westport, Connecticut. In 1959, Newman received his first Academy Award nomination for Best Actor, in Cat on a Hot Tin Roof (1958). The 1960s would bring Newman into superstar status, as he became one of the most popular actors of the decade, and garnered three more Best Actor Oscar nominations, for The Hustler (1961), Hud (1963) and Cool Hand Luke (1967). In 1968, his debut directorial effort Rachel, Rachel (1968) was given good marks, and although the film and Woodward were nominated for Oscars, Newman was not nominated for Best Director. However, he did win a Golden Globe Award for his direction.
1969 brought the popular screen duo of Newman and Robert Redford together for the first time when Butch Cassidy and the Sundance Kid (1969) was released. It was a box office smash. Through the 1970s, Newman had hits and misses from such popular films as The Sting (1973) and The Towering Inferno (1974) to lesser known films as The Life and Times of Judge Roy Bean (1972) to a cult classic Slap Shot (1977). After the death of his only son, Scott, in 1978, Newman's personal life and film choices moved in a different direction. His acting work in the 1980s and on is what is often most praised by critics today. He became more at ease with himself and it was evident in The Verdict (1982) for which he received his sixth Best Actor Oscar nomination and, in 1987, finally received his first Oscar for The Color of Money (1986), almost thirty years after Woodward had won hers. Friend and director of Somebody Up There Likes Me (1956), Robert Wise accepted the award on Newman's behalf as the actor did not attend the ceremony.
Films were not the only thing on his mind during this period. A passionate race car driver since the early 1970s (despite being color-blind), he was co-founder of Newman-Haas racing in 1982, and also founded "Newman's Own", a successful line of food products that has earned in excess of $100 million, every penny of which Newman donated to charity. He also started The Hole in the Wall Gang Camps, an organization for children with serious illness. He was as well known for his philanthropic ways and highly successful business ventures as he was for his legendary actor status.
Newman's marriage to Woodward lasted a half-century. Connecticut was their primary residence after leaving Hollywood and moving East in 1960. Renowned for his sense of humor, in 1998 he quipped that he was a little embarrassed to see his salad dressing grossing more than his movies. During his later years, he still attended races, was much involved in his charitable organizations, and in 2006, he opened a restaurant called Dressing Room, which helps out the Westport Country Playhouse, a place in which Newman took great pride. In 2007, while the public was largely unaware of the serious illness from which he was suffering, Newman made some headlines when he said he was losing his invention and confidence in his acting abilities and that acting was "pretty much a closed book for me". A smoker for many years, Newman died on September 26, 2008, aged 83, from lung cancer.- Actress
- Soundtrack
Angie Dickinson was born in Kulm, North Dakota, in 1931, the daughter of Mr. and Mrs. L. H. Brown. Mr. Brown was the publisher of The Kulm Messenger. The family left North Dakota in 1942 when Angie was 11 years old, moving to Burbank, California. In December of 1946, when she was a senior at Bellamarine Jefferson High School in Burbank, she won the Sixth Annual Bill of Rights Contest. Two years later her sister Janet, did likewise. Being the daughter of a printer, Angie at first had visions of becoming a writer, but gave this up after winning her first beauty contest. After finishing college she worked as a secretary in a Burbank airplane parts factory for 3-1/2 years. In 1953 she entered the local Miss America contest one day before the deadline and took second place. In August of the same year she was one of five winners in a beauty contest sponsored by NBC and appeared in several TV variety shows. She got her first bit part in a Warner Brothers movie in 1954 and gained television fame in the TV series The Millionaire (1955) and got her first good film role opposite John Wayne and Dean Martin in Rio Bravo (1959). Her success then climbed until she became one of the nation's top movie stars.- Actress
- Producer
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One of America's most loved actresses was born Doris Mary Kappelhoff on April 3, 1922, in Cincinnati, Ohio, to Alma Sophia (Welz), a housewife, and William Joseph Kappelhoff, a music teacher and choir master. Her grandparents were all German immigrants. She had two brothers, Richard, who died before she was born and Paul, a few years older.
Her parents divorced while she was still a child, and she lived with her mother. Like most little girls, Doris liked to dance. At fourteen, she formed a dance act with a boy, Jerry Doherty, and they won $500 in a local talent contest. She and Jerry took a brief trip to Hollywood to test the waters. They felt they could succeed, so she and Jerry returned to Cincinnati with the intention of packing and making a permanent move to Hollywood. Tragically, the night before she was to move to Hollywood, she was injured riding in a car hit by a train, ending the possibility of a dancing career.
It was a terrible setback, but after taking singing lessons she found a new vocation, and at age 17, she began touring with the Les Brown Band. She met trombonist Al Jorden, whom she married in 1941. Jorden was prone to violence and they divorced after two years, not long after the birth of their son Terry. In 1946, Doris married George Weidler, but this union lasted less than a year. Day's agent talked her into taking a screen test at Warner Bros. The executives there liked what they saw and signed her to a contract (her early credits are often confused with those of another actress named Doris Day, who appeared mainly in B westerns in the 1930s and 1940s).
Her first starring movie role was in Romance on the High Seas (1948). The next year, she made two more films, My Dream Is Yours (1949) and It's a Great Feeling (1949). Audiences took to her beauty, terrific singing voice and bubbly personality, and she turned in fine performances in the movies she made (in addition to several hit records). She made three films for Warner Bros. in 1950 and five more in 1951. In that year, she met and married Martin Melcher, who adopted her young son Terry, who later grew up to become Terry Melcher, a successful record producer.
In 1953, Doris starred in Calamity Jane (1953), which was a major hit, and several more followed: Lucky Me (1954), Love Me or Leave Me (1955), The Man Who Knew Too Much (1956) and what is probably her best-known film, Pillow Talk (1959). She began to slow down her filmmaking pace in the 1960s, even though she started out the decade with a hit, Please Don't Eat the Daisies (1960).
In 1958, her brother Paul died. Around this time, her husband, who had also taken charge of her career, had made deals for her to star in films she didn't really care about, which led to a bout with exhaustion. The 1960s weren't to be a repeat of the previous busy decade. She didn't make as many films as she had in that decade, but the ones she did make were successful: Do Not Disturb (1965), The Glass Bottom Boat (1966), Where Were You When the Lights Went Out? (1968) and With Six You Get Eggroll (1968). Martin Melcher died in 1968, and Doris never made another film, but she had been signed by Melcher to do her own TV series, The Doris Day Show (1968). That show, like her movies, was successful, lasting until 1973. After her series went off the air, she made only occasional TV appearances.
By the time Martin Melcher died, Doris discovered she was millions of dollars in debt. She learned that Melcher had squandered virtually all of her considerable earnings, but she was eventually awarded $22 million by the courts in a case against a man that Melcher had unwisely let invest her money. She married for the fourth time in 1976 and since her divorce in 1980 has devoted her life to animals.
Doris was a passionate animal rights activist. She ran Doris Day Animal League in Carmel, California, which advocates homes and proper care of household pets.
Doris died on May 13, 2019, in Carmel Valley Village, California. She was 97.- The real name of the dog who played the original "Benji" was Higgins, owned and trained by famed animal trainer and breeder Frank Inn. Inn adopted the dog in 1960 from the Burbank Animal Shelter in Burbank, California. He trained the dog, who went on to appear in the television series Petticoat Junction (1963). Soon after the series ended, Higgins was retired by Inn but returned at age 14 in 1974 to star in his greatest success in Benji (1974). Descendants of Higgins were featured in the subsequent "Benji" films.
- Army Archerd was born on 13 January 1922 in Bronx, New York City, New York, USA. He was an actor and producer, known for Escape from the Planet of the Apes (1971), Burke's Law (1963) and Gable and Lombard (1976). He was married to Selma Archerd and Joan Carol Paul. He died on 8 September 2009 in Los Angeles, California, USA.
- Costume Designer
- Costume and Wardrobe Department
- Additional Crew
Theoni V. Aldredge was born on 22 August 1922 in Thessaloniki, Greece. She was a costume designer, known for The Great Gatsby (1974), Addams Family Values (1993) and Ghostbusters (1984). She was married to Tom Aldredge. She died on 21 January 2011 in Stamford, Connecticut, USA.- Writer
- Producer
- Director
A graduate of New York's Columbia School of Journalism, Irwin Allen was a magazine editor, the producer/director of a radio show and the owner of an advertising agency before entering film production in the 1950s. His documentary, The Sea Around Us (1953), won an Academy Award. A successful TV series producer (The Time Tunnel (1966), Lost in Space (1965)), Allen was nicknamed "The Master of Disaster" in the 1970s due to the tremendous success of his two special effects-laden epics, The Poseidon Adventure (1972) and The Towering Inferno (1974).- Actor
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- Producer
Fred Astaire was born in Omaha, Nebraska, to Johanna (Geilus) and Fritz Austerlitz, a brewer. Fred entered show business at age 5. He was successful both in vaudeville and on Broadway in partnership with his sister, Adele Astaire. After Adele retired to marry in 1932, Astaire headed to Hollywood. Signed to RKO, he was loaned to MGM to appear in Dancing Lady (1933) before starting work on RKO's Flying Down to Rio (1933). In the latter film, he began his highly successful partnership with Ginger Rogers, with whom he danced in 9 RKO pictures. During these years, he was also active in recording and radio. On film, Astaire later appeared opposite a number of partners through various studios. After a temporary retirement in 1945-7, during which he opened Fred Astaire Dance Studios, Astaire returned to film to star in more musicals through 1957. He subsequently performed a number of straight dramatic roles in film and TV.- Actress
- Soundtrack
Lauren Bacall was born Betty Joan Perske on September 16, 1924, in New York City. She was the daughter of Natalie Weinstein-Bacal, a Romanian Jewish immigrant, and William Perske, who was born in New Jersey, to Polish Jewish parents. Her family was middle-class, with her father working as a salesman and her mother as a secretary. They divorced when she was five and she rarely saw her father after that.
As a school girl, she originally wanted to be a dancer, but later switched gears to head into acting. She studied at the American Academy of Dramatic Arts in New York, after attending She was educated at Highland Manor, a private boarding school in Tarrytown, New York (through the generosity of wealthy uncles), and then at Julia Richman High School, which enabled her to get her feet wet in some off-Broadway productions.
Out of school, she entered modeling and, because of her beauty, appeared on the cover of Harper's Bazaar, one of the most popular magazines in the US. The wife of famed director Howard Hawks spotted the picture in the publication and arranged with her husband to have Lauren take a screen test. As a result, which was entirely positive, she was given the part of Marie Browning in To Have and Have Not (1944), a thriller opposite Humphrey Bogart, when she was just 19 years old. This not only set the tone for a fabulous career but also one of Hollywood's greatest love stories (she married Bogart in 1945). It was also the first of several Bogie-Bacall films.
After 1945's Confidential Agent (1945), Lauren received second billing in The Big Sleep (1946) with Bogart. The mystery, in the role of Vivian Sternwood Rutledge, was a resounding success. Although she was making one film a year, each production would be eagerly awaited by the public. In 1947, again with her husband, Lauren starred in the thriller Dark Passage (1947). The film kept movie patrons on the edge of their seats. The following year, she starred with Bogart, Edward G. Robinson, and Lionel Barrymore in Key Largo (1948). The crime drama was even more of a nail biter than her previous film.
In 1950, Lauren starred in Bright Leaf (1950), a drama set in 1894. It was a film of note because she appeared without her husband - her co-star was Gary Cooper. In 1953, Lauren appeared in her first comedy as Schatze Page in How to Marry a Millionaire (1953). The film, with co-stars Marilyn Monroe and Betty Grable, was a smash hit all across the theaters of America.
After filming Designing Woman (1957), which was released in 1957, Humphrey Bogart died on January 14 from throat cancer. Devastated at being a widow, Lauren returned to the silver screen with The Gift of Love (1958) in 1958 opposite Robert Stack. The production turned out to be a big disappointment. Undaunted, Lauren moved back to New York City and appeared in several Broadway plays to huge critical acclaim. She was enjoying acting before live audiences and the audiences in turn enjoyed her fine performances.
Lauren was away from the big screen for five years, but she returned in 1964 to appear in Shock Treatment (1964) and Sex and the Single Girl (1964). The latter film was a comedy starring Henry Fonda and Tony Curtis. In 1966, Lauren starred in Harper (1966) with Paul Newman and Julie Harris, which was one of former's signature films.
Alternating her time between films and the stage, Lauren returned in 1974's Murder on the Orient Express (1974). The film, based on Agatha Christie's best-selling book was a huge hit. It also garnered Ingrid Bergman her third Oscar. Actually, the huge star-studded cast helped to ensure its success. Two years later, in 1976, Lauren co-starred with John Wayne in The Shootist (1976). The film was Wayne's last - he died from cancer in 1979. In late 1979, Lauren appeared with her good friend, James Garner, in a double episode, Lions, Tigers, Monkeys and Dogs (1979), of his Rockford Files series.
For Lauren's next film role, she appeared in a large ensemble film, HealtH (1980), which again paired her with James Garner, and in 1981, she played an actress being stalked by a crazed admirer in The Fan (1981). The thriller was absolutely fascinating with Lauren in the lead role, again playing opposite her good friend James Garner, making three straight screen roles with Lauren opposite James Garner. After that production, Lauren was away from films again, this time for seven years. In the interim, she again appeared on the stages of Broadway. When she returned, it was for the filming of 1988's Appointment with Death (1988) and Mr. North (1988). After 1990's Misery (1990) and several made for television films, Lauren appeared in 1996's My Fellow Americans (1996), a comedy romp with Jack Lemmon and James Garner as two ex-presidents and their escapades. In 1997, Lauren appeared in The Mirror Has Two Faces (1996), in one of the best roles of her later career, opposite Barbra Streisand, where Lauren was nominated as Best Actress in a Supporting Role by both the Academy and the Golden Globes, winning the Golden Globe for the role.
Despite her age and failing health, she made a small-scale comeback in the English-language dub of Hayao Miyazaki's Howl's Moving Castle (2004) ("Howl's Moving Castle," based on the young-adult novel by Diana Wynne Jones) as the Witch of the Waste, and several other roles through 2008, but thereafter acting endeavors for the beloved actress became increasingly rare. Lauren Bacall died on 12 August 2014, five weeks short of her 90th birthday.- Actor
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- Writer
Since starring in his first film, Splendor in the Grass (1961), Warren Beatty has been said to have demonstrated a greater longevity in movies than any actor of his generation. Few people have taken so many responsibilities for all phases of the production of films as producer, director, writer, and actor, and few have evidenced so high a level of integrity in a body of work.
In Rules Don't Apply (2016), he writes, produces, directs and stars in. Only Beatty and Orson Welles (Citizen Kane) have been nominated by the Academy of Motion Picture Arts and Sciences as an actor, a director, a writer, and a producer for the same film. Beatty is the only person ever to have done it twice, for Heaven Can Wait (1978) and again for Reds (1981). Beatty has been nominated 15 times by the Academy of Motion Pictures Arts and Sciences, and 8 films he has produced have earned 53 Academy nominations. In 1982 he won the Academy Award for Directing and in 2000 was given the Academy's highest honor, the Irving G. Thalberg Award.
He was awarded Best Director from the Directors Guild of America and Best Writer three times from the Writers Guild of America. He has received the Milestone Award from the Producers Guild, the Board of Governors Award from the American Society of Cinematographers, the Directors Award from the Costume Designers Guild, the Life Achievement Award from the Publicists Guild, and the Outstanding Contribution to Cinematic Imagery Award from the Art Directors Guild. The National Association of Theater Owners has honored him as Director of the Year, as Producer of the Year and as Actor of the Year.
He has won 16 awards from the New York and Los Angeles Film Critics, the National Board of Review, and the Golden Globes. In 1992, he was made a Commander of the Order of Arts and Letters in France; in Italy he received the David di Donatello award in 1968 and again in 1981 and its Lifetime Achievement Award in 1998; in 2001, he received the Donostia Lifetime Achievement Award from the San Sebastian International Film Festival; in 2002, he received the British Academy Fellowship from BAFTA; and in 2011, he was awarded the Stanley Kubrick Britannia Award for Excellence in Film.
In December 2004, Beatty received The Kennedy Center Honor in Washington, D.C. In addition, he is the recipient of the American Film Institute's Lifetime Achievement Award, the HFPA Cecile B. DeMille Award and many others. Politically active since the 1960's, Beatty campaigned with Robert F. Kennedy in his 1968 presidential campaign. That same year he traveled throughout the United States speaking in favor of gun control and against the war in Vietnam. In 1972 he took a year off from motion pictures to campaign with George McGovern.
In 1981, Beatty was a founding board member of the Center for National Policy. He is a founding member of The Progressive Majority, a member of the Council on Foreign Relations, and has participated in the World Economic Forum at Davos, Switzerland.
Beatty serves on the Board of Directors of the Motion Picture and Television Fund Foundation. He previously served on the Board of Trustees of The Scripps Research Institute for several years. He has received the Eleanor Roosevelt Award from the Americans for Democratic Action, the Brennan Legacy Award from the Brennan Center for Justice at the New York University School of Law, and the Philip Burton Public Service Award from The Foundation for Taxpayer and Consumer Rights.
In multiple forums he has addressed campaign finance reform, the increasing disparity of wealth, universal health care and the need for the Democratic Party to return to its roots.
In March of 2013, he was inducted into the California Hall of Fame.
Beatty was born in Richmond, Virginia. He and his wife, Annette Bening, live in Los Angeles and have four children.
His mother, Kathlyn Corinne (MacLean), was a drama teacher from Nova Scotia, Canada, and his father, Ira Owens Beaty, a professor of psychology and real estate agent, was from Virginia. His sister is actress Shirley MacLaine (born Shirley MacLean Beaty). His ancestry is mostly English and Scottish.- Actress
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Ingrid Bergman was one of the greatest actresses from Hollywood's lamented Golden Era. Her natural and unpretentious beauty and her immense acting talent made her one of the most celebrated figures in the history of American cinema. Bergman is also one of the most Oscar-awarded actresses, tied with Meryl Streep and Frances McDormand, all three of them second only to Katharine Hepburn.
Ingrid Bergman was born on August 29, 1915 in Stockholm, Sweden, to a German mother, Frieda Henrietta (Adler), and a Swedish father, Justus Samuel Bergman, an artist and photographer. Her mother died when she was only two and her father died when she was 12. She went to live with an elderly uncle.
The woman who would be one of the top stars in Hollywood in the 1940s had decided to become an actress after finishing her formal schooling. She had had a taste of acting at age 17 when she played an uncredited role of a girl standing in line in the Swedish film Landskamp (1932) in 1932 - not much of a beginning for a girl who would be known as "Sweden's illustrious gift to Hollywood." Her parents died when she was just a girl and the uncle she lived with didn't want to stand in the way of Ingrid's dream. The next year she enrolled at the Royal Dramatic Theatre School in Stockholm but decided that stage acting was not for her. It would be three more years before she would have another chance at a film. When she did, it was more than just a bit part. The film in question was The Count of the Old Town (1935), where she had a speaking part as Elsa Edlund. After several films that year that established her as a class actress, Ingrid appeared in Intermezzo (1936) as Anita Hoffman. Luckily for her, American producer David O. Selznick saw it and sent a representative from Selznick International Pictures to gain rights to the story and have Ingrid signed to a contract. Once signed, she came to California and starred in United Artists' 1939 remake of her 1936 film, Intermezzo (1939), reprising her original role. The film was a hit and so was Ingrid.
Her beauty was unlike anything the movie industry had seen before and her acting was superb. Hollywood was about to find out that they had the most versatile actress the industry had ever seen. Here was a woman who truly cared about the craft she represented. The public fell in love with her. Ingrid was under contract to go back to Sweden to film Only One Night (1939) in 1939 and June Night (1940) in 1940. Back in the US she appeared in three films, all well-received. She made only one film in 1942, but it was the classic Casablanca (1942) opposite Humphrey Bogart.
Ingrid was choosing her roles well. In 1943 she was nominated for an Academy Award for her role in For Whom the Bell Tolls (1943), the only film she made that year. The critics and public didn't forget her when she made Gaslight (1944) the following year--her role of Paula Alquist got her the Oscar for Best Actress. In 1945 Ingrid played in Spellbound (1945), Saratoga Trunk (1945) and The Bells of St. Mary's (1945), for which she received her third Oscar nomination for her role of Sister Benedict. She made no films in 1947, but bounced back with a fourth nomination for Joan of Arc (1948). In 1949 she went to Italy to film Stromboli (1950), directed by Roberto Rossellini. She fell in love with him and left her husband, Dr. Peter Lindstrom, and daughter, Pia Lindström. America's "moral guardians" in the press and the pulpits were outraged. She was pregnant and decided to remain in Italy, where her son was born. In 1952 Ingrid had twins, Isotta and Isabella Rossellini, who became an outstanding actress in her own right, as did Pia.
Ingrid continued to make films in Italy and finally returned to Hollywood in 1956 in the title role in Anastasia (1956), which was filmed in England. For this she won her second Academy Award. She had scarcely missed a beat. Ingrid continued to bounce between Europe and the US making movies, and fine ones at that. A film with Ingrid Bergman was sure to be a quality production. In her final big-screen performance in 1978's Autumn Sonata (1978) she had her final Academy Award nomination. Though she didn't win, many felt it was the most sterling performance of her career. Ingrid retired, but not before she gave an outstanding performance in the mini-series A Woman Called Golda (1982), a film about Israeli prime minister Golda Meir. For this she won an Emmy Award as Best Actress, but, unfortunately, she did not live to see the fruits of her labor.
Ingrid died from cancer on August 29, 1982, her 67th birthday, in London, England.- She continues to stand out in a crowd with her wholesome beauty, knock-out figure and dazzling smile. Ever-radiant TV and film resident Susan Blakely found success on several paths she chose for herself over the years -- first as a model, then as an award-winning actress, and as a jewelry designer. The trim and trendy blonde is best known for enhancing a mild stream of popular films during the 1970s and 1980s.
Born on September 7, 1948, in Frankfurt, Germany, Susan is the daughter of U.S. Army Colonel Lawrence Blakely. While growing up, she traveled extensively throughout the world with her family including Korea, Hawaii and, finally, Texas. Following a year of study at the University of Texas, Susan moved to New York and managed to secure a place for herself as a high-priced magazine and TV ad model for the Ford Modeling Agency.
At the same time, Susan was encouraged to try her hand at acting and studied at the Neighborhood Playhouse. Married in 1969 to lawyer and screenwriting hopeful Todd Merer, they chanced a move to Hollywood to seek their fame and fortune.
Billed initially as Susie Blakely, she was cast in small, capricious, deb-like turns in such films as Savages (1972) (her debut) and The Way We Were (1973). Her first popular movie role came about surrounded by a high-and-mighty all-star cast in Irwin Allen's epic disaster The Towering Inferno (1974), as the spoiled princess-like daughter of unscrupulous skyscraper builder William Holden and wife of callous, pretty-boy opportunist Richard Chamberlain. Lightweight as the role was, Susan willingly accepted the challenge of proving herself in Hollywood as more than just another starlet with a gorgeous face.
She did .. .and became a prominent name in Hollywood to boot ... by earning a Golden Globe and Emmy nomination for her exceptional work as "Julie Prescott" in the acclaimed TV mini-series epic Rich Man, Poor Man (1976) with both Peter Strauss and Nick Nolte vying for her attention. It was star-making turns for all three leads.
This monumental acting opportunity kicked off a highly rewarding career in TV mini-movies, playing an array of flawed but fascinating and newsworthy ladies, including Hitler mistress Eva Braun opposite Anthony Hopkins in The Bunker (1981); tormented actress Frances Farmer in Will There Really Be a Morning? (1983); political wife Joan Bennett Kennedy in The Ted Kennedy Jr. Story (1986); and crime attorney Leslie Abramson in Honor Thy Father and Mother: The True Story of the Menendez Murders (1994). A few other interesting roles came in as well that belied Susan's glossy, pretty-girl image -- ranging from an amphetamine addict in the TV movie A Cry for Love (1980) to a housewife who changes into a werewolf in the movie My Mom's a Werewolf (1989).
Into the millennium, Susan accomplished a prime, award-winning turn in the low-profile film Hungry Hearts (2002). Other films have included co-star/featured roles in The Cherokee Strip (1937), Crash Point Zero (2001), Mating Dance (2008), The Genesis Code (2010), and Displacement (2016), as well as several gay-themed short films of director Marc Saltarelli -- To Comfort You (2009), Pride (2011) Remember to Breathe (2013) and Speak (2016).
Having starred on stage in the 2006 world premiere of "Diva!" at the La Jolla Playhouse in San Diego, Susan has guested on several popular TV programs including "Diagnosis Murder," "Baywatch," "Strong Medicine," "Cold Case," "Nip/Tuck," "Murder 101," "Two and a Half Men," "Brothers and Sisters," "NCIS" and "This Is Us."
In recent years, Susan has broadened her horizons once again as a semi-precious jewelry designer...and once again she has met this challenge with great success. Divorced from her first husband in the 1970s, Susan remarried in 1982. Her present husband, media consultant, litigation and political adviser Steve Jaffe, has also reaped rewards as a film and television producer. Many of his projects have included Susan -- the afore-mentioned Frances Farmer TV biography, the TV-movie A Cry for Love (1980), and the film Russian Holiday (1993) [aka Russian Roulette]. They reside in the Beverly Hills area. - Actor
- Soundtrack
Joseph Bottoms was born on 22 April 1954 in Santa Barbara, California, USA. He is an actor, known for The Dove (1974), Holocaust (1978) and The Black Hole (1979).- Actor
- Producer
- Art Department
Jeffrey Leon Bridges was born on December 4, 1949 in Los Angeles, California, the son of well-known film and TV star Lloyd Bridges and his long-time wife Dorothy Dean Bridges (née Simpson). He grew up amid the happening Hollywood scene with big brother Beau Bridges. Both boys popped up, without billing, alongside their mother in the film The Company She Keeps (1951), and appeared on occasion with their famous dad on his popular underwater TV series Sea Hunt (1958) while growing up. At age 14, Jeff toured with his father in a stage production of "Anniversary Waltz". The "troublesome teen" years proved just that for Jeff and his parents were compelled at one point to intervene when problems with drugs and marijuana got out of hand.
He recovered and began shaping his nascent young adult career appearing on TV as a younger version of his father in the acclaimed TV- movie Silent Night, Lonely Night (1969), and in the strange Burgess Meredith film The Yin and the Yang of Mr. Go (1970). Following fine notices for his portrayal of a white student caught up in the racially-themed Halls of Anger (1970), his career-maker arrived just a year later when he earned a coming-of-age role in the critically-acclaimed ensemble film The Last Picture Show (1971). The Peter Bogdanovich- directed film made stars out off its young leads (Bridges, Timothy Bottoms, Cybill Shepherd) and Oscar winners out of its older cast (Ben Johnson, Cloris Leachman). The part of Duane Jackson, for which Jeff received his first Oscar-nomination (for "best supporting actor"), set the tone for the types of roles Jeff would acquaint himself with his fans -- rambling, reckless, rascally and usually unpredictable).
Owning a casual carefree handsomeness and armed with a perpetual grin and sly charm, he started immediately on an intriguing 70s sojourn into offbeat filming. Chief among them were his boxer on his way up opposite a declining Stacy Keach in Fat City (1972); his Civil War-era conman in the western Bad Company (1972); his redneck stock car racer in The Last American Hero (1973); his young student anarchist opposite a stellar veteran cast in Eugene O'Neill's The Iceman Cometh (1973); his bank-robbing (also Oscar-nominated) sidekick to Clint Eastwood in Thunderbolt and Lightfoot (1974); his aimless cattle rustler in Rancho Deluxe (1975); his low-level western writer who wants to be a real-life cowboy in Hearts of the West (1975); and the brother of an assassinated President who pursues leads to the crime in Winter Kills (1979). All are simply marvelous characters that should have propelled him to the very top rungs of stardom...but strangely didn't.
Perhaps it was his trademark ease and naturalistic approach that made him somewhat under appreciated at that time when Hollywood was run by a Dustin Hoffman, Robert De Niro and Al Pacino-like intensity. Neverthless, Jeff continued to be a scene-stealing favorite into the next decade, notably as the video game programmer in the 1982 science-fiction cult classic Tron (1982), and the struggling musician brother vying with brother Beau Bridges over the attentions of sexy singer Michelle Pfeiffer in The Fabulous Baker Boys (1989). Jeff became a third-time Oscar nominee with his highly intriguing (and strangely sexy) portrayal of a blank-faced alien in Starman (1984), and earned even higher regard as the ever-optimistic inventor Preston Tucker in Tucker: The Man and His Dream (1988).
Since then Jeff has continued to pour on the Bridges magic on film. Few enjoy such an enduring popularity while maintaining equal respect with the critics. The Fisher King (1991), American Heart (1992), Fearless (1993), The Big Lebowski (1998) (now a cult phenomenon) and The Contender (2000) (which gave him a fourth Oscar nomination) are prime examples. More recently he seized the moment as a bald-pated villain as Robert Downey Jr.'s nemesis in Iron Man (2008) and then, at age 60, he capped his rewarding career by winning the elusive Oscar, plus the Golden Globe and Screen Actor Guild awards (among many others), for his down-and-out country singer Bad Blake in Crazy Heart (2009). Bridges next starred in Tron: Legacy (2010), reprising one of his more famous roles, and received another Oscar nomination for Best Actor for his role in the Western remake True Grit (2010). In 2014, he co-produced and starred in an adaptation of the Lois Lowry science fiction drama The Giver (2014).
Jeff has been married since 1977 to non-professional Susan Geston (they met on the set of Rancho Deluxe (1975)). The couple have three daughters, Isabelle (born 1981), Jessica (born 1983), and Hayley (born 1985). He hobbies as a photographer on and off his film sets, and has been known to play around as a cartoonist and pop musician. His ancestry is English, and smaller amounts of Scots-Irish (Northern Irish), Irish, Swiss-German, and German.- Actor
- Director
- Soundtrack
The star of many land and underwater adventures, Lloyd Vernet Bridges, Jr. was born on January 15, 1913 in San Leandro, California, to Harriet Evelyn (Brown) and Lloyd Vernet Bridges, Sr., who owned a movie theater and also worked in the hotel business. He grew up in various Northern California towns. His father wanted him to become a lawyer, but young Lloyd's interests turned to acting while at the University of California at Los Angeles. (Dorothy Dean Bridges, Bridges' wife of more than 50 years, was one of his UCLA classmates, and appeared opposite him in a romantic play called "March Hares.") He later worked on the Broadway stage, helped to found an off-Broadway theater, and acted, produced and directed at Green Mans ions, a theater in the Catskills. Bridges made his first films in 1936, and went under contract to Columbia in 1941. Allegations that Bridges had been involved with the Communist Party threatened to derail his career in the early 1950s, but he resumed work after testifying as a cooperative witness before the House Un-American Activities, admitting his past party membership and recanting. Making the transition to television, Bridges became a small screen star of giant proportions by starring in Sea Hunt (1958), the country's most successful syndicated series. Trouper Bridges worked right to the end, winning even more new fans with his spoofy portrayals in the movies Airplane! (1980) and Hot Shots! (1991), and their respective sequels. Lloyd Bridges died at age 85 of natural causes on March 10, 1998.- Actor
- Soundtrack
American film and television actor MacDonald Carey became famous for his role as Dr. Tom Horton on NBC's soap opera Days of Our Lives (1965). For three decades he was the centered cast member of the show.
His film career was from the 1940s-'60s, and he appeared mostly in second-features (aka "B" pictures). He became known in Hollywood as "The King of the B's" (much like Lucille Ball, who was known as the "Queen of Bs"). He occasionally played second leads or supporting parts in "A" pictures, such as his role as a detective investigating suspected serial killer Joseph Cotten in Alfred Hitchcock's thriller Shadow of a Doubt (1943). He also had a successful career on Broadway and on radio.
He was on "Days of Our Lives" from its inception in 1965 until his death in 1994.- Actor
- Producer
- Soundtrack
Art Carney was an American actor with a lengthy career but is primarily remembered for two roles. In television, Carney played municipal sewer worker Ed Norton in the influential sitcom "The Honeymooners" (1955-1956). In film, Carney played senior citizen Harry Coombes in the road movie "Harry and Tonto" (1974). For this role, Carney won the Academy Award for Best Actor.
In 1918, Carney was born in an Irish American family in Mount Vernon, New York. His father was publicist Edward Michael Carney, and his mother was housewife Helen Farrell. Carney was the youngest of the family's six sons. He was educated at Mount Vernon High School (at the time called "A.B. Davis High School").
In the 1930s, Carney was a singer with the orchestra of big band leader Horace Heidt (1901-1986). They appeared often in radio shows, and were regulars in the pioneering game show Pot o' Gold (1939-1947). Carney had an uncredited cameo in the film adaptation "Pot o' Gold" (1941), which was his film debut.
His career was interrupted when he was drafted for World War II service. He served as an infantryman and machine gun crewman for the duration of the war. He fought in the Invasion of Normandy (1944), where he was wounded in the leg by shrapnel. Following his injury, his right leg was shorter than his left one. He walked with a limp for the rest of his life.
Following the War, Carney appeared regularly on radio as a character actor. He also served as a celebrity impersonator, imitating the voices of (among others) Franklin Delano Roosevelt, Winston Churchill, and Dwight David Eisenhower. He had a recurring role as the Red Lantern in the fantasy adventure series "Land of the Lost" (1943-1948), and another as Charlie the doorman in radio and television version of the sitcom The Morey Amsterdam Show (1948-1950).
Carney was first paired with fellow actor Jackie Gleason (1916-1987) in 1950, in a comedy sketch appearing in the variety series "Cavalcade of Stars" (1949-1952). Gleason appeared as lunchroom loudmouth Charlie Bratten, and Carney as mild-mannered victim Clem Finch. Due to good chemistry between the two actors, Carney became a show regular and appeared in several other comedy sketches with Gleason. "Cavalcade of Stars" was eventually reworked into "The Jackie Gleason Show" (1952-1957), with Gleason as the lead actor and Carney as his sidekick.
The most notable of the recurring sketches was "the Honeymooners", pairing the verbally abusive Ralph Kramden (Gleason) with his optimistic best friend Ed Norton (Carney). The sketch eventually was eventually given its own series, "The Honeymooners" (1955-1956). The series only lasted for 1 season, and a total of 39 episodes. The sitcom was canceled due to low ratings, but found success in syndication. Its depiction of the American working class was popular and influenced several other sitcoms. The popular animated sitcom "The Flintstones" (1960-1966) started as a Honeymooners parody, with the character Barney Rubble based on Ed Norton.
Due to his popularity as Gleason's sidekick, Carney was offered a number of lead roles in television. He starred in the television special "Art Carney Meets Peter and the Wolf" (1958), adapted from the story "Peter and the Wolf" (1936) by Sergei Prokofiev. He was eventually given his own show "Art Carney Special" (1959-1961), which was not particularly successful.
Carney had few notable guest star roles in television during the 1960s. He played an alcoholic department store Santa Claus in the episode "The Night of the Meek" (1960) of The Twilight Zone, and portrayed the villain "The Archer" in two episodes of "Batman". He opened the 1970s by playing both Santa Claus and villain Cosmo Scam in the Christmas television special "The Great Santa Claus Switch" (1970), where he appeared alongside Jim Henson's Muppets.
Carney had suffered a career decline until the 1970s, in part due to his alcoholism. He first found success in film as the leading character "Harry and Tonto" (1974), as a lonely senior citizen who goes on a cross-country journey with his pet cat. His critical success in the role and winning an Academy Award helped revive his career. He was offered many new film roles, though few leading ones.
Among his better-known film roles were the deranged preacher John Wesley Gore in "W.W. and the Dixie Dancekings" (1975), aging detective Ira Wells in "The Late Show" (1977), senile surgeon Dr. Amos Willoughby in "House Calls" (1978), and thrill-seeking bank robber Al in "Going in Style". During this period, Carney won both the National Society of Film Critics Award for Best Actor and the Pasinetti Award for Best Actor.
Carney had a notable role in the television film "Star Wars Holiday Special" (1978) as Trader Saun Dann, a member of the Rebel Alliance. In the 1980s, Carney was mostly reduced to minor roles again. He is better remembered as the kind-hearted farmer Irv Manders in the horror film "Firestarter" (1984) and theatrical producer Bernard Crawford in the comedy-drama "The Muppets Take Manhattan" (1984). He mostly retired from acting by the late 1980s.
Carney emerged from retirement to play the supporting role of Frank Slater in "Last Action Hero" (1993). Frank is depicted as the "favorite second cousin" of the film's protagonist Jack Slater (played by Arnold Schwarzenegger). Frank's death provided motivation for the revenge-seeking protagonist. Frank's final line in the film was "I'm outta here", and this was indeed Carney's last appearance in a film before his death.
Carney lived in retirement until 2003. He died in his sleep in November 2003, in his home near Westbrook, Connecticut. His death was attributed to unspecified "natural causes". He was 85 years old and had reportedly managed to stay sober since he originally quit drinking in 1974. He is interred at the Riverside Cemetery in Old Saybrook, Connecticut.
Carney was survived by his wife Jean Myers, who died in October 2012. Carney was the grandfather of politician Devin Carney, who served in the Connecticut General Assembly.- Actress
- Soundtrack
One of television's premier African-American series stars, elegant actress, singer and recording artist Diahann Carroll was born Carol Diann (or Diahann) Johnson on July 17, 1935, in the Bronx, New York. The first child of John Johnson, a subway conductor, and Mabel Faulk Johnson, a nurse; music was an important part of her life as a child, singing at age six with her Harlem church choir. While taking voice and piano lessons, she contemplated an operatic career after becoming the 10-year-old recipient of a Metropolitan Opera scholarship for studies at New York's High School of Music and Art. As a teenager she sought modeling work but it was her voice, in addition to her beauty, that provided the magic and the allure.
When she was 16, she teamed up with a girlfriend from school and auditioned for Arthur Godfrey's Talent Scouts show using the more exotic sounding name of Diahann Carroll. She alone was invited to appear and won the contest. She subsequently performed on the daily radio show for three weeks. In her late teens, she began focusing on a nightclub career and it was here that she began formulating a chic, glamorous image. Another TV talent show appearance earned her a week's engagement at the Latin Quarter.
Broadway roles for black singers were rare but at age nineteen, Diahann was cast in the Harold Arlen/Truman Capote musical "House of Flowers". Starring the indomitable Pearl Bailey, Diahann held her own quite nicely in the ingénue role. While the show itself was poorly received, the score was heralded and Diahann managed to introduce two song standards, "A Sleepin' Bee" and "I Never Has Seen Snow", both later recorded by Barbra Streisand.
In 1954 she and Ms. Bailey supported a riveting Dorothy Dandridge as femme fatale Carmen Jones (1954) in an all-black, updated movie version of the Georges Bizet opera "Carmen." Diahann later supported Ms. Dandridge again in Otto Preminger's cinematic retelling of Porgy and Bess (1959). During this time she also grew into a singing personality on TV while visiting such late-nite hosts as Jack Paar and Steve Allen and performing.
Unable to break through into the top ranks in film (she appeared in a secondary role once again in Paris Blues (1961), a Paul Newman/Joanne Woodward vehicle), Diahann returned to Broadway. She was rewarded with a Tony Award for her exceptional performance as a fashion model in the 1962 musical "No Strings," a bold, interracial love story that co-starred Richard Kiley. Richard Rodgers, whose first musical this was after the death of partner Oscar Hammerstein, wrote the part specifically for Diahann, which included her lovely rendition of the song standard "The Sweetest Sounds." By this time she had already begun to record albums ("Diahann Carroll Sings Harold Arlen" (1957), "Diahann Carroll and Andre Previn" (1960), "The Fabulous Diahann Carroll" (1962). Nightclub entertaining filled up a bulk of her time during the early-to-mid 1960s, along with TV guest appearances on Carol Burnett, Judy Garland, Andy Williams, Dean Martin and Danny Kaye's musical variety shows.
Little did Diahann know that in the late 1960s she would break a major ethnic barrier on the small screen. Though it was nearly impossible to suppress the natural glamour and sophistication of Diahann, she touchingly portrayed an ordinary nurse and widow struggling to raise a small son in the series Julia (1968). Despite other Black American actresses starring in a TV series (i.e., Hattie McDaniel in "Beulah"), Diahann became the first full-fledged African-American female "star" -- top billed, in which the show centered around her lead character. The show gradually rose in ratings and Diahann won a Golden Globe award for "Best Newcomer" and an Emmy nomination. The show lasted only two seasons, at her request.
A renewed interest in film led Diahann to the dressed-down title role of Claudine (1974), as a Harlem woman raising six children on her own. She was nominated for an Oscar in 1975, but her acting career would become more and more erratic after this period. She did return, however, to the stage with productions of "Same Time, Next Year" and "Agnes of God". While much ado was made about her return to series work as a fashionplate nemesis to Joan Collins' ultra-vixen character on the glitzy primetime soap Dynasty (1981), it became much about nothing as the juicy pairing failed to ignite. Diahann's character was also a part of the short-lived "Dynasty" spin-off The Colbys (1985).
Throughout the late 1980s and early 90s she toured with her fourth husband, singer Vic Damone, with occasional acting appearances to fill in the gaps. Some of her finest work came with TV-movies, notably her century-old Sadie Delany in Having Our Say: The Delany Sisters' First 100 Years (1999) and as troubled singer Natalie Cole's mother in Livin' for Love: The Natalie Cole Story (2000). She also portrayed silent screen diva Norma Desmond in the musical version of "Sunset Blvd." and toured America performing classic Broadway standards in the concert show "Almost Like Being in Love: The Lerner and Loewe Songbook." She then had recurring roles on Grey's Anatomy (2005) and White Collar (2009).
Diahann Carroll died on October 4, 2019, in Los Angeles, California.- Actor
- Director
- Writer
John Cassavetes was a Greek-American actor, film director, and screenwriter. He is considered a pioneer of American independent film, as he often financed his own films.
Cassavetes was born in New York City in 1929 to Nicholas John Cassavetes (1893-1979) and his wife, Katherine Demetre (1906-1983). Nicholas was an immigrant from Greece, while Katherine was Greek-American who had been born in New York City. The Cassavetes family moved back to Greece in the early 1930s, and John learned Greek as his primary language. The family moved back to the United States around 1936, possibly to evade Greece's new dictatorship, the 4th of August Regime (1936-1941). Young John had to learn to speak English. He spent his late childhood and most of his teenage years in Long Island, New York. From 1945-47, he attended the Port Washington High School. He wrote for the school newspaper and the school yearbook. The 18-year-old Cassavetes was then transferred to the Blair Academy, a boarding school located in Blairstown, New Jersey. When the time came for him to start college, Cassavetes enrolled at Champlain College (in Burlington, Vermont) but was expelled owing to poor grades.
After a brief vacation to Florida, Cassavetes enrolled at the American Academy of Dramatic Arts (AADA), in New York City. Several of his old friends were already students there and had recommended it to Cassavetes, who would be mentored by Don Richardson (1918-1996). After graduating, he began to regularly perform on stage while also appearing in small roles in films and television shows.
Cassavetes's first notable film role was that of Robert Batsford, one of the three villains (along with Vince Edwards and David Cross) in The Night Holds Terror (1955). His next major role was juvenile delinquent Frankie Dane in the crime film "Crime in the Streets" (1956). He won a lead role in Edge of the City (1957) as drifter Axel Nordmann. His co-star for the film was Sidney Poitier, who played stevedore Tommy Tyler. The film helped break new ground, portraying a working-class interracial friendship. Cassavetes gained critical acclaim for his role, and film critics compared him to Marlon Brando. Cassavetes's success as an actor led to his becoming a contract player for MGM. In 1959, he directed his first film, Shadows (1958). It depicted the lives of three African-American siblings in New York City. It won the Critics Award at the Venice Film Festival.
His next directing effort, Too Late Blues (1961), was about the professional and romantic problems of a struggling jazz musician. The film was poorly received at the time, though its autobiographical elements are considered remarkable. Cassavetes then directed A Child Is Waiting (1963), which depicted life in a state institution for mentally handicapped and emotionally disturbed children. The film was a documentary-style portrayal of problems in the social services. It was praised by critics but failed at the box office.
In 1968, Cassavetes had a comeback as a director with Faces (1968), which depicts a single night in the life of a middle-aged married couple. After 14 years of marriage, the two feel rather miserable and seek happiness in the company of friends and the beds of younger lovers, but neither manages to cure their sense of misery. The film gained critical acclaim, and, in 2011, was selected for preservation in the United States National Film Registry.
Cassavetes returned to the theme of a midlife crisis in his next film, Husbands (1970). The film depicts three middle-aged men, professionally successful and seemingly happily married. The death of a close childhood friend reminds them of their own mortality, and of their fading memories of youth. They flee their ordinary lives with a shared vacation to London, but their attempts to rejuvenate themselves fail. This film attracted mixed reviews, with some critics praising its "moments of piercing honesty" and others finding fault with its rambling dialogue.
Cassavetes's next film was Minnie and Moskowitz (1971), about the romantic relationship between a seemingly incompatible couple, jaded museum curator Minnie Moore and the temperamental drifter Seymour Moskowitz. It was well received and garnered Cassavetes a Writers Guild of America Award for Best Comedy Written Directly for the Screen. His next film was A Woman Under the Influence (1974), concerning the effects of mental illness on a working-class family. In the film, ordinary housewife Mabel Longhetti starts displaying signs of a mental disorder. She undergoes psychiatric treatment for six months while her husband, Nick Longhetti, attempts to play the role of a single father. But Nick seems to be a social misfit in his own right, and neither parent seems to be "normal". Cassavetes was nominated for an Academy Award for Best Director for this film, but the award was won by Francis Ford Coppola.
Cassavetes next directed the gritty crime film, The Killing of a Chinese Bookie (1976). In the film, Korean War veteran and cabaret owner Cosmo Vittelli owes a large debt to a criminal organization and is coerced to serve as their hit-man in an assassination scheme. He has been told that the target is an insignificant bookie, but after the assassination Vittelli learns that he just killed a high-ranking crime boss of the Chinese mafia and that he himself is now a target for assassination. The film gained good reviews and a cult following.
His next film, Opening Night (1977), was more enigmatic, mixing drama with horror elements. Protagonist Myrtle Gordon (played by Cassavetes's wife, Gena Rowlands) is a famous actress, but aging and dissatisfied with the only theatrical role available to her. After seeing teenager Nancy Stein, one of her obsessive fans , get killed in a car accident, Myrtle starts having visions of Nancy's ghost. As she keeps fighting the ghost, drinking heavily and chain-smoking, the film ends without explaining what seems to be going wrong with Myrtle's perception of reality. The film was a hit in Europe but flopped in the United States.
Cassavetes had another directing comeback with "Gloria" (1980). In the film, Gloria Swenson (formerly a gangster's girlfriend) is asked to protect Phil Dawn, the young son of an FBI informant within a New York crime family. After the apparent assassination of Phil's parents, Gloria finds herself targeted by gangsters and wanted by the police as a kidnapping suspect. The film won the Golden Lion award at the Venice Film Festival, and protagonist Gena Rowlands was nominated for several acting awards.
Cassavetes's 11th directing effort was the rather unconventional drama Love Streams (1984), about the relationship between two middle-aged siblings. In the film, Sarah Lawson suffers from depression following a messy divorce and moves in with her brother, Robert Harmon, an alcoholic writer with self-destructive tendencies. Though estranged from his ex-wife and his only son and unable to protect himself from violent foes, in the end Robert finally has someone for whom to care. The film won the Golden Bear at the Berlin International Film Festival.
Cassavetes' swan song as a director was the comedy Big Trouble (1986), replacing the much younger Andrew Bergman. The film concerns an insurance agent who needs $40,000 for college tuition for his three daughters. He agrees to cooperate in an insurance scam with the wife of one of his clients, though the plan may require them to murder her husband. Several elements of the film were recycled from the plot of the iconic film noir Double Indemnity (1944), and "Big Trouble" served as its unofficial remake. The film was unsuccessful, and Cassavetes himself reportedly disliked the script.
In the late 1980s, Cassavetes suffered from health problems and his career was in decline. He died in 1989 from cirrhosis of the liver caused by many years of heavy drinking. He was only 59 years old. He is buried at the Westwood Village Memorial Park in Los Angeles, having left more than 40 unproduced screenplays and an unpublished novel. His son, Nick Cassavetes, eventually used one of the unproduced screenplays to direct a new film, the romantic drama, She's So Lovely (1997). It was released eight years after the death of John Cassavetes, and was well received by critics.- Actress
- Producer
- Writer
Joan Collins is an English actress from Paddington, London. She is most famous for playing the role of vengeful schemer Alexis Carrington Colby in the soap opera "Dynasty" (1981-1989). In 1997, She was appointed an Officer of the Order of the British Empire (OBE) for services to drama. In 2015, She was promoted to the rank of Dame Commander of the Order of the British Empire (DBE) for services to charity.
She was the daughter of talent agent Joseph William Collins (1902-1988) and his wife, dance teacher Elsa Bessant, (1906-1962). Joseph was born in South Africa, and of Jewish descent. As a talent agent, his most famous clients were Shirley Bassey, the Beatles, and Tom Jones. Elsa was born in the United Kingdom to an Anglican family.
Collins was educated at Francis Holland School in London, an independent day school for girls. She made her theatrical debut c. 1942, as a child actress. She had a role in a performance of the play "A Doll's House" (1879) by Henrik Ibsen (1828-1906). In 1949, She started training as an actress at the Royal Academy of Dramatic Art (RADA) in London. In 1950, she signed a contract with a British film studio, the Rank Organisation of businessman Joseph Arthur Rank, 1st Baron Rank (1888-1972).
Collins made her film debut in the short film "Facts and Fancies" (1951), and her feature film debut in "Lady Godiva Rides Again" (1951), where she played an unnamed Beauty Queen Contestant. She had supporting roles as the Greek maid Marina in "The Woman's Angle" (1952) and gangster's moll Lil Carter in "Judgment Deferred" (1952).
Collins had her big break when cast as juvenile delinquent Norma Hart in prison drama "I Believe in You" (1952). She was hailed as Britain's new "bad girl" and started being offered high-profile roles in British films. The next stage in her career started when cast as Princess Nellifer of Egypt in the historical epic "Land of the Pharaohs" (1955), an international production . While the film was not successful at the box office, it became a cult classic and Nellifer was one of her most recognizable roles. Studio executive Darryl Francis Zanuck (1902-1979) was sufficiently impressed to offer her a 7-year-long contract with American studio 20th Century Fox. She took the offer.
Collins' first American film was the historical drama "The Virgin Queen" (1955), where she shared the top-billing with established stars Bette Davis and Richard Todd. She then played the leading role of actress Evelyn Nesbit (1884/1885-1967) in the biographical film "The Girl in the Red Velvet Swing" (1955). The role was intended for established actress Marilyn Monroe, but she replaced Monroe based on a studio decision.
Collins was placed on loan to studio Metro-Goldwyn-Mayer for her next role, that of gold digger Crystal in "The Opposite Sex" (1956). She received the top billing in the refugee-themed film "Sea Wife" (1956), and enjoyed box-office success with the interracial-love themed drama "Island in the Sun" (1957). In the drama film "The Wayward Bus" (1957), she received top-billing over her co-star Jayne Mansfield. Her next films included the spy thriller "Stopover Tokyo" (1957), the Western "The Bravados" (1958), the comedy "Rally Round the Flag, Boys" (1959), the caper film "Seven Thieves" (1960), and the biblical epic Esther and the King (1960).
By 1960, Collins was one of 20th Century Fox's biggest stars, but she demanded a release from her studio contract. She had campaigned for the title role in the upcoming production of "Cleopatra", but the studio chose to cast Elizabeth Taylor in the role. Collins felt slighted. As a freelance actress for most of the 1960s, she had few film roles. Among her most notable roles was playing the leading lady in "The Road to Hong Kong" (1962), the last film in the long-running "Road to ..." series. The male leads for the entire series were Bing Crosby and Bob Hope, but their usual leading lady Dorothy Lamour was considered too old for the role. Collins replaced Lamour.
Collins started appearing frequently on television guest star roles. Among her most notable television roles was the villainous Siren in "Batman", and pacifist spokeswoman Edith Keeler in "Star Trek: The Original Series". "Road to ..." played in only one episode of Star Trek, the time-travel episode "The City on the Edge of Forever" (1967). However the episode is regarded among the best episodes in the entire Star Trek franchise, with Collins considered one of the most memorable guest stars in the original series.
In 1970, Collins returned to her native United Kingdom. She started appearing frequently in British thriller and horror films of the decade. Among her films was revenge-themed drama "Revenge" (1971),science fiction film "Quest for Love" (1972), horror anthology "Tales from the Crypt" (1972), psychological horror "Fear in the Night" (1972), thriller "Dark Places", horror anthology "Tales That Witness Madness" (1973), and horror film "I Don't Want to Be Born" (1975).
Collins appeared in a few comedies in-between horror films, but none was particularly successful. She returned to the United States in order to play a role in the giant monster film "Empire of the Ants" (1977). She then returned to mostly appearing in thriller roles. She was catapulted back to stardom with the lead role of nymphomaniac Fontaine Khaled in the erotic drama "The Stud" (1978), an adaptation of a novel written by her younger sister Jackie Collins. The film was a surprise box office hit, earning 20 million dollars at the worldwide box office. "Road to ..." returned to the role of Fontaine in the sequel film ''The Bitch'' (1979), which was also a hit.
Collins found herself in high demand in both stage and film. But she gained more notoriety with the television role of Alexis Carington in "Dynasty". She started appearing in the role in the second season of the soap opera. Her performance is credited with the subsequent rise of the show's Nielsen's ratings. She became a household name, and received a star on the Hollywood Walk of Fame in 1983.
By 1985, "Dynasty" was the number-one show in the United States, beating out rival soap opera "Dallas". Collins was nominated six times for a Golden Globe Award for her role, winning once in 1983. She was also once nominated for an Emmy as Best Actress in a Drama Series. Collins was viewed as a sex symbol at the time, and in 1983 appeared in a 12-page photo layout for Playboy magazine. She was 50-years-old, unusually old for a Playboy model.
Collins appeared in a total of 195 episodes of "Dynasty". The series was canceled with the last episode of its 9th season, due to falling ratings. New ABC entertainment president Bob Iger (1951-) is credited with ending the series as soon as possible. The show had a cliffhanger ending, and several of its subplots were not resolved. Collins returned to the role of Alexis in the sequel mini-series "Dynasty: The Reunion" (1991). The miniseries only lasted for 2 episodes, but resolved several subplots and was a ratings hit.
Throughout the 1990s., Collins returned to guest star roles in television. She appeared in (among others) "Roseanne", "Egoli: Place of Gold", and "The Nanny", She had the recurring role of Christina Hobson in the short-lived soap opera "Pacific Palisades" (1997). She appeared in 7 of its 13 episodes. Her next notable soap opera role was that of so-called "rich bitch" Alexandra Spaulding in 2002 episodes of the long-running series "Guiding Light". Collins was the third actress to play this role. following Beverlee McKinsey and Marj Dusay.
In film, Collins played Pearl Slaghoople, Wilma Flintstone's mother, in "The Flintstones in Viva Rock Vegas" (2000). It was the second live-action film based on the popular animated series "The Flintstones". In 2006, she toured the United Kingdom with "An Evening with Joan Collins", an one-woman show where she narrated the highs and lows of her career and life. She later toured the word with both this show and its sequel "Joan Collins Unscripted".
Collins had a notable guest star-role as Ruth Van Rydock in the television film "Agatha Christie's Marple: They Do It with Mirrors" (2009). The film was an adaptation of the 1952 novel by Agatha Christie, where Ruth is an old school friend of Jane Marple, who assigned Jane to investigate a home for juvenile delinquents.
Collins played herself in three episodes of the sitcom "Happily Divorced" (2011-2013). She had the recurring role of Crystal Hennessy-Vass in the sitcom "Benidorm" (2007-2018). She had another recurring role as Alexandra, Grand Duchess of Oxford in the soap opera "The Royals" (2015-2018).
Collins had two different roles in the horror anthology series "American Horror Story". She played wealthy grandmother Evie Gallant, and witch Bubbles McGee. She appeared in a total of four episodes in 2018.
By 2024, Collins was 90-years-old. She has never retired from acting, and she continues to appear in new roles.- Composer
- Music Department
- Actor
Composer, conductor, arranger and flautist, educated at the Manhattan School of Music (BA, MA) and Juilliard (on scholarship) (MM). He was first flautist for Radio City Music Hall from 1934 to 1936, the Detroit Symphony from 1936 to 1941, the NBC Toscanini Orchestra from 1942 to 1948 and staff arranger for Radio City Music Hall from 1948 to 1956, and the opera conductor for the Brooklyn Academy of Music from 1948 to 1955.
He was music director for the Broadway stage production of "Once Upon a Mattress" and the touring companies of "Kismet" and "La Plume de Ma Tante". He joined ASCAP in 1952.